Songs like Serie Americana: Preludio by Hector Ayala
Based on a tempo of (+/- 10%) and a similar genre
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Celedonio Romero
Tango Angelita
96 bpm • A Maj • 02:20 • -25db
20% Popularity • 44% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 17% Positiveness
20% Popularity • 44% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 17% Positiveness
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Antonio Lauro
4 Valses Venezolanos: Vals No. 3 (Vals c...
96 bpm • E Maj • 01:36 • -30.31db
36% Popularity • 32% Danceability • 12% Energy • 11% Liveness
85% Instrumentalness • 89% Positiveness
36% Popularity • 32% Danceability • 12% Energy • 11% Liveness
85% Instrumentalness • 89% Positiveness
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Rafael Rabello
7 Cordas (7 Strings): Sete Cordas (Seven...
96 bpm • E Maj • 05:17 • -35db
9% Popularity • 29% Danceability • 1% Energy • 12% Liveness
91% Instrumentalness • 6% Positiveness
9% Popularity • 29% Danceability • 1% Energy • 12% Liveness
91% Instrumentalness • 6% Positiveness
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Hector Ayala
Serie Americana: Preludio
96 bpm • E min • 02:36 • -33db
31% Popularity • 44% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 22% Positiveness
31% Popularity • 44% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 22% Positiveness
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Heitor Villa-Lobos
Prelude No 3
95 bpm • A min • 06:34 • -25.95db
11% Popularity • 37% Danceability • 4% Energy • 9% Liveness
89% Instrumentalness • 16% Positiveness
11% Popularity • 37% Danceability • 4% Energy • 9% Liveness
89% Instrumentalness • 16% Positiveness
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Victor Villadangos
Milonga de Mis Amores
97 bpm • A Maj • 03:27 • -18.28db
0% Popularity • 39% Danceability • 25% Energy • 10% Liveness
92% Instrumentalness • 86% Positiveness
0% Popularity • 39% Danceability • 25% Energy • 10% Liveness
92% Instrumentalness • 86% Positiveness
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Lito Vitale
71 Milonga
95 bpm • A Maj • 03:26 • -30.2db
8% Popularity • 38% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 52% Positiveness
8% Popularity • 38% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 52% Positiveness
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Matteo Carcassi
Carcassi Op.60 N.19 Allegro Moderato
95 bpm • G Maj • 01:26 • -20db
34% Popularity • 28% Danceability • 22% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
34% Popularity • 28% Danceability • 22% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
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Catharina Josepha Pratten
Forgotten: Impromptu
97 bpm • D Maj • 03:12 • -17.44db
15% Popularity • 51% Danceability • 13% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
15% Popularity • 51% Danceability • 13% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
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Dionisio Aguado
3 Rondo brillants, Op. 2: No. 2b in A Mi...
95 bpm • A min • 06:38 • -24db
14% Popularity • 32% Danceability • 11% Energy • 9% Liveness
87% Instrumentalness • 36% Positiveness
14% Popularity • 32% Danceability • 11% Energy • 9% Liveness
87% Instrumentalness • 36% Positiveness
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Norbert Kraft
Rosita
97 bpm • D Maj • 01:30 • -21.84db
33% Popularity • 56% Danceability • 15% Energy • 16% Liveness
88% Instrumentalness • 83% Positiveness
33% Popularity • 56% Danceability • 15% Energy • 16% Liveness
88% Instrumentalness • 83% Positiveness
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Abel Carlevaro
Abel Carlevaro: Ronda
95 bpm • D min • 02:04 • -19.3db
0% Popularity • 38% Danceability • 13% Energy • 13% Liveness
95% Instrumentalness • 19% Positiveness
0% Popularity • 38% Danceability • 13% Energy • 13% Liveness
95% Instrumentalness • 19% Positiveness
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Hector Ayala
Serie Americana: I. Preludio
97 bpm • E min • 02:03 • -29.9db
