Songs like Sevenesse by Chris Spheeris
Based on a tempo of (+/- 10%) and a similar genre
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Yakuro
Pink... The Color of Love
120 bpm • D# min • 09:56 • -9.57db
34% Popularity • 62% Danceability • 61% Energy • 8% Liveness
64% Instrumentalness • 30% Positiveness
34% Popularity • 62% Danceability • 61% Energy • 8% Liveness
64% Instrumentalness • 30% Positiveness
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Luna Blanca
Guapa (Deluxe Version)
120 bpm • G Maj • 04:37 • -6.6db
12% Popularity • 78% Danceability • 74% Energy • 4% Liveness
90% Instrumentalness • 96% Positiveness
12% Popularity • 78% Danceability • 74% Energy • 4% Liveness
90% Instrumentalness • 96% Positiveness
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Green Sun
The Sun Has Risen
120 bpm • E Maj • 02:14 • -10.34db
42% Popularity • 43% Danceability • 27% Energy • 13% Liveness
2% Instrumentalness • 9% Positiveness
42% Popularity • 43% Danceability • 27% Energy • 13% Liveness
2% Instrumentalness • 9% Positiveness
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Lawrence Blatt
Longitudes and Latitudes
120 bpm • B min • 04:43 • -12.91db
20% Popularity • 70% Danceability • 56% Energy • 12% Liveness
85% Instrumentalness • 45% Positiveness
20% Popularity • 70% Danceability • 56% Energy • 12% Liveness
85% Instrumentalness • 45% Positiveness
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Chris Spheeris
Mystery Tide
120 bpm • D min • 04:31 • -12.47db
1% Popularity • 49% Danceability • 37% Energy • 20% Liveness
0% Instrumentalness • 27% Positiveness
1% Popularity • 49% Danceability • 37% Energy • 20% Liveness
0% Instrumentalness • 27% Positiveness
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Chris Spheeris
Sevenesse
120 bpm • C min • 05:28 • -14.47db
22% Popularity • 72% Danceability • 38% Energy • 7% Liveness
83% Instrumentalness • 66% Positiveness
22% Popularity • 72% Danceability • 38% Energy • 7% Liveness
83% Instrumentalness • 66% Positiveness
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Bernardo Rubaja
Far Away
120 bpm • E min • 04:45 • -20.36db
11% Popularity • 66% Danceability • 14% Energy • 11% Liveness
29% Instrumentalness • 54% Positiveness
11% Popularity • 66% Danceability • 14% Energy • 11% Liveness
29% Instrumentalness • 54% Positiveness
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Luna Blanca
Guapa
120 bpm • G Maj • 04:37 • -7.13db
36% Popularity • 74% Danceability • 76% Energy • 8% Liveness
89% Instrumentalness • 91% Positiveness
36% Popularity • 74% Danceability • 76% Energy • 8% Liveness
89% Instrumentalness • 91% Positiveness
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Tierra Negra
Alma Y Corazón
120 bpm • B min • 03:46 • -11.17db
38% Popularity • 69% Danceability • 24% Energy • 13% Liveness
86% Instrumentalness • 19% Positiveness
38% Popularity • 69% Danceability • 24% Energy • 13% Liveness
86% Instrumentalness • 19% Positiveness
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Russel Walder
This Moment Now
120 bpm • E Maj • 03:55 • -5.94db
32% Popularity • 19% Danceability • 42% Energy • 15% Liveness
91% Instrumentalness • 8% Positiveness
32% Popularity • 19% Danceability • 42% Energy • 15% Liveness
91% Instrumentalness • 8% Positiveness
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Chris Spheeris
Too Much to Leave
120 bpm • G Maj • 05:29 • -12.46db
0% Popularity • 45% Danceability • 24% Energy • 10% Liveness
9% Instrumentalness • 20% Positiveness
0% Popularity • 45% Danceability • 24% Energy • 10% Liveness
9% Instrumentalness • 20% Positiveness
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Chris Spheeris
Maya
120 bpm • B min • 08:16 • -20.88db
8% Popularity • 26% Danceability • 22% Energy • 7% Liveness
96% Instrumentalness • 3% Positiveness
8% Popularity • 26% Danceability • 22% Energy • 7% Liveness
96% Instrumentalness • 3% Positiveness
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Bernardo Rubaja
Maria
120 bpm • A min • 04:01 • -20.35db
25% Popularity • 70% Danceability • 12% Energy • 8% Liveness
82% Instrumentalness • 24% Positiveness
