Songs like Seven Seas by Joe Farrell
Based on a tempo of (+/- 10%) and a similar genre
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Joe Farrell
Seven Seas
101 bpm • C Maj • 06:49 • -5.6db
6% Popularity • 58% Danceability • 95% Energy • 15% Liveness
83% Instrumentalness • 87% Positiveness
6% Popularity • 58% Danceability • 95% Energy • 15% Liveness
83% Instrumentalness • 87% Positiveness
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C.C.P.P.
Joris of Lumina
101 bpm • C Maj • 03:11 • -4.07db
30% Popularity • 69% Danceability • 97% Energy • 12% Liveness
64% Instrumentalness • 68% Positiveness
30% Popularity • 69% Danceability • 97% Energy • 12% Liveness
64% Instrumentalness • 68% Positiveness
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Gary Bartz
Make Me Feel Better
101 bpm • G Maj • 04:40 • -10.03db
8% Popularity • 82% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
8% Popularity • 82% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
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Art Ensemble Of Chicago
Funky AECO
101 bpm • C# Maj • 07:39 • -15db
16% Popularity • 65% Danceability • 44% Energy • 7% Liveness
7% Instrumentalness • 66% Positiveness
16% Popularity • 65% Danceability • 44% Energy • 7% Liveness
7% Instrumentalness • 66% Positiveness
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Charles Kynard
Chanson Du Nuit
101 bpm • F Maj • 05:03 • -19.74db
12% Popularity • 51% Danceability • 28% Energy • 10% Liveness
93% Instrumentalness • 28% Positiveness
12% Popularity • 51% Danceability • 28% Energy • 10% Liveness
93% Instrumentalness • 28% Positiveness
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Louie Bellson
Gonga Din - Instrumental
101 bpm • G# Maj • 05:56 • -13.59db
8% Popularity • 53% Danceability • 47% Energy • 16% Liveness
58% Instrumentalness • 78% Positiveness
8% Popularity • 53% Danceability • 47% Energy • 16% Liveness
58% Instrumentalness • 78% Positiveness
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David Axelrod
Mucho Chupar
101 bpm • G Maj • 03:13 • -11.31db
29% Popularity • 52% Danceability • 72% Energy • 8% Liveness
89% Instrumentalness • 65% Positiveness
29% Popularity • 52% Danceability • 72% Energy • 8% Liveness
89% Instrumentalness • 65% Positiveness
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Junior Mance
Don't Cha Hear Me Callin' to Ya
101 bpm • D min • 05:06 • -11db
26% Popularity • 41% Danceability • 69% Energy • 10% Liveness
78% Instrumentalness • 80% Positiveness
26% Popularity • 41% Danceability • 69% Energy • 10% Liveness
78% Instrumentalness • 80% Positiveness
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Howard Roberts
Ode To Billie Joe
102 bpm • G Maj • 02:18 • -14.72db
31% Popularity • 74% Danceability • 37% Energy • 11% Liveness
94% Instrumentalness • 60% Positiveness
31% Popularity • 74% Danceability • 37% Energy • 11% Liveness
94% Instrumentalness • 60% Positiveness
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Dave Pike
Why Not
101 bpm • D Maj • 06:44 • -10.38db
8% Popularity • 59% Danceability • 48% Energy • 23% Liveness
0% Instrumentalness • 51% Positiveness
8% Popularity • 59% Danceability • 48% Energy • 23% Liveness
0% Instrumentalness • 51% Positiveness
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Michael Naura Quartet
Why Is Mary so Nervous?