0% Popularity • 38% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 39% Positiveness
0% Popularity • 38% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 39% Positiveness
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Antonio Lauro
Angostura
97 bpm • G Maj • 02:01 • -27db
28% Popularity • 31% Danceability • 15% Energy • 11% Liveness
87% Instrumentalness • 73% Positiveness
28% Popularity • 31% Danceability • 15% Energy • 11% Liveness
87% Instrumentalness • 73% Positiveness
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Catharina Josepha Pratten
Spanish Dance
95 bpm • A min • 02:11 • -20.04db
11% Popularity • 44% Danceability • 15% Energy • 8% Liveness
85% Instrumentalness • 25% Positiveness
11% Popularity • 44% Danceability • 15% Energy • 8% Liveness
85% Instrumentalness • 25% Positiveness
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Luigi Legnani
36 Caprices, Op. 20: IV. Allegretto
95 bpm • E Maj • 01:09 • -24db
29% Popularity • 59% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 36% Positiveness
29% Popularity • 59% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 36% Positiveness
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Adam Holzman
24 Preludes: No. 24 In D Minor
95 bpm • D Maj • 01:46 • -29db
27% Popularity • 40% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
27% Popularity • 40% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
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Federico Moreno Torroba
Romance de los pinos
97 bpm • C Maj • 01:47 • -29.84db
21% Popularity • 45% Danceability • 4% Energy • 9% Liveness
63% Instrumentalness • 17% Positiveness
21% Popularity • 45% Danceability • 4% Energy • 9% Liveness
63% Instrumentalness • 17% Positiveness
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Walter Heinze
Concordancias: IV --
94 bpm • C# min • 01:43 • -33db
14% Popularity • 28% Danceability • 3% Energy • 9% Liveness
85% Instrumentalness • 58% Positiveness
14% Popularity • 28% Danceability • 3% Energy • 9% Liveness
85% Instrumentalness • 58% Positiveness
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Antonio Lauro
Antonio Lauro: Variaciones Sobre Una Can...
98 bpm • A Maj • 09:17 • -19.23db
0% Popularity • 39% Danceability • 15% Energy • 11% Liveness
95% Instrumentalness • 32% Positiveness
0% Popularity • 39% Danceability • 15% Energy • 11% Liveness
95% Instrumentalness • 32% Positiveness
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Eduardo Falú
Carnavalito
98 bpm • E min • 02:45 • -16.91db
0% Popularity • 56% Danceability • 21% Energy • 11% Liveness
92% Instrumentalness • 51% Positiveness
0% Popularity • 56% Danceability • 21% Energy • 11% Liveness
92% Instrumentalness • 51% Positiveness
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Heitor Villa-Lobos
Heitor Villa-Lobos: Preludio Nº3 en La ...
98 bpm • A min • 06:29 • -21.98db
3% Popularity • 48% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 16% Positiveness
3% Popularity • 48% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 16% Positiveness
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Miguel Llobet Solés
13 Catalan Folksongs: L'hereu riera
98 bpm • A Maj • 00:56 • -19db
29% Popularity • 65% Danceability • 22% Energy • 8% Liveness
83% Instrumentalness • 25% Positiveness
29% Popularity • 65% Danceability • 22% Energy • 8% Liveness
83% Instrumentalness • 25% Positiveness
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Matteo Carcassi
Carcassi Op.60 N.4 Allegretto
98 bpm • D Maj • 01:34 • -17db
33% Popularity • 23% Danceability • 38% Energy • 20% Liveness
89% Instrumentalness • 70% Positiveness
33% Popularity • 23% Danceability • 38% Energy • 20% Liveness
89% Instrumentalness • 70% Positiveness
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Victor Villadangos
Hora libre (Free Hour)
98 bpm • G Maj • 01:46 • -28db
33% Popularity • 46% Danceability • 13% Energy • 7% Liveness
89% Instrumentalness • 27% Positiveness
33% Popularity • 46% Danceability • 13% Energy • 7% Liveness
89% Instrumentalness • 27% Positiveness
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Jean-Philippe Rameau
Nouvelles suites de pièces de clavecin,...
