Songs like Seval Kodiyodu by Usha Raj
Based on a tempo of (+/- 10%) and a similar genre
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Marth Mariam Media Ministries
Mishihakarthavin
80 bpm • E min • 02:19 • -6.82db
20% Popularity • 64% Danceability • 47% Energy • 60% Liveness
0% Instrumentalness • 37% Positiveness
20% Popularity • 64% Danceability • 47% Energy • 60% Liveness
0% Instrumentalness • 37% Positiveness
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Kudamaloor Janardanan
Paluke Bangaramayena - Aananda Bhairavi ...
80 bpm • F min • 05:34 • -9.06db
14% Popularity • 63% Danceability • 46% Energy • 9% Liveness
95% Instrumentalness • 69% Positiveness
14% Popularity • 63% Danceability • 46% Energy • 9% Liveness
95% Instrumentalness • 69% Positiveness
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Vijaya Lakshmi Sharma
Sri Venkateshwara Sirasasmarami
80 bpm • A# Maj • 03:30 • -10.07db
10% Popularity • 48% Danceability • 39% Energy • 26% Liveness
0% Instrumentalness • 47% Positiveness
10% Popularity • 48% Danceability • 39% Energy • 26% Liveness
0% Instrumentalness • 47% Positiveness
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Sri Hari Atchutha Rama Sastry
Runa Vimochaka Mangala Sthotram
80 bpm • C Maj • 02:12 • -6.71db
22% Popularity • 65% Danceability • 38% Energy • 27% Liveness
0% Instrumentalness • 60% Positiveness
22% Popularity • 65% Danceability • 38% Energy • 27% Liveness
0% Instrumentalness • 60% Positiveness
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Vidyabhushana
Rama Mantrava Japiso
80 bpm • G Maj • 05:24 • -9.03db
16% Popularity • 55% Danceability • 41% Energy • 39% Liveness
0% Instrumentalness • 63% Positiveness
16% Popularity • 55% Danceability • 41% Energy • 39% Liveness
0% Instrumentalness • 63% Positiveness
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Vinaya
Durga Sooktham
80 bpm • D Maj • 02:32 • -8.8db
2% Popularity • 47% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
2% Popularity • 47% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Smitha
Aadenu Thandavam
80 bpm • G# Maj • 05:16 • -3.24db
11% Popularity • 47% Danceability • 95% Energy • 10% Liveness
1% Instrumentalness • 69% Positiveness
11% Popularity • 47% Danceability • 95% Energy • 10% Liveness
1% Instrumentalness • 69% Positiveness
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Kudamaloor Janardanan
Bhagyada Lakshmi - Madhyamavathi - Adi
80 bpm • A# min • 05:32 • -8.25db
16% Popularity • 63% Danceability • 61% Energy • 26% Liveness
92% Instrumentalness • 74% Positiveness
16% Popularity • 63% Danceability • 61% Energy • 26% Liveness
92% Instrumentalness • 74% Positiveness
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Mahanadhi Shobana
Kaithalai Nirai Kani
80 bpm • D Maj • 01:58 • -10.85db
33% Popularity • 60% Danceability • 14% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
33% Popularity • 60% Danceability • 14% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
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K. J. Yesudas
Sahasra Dalasam
80 bpm • F# Maj • 01:41 • -10.86db
9% Popularity • 50% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
9% Popularity • 50% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Ramesh Chandra
Subramanya Ashtakam
80 bpm • A# Maj • 04:51 • -10.76db
20% Popularity • 49% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
20% Popularity • 49% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Priya
Raama Raama
79 bpm • G Maj • 01:01 • -8.13db
34% Popularity • 59% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
34% Popularity • 59% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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Veeramani Kannan
