Songs like Set Dance And Jig: Rub The Bag / The Old Grey Goose by Seamie O'Dowd
Based on a tempo of (+/- 10%) and a similar genre
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Erwan Menguy
The road to the fork
136 bpm • A min • 06:20 • -8.75db
12% Popularity • 48% Danceability • 45% Energy • 10% Liveness
88% Instrumentalness • 61% Positiveness
12% Popularity • 48% Danceability • 45% Energy • 10% Liveness
88% Instrumentalness • 61% Positiveness
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Seamie O'Dowd
And the Children Play
136 bpm • A min • 03:41 • -12.47db
1% Popularity • 53% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
1% Popularity • 53% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Dolores Keane
Strange Affair
136 bpm • D Maj • 03:42 • -21.19db
19% Popularity • 46% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 48% Positiveness
19% Popularity • 46% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 48% Positiveness
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Ryan Young
Woo’ed an Married an A’ / fingal’s...
136 bpm • C Maj • 05:35 • -13.88db
13% Popularity • 39% Danceability • 13% Energy • 16% Liveness
26% Instrumentalness • 34% Positiveness
13% Popularity • 39% Danceability • 13% Energy • 16% Liveness
26% Instrumentalness • 34% Positiveness
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Irish Folk & Celtic Music
One Yellow Rose
137 bpm • C Maj • 04:32 • -17.02db
12% Popularity • 62% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 63% Positiveness
12% Popularity • 62% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 63% Positiveness
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Angus Lyon & Ruaridh Campbell
Washington Square Park
135 bpm • A Maj • 03:05 • -10.47db
7% Popularity • 58% Danceability • 44% Energy • 24% Liveness
8% Instrumentalness • 43% Positiveness
7% Popularity • 58% Danceability • 44% Energy • 24% Liveness
8% Instrumentalness • 43% Positiveness
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Erwan Menguy
Beaba / Ruz nevez
137 bpm • A Maj • 06:32 • -6.64db
10% Popularity • 62% Danceability • 51% Energy • 11% Liveness
45% Instrumentalness • 64% Positiveness
10% Popularity • 62% Danceability • 51% Energy • 11% Liveness
45% Instrumentalness • 64% Positiveness
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El McMeen
The Blarney Pilgrim Jig
135 bpm • G Maj • 02:53 • -18db
9% Popularity • 51% Danceability • 21% Energy • 9% Liveness
80% Instrumentalness • 71% Positiveness
9% Popularity • 51% Danceability • 21% Energy • 9% Liveness
80% Instrumentalness • 71% Positiveness
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Seamie O'Dowd
Set Dance And Jig: Rub The Bag / The Old...
136 bpm • C Maj • 03:34 • -11.73db
9% Popularity • 33% Danceability • 38% Energy • 10% Liveness
94% Instrumentalness • 79% Positiveness
9% Popularity • 33% Danceability • 38% Energy • 10% Liveness
94% Instrumentalness • 79% Positiveness
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MáirtÃn O'Connor
The Road West
137 bpm • G# Maj • 03:38 • -9db
14% Popularity • 72% Danceability • 80% Energy • 7% Liveness
62% Instrumentalness • 80% Positiveness
14% Popularity • 72% Danceability • 80% Energy • 7% Liveness
62% Instrumentalness • 80% Positiveness
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Old Blind Dogs
Linden Rise
134 bpm • G Maj • 02:50 • -12.84db
19% Popularity • 65% Danceability • 74% Energy • 10% Liveness
36% Instrumentalness • 96% Positiveness
19% Popularity • 65% Danceability • 74% Energy • 10% Liveness
36% Instrumentalness • 96% Positiveness
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Archie Fisher
Twa Bonnie Maidens
137 bpm • A Maj • 03:24 • -16.14db
12% Popularity • 46% Danceability • 17% Energy • 11% Liveness
2% Instrumentalness • 89% Positiveness
12% Popularity • 46% Danceability • 17% Energy • 11% Liveness
2% Instrumentalness • 89% Positiveness
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Anna Massie
Dad's Landrover
134 bpm • C Maj • 03:41 • -7.65db
7% Popularity • 40% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
7% Popularity • 40% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
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El McMeen
The Humors of Ballyloughlin Jig
135 bpm • A Maj • 02:54 • -14db
11% Popularity • 42% Danceability • 22% Energy • 10% Liveness
90% Instrumentalness • 39% Positiveness
11% Popularity • 42% Danceability • 22% Energy • 10% Liveness
90% Instrumentalness • 39% Positiveness
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JenliSisters
The Mist Covered Mountains of Home / The...