25% Popularity • 70% Danceability • 12% Energy • 8% Liveness
82% Instrumentalness • 24% Positiveness
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Peter Pupping
Shadow of Your Smile
120 bpm • G Maj • 02:47 • -17.56db
32% Popularity • 52% Danceability • 23% Energy • 11% Liveness
91% Instrumentalness • 32% Positiveness
32% Popularity • 52% Danceability • 23% Energy • 11% Liveness
91% Instrumentalness • 32% Positiveness
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B-Tribe
La Guitarra
120 bpm • D Maj • 04:28 • -13.84db
38% Popularity • 41% Danceability • 24% Energy • 15% Liveness
91% Instrumentalness • 4% Positiveness
38% Popularity • 41% Danceability • 24% Energy • 15% Liveness
91% Instrumentalness • 4% Positiveness
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Hilary Stagg
No Pressure
119 bpm • G Maj • 05:52 • -19.01db
11% Popularity • 73% Danceability • 33% Energy • 14% Liveness
82% Instrumentalness • 64% Positiveness
11% Popularity • 73% Danceability • 33% Energy • 14% Liveness
82% Instrumentalness • 64% Positiveness
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Chris Spheeris
Dancer
119 bpm • G Maj • 04:28 • -12.06db
1% Popularity • 39% Danceability • 35% Energy • 10% Liveness
18% Instrumentalness • 52% Positiveness
1% Popularity • 39% Danceability • 35% Energy • 10% Liveness
18% Instrumentalness • 52% Positiveness
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Faranak Shahroozi
Haunted Love
119 bpm • F min • 03:54 • -20.34db
29% Popularity • 38% Danceability • 23% Energy • 12% Liveness
84% Instrumentalness • 25% Positiveness
29% Popularity • 38% Danceability • 23% Energy • 12% Liveness
84% Instrumentalness • 25% Positiveness
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Chris Spheeris
Across Frontiers
121 bpm • A Maj • 06:23 • -18.64db
16% Popularity • 18% Danceability • 17% Energy • 9% Liveness
90% Instrumentalness • 8% Positiveness
16% Popularity • 18% Danceability • 17% Energy • 9% Liveness
90% Instrumentalness • 8% Positiveness
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Dan Siegel
Then and Now
121 bpm • F min • 04:00 • -16db
37% Popularity • 71% Danceability • 39% Energy • 10% Liveness
91% Instrumentalness • 54% Positiveness
37% Popularity • 71% Danceability • 39% Energy • 10% Liveness
91% Instrumentalness • 54% Positiveness
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Mehdi
Falling Leaves
119 bpm • A min • 06:05 • -9.96db
26% Popularity • 64% Danceability • 54% Energy • 12% Liveness
89% Instrumentalness • 26% Positiveness
26% Popularity • 64% Danceability • 54% Energy • 12% Liveness
89% Instrumentalness • 26% Positiveness
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Michael Hoppé
Moon Ghost Waltz
121 bpm • D min • 04:50 • -21.91db
24% Popularity • 34% Danceability • 10% Energy • 10% Liveness
84% Instrumentalness • 12% Positiveness
24% Popularity • 34% Danceability • 10% Energy • 10% Liveness
84% Instrumentalness • 12% Positiveness
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William Ellwood
The Logic Of Love
121 bpm • A min • 03:40 • -20db
32% Popularity • 62% Danceability • 20% Energy • 8% Liveness
94% Instrumentalness • 32% Positiveness
32% Popularity • 62% Danceability • 20% Energy • 8% Liveness
94% Instrumentalness • 32% Positiveness
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Santos Bonacci
Inspiration
121 bpm • F# min • 03:51 • -15.06db
29% Popularity • 69% Danceability • 45% Energy • 10% Liveness
81% Instrumentalness • 48% Positiveness
29% Popularity • 69% Danceability • 45% Energy • 10% Liveness
81% Instrumentalness • 48% Positiveness
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Paul Voudouris
Isn't Love Stupid
121 bpm • E Maj • 04:18 • -13.08db
0% Popularity • 81% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
0% Popularity • 81% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Hilary Stagg
Simply Beautiful
118 bpm • G Maj • 05:20 • -18.62db
28% Popularity • 60% Danceability • 17% Energy • 7% Liveness
97% Instrumentalness • 29% Positiveness
28% Popularity • 60% Danceability • 17% Energy • 7% Liveness