94 bpm • D# min • 02:20 • -29db
31% Popularity • 47% Danceability • 6% Energy • 11% Liveness
88% Instrumentalness • 57% Positiveness
31% Popularity • 47% Danceability • 6% Energy • 11% Liveness
88% Instrumentalness • 57% Positiveness
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Antonio Lauro
Ana Florencia
94 bpm • E Maj • 01:47 • -28.25db
17% Popularity • 48% Danceability • 3% Energy • 12% Liveness
90% Instrumentalness • 23% Positiveness
17% Popularity • 48% Danceability • 3% Energy • 12% Liveness
90% Instrumentalness • 23% Positiveness
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Adam Holzman
Estrellita
98 bpm • A Maj • 02:23 • -31.18db
33% Popularity • 47% Danceability • 1% Energy • 8% Liveness
95% Instrumentalness • 23% Positiveness
33% Popularity • 47% Danceability • 1% Energy • 8% Liveness
95% Instrumentalness • 23% Positiveness
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Johann Kaspar Mertz
Bardenklange, Op. 13: Unruhe (Restlessne...
98 bpm • E Maj • 01:49 • -27db
33% Popularity • 28% Danceability • 11% Energy • 10% Liveness
86% Instrumentalness • 57% Positiveness
33% Popularity • 28% Danceability • 11% Energy • 10% Liveness
86% Instrumentalness • 57% Positiveness
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Toru Takemitsu
Gita no tame no juni no uta (12 Songs fo...
94 bpm • A Maj • 03:17 • -32.19db
13% Popularity • 39% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 27% Positiveness
13% Popularity • 39% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 27% Positiveness
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Victor Villadangos
Cielo Abierto
98 bpm • B min • 05:37 • -20db
16% Popularity • 36% Danceability • 16% Energy • 10% Liveness
90% Instrumentalness • 20% Positiveness
16% Popularity • 36% Danceability • 16% Energy • 10% Liveness
90% Instrumentalness • 20% Positiveness
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Federico Moreno Torroba
Suite, Castellana: II "Arada"
94 bpm • D min • 03:59 • -33db
24% Popularity • 35% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 9% Positiveness
24% Popularity • 35% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 9% Positiveness
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Francis Kleynjans
Tristesse
94 bpm • B min • 02:40 • -19.19db
19% Popularity • 40% Danceability • 11% Energy • 9% Liveness
95% Instrumentalness • 22% Positiveness
19% Popularity • 40% Danceability • 11% Energy • 9% Liveness
95% Instrumentalness • 22% Positiveness
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Antonio Lauro
4 Valses Venezolanos: Vals No. 2
99 bpm • E min • 01:06 • -28.82db
41% Popularity • 29% Danceability • 13% Energy • 11% Liveness
84% Instrumentalness • 96% Positiveness
41% Popularity • 29% Danceability • 13% Energy • 11% Liveness
84% Instrumentalness • 96% Positiveness
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Roland Dyens
Largo
93 bpm • G min • 04:04 • -32.4db
0% Popularity • 47% Danceability • 1% Energy • 12% Liveness
93% Instrumentalness • 10% Positiveness
0% Popularity • 47% Danceability • 1% Energy • 12% Liveness
93% Instrumentalness • 10% Positiveness
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Ferdinando Carulli
Andante No. 1, Op. 320
99 bpm • G Maj • 02:19 • -26db
30% Popularity • 51% Danceability • 3% Energy • 11% Liveness
81% Instrumentalness • 20% Positiveness
30% Popularity • 51% Danceability • 3% Energy • 11% Liveness
81% Instrumentalness • 20% Positiveness
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Quique Sinesi
Sonidos de aquel dia (Sounds from That D...