134 bpm • G Maj • 03:05 • -16.79db
11% Popularity • 39% Danceability • 20% Energy • 11% Liveness
23% Instrumentalness • 13% Positiveness
11% Popularity • 39% Danceability • 20% Energy • 11% Liveness
23% Instrumentalness • 13% Positiveness
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Lucia Micarelli
Shine You No More
139 bpm • F# min • 03:37 • -13.14db
16% Popularity • 55% Danceability • 50% Energy • 7% Liveness
81% Instrumentalness • 47% Positiveness
16% Popularity • 55% Danceability • 50% Energy • 7% Liveness
81% Instrumentalness • 47% Positiveness
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Yale Katrine
Rainbow Flag
133 bpm • C Maj • 04:11 • -14.08db
24% Popularity • 52% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 85% Positiveness
24% Popularity • 52% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 85% Positiveness
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Archie Fisher
Ettrick
138 bpm • F# Maj • 02:17 • -13.24db
13% Popularity • 36% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
13% Popularity • 36% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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The OK Factor
LÃ¥ngt bort i skogen
139 bpm • D Maj • 05:04 • -15.59db
15% Popularity • 42% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
15% Popularity • 42% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Kieran Quinn
Plancstaà Na Feise - 90 (Comóradh Nóc...
139 bpm • C Maj • 04:03 • -14.65db
0% Popularity • 50% Danceability • 32% Energy • 7% Liveness
78% Instrumentalness • 73% Positiveness
0% Popularity • 50% Danceability • 32% Energy • 7% Liveness
78% Instrumentalness • 73% Positiveness
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Luis Peixoto
Please Take Care
139 bpm • A# Maj • 03:48 • -12.64db
20% Popularity • 45% Danceability • 29% Energy • 15% Liveness
95% Instrumentalness • 42% Positiveness
20% Popularity • 45% Danceability • 29% Energy • 15% Liveness
95% Instrumentalness • 42% Positiveness
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Robin Bullock
The Rakes Of Clonmel / The Trip To The C...
133 bpm • G Maj • 02:38 • -13.67db
11% Popularity • 64% Danceability • 36% Energy • 11% Liveness
90% Instrumentalness • 94% Positiveness
11% Popularity • 64% Danceability • 36% Energy • 11% Liveness
90% Instrumentalness • 94% Positiveness
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Hannah O’Brien & Grant Flick
Windward
133 bpm • D# Maj • 05:16 • -11.73db
14% Popularity • 38% Danceability • 31% Energy • 11% Liveness
86% Instrumentalness • 36% Positiveness
14% Popularity • 38% Danceability • 31% Energy • 11% Liveness
86% Instrumentalness • 36% Positiveness
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Darol Anger
A Little Help from My Friends
133 bpm • D Maj • 03:57 • -14.89db
8% Popularity • 31% Danceability • 3% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
8% Popularity • 31% Danceability • 3% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
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Pete McCormack
Be Brave Tonight
140 bpm • F# Maj • 05:16 • -8.33db
15% Popularity • 41% Danceability • 27% Energy • 5% Liveness
0% Instrumentalness • 19% Positiveness
15% Popularity • 41% Danceability • 27% Energy • 5% Liveness
0% Instrumentalness • 19% Positiveness
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Tad Marks
Tombigbee Waltz/Amelia's Waltz
132 bpm • D Maj • 04:28 • -13db
7% Popularity • 45% Danceability • 23% Energy • 11% Liveness
14% Instrumentalness • 51% Positiveness
7% Popularity • 45% Danceability • 23% Energy • 11% Liveness
14% Instrumentalness • 51% Positiveness
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Malin Lewis
The Old Inn
140 bpm • A Maj • 03:50 • -11.83db
13% Popularity • 46% Danceability • 26% Energy • 13% Liveness
4% Instrumentalness • 31% Positiveness
13% Popularity • 46% Danceability • 26% Energy • 13% Liveness
4% Instrumentalness • 31% Positiveness
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Westward the Light
Flow Country
140 bpm • B min • 03:43 • -16.4db
9% Popularity • 19% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 11% Positiveness
9% Popularity • 19% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 11% Positiveness