97% Instrumentalness • 29% Positiveness
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Origen
Passacaglia
122 bpm • A min • 01:58 • -17.44db
50% Popularity • 64% Danceability • 38% Energy • 11% Liveness
91% Instrumentalness • 48% Positiveness
50% Popularity • 64% Danceability • 38% Energy • 11% Liveness
91% Instrumentalness • 48% Positiveness
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Yakuro
Legend of the Old Mirrors
122 bpm • C# Maj • 04:19 • -14.19db
31% Popularity • 50% Danceability • 31% Energy • 11% Liveness
83% Instrumentalness • 8% Positiveness
31% Popularity • 50% Danceability • 31% Energy • 11% Liveness
83% Instrumentalness • 8% Positiveness
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Guitarra Azul
Arco
122 bpm • C# min • 04:40 • -11.16db
21% Popularity • 70% Danceability • 44% Energy • 14% Liveness
40% Instrumentalness • 44% Positiveness
21% Popularity • 70% Danceability • 44% Energy • 14% Liveness
40% Instrumentalness • 44% Positiveness
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Chris Spheeris
Bellaire
122 bpm • D min • 05:39 • -13.34db
17% Popularity • 70% Danceability • 36% Energy • 9% Liveness
77% Instrumentalness • 53% Positiveness
17% Popularity • 70% Danceability • 36% Energy • 9% Liveness
77% Instrumentalness • 53% Positiveness
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George Davidson
Chi Mai
122 bpm • F# min • 03:03 • -20db
34% Popularity • 36% Danceability • 8% Energy • 9% Liveness
90% Instrumentalness • 19% Positiveness
34% Popularity • 36% Danceability • 8% Energy • 9% Liveness
90% Instrumentalness • 19% Positiveness
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Chris Spheeris
Toy Soldiers
118 bpm • G min • 05:43 • -13.05db
0% Popularity • 46% Danceability • 28% Energy • 6% Liveness
32% Instrumentalness • 39% Positiveness
0% Popularity • 46% Danceability • 28% Energy • 6% Liveness
32% Instrumentalness • 39% Positiveness
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Alejandro De Pinedo
Libra
123 bpm • A min • 03:41 • -17db
19% Popularity • 55% Danceability • 20% Energy • 12% Liveness
87% Instrumentalness • 7% Positiveness
19% Popularity • 55% Danceability • 20% Energy • 12% Liveness
87% Instrumentalness • 7% Positiveness
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Luna Blanca
Villa Azur
117 bpm • A min • 05:26 • -8.92db
35% Popularity • 79% Danceability • 60% Energy • 13% Liveness
83% Instrumentalness • 62% Positiveness
35% Popularity • 79% Danceability • 60% Energy • 13% Liveness
83% Instrumentalness • 62% Positiveness
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Dúo Calientas
La Carretera
123 bpm • D Maj • 04:36 • -13.14db
24% Popularity • 46% Danceability • 21% Energy • 15% Liveness
88% Instrumentalness • 9% Positiveness
24% Popularity • 46% Danceability • 21% Energy • 15% Liveness
88% Instrumentalness • 9% Positiveness
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Robert Michaels
Scetate
123 bpm • C Maj • 04:51 • -10.12db
22% Popularity • 74% Danceability • 51% Energy • 8% Liveness
90% Instrumentalness • 68% Positiveness
22% Popularity • 74% Danceability • 51% Energy • 8% Liveness
90% Instrumentalness • 68% Positiveness
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George Skaroulis
Palmoa Blanca
117 bpm • G min • 02:44 • -17.71db
27% Popularity • 34% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 11% Positiveness
27% Popularity • 34% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 11% Positiveness
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Fiona Joy Hawkins
Naked Love
123 bpm • C min • 05:34 • -17.68db
18% Popularity • 31% Danceability • 15% Energy • 10% Liveness
89% Instrumentalness • 14% Positiveness
18% Popularity • 31% Danceability • 15% Energy • 10% Liveness
89% Instrumentalness • 14% Positiveness
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Andreas Vollenweider
The Secret, the Candle and Love
117 bpm • C# Maj • 03:43 • -11.29db
38% Popularity • 64% Danceability • 52% Energy • 14% Liveness
72% Instrumentalness • 31% Positiveness
38% Popularity • 64% Danceability • 52% Energy • 14% Liveness
