Songs like Serse, HWV 40, Act I Scene 1: Arioso "Ombra mai fù" by George Frideric Handel
Based on a tempo of (+/- 10%) and a similar genre
► Preview
Luigi Rossi
Rossi: "Begl'occhi che dite"
109 bpm • F min • 05:46 • -22.26db
11% Popularity • 35% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
11% Popularity • 35% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
George Frideric Handel
Serse, HWV 40, Act I Scene 1: Arioso "Om...
109 bpm • E Maj • 03:03 • -23.48db
39% Popularity • 20% Danceability • 10% Energy • 11% Liveness
28% Instrumentalness • 4% Positiveness
39% Popularity • 20% Danceability • 10% Energy • 11% Liveness
28% Instrumentalness • 4% Positiveness
► Preview
Antonio Vivaldi
Nisi Dominus (Psalm 126), R.608: 8. "Sic...
109 bpm • F# min • 01:08 • -22.99db
18% Popularity • 54% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
18% Popularity • 54% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
► Preview
Georg Philipp Telemann
Concerto for 3 Trumpets and Timpani in D...
109 bpm • C# Maj • 02:47 • -15db
9% Popularity • 50% Danceability • 24% Energy • 9% Liveness
89% Instrumentalness • 71% Positiveness
9% Popularity • 50% Danceability • 24% Energy • 9% Liveness
89% Instrumentalness • 71% Positiveness
► Preview
Claudio Monteverdi
Zefiro torna, e di soavi accenti, SV 251
110 bpm • G Maj • 05:38 • -27db
16% Popularity • 32% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
16% Popularity • 32% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
► Preview
Gregorio Allegri
Allegri: Miserere (Excerpt)
108 bpm • G min • 05:48 • -23.51db
35% Popularity • 20% Danceability • 10% Energy • 11% Liveness
57% Instrumentalness • 3% Positiveness
35% Popularity • 20% Danceability • 10% Energy • 11% Liveness
57% Instrumentalness • 3% Positiveness
► Preview
Henry Purcell
O Solitude, My Sweetest Choice, Z.406
110 bpm • F# min • 05:32 • -20db
14% Popularity • 28% Danceability • 9% Energy • 11% Liveness
4% Instrumentalness • 8% Positiveness
14% Popularity • 28% Danceability • 9% Energy • 11% Liveness
4% Instrumentalness • 8% Positiveness
► Preview
George Frideric Handel
Judas Maccabaeus, HWV 63, Act III: Duet ...
109 bpm • F# Maj • 06:35 • -28db
25% Popularity • 33% Danceability • 2% Energy • 54% Liveness
0% Instrumentalness • 21% Positiveness
25% Popularity • 33% Danceability • 2% Energy • 54% Liveness
0% Instrumentalness • 21% Positiveness
► Preview
Ottorino Respighi
Bach - 3 chorales, P. 167: No. 3. Andant...
110 bpm • D# Maj • 05:08 • -31.82db
51% Popularity • 16% Danceability • 1% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
51% Popularity • 16% Danceability • 1% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
► Preview
Franz Schubert
Schwanengesang, D. 957: IV. Ständchen i...
108 bpm • D Maj • 04:31 • -23.31db
39% Popularity • 24% Danceability • 6% Energy • 12% Liveness
29% Instrumentalness • 5% Positiveness
39% Popularity • 24% Danceability • 6% Energy • 12% Liveness
29% Instrumentalness • 5% Positiveness
► Preview
Johann Sebastian Bach
Vergnügte Ruh, beliebte Seelenlust, BWV...
107 bpm • G# Maj • 06:43 • -18.05db
5% Popularity • 22% Danceability • 13% Energy • 10% Liveness
6% Instrumentalness • 9% Positiveness
5% Popularity • 22% Danceability • 13% Energy • 10% Liveness
6% Instrumentalness • 9% Positiveness
► Preview
Carl Philipp Emanuel Bach
Cello Concerto No. 3 in A Major, Wq. 172...