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Natalie Haas
The Pond / Carolyn & Ginger
132 bpm • D Maj • 06:02 • -13.67db
9% Popularity • 44% Danceability • 26% Energy • 8% Liveness
75% Instrumentalness • 56% Positiveness
9% Popularity • 44% Danceability • 26% Energy • 8% Liveness
75% Instrumentalness • 56% Positiveness
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David Grier
Jeff Davis
140 bpm • D min • 02:56 • -23.96db
10% Popularity • 44% Danceability • 7% Energy • 14% Liveness
91% Instrumentalness • 72% Positiveness
10% Popularity • 44% Danceability • 7% Energy • 14% Liveness
91% Instrumentalness • 72% Positiveness
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Cathy Jordan
I Am of Ireland
141 bpm • B min • 03:01 • -6.04db
4% Popularity • 27% Danceability • 54% Energy • 39% Liveness
0% Instrumentalness • 70% Positiveness
4% Popularity • 27% Danceability • 54% Energy • 39% Liveness
0% Instrumentalness • 70% Positiveness
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Mike Pachelli
Dadgad It
140 bpm • A min • 03:17 • -14.81db
9% Popularity • 46% Danceability • 28% Energy • 14% Liveness
87% Instrumentalness • 41% Positiveness
9% Popularity • 46% Danceability • 28% Energy • 14% Liveness
87% Instrumentalness • 41% Positiveness
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Solas
Boy/Girl Tune
131 bpm • F# min • 03:29 • -7.81db
9% Popularity • 40% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 91% Positiveness
9% Popularity • 40% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 91% Positiveness
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Erwan Menguy
Caravan 734
141 bpm • D Maj • 05:13 • -8.37db
11% Popularity • 72% Danceability • 40% Energy • 14% Liveness
92% Instrumentalness • 30% Positiveness
11% Popularity • 72% Danceability • 40% Energy • 14% Liveness
92% Instrumentalness • 30% Positiveness
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Charm City Junction
Verdier
131 bpm • D Maj • 03:06 • -8.98db
9% Popularity • 63% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
9% Popularity • 63% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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Duck Baker
The Blarney Pilgrim
131 bpm • A Maj • 02:17 • -16db
9% Popularity • 45% Danceability • 24% Energy • 12% Liveness
95% Instrumentalness • 94% Positiveness
9% Popularity • 45% Danceability • 24% Energy • 12% Liveness
95% Instrumentalness • 94% Positiveness
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Whalebone
Hiraeth (Guitar)
141 bpm • A Maj • 03:38 • -13.55db
13% Popularity • 41% Danceability • 45% Energy • 13% Liveness
90% Instrumentalness • 64% Positiveness
13% Popularity • 41% Danceability • 45% Energy • 13% Liveness
90% Instrumentalness • 64% Positiveness
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Liz Carroll
Before the Storm / The Black Rogue
141 bpm • A min • 03:48 • -9.89db
14% Popularity • 39% Danceability • 52% Energy • 10% Liveness
82% Instrumentalness • 84% Positiveness
14% Popularity • 39% Danceability • 52% Energy • 10% Liveness
82% Instrumentalness • 84% Positiveness
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Jerry Douglas
Tribute to Peadar O'Donnell / Takarazaka
131 bpm • D Maj • 05:23 • -11.08db
9% Popularity • 39% Danceability • 40% Energy • 10% Liveness
90% Instrumentalness • 20% Positiveness
9% Popularity • 39% Danceability • 40% Energy • 10% Liveness
90% Instrumentalness • 20% Positiveness
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The Elftones
Road to Lisdoonvarna / O'Keefe's Slide /...
131 bpm • D Maj • 04:35 • -13db
10% Popularity • 56% Danceability • 31% Energy • 10% Liveness
10% Instrumentalness • 46% Positiveness
10% Popularity • 56% Danceability • 31% Energy • 10% Liveness
10% Instrumentalness • 46% Positiveness
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Lily Honigberg
Shelley's Jig
131 bpm • G Maj • 02:45 • -10.51db
9% Popularity • 52% Danceability • 54% Energy • 13% Liveness
10% Instrumentalness • 55% Positiveness
9% Popularity • 52% Danceability • 54% Energy • 13% Liveness
10% Instrumentalness • 55% Positiveness
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Trad.