100 bpm • C# Maj • 05:28 • -16.66db
9% Popularity • 32% Danceability • 52% Energy • 13% Liveness
32% Instrumentalness • 51% Positiveness
9% Popularity • 32% Danceability • 52% Energy • 13% Liveness
32% Instrumentalness • 51% Positiveness
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Joe Farrell
Too High
102 bpm • E min • 13:22 • -4.95db
9% Popularity • 51% Danceability • 89% Energy • 10% Liveness
74% Instrumentalness • 67% Positiveness
9% Popularity • 51% Danceability • 89% Energy • 10% Liveness
74% Instrumentalness • 67% Positiveness
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Tony Williams
Touch Me
100 bpm • F Maj • 01:23 • -23.63db
35% Popularity • 56% Danceability • 33% Energy • 11% Liveness
86% Instrumentalness • 83% Positiveness
35% Popularity • 56% Danceability • 33% Energy • 11% Liveness
86% Instrumentalness • 83% Positiveness
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Charles Kynard
Hot Sauce
102 bpm • G Maj • 04:36 • -10.95db
13% Popularity • 68% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
13% Popularity • 68% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Joe Beck
Cactus
100 bpm • C Maj • 05:00 • -12.28db
8% Popularity • 53% Danceability • 55% Energy • 10% Liveness
38% Instrumentalness • 52% Positiveness
8% Popularity • 53% Danceability • 55% Energy • 10% Liveness
38% Instrumentalness • 52% Positiveness
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Patrice Rushen
Kickin' Back
100 bpm • F min • 07:35 • -16.55db
15% Popularity • 72% Danceability • 48% Energy • 6% Liveness
71% Instrumentalness • 90% Positiveness
15% Popularity • 72% Danceability • 48% Energy • 6% Liveness
71% Instrumentalness • 90% Positiveness
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Clifford Jordan Quartet
Glass Bead Games
102 bpm • G min • 04:36 • -13.32db
11% Popularity • 39% Danceability • 42% Energy • 13% Liveness
3% Instrumentalness • 60% Positiveness
11% Popularity • 39% Danceability • 42% Energy • 13% Liveness
3% Instrumentalness • 60% Positiveness
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Richard "Groove" Holmes
Good Vibrations
100 bpm • F min • 04:40 • -7.71db
7% Popularity • 54% Danceability • 52% Energy • 10% Liveness
89% Instrumentalness • 52% Positiveness
7% Popularity • 54% Danceability • 52% Energy • 10% Liveness
89% Instrumentalness • 52% Positiveness
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Charles Earland
Letha
102 bpm • D Maj • 07:23 • -10.66db
14% Popularity • 56% Danceability • 79% Energy • 29% Liveness
77% Instrumentalness • 61% Positiveness
14% Popularity • 56% Danceability • 79% Energy • 29% Liveness
77% Instrumentalness • 61% Positiveness
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Charles Kynard
The World Is A Ghetto
102 bpm • F# min • 03:12 • -11.83db
10% Popularity • 52% Danceability • 42% Energy • 12% Liveness
56% Instrumentalness • 50% Positiveness
10% Popularity • 52% Danceability • 42% Energy • 12% Liveness
56% Instrumentalness • 50% Positiveness
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Horace Silver
Jungle Juice - Remastered
100 bpm • B min • 06:46 • -10.99db
21% Popularity • 54% Danceability • 43% Energy • 13% Liveness
62% Instrumentalness • 55% Positiveness
21% Popularity • 54% Danceability • 43% Energy • 13% Liveness
62% Instrumentalness • 55% Positiveness
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Lenny White
The Venusian Summer Suite
102 bpm • G Maj • 10:14 • -18.67db
8% Popularity • 29% Danceability • 47% Energy • 40% Liveness
40% Instrumentalness • 8% Positiveness
8% Popularity • 29% Danceability • 47% Energy • 40% Liveness
40% Instrumentalness • 8% Positiveness
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Chico Hamilton
I Can Hear The Grass Grow
100 bpm • A# min • 04:10 • -17.64db
16% Popularity • 77% Danceability • 47% Energy • 15% Liveness
84% Instrumentalness • 50% Positiveness
16% Popularity • 77% Danceability • 47% Energy • 15% Liveness