107 bpm • E Maj • 05:25 • -20.23db
38% Popularity • 44% Danceability • 25% Energy • 15% Liveness
84% Instrumentalness • 49% Positiveness
38% Popularity • 44% Danceability • 25% Energy • 15% Liveness
84% Instrumentalness • 49% Positiveness
► Preview
Henry Purcell
Come ye sons of art: Sound the Trumpet
108 bpm • C# Maj • 03:00 • -12.32db
23% Popularity • 54% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
23% Popularity • 54% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
► Preview
George Frideric Handel
Dixit Dominus, HWV 232: Dixit Dominus
107 bpm • F# min • 05:15 • -20.48db
12% Popularity • 44% Danceability • 24% Energy • 19% Liveness
0% Instrumentalness • 26% Positiveness
12% Popularity • 44% Danceability • 24% Energy • 19% Liveness
0% Instrumentalness • 26% Positiveness
► Preview
John Bennet
Venus' Birds: Venus' birds whose mournfu...
107 bpm • A# min • 03:35 • -22.68db
15% Popularity • 35% Danceability • 7% Energy • 11% Liveness
10% Instrumentalness • 24% Positiveness
15% Popularity • 35% Danceability • 7% Energy • 11% Liveness
10% Instrumentalness • 24% Positiveness
► Preview
Antonio Vivaldi
Salve Regina, R.616 (Antiphona): 6. "O c...
111 bpm • B min • 02:36 • -29.15db
10% Popularity • 26% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
10% Popularity • 26% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Georg Philipp Telemann
Pimpinone, TWV 21:15, Pt. 1: Chi mi vuol...
111 bpm • A Maj • 03:34 • -18.52db
8% Popularity • 59% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
8% Popularity • 59% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
► Preview
Claudio Monteverdi
Zefiro torna
107 bpm • F Maj • 05:38 • -14db
13% Popularity • 50% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
13% Popularity • 50% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
► Preview
John Dowland
I Saw my Lady Weep
107 bpm • F# min • 04:04 • -23.01db
7% Popularity • 23% Danceability • 3% Energy • 9% Liveness
1% Instrumentalness • 5% Positiveness
7% Popularity • 23% Danceability • 3% Energy • 9% Liveness
1% Instrumentalness • 5% Positiveness
► Preview
George Frideric Handel
Israel in Egypt, HWV 54: Part I: He put ...
110 bpm • F# min • 02:01 • -18.24db
7% Popularity • 38% Danceability • 16% Energy • 11% Liveness
50% Instrumentalness • 42% Positiveness
7% Popularity • 38% Danceability • 16% Energy • 11% Liveness
50% Instrumentalness • 42% Positiveness
► Preview
Alessandro Scarlatti
Endimione e Cintia: Aria "Se geloso è i...
107 bpm • C# Maj • 03:01 • -20.56db
16% Popularity • 45% Danceability • 13% Energy • 10% Liveness
62% Instrumentalness • 33% Positiveness
16% Popularity • 45% Danceability • 13% Energy • 10% Liveness
62% Instrumentalness • 33% Positiveness
► Preview
Antonio Vivaldi
Nisi Dominus (Psalm 126), RV 608: 1. "Ni...
111 bpm • F# min • 02:48 • -24.38db
21% Popularity • 50% Danceability • 11% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
21% Popularity • 50% Danceability • 11% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
► Preview
Giacomo Puccini
O Mio Babbino Caro
112 bpm • G# Maj • 02:30 • -17.83db
49% Popularity • 25% Danceability • 12% Energy • 26% Liveness
0% Instrumentalness • 8% Positiveness
49% Popularity • 25% Danceability • 12% Energy • 26% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Joseph Haydn
String Quartet No. 62 in C Major, Op. 76...
106 bpm • G Maj • 07:42 • -28db
48% Popularity • 16% Danceability • 4% Energy • 16% Liveness
76% Instrumentalness • 11% Positiveness
48% Popularity • 16% Danceability • 4% Energy • 16% Liveness
76% Instrumentalness • 11% Positiveness
► Preview
Léo Delibes
Delibes: Lakmé, Act 1: Flower Duet - "D...