Slip Jigs: Kid on the Mountain/O'Farrell...
131 bpm • C Maj • 04:47 • -7.89db
3% Popularity • 71% Danceability • 52% Energy • 66% Liveness
80% Instrumentalness • 97% Positiveness
3% Popularity • 71% Danceability • 52% Energy • 66% Liveness
80% Instrumentalness • 97% Positiveness
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Irish Folk & Celtic Music
Nightdream
142 bpm • G Maj • 03:52 • -12.07db
16% Popularity • 70% Danceability • 53% Energy • 38% Liveness
59% Instrumentalness • 89% Positiveness
16% Popularity • 70% Danceability • 53% Energy • 38% Liveness
59% Instrumentalness • 89% Positiveness
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Archie Fisher
Windward Away
131 bpm • A# Maj • 03:36 • -16db
14% Popularity • 51% Danceability • 19% Energy • 14% Liveness
1% Instrumentalness • 44% Positiveness
14% Popularity • 51% Danceability • 19% Energy • 14% Liveness
1% Instrumentalness • 44% Positiveness
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Tarran
Branches
130 bpm • D Maj • 04:16 • -10.67db
12% Popularity • 51% Danceability • 57% Energy • 32% Liveness
94% Instrumentalness • 41% Positiveness
12% Popularity • 51% Danceability • 57% Energy • 32% Liveness
94% Instrumentalness • 41% Positiveness
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Dà ibhidh Stiùbhard
A Stór Mó ChroÃ
130 bpm • C# min • 03:44 • -19db
12% Popularity • 50% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
12% Popularity • 50% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Apolline
Potato Taxi
130 bpm • G Maj • 04:30 • -11.53db
7% Popularity • 51% Danceability • 52% Energy • 12% Liveness
86% Instrumentalness • 43% Positiveness
7% Popularity • 51% Danceability • 52% Energy • 12% Liveness
86% Instrumentalness • 43% Positiveness
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The Tannahill Weavers
The Braes O'Balquhidder
130 bpm • D# Maj • 03:51 • -14.55db
14% Popularity • 37% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
14% Popularity • 37% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Kruger Brothers
Moon Seekers
130 bpm • D min • 03:04 • -9.21db
21% Popularity • 68% Danceability • 50% Energy • 10% Liveness
55% Instrumentalness • 81% Positiveness
21% Popularity • 68% Danceability • 50% Energy • 10% Liveness
55% Instrumentalness • 81% Positiveness
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Andrew Finn Magill
The Littlest Doyle
130 bpm • D Maj • 04:04 • -15.29db
7% Popularity • 60% Danceability • 14% Energy • 12% Liveness
3% Instrumentalness • 57% Positiveness
7% Popularity • 60% Danceability • 14% Energy • 12% Liveness
3% Instrumentalness • 57% Positiveness
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Daniel lork
Rachel
130 bpm • A min • 02:16 • -32.03db
18% Popularity • 54% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 61% Positiveness
18% Popularity • 54% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 61% Positiveness
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Franco Morone
Giants Parade/Morrison Jig
129 bpm • C min • 03:39 • -9.12db
9% Popularity • 36% Danceability • 46% Energy • 21% Liveness
94% Instrumentalness • 45% Positiveness
9% Popularity • 36% Danceability • 46% Energy • 21% Liveness
94% Instrumentalness • 45% Positiveness
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Malinky
Follow The Heron
129 bpm • A Maj • 04:32 • -14.35db
8% Popularity • 37% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
8% Popularity • 37% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Fergal Scahill
Gan Anim, Patsy Tuhoey's, The Lads Of La...