Sangai Thanondru
81 bpm • D Maj • 02:28 • -4.53db
20% Popularity • 48% Danceability • 58% Energy • 24% Liveness
0% Instrumentalness • 56% Positiveness
20% Popularity • 48% Danceability • 58% Energy • 24% Liveness
0% Instrumentalness • 56% Positiveness
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Parupalli Sri Ranganath
Guru Raghava
79 bpm • C min • 04:17 • -7.26db
19% Popularity • 54% Danceability • 46% Energy • 36% Liveness
0% Instrumentalness • 55% Positiveness
19% Popularity • 54% Danceability • 46% Energy • 36% Liveness
0% Instrumentalness • 55% Positiveness
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Bombay Sisters
Lalitha Ashtothram
81 bpm • C# Maj • 07:51 • -3db
28% Popularity • 60% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
28% Popularity • 60% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
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Sunita Nagarajan
Sri Lakshmi Mangalam
81 bpm • C Maj • 03:52 • -2.73db
10% Popularity • 61% Danceability • 40% Energy • 35% Liveness
0% Instrumentalness • 30% Positiveness
10% Popularity • 61% Danceability • 40% Energy • 35% Liveness
0% Instrumentalness • 30% Positiveness
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Jolly Abraham
Agilaththai Padaiththa
81 bpm • A Maj • 06:41 • -7.68db
0% Popularity • 61% Danceability • 42% Energy • 27% Liveness
0% Instrumentalness • 40% Positiveness
0% Popularity • 61% Danceability • 42% Energy • 27% Liveness
0% Instrumentalness • 40% Positiveness
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Vijayalakshmi Sharma
Sirulunu Goorchi
81 bpm • D Maj • 04:59 • -5db
11% Popularity • 59% Danceability • 64% Energy • 68% Liveness
0% Instrumentalness • 88% Positiveness
11% Popularity • 59% Danceability • 64% Energy • 68% Liveness
0% Instrumentalness • 88% Positiveness
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Rattan Mohan Sharma
Kasturi Tilak Lalat Patle
81 bpm • D# Maj • 01:29 • -7.35db
15% Popularity • 45% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
15% Popularity • 45% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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Swami Paramarthananda
Bhagavad Gita, Chapter 3
81 bpm • G Maj • 09:24 • -5.56db
8% Popularity • 69% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
8% Popularity • 69% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
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Sri Hari Atchutha Rama Sastry
Purusha Suktam
79 bpm • A# Maj • 07:12 • -5.23db
16% Popularity • 62% Danceability • 41% Energy • 32% Liveness
0% Instrumentalness • 52% Positiveness
16% Popularity • 62% Danceability • 41% Energy • 32% Liveness
0% Instrumentalness • 52% Positiveness
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Bombay Sisters
Sri Indrakshi Stothram
81 bpm • F# Maj • 10:33 • -14.94db
11% Popularity • 68% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
11% Popularity • 68% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Jolly Abraham
Munnurai
81 bpm • B min • 05:28 • -14.1db
0% Popularity • 52% Danceability • 54% Energy • 35% Liveness
0% Instrumentalness • 55% Positiveness
0% Popularity • 52% Danceability • 54% Energy • 35% Liveness
0% Instrumentalness • 55% Positiveness
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Sivasri Skandaprasad
Sakala Loka Nayike
81 bpm • G# Maj • 06:30 • -15db
13% Popularity • 49% Danceability • 23% Energy • 34% Liveness
0% Instrumentalness • 74% Positiveness
13% Popularity • 49% Danceability • 23% Energy • 34% Liveness
0% Instrumentalness • 74% Positiveness
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Vinaya
Venkatesha Mangala Shaasanam
82 bpm • D Maj • 04:50 • -13.28db
7% Popularity • 32% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