84% Instrumentalness • 50% Positiveness
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Sahib Shihab
Seeds
103 bpm • F# Maj • 04:13 • -22db
22% Popularity • 67% Danceability • 38% Energy • 10% Liveness
4% Instrumentalness • 89% Positiveness
22% Popularity • 67% Danceability • 38% Energy • 10% Liveness
4% Instrumentalness • 89% Positiveness
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Milt Jackson
The Metal Melter
103 bpm • A# Maj • 06:19 • -13.07db
8% Popularity • 49% Danceability • 58% Energy • 13% Liveness
70% Instrumentalness • 94% Positiveness
8% Popularity • 49% Danceability • 58% Energy • 13% Liveness
70% Instrumentalness • 94% Positiveness
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Ray Bryant
The Blue Scimitar
103 bpm • G# Maj • 04:19 • -9db
14% Popularity • 46% Danceability • 62% Energy • 22% Liveness
81% Instrumentalness • 62% Positiveness
14% Popularity • 46% Danceability • 62% Energy • 22% Liveness
81% Instrumentalness • 62% Positiveness
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Gene Harris
Higga-Boom
103 bpm • A# Maj • 06:00 • -11.09db
20% Popularity • 55% Danceability • 87% Energy • 30% Liveness
92% Instrumentalness • 93% Positiveness
20% Popularity • 55% Danceability • 87% Energy • 30% Liveness
92% Instrumentalness • 93% Positiveness
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Leon Spencer
Superstition
103 bpm • C Maj • 06:48 • -14.41db
15% Popularity • 47% Danceability • 78% Energy • 17% Liveness
71% Instrumentalness • 81% Positiveness
15% Popularity • 47% Danceability • 78% Energy • 17% Liveness
71% Instrumentalness • 81% Positiveness
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Big John Patton
Latona
103 bpm • E Maj • 07:23 • -9db
17% Popularity • 43% Danceability • 76% Energy • 12% Liveness
2% Instrumentalness • 67% Positiveness
17% Popularity • 43% Danceability • 76% Energy • 12% Liveness
2% Instrumentalness • 67% Positiveness
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Deodato
September 13
99 bpm • G Maj • 05:56 • -15.83db
18% Popularity • 55% Danceability • 58% Energy • 10% Liveness
86% Instrumentalness • 95% Positiveness
18% Popularity • 55% Danceability • 58% Energy • 10% Liveness
86% Instrumentalness • 95% Positiveness
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Joe Farrell
Spoken Silence
103 bpm • D min • 07:47 • -3.47db
4% Popularity • 47% Danceability • 96% Energy • 38% Liveness
72% Instrumentalness • 68% Positiveness
4% Popularity • 47% Danceability • 96% Energy • 38% Liveness
72% Instrumentalness • 68% Positiveness
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Howard Roberts
Walk Tall
99 bpm • F Maj • 02:17 • -15.29db
37% Popularity • 71% Danceability • 38% Energy • 8% Liveness
75% Instrumentalness • 76% Positiveness
37% Popularity • 71% Danceability • 38% Energy • 8% Liveness
75% Instrumentalness • 76% Positiveness
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Bennie Maupin
The Jewel In The Lotus
103 bpm • D Maj • 10:02 • -14.09db
15% Popularity • 27% Danceability • 31% Energy • 21% Liveness
9% Instrumentalness • 4% Positiveness
15% Popularity • 27% Danceability • 31% Energy • 21% Liveness
9% Instrumentalness • 4% Positiveness
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Ian Carr
Changing Times
103 bpm • F Maj • 04:35 • -12.12db
11% Popularity • 34% Danceability • 66% Energy • 9% Liveness
91% Instrumentalness • 56% Positiveness
11% Popularity • 34% Danceability • 66% Energy • 9% Liveness
91% Instrumentalness • 56% Positiveness
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Ronnie Foster
On The Avenue
99 bpm • B min • 06:14 • -11db
31% Popularity • 59% Danceability • 67% Energy • 10% Liveness
83% Instrumentalness • 53% Positiveness
31% Popularity • 59% Danceability • 67% Energy • 10% Liveness
83% Instrumentalness • 53% Positiveness
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O'Donel Levy