72% Instrumentalness • 31% Positiveness
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Tom Barabas
Endless Time
124 bpm • E min • 05:43 • -15db
9% Popularity • 48% Danceability • 22% Energy • 12% Liveness
92% Instrumentalness • 8% Positiveness
9% Popularity • 48% Danceability • 22% Energy • 12% Liveness
92% Instrumentalness • 8% Positiveness
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Elmara
Skyline - Remastered
116 bpm • E Maj • 02:53 • -12.48db
30% Popularity • 29% Danceability • 35% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
30% Popularity • 29% Danceability • 35% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
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Robert Michaels
Utopia
117 bpm • F Maj • 03:59 • -9.95db
22% Popularity • 78% Danceability • 82% Energy • 9% Liveness
56% Instrumentalness • 90% Positiveness
22% Popularity • 78% Danceability • 82% Energy • 9% Liveness
56% Instrumentalness • 90% Positiveness
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Oliver Shanti & Friends
Spring in Lhasa
124 bpm • A# Maj • 04:08 • -10db
33% Popularity • 51% Danceability • 45% Energy • 16% Liveness
1% Instrumentalness • 53% Positiveness
33% Popularity • 51% Danceability • 45% Energy • 16% Liveness
1% Instrumentalness • 53% Positiveness
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Jim Stubblefield
El Vaquero
116 bpm • B min • 05:01 • -10.95db
34% Popularity • 67% Danceability • 64% Energy • 11% Liveness
89% Instrumentalness • 48% Positiveness
34% Popularity • 67% Danceability • 64% Energy • 11% Liveness
89% Instrumentalness • 48% Positiveness
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Back to Earth
Promise to Your Heart
116 bpm • D# Maj • 03:22 • -15.8db
47% Popularity • 42% Danceability • 13% Energy • 11% Liveness
91% Instrumentalness • 6% Positiveness
47% Popularity • 42% Danceability • 13% Energy • 11% Liveness
91% Instrumentalness • 6% Positiveness
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Pavlo
Midnight Dance
116 bpm • C Maj • 03:22 • -8db
35% Popularity • 72% Danceability • 80% Energy • 16% Liveness
76% Instrumentalness • 93% Positiveness
35% Popularity • 72% Danceability • 80% Energy • 16% Liveness
76% Instrumentalness • 93% Positiveness
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Chris Spheeris
As I Stand Here Now (Live)
116 bpm • C# Maj • 03:17 • -10.33db
0% Popularity • 55% Danceability • 60% Energy • 12% Liveness
10% Instrumentalness • 47% Positiveness
0% Popularity • 55% Danceability • 60% Energy • 12% Liveness
10% Instrumentalness • 47% Positiveness
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Robert Michaels
Chitarra Romantica
124 bpm • E min • 02:56 • -23.51db
30% Popularity • 45% Danceability • 9% Energy • 9% Liveness
65% Instrumentalness • 19% Positiveness
30% Popularity • 45% Danceability • 9% Energy • 9% Liveness
65% Instrumentalness • 19% Positiveness
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William Ellwood
Touchstone
115 bpm • E min • 04:29 • -19db
31% Popularity • 55% Danceability • 28% Energy • 23% Liveness
5% Instrumentalness • 24% Positiveness
31% Popularity • 55% Danceability • 28% Energy • 23% Liveness
5% Instrumentalness • 24% Positiveness
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Jim Stubblefield
Cielo Azul
125 bpm • B min • 06:09 • -8db
33% Popularity • 69% Danceability • 45% Energy • 11% Liveness
62% Instrumentalness • 52% Positiveness
33% Popularity • 69% Danceability • 45% Energy • 11% Liveness
62% Instrumentalness • 52% Positiveness
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Chris Spheeris & Anthony Mazzella
Dia del Sol
125 bpm • E min • 04:50 • -11.35db
8% Popularity • 83% Danceability • 55% Energy • 8% Liveness
81% Instrumentalness • 26% Positiveness
8% Popularity • 83% Danceability • 55% Energy • 8% Liveness
81% Instrumentalness • 26% Positiveness
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Back to Earth
Carressed by Your Love
116 bpm • C# Maj • 03:46 • -10.79db
46% Popularity • 46% Danceability • 28% Energy • 11% Liveness
97% Instrumentalness • 5% Positiveness