99 bpm • D Maj • 03:52 • -31.54db
12% Popularity • 38% Danceability • 4% Energy • 12% Liveness
90% Instrumentalness • 27% Positiveness
12% Popularity • 38% Danceability • 4% Energy • 12% Liveness
90% Instrumentalness • 27% Positiveness
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Federico Moreno Torroba
Castillos de Espana II: No. 1. Turegano
93 bpm • E Maj • 02:25 • -28db
29% Popularity • 33% Danceability • 14% Energy • 11% Liveness
88% Instrumentalness • 53% Positiveness
29% Popularity • 33% Danceability • 14% Energy • 11% Liveness
88% Instrumentalness • 53% Positiveness
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Heitor Villa-Lobos
Chôros No. 1, W161
93 bpm • E min • 04:09 • -17.55db
21% Popularity • 46% Danceability • 25% Energy • 12% Liveness
83% Instrumentalness • 25% Positiveness
21% Popularity • 46% Danceability • 25% Energy • 12% Liveness
83% Instrumentalness • 25% Positiveness
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Erik Satie
Gymnopédie No. 1
99 bpm • A Maj • 02:58 • -20.35db
12% Popularity • 62% Danceability • 7% Energy • 10% Liveness
93% Instrumentalness • 17% Positiveness
12% Popularity • 62% Danceability • 7% Energy • 10% Liveness
93% Instrumentalness • 17% Positiveness
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Mark Houghton
Dance of the Orient
99 bpm • D Maj • 04:20 • -23.1db
36% Popularity • 36% Danceability • 11% Energy • 9% Liveness
93% Instrumentalness • 24% Positiveness
36% Popularity • 36% Danceability • 11% Energy • 9% Liveness
93% Instrumentalness • 24% Positiveness
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Per-Olov Kindgren
Prelude XII
99 bpm • C Maj • 01:22 • -27.93db
25% Popularity • 38% Danceability • 9% Energy • 9% Liveness
93% Instrumentalness • 59% Positiveness
25% Popularity • 38% Danceability • 9% Energy • 9% Liveness
93% Instrumentalness • 59% Positiveness
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Anonymous
El Testament d'Amelia (arr. Miguel Llobe...
99 bpm • D min • 01:56 • -26db
26% Popularity • 48% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 28% Positiveness
26% Popularity • 48% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 28% Positiveness
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Hector Ayala
Vals Peruano
99 bpm • A min • 01:18 • -19.32db
1% Popularity • 43% Danceability • 20% Energy • 19% Liveness
83% Instrumentalness • 60% Positiveness
1% Popularity • 43% Danceability • 20% Energy • 19% Liveness
83% Instrumentalness • 60% Positiveness
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Luigi Legnani
36 Caprices, Op. 20: XV. Presto
100 bpm • B min • 01:14 • -27db
33% Popularity • 42% Danceability • 15% Energy • 10% Liveness
95% Instrumentalness • 86% Positiveness
33% Popularity • 42% Danceability • 15% Energy • 10% Liveness
95% Instrumentalness • 86% Positiveness
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Erik Satie
Gymnopedie No. 1
93 bpm • A Maj • 02:50 • -34db
38% Popularity • 50% Danceability • 0% Energy • 10% Liveness
88% Instrumentalness • 14% Positiveness
38% Popularity • 50% Danceability • 0% Energy • 10% Liveness
88% Instrumentalness • 14% Positiveness
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Johann Kaspar Mertz
Bardenklange, Op. 13: Fingals Hohle (Fin...
100 bpm • G Maj • 02:45 • -27db
15% Popularity • 26% Danceability • 10% Energy • 11% Liveness
87% Instrumentalness • 12% Positiveness
15% Popularity • 26% Danceability • 10% Energy • 11% Liveness
87% Instrumentalness • 12% Positiveness
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Fernando Fiszbein
Arácnido en Tu Pelo
100 bpm • G Maj • 03:03 • -18.6db
0% Popularity • 28% Danceability • 24% Energy • 10% Liveness
88% Instrumentalness • 9% Positiveness
0% Popularity • 28% Danceability • 24% Energy • 10% Liveness