I Want To Make It With You
99 bpm • F Maj • 03:44 • -8.64db
15% Popularity • 68% Danceability • 72% Energy • 22% Liveness
25% Instrumentalness • 81% Positiveness
15% Popularity • 68% Danceability • 72% Energy • 22% Liveness
25% Instrumentalness • 81% Positiveness
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Joe Farrell
Promise Me Your Love
98 bpm • E Maj • 04:32 • -9.07db
2% Popularity • 57% Danceability • 73% Energy • 23% Liveness
76% Instrumentalness • 70% Positiveness
2% Popularity • 57% Danceability • 73% Energy • 23% Liveness
76% Instrumentalness • 70% Positiveness
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Charles Earland
Sing A Simple Song
104 bpm • E Maj • 05:44 • -11.86db
9% Popularity • 59% Danceability • 90% Energy • 16% Liveness
40% Instrumentalness • 57% Positiveness
9% Popularity • 59% Danceability • 90% Energy • 16% Liveness
40% Instrumentalness • 57% Positiveness
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Bob James
Nautilus
98 bpm • A min • 05:05 • -14.18db
40% Popularity • 50% Danceability • 53% Energy • 15% Liveness
1% Instrumentalness • 76% Positiveness
40% Popularity • 50% Danceability • 53% Energy • 15% Liveness
1% Instrumentalness • 76% Positiveness
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Ronnie Laws
Always There
104 bpm • C# Maj • 04:54 • -12db
36% Popularity • 61% Danceability • 91% Energy • 11% Liveness
84% Instrumentalness • 71% Positiveness
36% Popularity • 61% Danceability • 91% Energy • 11% Liveness
84% Instrumentalness • 71% Positiveness
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Charles Kynard
Little Ghetto Boy
98 bpm • F min • 03:06 • -8.5db
18% Popularity • 68% Danceability • 63% Energy • 21% Liveness
68% Instrumentalness • 96% Positiveness
18% Popularity • 68% Danceability • 63% Energy • 21% Liveness
68% Instrumentalness • 96% Positiveness
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Gary Burton Quartet
Olhos De Gato
104 bpm • D min • 05:42 • -16.45db
9% Popularity • 36% Danceability • 24% Energy • 9% Liveness
28% Instrumentalness • 5% Positiveness
9% Popularity • 36% Danceability • 24% Energy • 9% Liveness
28% Instrumentalness • 5% Positiveness
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Jimmy McGriff
Keep Loose
104 bpm • G min • 05:56 • -9.89db
17% Popularity • 54% Danceability • 70% Energy • 12% Liveness
89% Instrumentalness • 71% Positiveness
17% Popularity • 54% Danceability • 70% Energy • 12% Liveness
89% Instrumentalness • 71% Positiveness
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Chico Hamilton
Abdullah And Abraham
98 bpm • G Maj • 04:16 • -12db
22% Popularity • 47% Danceability • 58% Energy • 11% Liveness
91% Instrumentalness • 26% Positiveness
22% Popularity • 47% Danceability • 58% Energy • 11% Liveness
91% Instrumentalness • 26% Positiveness
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Bob James
One Mint Julep
98 bpm • A# Maj • 09:07 • -8db
20% Popularity • 66% Danceability • 68% Energy • 22% Liveness
53% Instrumentalness • 93% Positiveness
20% Popularity • 66% Danceability • 68% Energy • 22% Liveness
53% Instrumentalness • 93% Positiveness
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Joe Farrell
Upon This Rock
98 bpm • G Maj • 11:55 • -5.53db
15% Popularity • 48% Danceability • 96% Energy • 13% Liveness
64% Instrumentalness • 70% Positiveness
15% Popularity • 48% Danceability • 96% Energy • 13% Liveness
64% Instrumentalness • 70% Positiveness
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Henry Franklin
Soft Spirit
104 bpm • C Maj • 07:31 • -16.02db
18% Popularity • 30% Danceability • 34% Energy • 13% Liveness
92% Instrumentalness • 38% Positiveness
18% Popularity • 30% Danceability • 34% Energy • 13% Liveness
92% Instrumentalness • 38% Positiveness
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Idris Muhammad
Soulful Drums
98 bpm • D min • 04:41 • -15.94db
17% Popularity • 65% Danceability • 39% Energy • 10% Liveness