112 bpm • B Maj • 04:38 • -19.62db
23% Popularity • 34% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 5% Positiveness
23% Popularity • 34% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
George Frideric Handel
Dixit Dominus, HWV 232, Dixit Dominus, H...
108 bpm • F# min • 05:11 • -13.61db
8% Popularity • 33% Danceability • 37% Energy • 23% Liveness
0% Instrumentalness • 40% Positiveness
8% Popularity • 33% Danceability • 37% Energy • 23% Liveness
0% Instrumentalness • 40% Positiveness
► Preview
Barbara Strozzi
Che si può fare?
112 bpm • E min • 04:23 • -19.16db
22% Popularity • 33% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
22% Popularity • 33% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
► Preview
František Tůma
Motetto per ogni Tempo: IV. Aria. Amen
106 bpm • C# Maj • 01:45 • -23.79db
8% Popularity • 44% Danceability • 25% Energy • 13% Liveness
85% Instrumentalness • 91% Positiveness
8% Popularity • 44% Danceability • 25% Energy • 13% Liveness
85% Instrumentalness • 91% Positiveness
► Preview
Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30, Act III, Scen...
112 bpm • F# Maj • 03:28 • -19.1db
22% Popularity • 30% Danceability • 9% Energy • 24% Liveness
0% Instrumentalness • 18% Positiveness
22% Popularity • 30% Danceability • 9% Energy • 24% Liveness
0% Instrumentalness • 18% Positiveness
► Preview
William Christie
Purcell : King Arthur : Act 3 "See, see,...
114 bpm • A# min • 01:27 • -24db
35% Popularity • 64% Danceability • 24% Energy • 24% Liveness
0% Instrumentalness • 56% Positiveness
35% Popularity • 64% Danceability • 24% Energy • 24% Liveness
0% Instrumentalness • 56% Positiveness
► Preview
Léo Delibes
Lakmé / Act 1: Viens, Mallika, ... Dôm...
105 bpm • B Maj • 05:00 • -18.91db
22% Popularity • 30% Danceability • 9% Energy • 17% Liveness
0% Instrumentalness • 6% Positiveness
22% Popularity • 30% Danceability • 9% Energy • 17% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
George Frideric Handel
Rinaldo, HWV 7: Lascia ch´io pianga (Le...
105 bpm • D Maj • 03:52 • -22.39db
24% Popularity • 31% Danceability • 5% Energy • 9% Liveness
5% Instrumentalness • 7% Positiveness
24% Popularity • 31% Danceability • 5% Energy • 9% Liveness
5% Instrumentalness • 7% Positiveness
► Preview
Claudio Monteverdi
Madrigali amorosi: No. 9, Canzonetta by ...
104 bpm • C Maj • 01:25 • -29db
39% Popularity • 26% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
39% Popularity • 26% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Johann Sebastian Bach
Widerstehe doch der Sünde, BWV 54: I. A...
114 bpm • E Maj • 06:58 • -18.55db
5% Popularity • 45% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
5% Popularity • 45% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
► Preview
Christoph Willibald Gluck
Iphigénie en Tauride, Wq. 46 (Excerpts)...
114 bpm • A min • 01:34 • -31db
47% Popularity • 17% Danceability • 2% Energy • 8% Liveness
36% Instrumentalness • 4% Positiveness
47% Popularity • 17% Danceability • 2% Energy • 8% Liveness
36% Instrumentalness • 4% Positiveness
► Preview
Niccolò Jommelli
Requiem, Introitus: Requiem æternam
114 bpm • D# Maj • 05:26 • -33.34db
14% Popularity • 17% Danceability • 1% Energy • 10% Liveness
14% Instrumentalness • 4% Positiveness
14% Popularity • 17% Danceability • 1% Energy • 10% Liveness
14% Instrumentalness • 4% Positiveness
► Preview
Antonio Vivaldi
Salve Regina, R.616 (Antiphona): 2. "Ad ...