88% Instrumentalness • 9% Positiveness
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Quique Sinesi
Contramarea (Opposing Tide)
92 bpm • D Maj • 04:25 • -31.96db
7% Popularity • 35% Danceability • 5% Energy • 9% Liveness
94% Instrumentalness • 22% Positiveness
7% Popularity • 35% Danceability • 5% Energy • 9% Liveness
94% Instrumentalness • 22% Positiveness
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Hector Ayala
Serie Americana: I. Preludio
100 bpm • E min • 02:23 • -16.08db
3% Popularity • 42% Danceability • 12% Energy • 11% Liveness
92% Instrumentalness • 40% Positiveness
3% Popularity • 42% Danceability • 12% Energy • 11% Liveness
92% Instrumentalness • 40% Positiveness
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Federico Moreno Torroba
Castillos de Espana II: No. 3. Alcaniz
100 bpm • E Maj • 01:44 • -27.18db
33% Popularity • 37% Danceability • 15% Energy • 17% Liveness
85% Instrumentalness • 12% Positiveness
33% Popularity • 37% Danceability • 15% Energy • 17% Liveness
85% Instrumentalness • 12% Positiveness
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JoaquÃn Rodrigo
Junto al Generalife
100 bpm • D Maj • 05:33 • -19.52db
25% Popularity • 36% Danceability • 17% Energy • 12% Liveness
92% Instrumentalness • 24% Positiveness
25% Popularity • 36% Danceability • 17% Energy • 12% Liveness
92% Instrumentalness • 24% Positiveness
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Jose Luis Merlin
Suite del recuerdo: I. Evocacion
100 bpm • E min • 01:17 • -24.41db
39% Popularity • 35% Danceability • 7% Energy • 9% Liveness
95% Instrumentalness • 23% Positiveness
39% Popularity • 35% Danceability • 7% Energy • 9% Liveness
95% Instrumentalness • 23% Positiveness
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Combo Tango
Milonga Hysen
100 bpm • D Maj • 02:20 • -14.82db
2% Popularity • 62% Danceability • 16% Energy • 8% Liveness
78% Instrumentalness • 69% Positiveness
2% Popularity • 62% Danceability • 16% Energy • 8% Liveness
78% Instrumentalness • 69% Positiveness
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Gentil Montaña
Suite Colombiana No. 2: IV. Porro
92 bpm • E min • 03:19 • -24.47db
22% Popularity • 53% Danceability • 15% Energy • 11% Liveness
93% Instrumentalness • 62% Positiveness
22% Popularity • 53% Danceability • 15% Energy • 11% Liveness
93% Instrumentalness • 62% Positiveness
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Julián Plaza
Nostalgic
100 bpm • B min • 03:40 • -31.32db
4% Popularity • 38% Danceability • 2% Energy • 8% Liveness
93% Instrumentalness • 23% Positiveness
4% Popularity • 38% Danceability • 2% Energy • 8% Liveness
93% Instrumentalness • 23% Positiveness
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Antonio Vivaldi
12 Concertos, Op. 3 "L'estro armonico", ...
100 bpm • B min • 01:07 • -20.25db
41% Popularity • 43% Danceability • 23% Energy • 33% Liveness
58% Instrumentalness • 37% Positiveness
41% Popularity • 43% Danceability • 23% Energy • 33% Liveness
58% Instrumentalness • 37% Positiveness
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Abel Carlevaro
Abel Carlevaro: Scherzino
100 bpm • C# min • 02:33 • -18.98db
1% Popularity • 41% Danceability • 18% Energy • 11% Liveness
95% Instrumentalness • 51% Positiveness
1% Popularity • 41% Danceability • 18% Energy • 11% Liveness
95% Instrumentalness • 51% Positiveness
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Victor Villadangos
Milonga del 71
92 bpm • A Maj • 03:19 • -20.12db
13% Popularity • 34% Danceability • 19% Energy • 11% Liveness
82% Instrumentalness • 46% Positiveness
13% Popularity • 34% Danceability • 19% Energy • 11% Liveness
82% Instrumentalness • 46% Positiveness
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Henry Purcell
Abdelazar Suite, Z. 570: II. Rondo (arr....