81% Instrumentalness • 54% Positiveness
17% Popularity • 65% Danceability • 39% Energy • 10% Liveness
81% Instrumentalness • 54% Positiveness
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The Brecker Brothers
Funky Sea, Funky Dew
98 bpm • A# Maj • 06:11 • -7.69db
9% Popularity • 53% Danceability • 67% Energy • 31% Liveness
89% Instrumentalness • 66% Positiveness
9% Popularity • 53% Danceability • 67% Energy • 31% Liveness
89% Instrumentalness • 66% Positiveness
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John Tropea
Tambourine
105 bpm • E min • 04:40 • -14.66db
13% Popularity • 63% Danceability • 65% Energy • 4% Liveness
71% Instrumentalness • 83% Positiveness
13% Popularity • 63% Danceability • 65% Energy • 4% Liveness
71% Instrumentalness • 83% Positiveness
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Ronnie Laws
Nothing To Lose
105 bpm • E min • 04:56 • -14.23db
22% Popularity • 46% Danceability • 79% Energy • 7% Liveness
82% Instrumentalness • 56% Positiveness
22% Popularity • 46% Danceability • 79% Energy • 7% Liveness
82% Instrumentalness • 56% Positiveness
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Joe Farrell
Suite Martinique
104 bpm • C Maj • 09:06 • -6.34db
4% Popularity • 37% Danceability • 75% Energy • 6% Liveness
1% Instrumentalness • 41% Positiveness
4% Popularity • 37% Danceability • 75% Energy • 6% Liveness
1% Instrumentalness • 41% Positiveness
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Larry Coryell
Beneath the Earth
105 bpm • D Maj • 03:03 • -15db
24% Popularity • 37% Danceability • 57% Energy • 12% Liveness
92% Instrumentalness • 31% Positiveness
24% Popularity • 37% Danceability • 57% Energy • 12% Liveness
92% Instrumentalness • 31% Positiveness
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Idris Muhammad
Crap Apple
97 bpm • A# Maj • 05:10 • -7db
31% Popularity • 89% Danceability • 66% Energy • 12% Liveness
39% Instrumentalness • 89% Positiveness
31% Popularity • 89% Danceability • 66% Energy • 12% Liveness
39% Instrumentalness • 89% Positiveness
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Richard "Groove" Holmes
The Things We Did Last Summer
97 bpm • F min • 06:03 • -17.99db
14% Popularity • 51% Danceability • 12% Energy • 11% Liveness
79% Instrumentalness • 15% Positiveness
14% Popularity • 51% Danceability • 12% Energy • 11% Liveness
79% Instrumentalness • 15% Positiveness
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Joe Zawinul
A Soul of a Village, Pt. II
97 bpm • F# Maj • 04:15 • -11.4db
9% Popularity • 45% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
9% Popularity • 45% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Lou Donaldson
Pot Belly
97 bpm • F Maj • 08:11 • -12.17db
22% Popularity • 62% Danceability • 47% Energy • 7% Liveness
36% Instrumentalness • 39% Positiveness
22% Popularity • 62% Danceability • 47% Energy • 7% Liveness
36% Instrumentalness • 39% Positiveness
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Joe Farrell
Follow Your Heart
97 bpm • A Maj • 06:53 • -17db
13% Popularity • 43% Danceability • 30% Energy • 11% Liveness
51% Instrumentalness • 46% Positiveness
13% Popularity • 43% Danceability • 30% Energy • 11% Liveness
51% Instrumentalness • 46% Positiveness
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Don Cherry
Buddha's Blues
97 bpm • G Maj • 03:38 • -7.4db
14% Popularity • 61% Danceability • 84% Energy • 7% Liveness
73% Instrumentalness • 96% Positiveness
14% Popularity • 61% Danceability • 84% Energy • 7% Liveness
73% Instrumentalness • 96% Positiveness
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The Jazz Crusaders
Impressions
106 bpm • A min • 06:25 • -6.69db
11% Popularity • 46% Danceability • 76% Energy • 40% Liveness
5% Instrumentalness • 53% Positiveness
11% Popularity • 46% Danceability • 76% Energy • 40% Liveness
5% Instrumentalness • 53% Positiveness