114 bpm • D Maj • 01:31 • -25.83db
19% Popularity • 62% Danceability • 8% Energy • 30% Liveness
0% Instrumentalness • 57% Positiveness
19% Popularity • 62% Danceability • 8% Energy • 30% Liveness
0% Instrumentalness • 57% Positiveness
► Preview
George Frideric Handel
Rodelinda, HWV 19: Io t'abbraccio
110 bpm • F min • 06:22 • -23db
7% Popularity • 30% Danceability • 4% Energy • 17% Liveness
0% Instrumentalness • 9% Positiveness
7% Popularity • 30% Danceability • 4% Energy • 17% Liveness
0% Instrumentalness • 9% Positiveness
► Preview
Henry Purcell
Come, ye sons of art, away (1694) Ode fo...
115 bpm • C# min • 04:18 • -17.89db
11% Popularity • 37% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
11% Popularity • 37% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
► Preview
Alexander Borodin
Polovtsian Dances From "Prince Igor"
103 bpm • D Maj • 11:30 • -21.85db
33% Popularity • 22% Danceability • 10% Energy • 9% Liveness
62% Instrumentalness • 8% Positiveness
33% Popularity • 22% Danceability • 10% Energy • 9% Liveness
62% Instrumentalness • 8% Positiveness
► Preview
Christoph Willibald Gluck
Orfeo ed Euridice (Orphée et Eurydice),...
103 bpm • F# Maj • 03:47 • -22.13db
23% Popularity • 31% Danceability • 5% Energy • 34% Liveness
0% Instrumentalness • 12% Positiveness
23% Popularity • 31% Danceability • 5% Energy • 34% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Gabriel Fauré
Fauré: Requiem, Op. 48: VII. In paradis...
103 bpm • D Maj • 03:52 • -22.02db
25% Popularity • 26% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
25% Popularity • 26% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Johann Sebastian Bach
St. Matthew Passion, BWV 244, Part II: N...
115 bpm • A# min • 05:44 • -21db
27% Popularity • 27% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
27% Popularity • 27% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
► Preview
George Frideric Handel
Giulio Cesare in Egitto, HWV 17, Act II,...
107 bpm • F min • 07:50 • -19.05db
28% Popularity • 25% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
28% Popularity • 25% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Henry Purcell
Dido and Aeneas / Act 1: "Shake the clou...
103 bpm • C min • 01:12 • -21db
24% Popularity • 39% Danceability • 9% Energy • 26% Liveness
0% Instrumentalness • 44% Positiveness
24% Popularity • 39% Danceability • 9% Energy • 26% Liveness
0% Instrumentalness • 44% Positiveness
► Preview
Derek Lee Ragin
Rinaldo, HWV 7a: Cara sposa (Air de Rina...
116 bpm • C# min • 09:21 • -22db
26% Popularity • 28% Danceability • 5% Energy • 7% Liveness
1% Instrumentalness • 6% Positiveness
26% Popularity • 28% Danceability • 5% Energy • 7% Liveness
1% Instrumentalness • 6% Positiveness
► Preview
Antonio Vivaldi
Stabat Mater, RV 621: I. Stabat Mater do...
116 bpm • E min • 02:54 • -23.96db
37% Popularity • 19% Danceability • 5% Energy • 10% Liveness
6% Instrumentalness • 7% Positiveness
37% Popularity • 19% Danceability • 5% Energy • 10% Liveness
6% Instrumentalness • 7% Positiveness
► Preview
Gabriel Fauré
Requiem, Op. 48: 4. Pie Jesu
102 bpm • A# Maj • 04:04 • -29db
27% Popularity • 19% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
27% Popularity • 19% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
► Preview
Claudio Monteverdi
Monteverdi / Arr Pluhar: Zefiro torna e ...
117 bpm • F Maj • 07:03 • -19.78db
29% Popularity • 40% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
29% Popularity • 40% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
► Preview
George Frideric Handel
Dixit Dominus, HWV 232: IV. Juravit Domi...