92 bpm • D min • 01:25 • -19.35db
33% Popularity • 58% Danceability • 12% Energy • 9% Liveness
91% Instrumentalness • 44% Positiveness
33% Popularity • 58% Danceability • 12% Energy • 9% Liveness
91% Instrumentalness • 44% Positiveness
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Sergio & Odair Assad
Suite Popular Brasileira, Valsa-Choro
100 bpm • E min • 04:13 • -16db
10% Popularity • 54% Danceability • 22% Energy • 10% Liveness
92% Instrumentalness • 19% Positiveness
10% Popularity • 54% Danceability • 22% Energy • 10% Liveness
92% Instrumentalness • 19% Positiveness
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Sergio Assad
Valseana
92 bpm • D Maj • 02:59 • -20db
23% Popularity • 34% Danceability • 8% Energy • 9% Liveness
93% Instrumentalness • 38% Positiveness
23% Popularity • 34% Danceability • 8% Energy • 9% Liveness
93% Instrumentalness • 38% Positiveness
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Quique Sinesi
Cielo abierto (Open Sky)
101 bpm • B min • 05:36 • -29.08db
7% Popularity • 35% Danceability • 6% Energy • 11% Liveness
90% Instrumentalness • 14% Positiveness
7% Popularity • 35% Danceability • 6% Energy • 11% Liveness
90% Instrumentalness • 14% Positiveness
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Heitor Villa-Lobos
Heitor Villa-Lobos: Preludio Nº1 en Mi ...
92 bpm • E min • 04:38 • -19.7db
4% Popularity • 38% Danceability • 17% Energy • 10% Liveness
95% Instrumentalness • 17% Positiveness
4% Popularity • 38% Danceability • 17% Energy • 10% Liveness
95% Instrumentalness • 17% Positiveness
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Mario Castelnuovo-Tedesco
Sonatina canonica, Op. 196: II. Tempo di...
91 bpm • A min • 04:03 • -27.55db
22% Popularity • 37% Danceability • 5% Energy • 8% Liveness
92% Instrumentalness • 15% Positiveness
22% Popularity • 37% Danceability • 5% Energy • 8% Liveness
92% Instrumentalness • 15% Positiveness
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Napoléon Coste
25 Etudes, Op. 38: No. 11 in G Major
101 bpm • G Maj • 01:22 • -26db
32% Popularity • 52% Danceability • 7% Energy • 15% Liveness
65% Instrumentalness • 77% Positiveness
32% Popularity • 52% Danceability • 7% Energy • 15% Liveness
65% Instrumentalness • 77% Positiveness
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Sergio & Odair Assad
Agua e vinho
92 bpm • G min • 03:01 • -26.84db
14% Popularity • 36% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
14% Popularity • 36% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
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Jorge Cardoso
Brejeiro - Tango Brasileño
91 bpm • E Maj • 02:25 • -19db
21% Popularity • 46% Danceability • 20% Energy • 12% Liveness
94% Instrumentalness • 81% Positiveness
21% Popularity • 46% Danceability • 20% Energy • 12% Liveness
94% Instrumentalness • 81% Positiveness
► Preview
Sergio Natali
El arte de cebar (The Art of Serving Mat...
101 bpm • D min • 02:20 • -27.76db
5% Popularity • 44% Danceability • 5% Energy • 10% Liveness
96% Instrumentalness • 31% Positiveness
5% Popularity • 44% Danceability • 5% Energy • 10% Liveness
96% Instrumentalness • 31% Positiveness
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Roland Dyens
India
91 bpm • G Maj • 05:20 • -28.38db
0% Popularity • 28% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 12% Positiveness
0% Popularity • 28% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 12% Positiveness
► Preview
Sergei Rachmaninoff
10 Preludes, Op. 23: No. 5 in G Minor. A...
101 bpm • D Maj • 04:46 • -25.16db
9% Popularity • 44% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 13% Positiveness
9% Popularity • 44% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 13% Positiveness