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Deodato
Area Code 808
106 bpm • B min • 06:44 • -12.22db
21% Popularity • 49% Danceability • 68% Energy • 6% Liveness
92% Instrumentalness • 89% Positiveness
21% Popularity • 49% Danceability • 68% Energy • 6% Liveness
92% Instrumentalness • 89% Positiveness
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Michael Naura Quartet
Take Us Down to the River
96 bpm • F Maj • 03:58 • -16.84db
14% Popularity • 53% Danceability • 41% Energy • 14% Liveness
20% Instrumentalness • 54% Positiveness
14% Popularity • 53% Danceability • 41% Energy • 14% Liveness
20% Instrumentalness • 54% Positiveness
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Ronnie Laws
Tidal Wave
96 bpm • A# Maj • 04:12 • -12.6db
37% Popularity • 36% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
37% Popularity • 36% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Joe Farrell
The Sex Pest
105 bpm • D Maj • 02:28 • -11.52db
1% Popularity • 65% Danceability • 41% Energy • 10% Liveness
96% Instrumentalness • 40% Positiveness
1% Popularity • 65% Danceability • 41% Energy • 10% Liveness
96% Instrumentalness • 40% Positiveness
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Ralph Towner
Piscean Dance
106 bpm • A# min • 04:11 • -15db
14% Popularity • 49% Danceability • 50% Energy • 6% Liveness
84% Instrumentalness • 96% Positiveness
14% Popularity • 49% Danceability • 50% Energy • 6% Liveness
84% Instrumentalness • 96% Positiveness
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Dizzy Gillespie
Free Ride
107 bpm • A# min • 05:18 • -10.55db
28% Popularity • 75% Danceability • 55% Energy • 30% Liveness
93% Instrumentalness • 82% Positiveness
28% Popularity • 75% Danceability • 55% Energy • 30% Liveness
93% Instrumentalness • 82% Positiveness
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Eric Gale
Ginseng Woman
107 bpm • A min • 07:40 • -13.77db
18% Popularity • 63% Danceability • 63% Energy • 42% Liveness
15% Instrumentalness • 66% Positiveness
18% Popularity • 63% Danceability • 63% Energy • 42% Liveness
15% Instrumentalness • 66% Positiveness
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Larry Coryell
The Great Escape
107 bpm • D Maj • 08:38 • -11.79db
10% Popularity • 48% Danceability • 56% Energy • 10% Liveness
34% Instrumentalness • 60% Positiveness
10% Popularity • 48% Danceability • 56% Energy • 10% Liveness
34% Instrumentalness • 60% Positiveness
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Chico Hamilton
Thoughts
107 bpm • B min • 09:20 • -14.5db
11% Popularity • 37% Danceability • 25% Energy • 10% Liveness
33% Instrumentalness • 7% Positiveness
11% Popularity • 37% Danceability • 25% Energy • 10% Liveness
33% Instrumentalness • 7% Positiveness
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Joe Farrell
Katherine
97 bpm • G Maj • 06:34 • -7.11db
3% Popularity • 58% Danceability • 79% Energy • 72% Liveness
71% Instrumentalness • 78% Positiveness
3% Popularity • 58% Danceability • 79% Energy • 72% Liveness
71% Instrumentalness • 78% Positiveness
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Lenny White
Struttin'
107 bpm • E min • 04:45 • -11.64db
15% Popularity • 64% Danceability • 67% Energy • 14% Liveness
87% Instrumentalness • 88% Positiveness
15% Popularity • 64% Danceability • 67% Energy • 14% Liveness
87% Instrumentalness • 88% Positiveness
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Tom Scott And The L.A. Express
Backfence Cattin'
95 bpm • F min • 04:03 • -11.65db
12% Popularity • 60% Danceability • 71% Energy • 9% Liveness
53% Instrumentalness • 78% Positiveness
12% Popularity • 60% Danceability • 71% Energy • 9% Liveness
53% Instrumentalness • 78% Positiveness
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The Awakening
Slinky
107 bpm • F min • 06:08 • -13.2db
10% Popularity • 48% Danceability • 55% Energy • 10% Liveness
80% Instrumentalness • 89% Positiveness