107 bpm • F# min • 02:31 • -19.55db
20% Popularity • 34% Danceability • 13% Energy • 28% Liveness
0% Instrumentalness • 11% Positiveness
20% Popularity • 34% Danceability • 13% Energy • 28% Liveness
0% Instrumentalness • 11% Positiveness
► Preview
Samuel Barber
4 Songs, Op. 13: No. 3. Sure on this shi...
101 bpm • A# Maj • 02:29 • -28.32db
18% Popularity • 16% Danceability • 3% Energy • 7% Liveness
99% Instrumentalness • 3% Positiveness
18% Popularity • 16% Danceability • 3% Energy • 7% Liveness
99% Instrumentalness • 3% Positiveness
► Preview
Henry Purcell
Dido and Aeneas / Act 1: "Ah! Belinda, I...
101 bpm • C min • 05:41 • -22.27db
20% Popularity • 28% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
20% Popularity • 28% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Georg Philipp Telemann
Concerto pour violon "Les Rainettes", en...
117 bpm • G# Maj • 05:29 • -22db
22% Popularity • 50% Danceability • 16% Energy • 12% Liveness
88% Instrumentalness • 41% Positiveness
22% Popularity • 50% Danceability • 16% Energy • 12% Liveness
88% Instrumentalness • 41% Positiveness
► Preview
Antonio Vivaldi
Cantate, RV 684 "Cessate, omai cessate":...
101 bpm • F# min • 05:16 • -22.44db
34% Popularity • 36% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
34% Popularity • 36% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
► Preview
Claudio Monteverdi
Scherzi musicali, cioè arie, et madriga...
101 bpm • G Maj • 06:59 • -19.04db
26% Popularity • 38% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
26% Popularity • 38% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
► Preview
George Frideric Handel
Suite in G minor: VII. Rigaudon (Arr. A....
118 bpm • C min • 01:36 • -22db
47% Popularity • 60% Danceability • 9% Energy • 22% Liveness
90% Instrumentalness • 60% Positiveness
47% Popularity • 60% Danceability • 9% Energy • 22% Liveness
90% Instrumentalness • 60% Positiveness
► Preview
Gioachino Rossini
Petite messe solennelle: I. Kyrie
118 bpm • C Maj • 02:29 • -14db
30% Popularity • 26% Danceability • 26% Energy • 12% Liveness
96% Instrumentalness • 20% Positiveness
30% Popularity • 26% Danceability • 26% Energy • 12% Liveness
96% Instrumentalness • 20% Positiveness
► Preview
Heitor Villa-Lobos
Bachianas brasileiras No. 5 for Soprano ...
99 bpm • A min • 06:47 • -24.53db
18% Popularity • 14% Danceability • 5% Energy • 28% Liveness
22% Instrumentalness • 4% Positiveness
18% Popularity • 14% Danceability • 5% Energy • 28% Liveness
22% Instrumentalness • 4% Positiveness
► Preview
Georg Philipp Telemann
Concerto for 3 Trumpets and Timpani in D...
118 bpm • C# Maj • 02:30 • -17db
22% Popularity • 45% Danceability • 19% Energy • 8% Liveness
81% Instrumentalness • 46% Positiveness
22% Popularity • 45% Danceability • 19% Energy • 8% Liveness
81% Instrumentalness • 46% Positiveness
► Preview
Antonio Vivaldi
Nulla in mundo pax, RV 630: 1. Nulla in ...
99 bpm • D# Maj • 06:42 • -19.51db
49% Popularity • 29% Danceability • 8% Energy • 24% Liveness
0% Instrumentalness • 10% Positiveness
49% Popularity • 29% Danceability • 8% Energy • 24% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
Claudio Monteverdi
Canzonette d'amore
100 bpm • B min • 02:36 • -25db
31% Popularity • 23% Danceability • 4% Energy • 20% Liveness
0% Instrumentalness • 10% Positiveness
31% Popularity • 23% Danceability • 4% Energy • 20% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
George Frideric Handel
Giulio Cesare in Egitto, HWV 17, Atto I ...