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Frédéric Chopin
24 Preludes, Op. 28: No. 6 in B Minor (A...
102 bpm • B Maj • 05:18 • -30.39db
10% Popularity • 32% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 13% Positiveness
10% Popularity • 32% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 13% Positiveness
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Maximo Diego Pujol
Suite del Plata, No. 1: Murga
102 bpm • E min • 01:53 • -26db
27% Popularity • 39% Danceability • 6% Energy • 11% Liveness
88% Instrumentalness • 27% Positiveness
27% Popularity • 39% Danceability • 6% Energy • 11% Liveness
88% Instrumentalness • 27% Positiveness
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Antonio Lauro
Maria Carolina
91 bpm • A min • 03:05 • -28.71db
33% Popularity • 29% Danceability • 7% Energy • 11% Liveness
88% Instrumentalness • 52% Positiveness
33% Popularity • 29% Danceability • 7% Energy • 11% Liveness
88% Instrumentalness • 52% Positiveness
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Sylvain Luc
Âmes d'antan
102 bpm • G Maj • 02:26 • -29db
23% Popularity • 43% Danceability • 4% Energy • 10% Liveness
91% Instrumentalness • 22% Positiveness
23% Popularity • 43% Danceability • 4% Energy • 10% Liveness
91% Instrumentalness • 22% Positiveness
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Abel Carlevaro
Milonga oriental
91 bpm • E min • 02:08 • -27db
23% Popularity • 21% Danceability • 14% Energy • 10% Liveness
90% Instrumentalness • 14% Positiveness
23% Popularity • 21% Danceability • 14% Energy • 10% Liveness
90% Instrumentalness • 14% Positiveness
► Preview
Saul Cosentino
La Recoleta
90 bpm • A min • 03:46 • -32.07db
3% Popularity • 39% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 22% Positiveness
3% Popularity • 39% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 22% Positiveness
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Jorge Cardoso
Vals Peruano - De la Suite Sudamericana
102 bpm • G Maj • 02:59 • -22.48db
21% Popularity • 40% Danceability • 16% Energy • 11% Liveness
94% Instrumentalness • 85% Positiveness
21% Popularity • 40% Danceability • 16% Energy • 11% Liveness
94% Instrumentalness • 85% Positiveness
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Xuefei Yang
丹尼男å©
102 bpm • E Maj • 03:32 • -26db
44% Popularity • 46% Danceability • 2% Energy • 10% Liveness
86% Instrumentalness • 24% Positiveness
44% Popularity • 46% Danceability • 2% Energy • 10% Liveness
86% Instrumentalness • 24% Positiveness
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Antonio Lauro
El Marabino
102 bpm • A Maj • 01:18 • -27.48db
38% Popularity • 48% Danceability • 13% Energy • 14% Liveness
86% Instrumentalness • 90% Positiveness
38% Popularity • 48% Danceability • 13% Energy • 14% Liveness
86% Instrumentalness • 90% Positiveness
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Sergio Assad
Aquarelle: II. Valseana
102 bpm • D Maj • 02:55 • -33.94db
26% Popularity • 27% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 17% Positiveness
26% Popularity • 27% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 17% Positiveness
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Federico Mompou
Suite compostelana: II. Coral
90 bpm • F# min • 02:42 • -35.3db
23% Popularity • 34% Danceability • 0% Energy • 12% Liveness
89% Instrumentalness • 16% Positiveness
23% Popularity • 34% Danceability • 0% Energy • 12% Liveness
89% Instrumentalness • 16% Positiveness
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Violeta Parra
Gracias a la vida (Arr. for Guitar by Em...
90 bpm • D min • 02:27 • -23.46db
14% Popularity • 32% Danceability • 8% Energy • 11% Liveness
94% Instrumentalness • 22% Positiveness
14% Popularity • 32% Danceability • 8% Energy • 11% Liveness
94% Instrumentalness • 22% Positiveness
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Combo Tango
Confideal
90 bpm • C min • 02:54 • -14.36db
1% Popularity • 16% Danceability • 24% Energy • 6% Liveness
79% Instrumentalness • 31% Positiveness
1% Popularity • 16% Danceability • 24% Energy • 6% Liveness
79% Instrumentalness • 31% Positiveness
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Xuefei Yang
Heavenly Bird (Arr. for Guitar)
90 bpm • E min • 01:11 • -26.95db
20% Popularity • 28% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 34% Positiveness
20% Popularity • 28% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 34% Positiveness