129 bpm • F min • 02:57 • -11db
26% Popularity • 59% Danceability • 66% Energy • 11% Liveness
74% Instrumentalness • 98% Positiveness
26% Popularity • 59% Danceability • 66% Energy • 11% Liveness
74% Instrumentalness • 98% Positiveness
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Kruger Brothers
The Sermon
143 bpm • D min • 03:14 • -9.96db
17% Popularity • 40% Danceability • 77% Energy • 10% Liveness
97% Instrumentalness • 84% Positiveness
17% Popularity • 40% Danceability • 77% Energy • 10% Liveness
97% Instrumentalness • 84% Positiveness
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Pierre Bensusan
Merrily Kissed the Quaker & Cunla
129 bpm • E Maj • 02:44 • -12.39db
15% Popularity • 51% Danceability • 33% Energy • 13% Liveness
68% Instrumentalness • 91% Positiveness
15% Popularity • 51% Danceability • 33% Energy • 13% Liveness
68% Instrumentalness • 91% Positiveness
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Denise Glover
Crazy Ideas
144 bpm • D Maj • 03:58 • -14.01db
13% Popularity • 66% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
13% Popularity • 66% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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Seamus Egan
The Czar Of Munster
129 bpm • A min • 03:51 • -9.53db
8% Popularity • 45% Danceability • 96% Energy • 12% Liveness
95% Instrumentalness • 92% Positiveness
8% Popularity • 45% Danceability • 96% Energy • 12% Liveness
95% Instrumentalness • 92% Positiveness
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Viorel
Honeybee
144 bpm • A# Maj • 04:47 • -14.54db
9% Popularity • 55% Danceability • 9% Energy • 10% Liveness
1% Instrumentalness • 31% Positiveness
9% Popularity • 55% Danceability • 9% Energy • 10% Liveness
1% Instrumentalness • 31% Positiveness
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Irish Folk & Celtic Music
The South Wind
144 bpm • F# Maj • 03:49 • -12.33db
8% Popularity • 70% Danceability • 53% Energy • 13% Liveness
69% Instrumentalness • 92% Positiveness
8% Popularity • 70% Danceability • 53% Energy • 13% Liveness
69% Instrumentalness • 92% Positiveness
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Wayne Brereton
'S Cuma Grian No Sion
144 bpm • E Maj • 02:47 • -10.63db
19% Popularity • 52% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
19% Popularity • 52% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
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Anna Massie
Worth the Wait
128 bpm • D Maj • 05:18 • -8.44db
11% Popularity • 46% Danceability • 48% Energy • 6% Liveness
21% Instrumentalness • 65% Positiveness
11% Popularity • 46% Danceability • 48% Energy • 6% Liveness
21% Instrumentalness • 65% Positiveness
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Yale Katrine
The Kitchen Girl
144 bpm • C Maj • 02:19 • -9.34db
24% Popularity • 49% Danceability • 65% Energy • 20% Liveness
71% Instrumentalness • 98% Positiveness
24% Popularity • 49% Danceability • 65% Energy • 20% Liveness
71% Instrumentalness • 98% Positiveness
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Seamus Egan
Apricity Waltz
144 bpm • G Maj • 03:36 • -12.21db
8% Popularity • 63% Danceability • 30% Energy • 8% Liveness
79% Instrumentalness • 45% Positiveness
8% Popularity • 63% Danceability • 30% Energy • 8% Liveness
79% Instrumentalness • 45% Positiveness
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Dolores Keane
Thuas Ag Gort an Chornáin
144 bpm • G# Maj • 02:57 • -14.47db
15% Popularity • 42% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
15% Popularity • 42% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Ckalybre
Despair
128 bpm • A min • 02:50 • -23.8db
10% Popularity • 49% Danceability • 4% Energy • 11% Liveness
79% Instrumentalness • 53% Positiveness
10% Popularity • 49% Danceability • 4% Energy • 11% Liveness
79% Instrumentalness • 53% Positiveness
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Wayne Brereton
Come Rain or Come Shine
144 bpm • E Maj • 02:47 • -10.8db
21% Popularity • 52% Danceability • 30% Energy • 24% Liveness
0% Instrumentalness • 58% Positiveness
21% Popularity • 52% Danceability • 30% Energy • 24% Liveness
0% Instrumentalness • 58% Positiveness
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Snaarmaarwaar
Kadril Van Mechelen
128 bpm • G Maj • 03:43 • -13.64db
9% Popularity • 63% Danceability • 46% Energy • 10% Liveness
90% Instrumentalness • 97% Positiveness
9% Popularity • 63% Danceability • 46% Energy • 10% Liveness
90% Instrumentalness • 97% Positiveness
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Tony McManus