7% Popularity • 32% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Vani Jairam
Sainath Suprabhatham
78 bpm • G Maj • 12:13 • -18.45db
19% Popularity • 68% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
19% Popularity • 68% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Sujatha
Pavanarachezhuthunnu - Female Vocals
78 bpm • G Maj • 05:18 • -8.12db
16% Popularity • 41% Danceability • 61% Energy • 38% Liveness
0% Instrumentalness • 79% Positiveness
16% Popularity • 41% Danceability • 61% Energy • 38% Liveness
0% Instrumentalness • 79% Positiveness
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Umbayee
En Swanagrahiyil
82 bpm • B min • 07:45 • -6.54db
6% Popularity • 52% Danceability • 61% Energy • 51% Liveness
0% Instrumentalness • 53% Positiveness
6% Popularity • 52% Danceability • 61% Energy • 51% Liveness
0% Instrumentalness • 53% Positiveness
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Prahlad Shinde
Bhaktachi Pandhari
78 bpm • F min • 05:18 • -8.75db
20% Popularity • 62% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
20% Popularity • 62% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
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Parupalli Sri Ranganath
Omkara Deepa
82 bpm • D# Maj • 02:41 • -6.48db
8% Popularity • 54% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 97% Positiveness
8% Popularity • 54% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 97% Positiveness
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Mahesh Kale
Sagun Sampanna
78 bpm • D Maj • 07:33 • -9.68db
14% Popularity • 41% Danceability • 46% Energy • 33% Liveness
0% Instrumentalness • 28% Positiveness
14% Popularity • 41% Danceability • 46% Energy • 33% Liveness
0% Instrumentalness • 28% Positiveness
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H. A. Sastry
Sri Suktham
78 bpm • C Maj • 07:54 • -9.55db
24% Popularity • 48% Danceability • 26% Energy • 23% Liveness
0% Instrumentalness • 39% Positiveness
24% Popularity • 48% Danceability • 26% Energy • 23% Liveness
0% Instrumentalness • 39% Positiveness
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Maharajapuram Santhanam
Bho Sambho
82 bpm • F Maj • 05:27 • -7.26db
30% Popularity • 44% Danceability • 78% Energy • 38% Liveness
0% Instrumentalness • 64% Positiveness
30% Popularity • 44% Danceability • 78% Energy • 38% Liveness
0% Instrumentalness • 64% Positiveness
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S. Sowmya
Himagiri Thanaye
83 bpm • F# Maj • 06:11 • -12.62db
33% Popularity • 59% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
33% Popularity • 59% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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Kammori Sahodarimanalu
Ravamma Mahalakshmi
83 bpm • F min • 05:32 • -7.9db
8% Popularity • 56% Danceability • 41% Energy • 35% Liveness
0% Instrumentalness • 67% Positiveness
8% Popularity • 56% Danceability • 41% Energy • 35% Liveness
0% Instrumentalness • 67% Positiveness
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Seven
Medha Muktham
83 bpm • D Maj • 02:51 • -9.18db
41% Popularity • 49% Danceability • 25% Energy • 24% Liveness
0% Instrumentalness • 11% Positiveness
41% Popularity • 49% Danceability • 25% Energy • 24% Liveness
0% Instrumentalness • 11% Positiveness
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Bombay Sisters
Sri Durga Slokam - genre: Amman
77 bpm • C# Maj • 01:40 • -4.86db
31% Popularity • 44% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
31% Popularity • 44% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
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Jolly Abraham
Naangaam Kaalam Sarali Varisai Paadam, P...