10% Popularity • 48% Danceability • 55% Energy • 10% Liveness
80% Instrumentalness • 89% Positiveness
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Eddie Henderson
Dr. Mganga
95 bpm • A# min • 07:32 • -10.88db
8% Popularity • 50% Danceability • 77% Energy • 10% Liveness
59% Instrumentalness • 55% Positiveness
8% Popularity • 50% Danceability • 77% Energy • 10% Liveness
59% Instrumentalness • 55% Positiveness
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Chico Hamilton
The Dealer
95 bpm • A# min • 06:21 • -11.82db
16% Popularity • 48% Danceability • 65% Energy • 12% Liveness
1% Instrumentalness • 70% Positiveness
16% Popularity • 48% Danceability • 65% Energy • 12% Liveness
1% Instrumentalness • 70% Positiveness
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Dave Pike Set
I'm on My Way
107 bpm • D# Maj • 04:34 • -13.25db
8% Popularity • 61% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
8% Popularity • 61% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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Charles Kynard
Zambezi
107 bpm • F min • 05:35 • -11.52db
9% Popularity • 58% Danceability • 74% Energy • 12% Liveness
52% Instrumentalness • 82% Positiveness
9% Popularity • 58% Danceability • 74% Energy • 12% Liveness
52% Instrumentalness • 82% Positiveness
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Jimmy McGriff
The Bird Wave
95 bpm • F min • 04:02 • -7.47db
32% Popularity • 65% Danceability • 87% Energy • 4% Liveness
61% Instrumentalness • 96% Positiveness
32% Popularity • 65% Danceability • 87% Energy • 4% Liveness
61% Instrumentalness • 96% Positiveness
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Catalyst
New-Found Truths
107 bpm • B Maj • 05:28 • -18db
22% Popularity • 57% Danceability • 45% Energy • 12% Liveness
81% Instrumentalness • 22% Positiveness
22% Popularity • 57% Danceability • 45% Energy • 12% Liveness
81% Instrumentalness • 22% Positiveness
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Eric Gale
Multiplication
107 bpm • C# Maj • 05:19 • -13.21db
8% Popularity • 69% Danceability • 56% Energy • 3% Liveness
68% Instrumentalness • 76% Positiveness
8% Popularity • 69% Danceability • 56% Energy • 3% Liveness
68% Instrumentalness • 76% Positiveness
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George Duke
The Aura
95 bpm • F# Maj • 01:27 • -16.1db
11% Popularity • 72% Danceability • 72% Energy • 10% Liveness
95% Instrumentalness • 97% Positiveness
11% Popularity • 72% Danceability • 72% Energy • 10% Liveness
95% Instrumentalness • 97% Positiveness
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The Awakening
Slinky
107 bpm • F min • 06:07 • -17.45db
23% Popularity • 48% Danceability • 46% Energy • 9% Liveness
89% Instrumentalness • 85% Positiveness
23% Popularity • 48% Danceability • 46% Energy • 9% Liveness
89% Instrumentalness • 85% Positiveness
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Charles Earland
Don't Say Goodbye
108 bpm • F Maj • 07:09 • -11.14db
8% Popularity • 59% Danceability • 63% Energy • 13% Liveness
85% Instrumentalness • 46% Positiveness
8% Popularity • 59% Danceability • 63% Energy • 13% Liveness
85% Instrumentalness • 46% Positiveness
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Jeremy Steig
Alias
95 bpm • C# Maj • 04:20 • -14.83db
10% Popularity • 58% Danceability • 57% Energy • 4% Liveness
0% Instrumentalness • 88% Positiveness
10% Popularity • 58% Danceability • 57% Energy • 4% Liveness
0% Instrumentalness • 88% Positiveness
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Norman Connors
Morning Change
95 bpm • B Maj • 06:10 • -11.66db
8% Popularity • 22% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
8% Popularity • 22% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Horace Silver
The Gods Of The Yoruba
108 bpm • G# Maj • 06:08 • -14.48db
11% Popularity • 56% Danceability • 49% Energy • 9% Liveness
83% Instrumentalness • 64% Positiveness