119 bpm • E Maj • 06:51 • -22db
16% Popularity • 45% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
16% Popularity • 45% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
► Preview
Gioachino Rossini
Petite messe solennelle: Kyrie
120 bpm • C Maj • 06:17 • -29db
29% Popularity • 18% Danceability • 4% Energy • 19% Liveness
80% Instrumentalness • 4% Positiveness
29% Popularity • 18% Danceability • 4% Energy • 19% Liveness
80% Instrumentalness • 4% Positiveness
► Preview
Wolfgang Amadeus Mozart
Exsultate, jubilate, K.165: 1. Exsultate...
121 bpm • F Maj • 04:38 • -24db
12% Popularity • 34% Danceability • 9% Energy • 24% Liveness
0% Instrumentalness • 22% Positiveness
12% Popularity • 34% Danceability • 9% Energy • 24% Liveness
0% Instrumentalness • 22% Positiveness
► Preview
Georg Philipp Telemann
Suite en Ré Majeur pour 2 trompettes, t...
100 bpm • C# Maj • 07:01 • -16.76db
5% Popularity • 46% Danceability • 32% Energy • 14% Liveness
90% Instrumentalness • 50% Positiveness
5% Popularity • 46% Danceability • 32% Energy • 14% Liveness
90% Instrumentalness • 50% Positiveness
► Preview
Henry Purcell
If music be the food of love, Z.379
99 bpm • E Maj • 02:15 • -17db
26% Popularity • 36% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
26% Popularity • 36% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
► Preview
Johann Philipp Krieger
Die ausgesöhnte Eifersucht oder Cephalu...
98 bpm • C# Maj • 08:37 • -20.86db
18% Popularity • 27% Danceability • 7% Energy • 9% Liveness
1% Instrumentalness • 11% Positiveness
18% Popularity • 27% Danceability • 7% Energy • 9% Liveness
1% Instrumentalness • 11% Positiveness
► Preview
George Frideric Handel
Mi palpita il cor, HWV 132c: IV. Se un d...
111 bpm • F# Maj • 03:25 • -18.61db
10% Popularity • 57% Danceability • 23% Energy • 21% Liveness
0% Instrumentalness • 48% Positiveness
10% Popularity • 57% Danceability • 23% Energy • 21% Liveness
0% Instrumentalness • 48% Positiveness
► Preview
Francesco Cavalli
Cavalli: La Rosinda, Act 3: "Vieni, vien...
98 bpm • G min • 03:39 • -17.75db
16% Popularity • 34% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
16% Popularity • 34% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
Antonio Vivaldi
Nulla in Mundo Pax Sincera - Arr. Edward...
98 bpm • E Maj • 04:41 • -13.33db
29% Popularity • 29% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 19% Positiveness
29% Popularity • 29% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 19% Positiveness
► Preview
Andreas Scholl
Eia Mater
98 bpm • A# Maj • 01:22 • -14.58db
32% Popularity • 21% Danceability • 14% Energy • 17% Liveness
16% Instrumentalness • 10% Positiveness
32% Popularity • 21% Danceability • 14% Energy • 17% Liveness
16% Instrumentalness • 10% Positiveness
► Preview
Giacomo Puccini
Gianni Schicchi: O mio babbino caro
98 bpm • G# Maj • 02:49 • -21.23db
50% Popularity • 21% Danceability • 16% Energy • 51% Liveness
38% Instrumentalness • 9% Positiveness
50% Popularity • 21% Danceability • 16% Energy • 51% Liveness
38% Instrumentalness • 9% Positiveness
► Preview
Henry Purcell
Abdelazer, Z.570: 2. Rondeau
97 bpm • C# min • 01:38 • -20db
48% Popularity • 37% Danceability • 5% Energy • 11% Liveness
52% Instrumentalness • 48% Positiveness
48% Popularity • 37% Danceability • 5% Energy • 11% Liveness
52% Instrumentalness • 48% Positiveness
► Preview
George Frideric Handel
Handel: Dixit Dominus, HWV 232: I. Dixit...