46% Popularity • 46% Danceability • 28% Energy • 11% Liveness
97% Instrumentalness • 5% Positiveness
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Mediterranean Nights
Cyprus Sunset
125 bpm • E min • 04:53 • -8db
35% Popularity • 82% Danceability • 69% Energy • 11% Liveness
88% Instrumentalness • 58% Positiveness
35% Popularity • 82% Danceability • 69% Energy • 11% Liveness
88% Instrumentalness • 58% Positiveness
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Chris Spheeris
Follow My Feet
124 bpm • C Maj • 04:27 • -9.74db
1% Popularity • 57% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
1% Popularity • 57% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Shahin & Sepehr
Tears Of Fire
115 bpm • A min • 04:02 • -12.61db
14% Popularity • 73% Danceability • 48% Energy • 13% Liveness
66% Instrumentalness • 69% Positiveness
14% Popularity • 73% Danceability • 48% Energy • 13% Liveness
66% Instrumentalness • 69% Positiveness
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Kymaera
California Dreamin'
115 bpm • A min • 03:12 • -10.19db
30% Popularity • 65% Danceability • 81% Energy • 8% Liveness
95% Instrumentalness • 87% Positiveness
30% Popularity • 65% Danceability • 81% Energy • 8% Liveness
95% Instrumentalness • 87% Positiveness
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Omar Akram
Secret Journey
115 bpm • A# min • 06:05 • -11.86db
26% Popularity • 57% Danceability • 58% Energy • 9% Liveness
20% Instrumentalness • 25% Positiveness
26% Popularity • 57% Danceability • 58% Energy • 9% Liveness
20% Instrumentalness • 25% Positiveness
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Bradley Joseph
Classical Cockatoo
115 bpm • C min • 06:14 • -20.03db
29% Popularity • 58% Danceability • 9% Energy • 13% Liveness
90% Instrumentalness • 7% Positiveness
29% Popularity • 58% Danceability • 9% Energy • 13% Liveness
90% Instrumentalness • 7% Positiveness
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Trapezoid
Moon Run
125 bpm • G min • 03:42 • -17db
20% Popularity • 30% Danceability • 24% Energy • 11% Liveness
95% Instrumentalness • 36% Positiveness
20% Popularity • 30% Danceability • 24% Energy • 11% Liveness
95% Instrumentalness • 36% Positiveness
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Manuel Imán
This Moment Called Now
125 bpm • A Maj • 03:26 • -16.75db
14% Popularity • 43% Danceability • 10% Energy • 12% Liveness
86% Instrumentalness • 19% Positiveness
14% Popularity • 43% Danceability • 10% Energy • 12% Liveness
86% Instrumentalness • 19% Positiveness
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Alex Fox
Windmills Of Your Mind
114 bpm • E min • 02:09 • -12.9db
28% Popularity • 44% Danceability • 40% Energy • 11% Liveness
93% Instrumentalness • 62% Positiveness
28% Popularity • 44% Danceability • 40% Energy • 11% Liveness
93% Instrumentalness • 62% Positiveness
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Asher Quinn
Canzone Angelica
114 bpm • F Maj • 06:18 • -17db
25% Popularity • 61% Danceability • 14% Energy • 9% Liveness
88% Instrumentalness • 74% Positiveness
25% Popularity • 61% Danceability • 14% Energy • 9% Liveness
88% Instrumentalness • 74% Positiveness
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Marshall Styler
From The River To The Sea
126 bpm • E min • 06:14 • -15.63db
20% Popularity • 24% Danceability • 14% Energy • 41% Liveness
94% Instrumentalness • 4% Positiveness
20% Popularity • 24% Danceability • 14% Energy • 41% Liveness
94% Instrumentalness • 4% Positiveness
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Guitarra Azul
Tres Lagrimas
114 bpm • G Maj • 04:40 • -8db
43% Popularity • 80% Danceability • 48% Energy • 9% Liveness
86% Instrumentalness • 68% Positiveness
43% Popularity • 80% Danceability • 48% Energy • 9% Liveness
86% Instrumentalness • 68% Positiveness
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Back to Earth
African Princess
114 bpm • D Maj • 06:04 • -13.23db
41% Popularity • 57% Danceability • 40% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
41% Popularity • 57% Danceability • 40% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Andreas Vollenweider