83 bpm • C# min • 01:05 • -11.67db
0% Popularity • 67% Danceability • 74% Energy • 63% Liveness
0% Instrumentalness • 57% Positiveness
0% Popularity • 67% Danceability • 74% Energy • 63% Liveness
0% Instrumentalness • 57% Positiveness
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Vinaya
Ganesha Pancharathnam
83 bpm • G Maj • 05:21 • -9.16db
4% Popularity • 40% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
4% Popularity • 40% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Usha Raj
Hanuman Suprabhatam
83 bpm • A Maj • 06:52 • -6.78db
28% Popularity • 64% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
28% Popularity • 64% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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T. M. Krishna
Ramacandram
83 bpm • G Maj • 01:19 • -9.11db
38% Popularity • 66% Danceability • 53% Energy • 6% Liveness
31% Instrumentalness • 91% Positiveness
38% Popularity • 66% Danceability • 53% Energy • 6% Liveness
31% Instrumentalness • 91% Positiveness
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Udaiyalur Kalyanaraman
Vanamali Radharamana
77 bpm • G# Maj • 03:50 • -6.94db
16% Popularity • 63% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 95% Positiveness
16% Popularity • 63% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 95% Positiveness
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Parupalli Ranganath
Himagiri Vara Baala
83 bpm • G min • 04:35 • -10.28db
15% Popularity • 59% Danceability • 57% Energy • 71% Liveness
0% Instrumentalness • 83% Positiveness
15% Popularity • 59% Danceability • 57% Energy • 71% Liveness
0% Instrumentalness • 83% Positiveness
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Jolly Abraham
Irandaam Kaalam Naangam Sarali Varasai
83 bpm • G# Maj • 02:18 • -12.18db
0% Popularity • 76% Danceability • 30% Energy • 51% Liveness
0% Instrumentalness • 47% Positiveness
0% Popularity • 76% Danceability • 30% Energy • 51% Liveness
0% Instrumentalness • 47% Positiveness
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Seven
Durga Suktham
83 bpm • D Maj • 02:21 • -8.97db
46% Popularity • 48% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
46% Popularity • 48% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Usha Raj
Sri Tulasi Gayathri Manthram
77 bpm • F Maj • 03:11 • -9.54db
0% Popularity • 30% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 30% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 4% Positiveness
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Chennai Sisters
Om Namo Venkatesaya
84 bpm • D Maj • 05:19 • -10db
4% Popularity • 27% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
4% Popularity • 27% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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B.K. Sumitra
Shiva Prarthana Sthothram
84 bpm • D min • 03:22 • -9.64db
17% Popularity • 46% Danceability • 42% Energy • 28% Liveness
0% Instrumentalness • 44% Positiveness
17% Popularity • 46% Danceability • 42% Energy • 28% Liveness
0% Instrumentalness • 44% Positiveness
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L.N. Shastri
Vanditha Kiranaa
84 bpm • C Maj • 01:17 • -9.83db
18% Popularity • 37% Danceability • 35% Energy • 37% Liveness
0% Instrumentalness • 38% Positiveness
18% Popularity • 37% Danceability • 35% Energy • 37% Liveness
0% Instrumentalness • 38% Positiveness
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Jolly Abraham
Mooraam Kalam Irandam Jandai Varisai
83 bpm • C# Maj • 02:14 • -9.8db
0% Popularity • 86% Danceability • 66% Energy • 46% Liveness
0% Instrumentalness • 76% Positiveness
0% Popularity • 86% Danceability • 66% Energy • 46% Liveness
0% Instrumentalness • 76% Positiveness
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Sonu Nigam
Jaago Jaago Ma
84 bpm • B Maj • 06:43 • -9.82db
11% Popularity • 40% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
11% Popularity • 40% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Usha Raj
Gaja Lakshmi Gayathri Manthram.