The Emigrant's Farewell
128 bpm • D Maj • 05:01 • -19.33db
14% Popularity • 46% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 35% Positiveness
14% Popularity • 46% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 35% Positiveness
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Rannok
Præstø Polka
128 bpm • G Maj • 02:33 • -12.55db
10% Popularity • 53% Danceability • 33% Energy • 14% Liveness
1% Instrumentalness • 74% Positiveness
10% Popularity • 53% Danceability • 33% Energy • 14% Liveness
1% Instrumentalness • 74% Positiveness
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Seamus Egan
Under Cassiopeia
145 bpm • G Maj • 03:40 • -16.84db
8% Popularity • 67% Danceability • 28% Energy • 15% Liveness
95% Instrumentalness • 56% Positiveness
8% Popularity • 67% Danceability • 28% Energy • 15% Liveness
95% Instrumentalness • 56% Positiveness
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Saltfishforty
Whisky
127 bpm • D Maj • 04:41 • -7.06db
18% Popularity • 49% Danceability • 78% Energy • 23% Liveness
11% Instrumentalness • 89% Positiveness
18% Popularity • 49% Danceability • 78% Energy • 23% Liveness
11% Instrumentalness • 89% Positiveness
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Kate Ward
Storm Cycle
127 bpm • E min • 03:38 • -6.44db
10% Popularity • 48% Danceability • 49% Energy • 12% Liveness
1% Instrumentalness • 73% Positiveness
10% Popularity • 48% Danceability • 49% Energy • 12% Liveness
1% Instrumentalness • 73% Positiveness
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Sarah McQuaid
King Of The Fairies/The Blackbird
127 bpm • E min • 05:20 • -16.97db
12% Popularity • 63% Danceability • 14% Energy • 11% Liveness
82% Instrumentalness • 7% Positiveness
12% Popularity • 63% Danceability • 14% Energy • 11% Liveness
82% Instrumentalness • 7% Positiveness
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JigJam
Red Paddy on the Ridge
127 bpm • G Maj • 04:41 • -6.86db
9% Popularity • 45% Danceability • 80% Energy • 9% Liveness
93% Instrumentalness • 87% Positiveness
9% Popularity • 45% Danceability • 80% Energy • 9% Liveness
93% Instrumentalness • 87% Positiveness
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JenliSisters
Sea Song / Jenlisisters Jig / The Mornin...
146 bpm • E min • 02:53 • -12.93db
12% Popularity • 40% Danceability • 33% Energy • 10% Liveness
16% Instrumentalness • 10% Positiveness
12% Popularity • 40% Danceability • 33% Energy • 10% Liveness
16% Instrumentalness • 10% Positiveness
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Seamie O'Dowd
Gwylim
127 bpm • C# Maj • 04:40 • -22.47db
0% Popularity • 36% Danceability • 7% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
0% Popularity • 36% Danceability • 7% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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William Coulter & Friends
Barndance
146 bpm • F Maj • 02:25 • -13.44db
13% Popularity • 46% Danceability • 31% Energy • 9% Liveness
94% Instrumentalness • 48% Positiveness
13% Popularity • 46% Danceability • 31% Energy • 9% Liveness
94% Instrumentalness • 48% Positiveness
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Martin Simpson
Roger's Cascade
126 bpm • F Maj • 03:08 • -9.83db
9% Popularity • 32% Danceability • 50% Energy • 19% Liveness
90% Instrumentalness • 96% Positiveness
9% Popularity • 32% Danceability • 50% Energy • 19% Liveness
90% Instrumentalness • 96% Positiveness
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The Fretless
The Northern Three
126 bpm • G Maj • 04:47 • -10.49db
13% Popularity • 53% Danceability • 40% Energy • 9% Liveness
56% Instrumentalness • 94% Positiveness
13% Popularity • 53% Danceability • 40% Energy • 9% Liveness
56% Instrumentalness • 94% Positiveness
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Ailie Robertson
The Exploding Bow
125 bpm • G Maj • 04:00 • -7.22db
8% Popularity • 56% Danceability • 54% Energy • 9% Liveness
66% Instrumentalness • 49% Positiveness
8% Popularity • 56% Danceability • 54% Energy • 9% Liveness
66% Instrumentalness • 49% Positiveness
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Kasim Steijaert
Glory To You
148 bpm • F# min • 03:59 • -12.24db
20% Popularity • 49% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 31% Positiveness
20% Popularity • 49% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 31% Positiveness
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A Palinode
Ms. Monaghan's Reel
125 bpm • E min • 02:14 • -12.86db
8% Popularity • 63% Danceability • 45% Energy • 13% Liveness
83% Instrumentalness • 90% Positiveness