11% Popularity • 56% Danceability • 49% Energy • 9% Liveness
83% Instrumentalness • 64% Positiveness
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The Brecker Brothers
Sponge
94 bpm • F min • 04:04 • -4.03db
20% Popularity • 55% Danceability • 68% Energy • 18% Liveness
61% Instrumentalness • 76% Positiveness
20% Popularity • 55% Danceability • 68% Energy • 18% Liveness
61% Instrumentalness • 76% Positiveness
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Willie Bobo & The Bo Gents
Broasted Or Fried - Original
108 bpm • D# min • 04:44 • -10.33db
31% Popularity • 67% Danceability • 78% Energy • 10% Liveness
82% Instrumentalness • 92% Positiveness
31% Popularity • 67% Danceability • 78% Energy • 10% Liveness
82% Instrumentalness • 92% Positiveness
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Ronnie Laws
Never Be The Same
108 bpm • C# Maj • 04:25 • -14.05db
24% Popularity • 59% Danceability • 45% Energy • 10% Liveness
22% Instrumentalness • 15% Positiveness
24% Popularity • 59% Danceability • 45% Energy • 10% Liveness
22% Instrumentalness • 15% Positiveness
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Wayne Shorter
Lilia
94 bpm • A min • 07:02 • -8.3db
19% Popularity • 35% Danceability • 71% Energy • 9% Liveness
17% Instrumentalness • 62% Positiveness
19% Popularity • 35% Danceability • 71% Energy • 9% Liveness
17% Instrumentalness • 62% Positiveness
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Richard "Groove" Holmes
Mr. Clean - Remastered
94 bpm • D# Maj • 05:04 • -10.89db
11% Popularity • 55% Danceability • 76% Energy • 11% Liveness
80% Instrumentalness • 96% Positiveness
11% Popularity • 55% Danceability • 76% Energy • 11% Liveness
80% Instrumentalness • 96% Positiveness
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Bennie Maupin
It Remains To Be Seen
108 bpm • C# Maj • 08:03 • -13.35db
14% Popularity • 66% Danceability • 39% Energy • 10% Liveness
35% Instrumentalness • 66% Positiveness
14% Popularity • 66% Danceability • 39% Energy • 10% Liveness
35% Instrumentalness • 66% Positiveness
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Gene Harris
Beginnings
108 bpm • C Maj • 05:53 • -11.24db
25% Popularity • 48% Danceability • 71% Energy • 11% Liveness
54% Instrumentalness • 61% Positiveness
25% Popularity • 48% Danceability • 71% Energy • 11% Liveness
54% Instrumentalness • 61% Positiveness
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O'Donel Levy
Granny
108 bpm • F Maj • 04:25 • -13.62db
25% Popularity • 48% Danceability • 44% Energy • 12% Liveness
89% Instrumentalness • 44% Positiveness
25% Popularity • 48% Danceability • 44% Energy • 12% Liveness
89% Instrumentalness • 44% Positiveness
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Miroslav Vitous
Freedom Jazz Dance
109 bpm • B min • 10:51 • -13.22db
12% Popularity • 37% Danceability • 67% Energy • 8% Liveness
41% Instrumentalness • 62% Positiveness
12% Popularity • 37% Danceability • 67% Energy • 8% Liveness
41% Instrumentalness • 62% Positiveness
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Joe Farrell
When You're Awake
94 bpm • F min • 07:12 • -13.58db
1% Popularity • 48% Danceability • 20% Energy • 26% Liveness
88% Instrumentalness • 31% Positiveness
1% Popularity • 48% Danceability • 20% Energy • 26% Liveness
88% Instrumentalness • 31% Positiveness
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Larry Ridley
Well You Needn't
109 bpm • C# Maj • 08:29 • -13.83db
24% Popularity • 48% Danceability • 63% Energy • 10% Liveness
6% Instrumentalness • 84% Positiveness
24% Popularity • 48% Danceability • 63% Energy • 10% Liveness
6% Instrumentalness • 84% Positiveness
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Gary Bartz
Mother Nature
109 bpm • C Maj • 06:34 • -6.37db
9% Popularity • 48% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
9% Popularity • 48% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