84 bpm • F Maj • 03:19 • -9.4db
0% Popularity • 20% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 20% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 4% Positiveness
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K. J. Yesudas
Deevee Neeyen
84 bpm • F# Maj • 05:11 • -9.66db
13% Popularity • 49% Danceability • 65% Energy • 31% Liveness
0% Instrumentalness • 77% Positiveness
13% Popularity • 49% Danceability • 65% Energy • 31% Liveness
0% Instrumentalness • 77% Positiveness
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M. K. Sankaran Namboothiri
Bhaje Vrajaika (Sri Krishnashtakam)
84 bpm • D# Maj • 03:48 • -5.85db
22% Popularity • 70% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
22% Popularity • 70% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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Priya
Mangalam Jaya Mangalam
84 bpm • D Maj • 01:08 • -12.99db
27% Popularity • 58% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
27% Popularity • 58% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Jolly Abraham
Moonraam Kaalam Irandam Sarali Varasai
83 bpm • C# min • 01:18 • -12.13db
0% Popularity • 78% Danceability • 57% Energy • 32% Liveness
0% Instrumentalness • 46% Positiveness
0% Popularity • 78% Danceability • 57% Energy • 32% Liveness
0% Instrumentalness • 46% Positiveness
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Chandan Nallal
Chamakam
76 bpm • G# Maj • 10:47 • -1.62db
23% Popularity • 44% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
23% Popularity • 44% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Usha Raj
Sri Lakshmi Ashtotara Sathanama Stothram
76 bpm • A# Maj • 03:49 • -8.95db
0% Popularity • 60% Danceability • 39% Energy • 38% Liveness
0% Instrumentalness • 29% Positiveness
0% Popularity • 60% Danceability • 39% Energy • 38% Liveness
0% Instrumentalness • 29% Positiveness
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Vidyabhushana
Narasimha Manthravu
85 bpm • C# Maj • 06:58 • -7.1db
17% Popularity • 53% Danceability • 54% Energy • 59% Liveness
0% Instrumentalness • 70% Positiveness
17% Popularity • 53% Danceability • 54% Energy • 59% Liveness
0% Instrumentalness • 70% Positiveness
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J. Bhakatavatsalam
Sri Varahi Moola Mantra
76 bpm • D Maj • 01:21 • -4.72db
36% Popularity • 57% Danceability • 28% Energy • 41% Liveness
0% Instrumentalness • 18% Positiveness
36% Popularity • 57% Danceability • 28% Energy • 41% Liveness
0% Instrumentalness • 18% Positiveness
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K. Veeramani
Bagavaan Saranam
85 bpm • D Maj • 06:17 • -10.09db
9% Popularity • 68% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
9% Popularity • 68% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Jolly Abraham
Naangaam Kaalam Iyandham Sarali Varasai
83 bpm • A Maj • 01:26 • -11.42db
0% Popularity • 83% Danceability • 71% Energy • 74% Liveness
0% Instrumentalness • 62% Positiveness
0% Popularity • 83% Danceability • 71% Energy • 74% Liveness
0% Instrumentalness • 62% Positiveness
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H. A. Sastry
Swasti Vachakam
85 bpm • G Maj • 01:26 • -7db
27% Popularity • 53% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
27% Popularity • 53% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Sri Nagaveni
Sowbagya Lakshmi Ravamma
85 bpm • F min • 04:05 • -2.46db
20% Popularity • 67% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
20% Popularity • 67% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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Sri Ganapathy Sachchidananda Swamiji
Datta Stavam
85 bpm • A# Maj • 03:06 • -17.17db
15% Popularity • 42% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
15% Popularity • 42% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Johnson
Sindhooram Peythirangi - Version, 2
85 bpm • D Maj • 02:17 • -15.23db
8% Popularity • 42% Danceability • 17% Energy • 36% Liveness
0% Instrumentalness • 34% Positiveness
8% Popularity • 42% Danceability • 17% Energy • 36% Liveness
0% Instrumentalness • 34% Positiveness
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Ved Vrind
Surya Sukta
85 bpm • D Maj • 02:17 • -7db
37% Popularity • 55% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 76% Positiveness
37% Popularity • 55% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 76% Positiveness
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Jolly Abraham
Naangaam Kaalam Moondram Mael Sthaayi Va...