8% Popularity • 63% Danceability • 45% Energy • 13% Liveness
83% Instrumentalness • 90% Positiveness
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The Canny Band
Marit's
125 bpm • E Maj • 03:55 • -10.35db
10% Popularity • 66% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
10% Popularity • 66% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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Martin Simpson
Cherry Tree Carol
126 bpm • D Maj • 04:33 • -11.51db
9% Popularity • 49% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
9% Popularity • 49% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
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HONEYDEW
Cardboard Wine
125 bpm • C# Maj • 03:38 • -16.37db
12% Popularity • 70% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
12% Popularity • 70% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Dessie O'Halloran
Ould Ballymore
148 bpm • A Maj • 02:43 • -9.99db
10% Popularity • 56% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
10% Popularity • 56% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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IspÃnà na hÉireann
Cowan Mountain
149 bpm • D Maj • 05:23 • -14.41db
11% Popularity • 44% Danceability • 12% Energy • 8% Liveness
1% Instrumentalness • 14% Positiveness
11% Popularity • 44% Danceability • 12% Energy • 8% Liveness
1% Instrumentalness • 14% Positiveness
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Roberto Dalla Vecchia
Trust Your Instincts
124 bpm • A# Maj • 02:24 • -18.17db
19% Popularity • 39% Danceability • 30% Energy • 11% Liveness
87% Instrumentalness • 60% Positiveness
19% Popularity • 39% Danceability • 30% Energy • 11% Liveness
87% Instrumentalness • 60% Positiveness
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Tzalool
The Sleeping Policeman/Father O’flynn/...
124 bpm • D Maj • 03:44 • -12.54db
13% Popularity • 64% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
13% Popularity • 64% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
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Martin Simpson
Shepherd's Delight
149 bpm • C Maj • 01:52 • -12.82db
9% Popularity • 22% Danceability • 41% Energy • 8% Liveness
93% Instrumentalness • 84% Positiveness
9% Popularity • 22% Danceability • 41% Energy • 8% Liveness
93% Instrumentalness • 84% Positiveness
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Kruger Brothers
Spirit of the Woods
124 bpm • C min • 05:34 • -11.69db
16% Popularity • 73% Danceability • 57% Energy • 7% Liveness
93% Instrumentalness • 75% Positiveness
16% Popularity • 73% Danceability • 57% Energy • 7% Liveness
93% Instrumentalness • 75% Positiveness
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Irish Folk & Celtic Music
Magic in Forest
124 bpm • C Maj • 03:15 • -11.02db
12% Popularity • 60% Danceability • 57% Energy • 35% Liveness
44% Instrumentalness • 92% Positiveness
12% Popularity • 60% Danceability • 57% Energy • 35% Liveness
44% Instrumentalness • 92% Positiveness
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The Andrew Collins Trio
Contranym
124 bpm • D Maj • 03:20 • -14.9db
2% Popularity • 59% Danceability • 44% Energy • 11% Liveness
96% Instrumentalness • 52% Positiveness
2% Popularity • 59% Danceability • 44% Energy • 11% Liveness
96% Instrumentalness • 52% Positiveness
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Jackie Oates
Con Amore La Mi Madre
124 bpm • B Maj • 03:32 • -13.16db
7% Popularity • 34% Danceability • 15% Energy • 20% Liveness
0% Instrumentalness • 26% Positiveness
7% Popularity • 34% Danceability • 15% Energy • 20% Liveness
0% Instrumentalness • 26% Positiveness
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Seamie O'Dowd
The Musical Priest
124 bpm • B min • 04:18 • -9.65db
2% Popularity • 43% Danceability • 52% Energy • 20% Liveness
78% Instrumentalness • 93% Positiveness
2% Popularity • 43% Danceability • 52% Energy • 20% Liveness
78% Instrumentalness • 93% Positiveness
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Duck Baker
Kid On The Mountain
124 bpm • F# min • 02:03 • -17.75db
8% Popularity • 51% Danceability • 26% Energy • 10% Liveness
86% Instrumentalness • 88% Positiveness
8% Popularity • 51% Danceability • 26% Energy • 10% Liveness
86% Instrumentalness • 88% Positiveness
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Caladh Nua
Song - Beeswing
150 bpm • D Maj • 04:45 • -9.54db
27% Popularity • 57% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
27% Popularity • 57% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