107 bpm • F# min • 05:17 • -17db
10% Popularity • 44% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
10% Popularity • 44% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
► Preview
Simone Kermes
Giulio Cesare, HWV 17: Act III - "Piange...
97 bpm • D# Maj • 07:02 • -20.72db
14% Popularity • 19% Danceability • 5% Energy • 11% Liveness
2% Instrumentalness • 5% Positiveness
14% Popularity • 19% Danceability • 5% Energy • 11% Liveness
2% Instrumentalness • 5% Positiveness
► Preview
Georg Philipp Telemann
Suite a-moll TWV55:a2: Suite a-moll TWV5...
97 bpm • G# min • 09:11 • -17db
17% Popularity • 36% Danceability • 20% Energy • 21% Liveness
5% Instrumentalness • 34% Positiveness
17% Popularity • 36% Danceability • 20% Energy • 21% Liveness
5% Instrumentalness • 34% Positiveness
► Preview
Claudio Monteverdi
L'incoronazione di Poppea: "Pur ti miro"
123 bpm • F# Maj • 04:36 • -20db
17% Popularity • 28% Danceability • 8% Energy • 7% Liveness
1% Instrumentalness • 9% Positiveness
17% Popularity • 28% Danceability • 8% Energy • 7% Liveness
1% Instrumentalness • 9% Positiveness
► Preview
Gabriel Fauré
Pavane, Op. 50
97 bpm • F# min • 04:37 • -32.66db
36% Popularity • 12% Danceability • 2% Energy • 18% Liveness
49% Instrumentalness • 4% Positiveness
36% Popularity • 12% Danceability • 2% Energy • 18% Liveness
49% Instrumentalness • 4% Positiveness
► Preview
Ensemble Concerto
Settimo Libro de Madrigali: Non vedrò m...
123 bpm • A min • 03:31 • -20db
6% Popularity • 30% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
6% Popularity • 30% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
George Frideric Handel
Jephtha, HWV 70, Act III Scene 1: "Waft ...
112 bpm • F# Maj • 05:43 • -26db
13% Popularity • 18% Danceability • 3% Energy • 11% Liveness
8% Instrumentalness • 9% Positiveness
13% Popularity • 18% Danceability • 3% Energy • 11% Liveness
8% Instrumentalness • 9% Positiveness
► Preview
Wolfgang Amadeus Mozart
Ave verum corpus in D Major, K. 618
123 bpm • D Maj • 02:47 • -21db
31% Popularity • 17% Danceability • 8% Energy • 7% Liveness
37% Instrumentalness • 3% Positiveness
31% Popularity • 17% Danceability • 8% Energy • 7% Liveness
37% Instrumentalness • 3% Positiveness
► Preview
Antonio Vivaldi
Gloria: Laudamus te
123 bpm • F# Maj • 02:09 • -21db
22% Popularity • 44% Danceability • 14% Energy • 32% Liveness
1% Instrumentalness • 70% Positiveness
22% Popularity • 44% Danceability • 14% Energy • 32% Liveness
1% Instrumentalness • 70% Positiveness
► Preview
Michelangelo Falvetti
Il diluvio universale, Act IV "In l’ar...
96 bpm • F# min • 03:00 • -19.17db
11% Popularity • 50% Danceability • 28% Energy • 14% Liveness
1% Instrumentalness • 57% Positiveness
11% Popularity • 50% Danceability • 28% Energy • 14% Liveness
1% Instrumentalness • 57% Positiveness
► Preview
London Philharmonic Orchestra
Nabucco: Chorus of the Hebrew Slaves, "V...
124 bpm • C# Maj • 04:59 • -16.48db
34% Popularity • 22% Danceability • 9% Energy • 10% Liveness
76% Instrumentalness • 6% Positiveness
34% Popularity • 22% Danceability • 9% Energy • 10% Liveness
76% Instrumentalness • 6% Positiveness
► Preview
AntonÃn Dvořák
Dvořák: Rusalka, Op. 114, B. 203, Act ...