83 bpm • A Maj • 01:02 • -5.9db
1% Popularity • 78% Danceability • 85% Energy • 61% Liveness
0% Instrumentalness • 76% Positiveness
1% Popularity • 78% Danceability • 85% Energy • 61% Liveness
0% Instrumentalness • 76% Positiveness
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Mallika Dharnana
Manojavam
85 bpm • E min • 01:17 • -9.52db
23% Popularity • 51% Danceability • 23% Energy • 26% Liveness
0% Instrumentalness • 24% Positiveness
23% Popularity • 51% Danceability • 23% Energy • 26% Liveness
0% Instrumentalness • 24% Positiveness
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Usha Raj
Ganga Gayathri Manthram
75 bpm • F Maj • 03:28 • -9.63db
2% Popularity • 29% Danceability • 6% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
2% Popularity • 29% Danceability • 6% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
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Parupalli Sri Ranganath
Khailasa Sikharamu Pye
86 bpm • C Maj • 04:58 • -6.71db
8% Popularity • 47% Danceability • 57% Energy • 59% Liveness
0% Instrumentalness • 91% Positiveness
8% Popularity • 47% Danceability • 57% Energy • 59% Liveness
0% Instrumentalness • 91% Positiveness
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J. Bhakatavatsalam
Sri Varahi Kavacham
86 bpm • D Maj • 05:02 • -6db
21% Popularity • 61% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
21% Popularity • 61% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Malladi Brothers
Tillana - Kamas - Adi
86 bpm • F Maj • 03:39 • -6.28db
27% Popularity • 46% Danceability • 66% Energy • 39% Liveness
0% Instrumentalness • 78% Positiveness
27% Popularity • 46% Danceability • 66% Energy • 39% Liveness
0% Instrumentalness • 78% Positiveness
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Jolly Abraham
Naangaam Kaalam Naangam Sarali Varasai
83 bpm • A Maj • 01:19 • -12.36db
0% Popularity • 80% Danceability • 72% Energy • 40% Liveness
0% Instrumentalness • 97% Positiveness
0% Popularity • 80% Danceability • 72% Energy • 40% Liveness
0% Instrumentalness • 97% Positiveness
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Vinaya
Vishnu Sooktham
86 bpm • F Maj • 03:28 • -11.53db
5% Popularity • 59% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
5% Popularity • 59% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Usha Raj
Aadi Lakshmi Gayathri Manthram
75 bpm • F Maj • 03:15 • -9.57db
0% Popularity • 20% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 5% Positiveness
0% Popularity • 20% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 5% Positiveness
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Vidyabhushana
Yenchithu Maganu Padeyalu
86 bpm • C Maj • 07:13 • -5.73db
3% Popularity • 50% Danceability • 56% Energy • 37% Liveness
0% Instrumentalness • 82% Positiveness
3% Popularity • 50% Danceability • 56% Energy • 37% Liveness
0% Instrumentalness • 82% Positiveness
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M. S. Subbulakshmi
Raga Jaunpuri - Puchhat Shyam Kaun Tu Go...
87 bpm • D Maj • 03:59 • -9.46db
19% Popularity • 35% Danceability • 41% Energy • 23% Liveness
0% Instrumentalness • 54% Positiveness
19% Popularity • 35% Danceability • 41% Energy • 23% Liveness
0% Instrumentalness • 54% Positiveness
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Sujata Patva
Shubhan Karoti
87 bpm • F# min • 03:39 • -7.87db
12% Popularity • 39% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
12% Popularity • 39% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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Jolly Abraham
Moonraam Kaalam Ealam Sarali Varasai
83 bpm • F# min • 01:19 • -11.87db
1% Popularity • 84% Danceability • 46% Energy • 83% Liveness
0% Instrumentalness • 49% Positiveness
1% Popularity • 84% Danceability • 46% Energy • 83% Liveness
0% Instrumentalness • 49% Positiveness
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Markose
Chiri Chiri
87 bpm • G Maj • 04:09 • -5.85db
1% Popularity • 70% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
1% Popularity • 70% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Usha Raj
Gayathri Gayathri Manthram
86 bpm • F Maj • 02:56 • -9.77db
1% Popularity • 24% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
1% Popularity • 24% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
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Vidyabhushana
Shiva Shiva Mahadev
87 bpm • C min • 04:44 • -9.72db