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Sergio & Odair Assad
Prelúdio No. 4
102 bpm • A# Maj • 03:28 • -23.6db
10% Popularity • 46% Danceability • 3% Energy • 11% Liveness
77% Instrumentalness • 13% Positiveness
10% Popularity • 46% Danceability • 3% Energy • 11% Liveness
77% Instrumentalness • 13% Positiveness
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Jaime Bosch
Brimborion, Op. 11: Romance sans paroles
90 bpm • G Maj • 04:45 • -18.99db
17% Popularity • 37% Danceability • 11% Energy • 12% Liveness
93% Instrumentalness • 9% Positiveness
17% Popularity • 37% Danceability • 11% Energy • 12% Liveness
93% Instrumentalness • 9% Positiveness
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Manuel Ponce
3 Canciones populares mexicanas: La Paja...
102 bpm • C# min • 01:03 • -28db
34% Popularity • 52% Danceability • 9% Energy • 9% Liveness
96% Instrumentalness • 62% Positiveness
34% Popularity • 52% Danceability • 9% Energy • 9% Liveness
96% Instrumentalness • 62% Positiveness
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JoaquÃn Rodrigo
Sonata giocosa: II. Andante moderato
102 bpm • A min • 04:19 • -24.79db
34% Popularity • 48% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 25% Positiveness
34% Popularity • 48% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 25% Positiveness
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Miguel Llobet Solés
El Testament d' Amelia - Rev. Celedonio ...
102 bpm • G min • 02:06 • -37.58db
18% Popularity • 45% Danceability • 0% Energy • 10% Liveness
88% Instrumentalness • 24% Positiveness
18% Popularity • 45% Danceability • 0% Energy • 10% Liveness
88% Instrumentalness • 24% Positiveness
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Regino Sáinz de la Maza
Canciones Castellanas
90 bpm • A min • 05:20 • -19db
35% Popularity • 46% Danceability • 20% Energy • 14% Liveness
88% Instrumentalness • 33% Positiveness
35% Popularity • 46% Danceability • 20% Energy • 14% Liveness
88% Instrumentalness • 33% Positiveness
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Roland Dyens
India
103 bpm • C Maj • 05:20 • -19.72db
0% Popularity • 35% Danceability • 16% Energy • 11% Liveness
94% Instrumentalness • 15% Positiveness
0% Popularity • 35% Danceability • 16% Energy • 11% Liveness
94% Instrumentalness • 15% Positiveness
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Philip Hemmo
Danza Mora
90 bpm • B Maj • 03:29 • -21.92db
14% Popularity • 39% Danceability • 16% Energy • 12% Liveness
80% Instrumentalness • 46% Positiveness
14% Popularity • 39% Danceability • 16% Energy • 12% Liveness
80% Instrumentalness • 46% Positiveness
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Victor Villadangos
Tucututa
90 bpm • G min • 02:58 • -30.35db
30% Popularity • 40% Danceability • 4% Energy • 10% Liveness
86% Instrumentalness • 39% Positiveness
30% Popularity • 40% Danceability • 4% Energy • 10% Liveness
86% Instrumentalness • 39% Positiveness
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Pepe Romero
Suite Espanola (arr. for guitar)
103 bpm • G Maj • 09:27 • -20.15db
15% Popularity • 42% Danceability • 14% Energy • 10% Liveness
87% Instrumentalness • 43% Positiveness
15% Popularity • 42% Danceability • 14% Energy • 10% Liveness
87% Instrumentalness • 43% Positiveness
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Antonio Lauro
Triptico: 3. La Negra
90 bpm • G Maj • 01:49 • -27.69db
29% Popularity • 34% Danceability • 12% Energy • 12% Liveness
82% Instrumentalness • 78% Positiveness
29% Popularity • 34% Danceability • 12% Energy • 12% Liveness
82% Instrumentalness • 78% Positiveness
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Regino Sáinz de la Maza
Sainz de la Maza: El Vito
103 bpm • A min • 01:43 • -21.41db
17% Popularity • 41% Danceability • 17% Energy • 11% Liveness
96% Instrumentalness • 50% Positiveness
17% Popularity • 41% Danceability • 17% Energy • 11% Liveness
96% Instrumentalness • 50% Positiveness
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Dionisio Aguado
3 Rondo Brillants, Op. 2: No. 2. Andante...
90 bpm • A min • 09:19 • -26db
16% Popularity • 33% Danceability • 7% Energy • 7% Liveness
87% Instrumentalness • 17% Positiveness
16% Popularity • 33% Danceability • 7% Energy • 7% Liveness
87% Instrumentalness • 17% Positiveness