96 bpm • F# Maj • 05:55 • -20db
24% Popularity • 23% Danceability • 8% Energy • 16% Liveness
1% Instrumentalness • 4% Positiveness
24% Popularity • 23% Danceability • 8% Energy • 16% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
George Frideric Handel
Handel: Hercules, HWV 60, Act 2: "Joys o...
106 bpm • E Maj • 02:53 • -17.98db
12% Popularity • 44% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
12% Popularity • 44% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
► Preview
Wolfgang Amadeus Mozart
Mozart: Così fan tutte, K. 588, Act 1: ...
124 bpm • E Maj • 03:04 • -23.49db
29% Popularity • 19% Danceability • 9% Energy • 10% Liveness
79% Instrumentalness • 6% Positiveness
29% Popularity • 19% Danceability • 9% Energy • 10% Liveness
79% Instrumentalness • 6% Positiveness
► Preview
Franz Schubert
Schwanengesang, D. 957: IV. Ständchen
124 bpm • D Maj • 04:14 • -26db
31% Popularity • 30% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
31% Popularity • 30% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Johannes Brahms
Ein deutsches Requiem (A German Requiem)...
124 bpm • D# Maj • 05:11 • -20.94db
25% Popularity • 21% Danceability • 11% Energy • 11% Liveness
45% Instrumentalness • 7% Positiveness
25% Popularity • 21% Danceability • 11% Energy • 11% Liveness
45% Instrumentalness • 7% Positiveness
► Preview
Claudio Monteverdi
Lamento della ninfa, SV 163: Amor, amor
95 bpm • A min • 04:24 • -19.28db
33% Popularity • 23% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
33% Popularity • 23% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
► Preview
Marc-Antoine Charpentier
Te Deum for Soloists, Chorus and Orchest...
95 bpm • C Maj • 01:22 • -15db
26% Popularity • 50% Danceability • 55% Energy • 34% Liveness
86% Instrumentalness • 75% Positiveness
26% Popularity • 50% Danceability • 55% Energy • 34% Liveness
86% Instrumentalness • 75% Positiveness
► Preview
George Frideric Handel
Rinaldo, HWV 7, Act II, Scene 4: Aria "L...
106 bpm • E Maj • 04:03 • -19.21db
29% Popularity • 33% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
29% Popularity • 33% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
► Preview
Wolfgang Amadeus Mozart
Le nozze di Figaro, K. 492 / Act 2: "Voi...
95 bpm • A# Maj • 03:53 • -26.82db
23% Popularity • 32% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
23% Popularity • 32% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Jules Massenet
Massenet: Thaïs, Act 2: Méditation (Ar...
95 bpm • D Maj • 05:12 • -23.92db
30% Popularity • 22% Danceability • 8% Energy • 8% Liveness
65% Instrumentalness • 3% Positiveness
30% Popularity • 22% Danceability • 8% Energy • 8% Liveness
65% Instrumentalness • 3% Positiveness
► Preview
Antonio Vivaldi
In furore iustissimae irae, RV 626: IV. ...
125 bpm • B min • 01:41 • -19db
36% Popularity • 64% Danceability • 20% Energy • 11% Liveness
11% Instrumentalness • 69% Positiveness
36% Popularity • 64% Danceability • 20% Energy • 11% Liveness
11% Instrumentalness • 69% Positiveness
► Preview
Riccardo Broschi
Artaserse, Act III, Scene 1: Aria "Son q...
125 bpm • C# Maj • 08:15 • -19.6db
21% Popularity • 45% Danceability • 16% Energy • 12% Liveness
1% Instrumentalness • 39% Positiveness
21% Popularity • 45% Danceability • 16% Energy • 12% Liveness
1% Instrumentalness • 39% Positiveness
► Preview
Henry Purcell
King Arthur, or The British Worthy (1691...
95 bpm • B Maj • 03:09 • -13.8db
31% Popularity • 80% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
31% Popularity • 80% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
George Frideric Handel
Acis and Galatea, HWV 49a, Act II: Heart...
106 bpm • D Maj • 03:48 • -28.15db
4% Popularity • 22% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
4% Popularity • 22% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