14% Popularity • 48% Danceability • 44% Energy • 42% Liveness
0% Instrumentalness • 76% Positiveness
14% Popularity • 48% Danceability • 44% Energy • 42% Liveness
0% Instrumentalness • 76% Positiveness
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Hariharan
Guru Sai Paramatma
73 bpm • F# Maj • 04:05 • -8.53db
4% Popularity • 37% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
4% Popularity • 37% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
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Srinivas
Velankanni
88 bpm • F Maj • 05:13 • -10.22db
0% Popularity • 68% Danceability • 54% Energy • 30% Liveness
0% Instrumentalness • 54% Positiveness
0% Popularity • 68% Danceability • 54% Energy • 30% Liveness
0% Instrumentalness • 54% Positiveness
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Jolly Abraham
Irandaam Kaalam Iyandham Sarali Varasai
84 bpm • A Maj • 02:35 • -14.21db
0% Popularity • 47% Danceability • 32% Energy • 55% Liveness
0% Instrumentalness • 33% Positiveness
0% Popularity • 47% Danceability • 32% Energy • 55% Liveness
0% Instrumentalness • 33% Positiveness
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M. S. Subbulakshmi
Lakshmi Ashtagam
88 bpm • G# Maj • 09:03 • -9.04db
30% Popularity • 24% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
30% Popularity • 24% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Usha Raj
Santhana Lakshmi Gayathri Manthram
87 bpm • F Maj • 03:29 • -9.07db
0% Popularity • 31% Danceability • 13% Energy • 17% Liveness
0% Instrumentalness • 5% Positiveness
0% Popularity • 31% Danceability • 13% Energy • 17% Liveness
0% Instrumentalness • 5% Positiveness
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Vidyabhushana
Jagadhodarana
87 bpm • E min • 07:27 • -10db
19% Popularity • 47% Danceability • 39% Energy • 29% Liveness
0% Instrumentalness • 40% Positiveness
19% Popularity • 47% Danceability • 39% Energy • 29% Liveness
0% Instrumentalness • 40% Positiveness
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Hari Om Sharan
Shri Hanuman Aarti
88 bpm • F min • 05:52 • -14.55db
19% Popularity • 49% Danceability • 46% Energy • 34% Liveness
0% Instrumentalness • 83% Positiveness
19% Popularity • 49% Danceability • 46% Energy • 34% Liveness
0% Instrumentalness • 83% Positiveness
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Vighnesh Ghanapaathi
Guru Graha Mantra
89 bpm • E Maj • 01:11 • -10db
39% Popularity • 26% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
39% Popularity • 26% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Jolly Abraham
Vilakkam - Malahari Geedham
88 bpm • F# min • 01:45 • -12.49db
0% Popularity • 55% Danceability • 38% Energy • 50% Liveness
0% Instrumentalness • 27% Positiveness
0% Popularity • 55% Danceability • 38% Energy • 50% Liveness
0% Instrumentalness • 27% Positiveness
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Daasoham
Sri Venkatesha Stotram
90 bpm • A# Maj • 03:30 • -8.02db
18% Popularity • 61% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
18% Popularity • 61% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Usha Raj
Kanyaka Parameswari Gayathri Manthram
73 bpm • C Maj • 03:41 • -10.39db
21% Popularity • 25% Danceability • 10% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
21% Popularity • 25% Danceability • 10% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
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Seven
Krishnashtakam
90 bpm • G Maj • 06:49 • -11.84db
40% Popularity • 51% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
40% Popularity • 51% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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Gayathri
Shyama Hare
90 bpm • F min • 04:30 • -8db
9% Popularity • 36% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
9% Popularity • 36% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Baby Aishwarya
Kannaa Kannaa
90 bpm • F min • 04:12 • -5.1db
14% Popularity • 69% Danceability • 65% Energy • 38% Liveness
0% Instrumentalness • 92% Positiveness
14% Popularity • 69% Danceability • 65% Energy • 38% Liveness
0% Instrumentalness • 92% Positiveness
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Avijit Das
Ram Naam Ka Jaap 108 Baar
90 bpm • F# Maj • 03:05 • -2.51db
18% Popularity • 80% Danceability • 83% Energy • 22% Liveness
0% Instrumentalness • 87% Positiveness
18% Popularity • 80% Danceability • 83% Energy • 22% Liveness
0% Instrumentalness • 87% Positiveness