The Pyramidians
127 bpm • G# Maj • 04:50 • -16.15db
45% Popularity • 70% Danceability • 28% Energy • 12% Liveness
92% Instrumentalness • 24% Positiveness
45% Popularity • 70% Danceability • 28% Energy • 12% Liveness
92% Instrumentalness • 24% Positiveness
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Paul Voudouris
Everybody Falls In Love
113 bpm • C Maj • 04:17 • -13.2db
0% Popularity • 81% Danceability • 36% Energy • 4% Liveness
0% Instrumentalness • 84% Positiveness
0% Popularity • 81% Danceability • 36% Energy • 4% Liveness
0% Instrumentalness • 84% Positiveness
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Paul Speer
Rain Forest
127 bpm • F Maj • 04:18 • -16.3db
36% Popularity • 60% Danceability • 23% Energy • 10% Liveness
86% Instrumentalness • 6% Positiveness
36% Popularity • 60% Danceability • 23% Energy • 10% Liveness
86% Instrumentalness • 6% Positiveness
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David G. Steele
Spanish Passions
113 bpm • C Maj • 03:40 • -7.14db
12% Popularity • 81% Danceability • 57% Energy • 10% Liveness
84% Instrumentalness • 57% Positiveness
12% Popularity • 81% Danceability • 57% Energy • 10% Liveness
84% Instrumentalness • 57% Positiveness
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Incendio
Morning in Maui
128 bpm • E Maj • 03:12 • -14.26db
39% Popularity • 53% Danceability • 25% Energy • 10% Liveness
84% Instrumentalness • 47% Positiveness
39% Popularity • 53% Danceability • 25% Energy • 10% Liveness
84% Instrumentalness • 47% Positiveness
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Santana
Curación (Sunlight On Water)
128 bpm • F Maj • 04:47 • -6.29db
29% Popularity • 60% Danceability • 69% Energy • 13% Liveness
20% Instrumentalness • 37% Positiveness
29% Popularity • 60% Danceability • 69% Energy • 13% Liveness
20% Instrumentalness • 37% Positiveness
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Chris Spheeris
Eros
113 bpm • A min • 05:33 • -9.6db
36% Popularity • 68% Danceability • 44% Energy • 10% Liveness
46% Instrumentalness • 36% Positiveness
36% Popularity • 68% Danceability • 44% Energy • 10% Liveness
46% Instrumentalness • 36% Positiveness
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Paul Voudouris
Beta Frequency (Living in a Dream)
127 bpm • B min • 10:44 • -11.29db
0% Popularity • 53% Danceability • 84% Energy • 11% Liveness
47% Instrumentalness • 24% Positiveness
0% Popularity • 53% Danceability • 84% Energy • 11% Liveness
47% Instrumentalness • 24% Positiveness
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Gandalf
Under Southern Skies
128 bpm • D Maj • 07:24 • -13.24db
19% Popularity • 50% Danceability • 30% Energy • 8% Liveness
57% Instrumentalness • 14% Positiveness
19% Popularity • 50% Danceability • 30% Energy • 8% Liveness
57% Instrumentalness • 14% Positiveness
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Tom Barabas
Journey
128 bpm • A Maj • 05:03 • -19.84db
19% Popularity • 61% Danceability • 26% Energy • 7% Liveness
89% Instrumentalness • 17% Positiveness
19% Popularity • 61% Danceability • 26% Energy • 7% Liveness
89% Instrumentalness • 17% Positiveness
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Leo Rojas
En Aranjuez Con Tu Amor
128 bpm • B min • 04:43 • -7.17db
45% Popularity • 51% Danceability • 64% Energy • 77% Liveness
0% Instrumentalness • 29% Positiveness
45% Popularity • 51% Danceability • 64% Energy • 77% Liveness
0% Instrumentalness • 29% Positiveness
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Paul Speer
Faces Of The Forest Part 1
128 bpm • A Maj • 02:34 • -16.16db
34% Popularity • 53% Danceability • 28% Energy • 22% Liveness
95% Instrumentalness • 17% Positiveness
34% Popularity • 53% Danceability • 28% Energy • 22% Liveness
95% Instrumentalness • 17% Positiveness
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Novamenco
Tigris Palace
112 bpm • D min • 04:28 • -8.19db
33% Popularity • 54% Danceability • 84% Energy • 11% Liveness
93% Instrumentalness • 86% Positiveness
33% Popularity • 54% Danceability • 84% Energy • 11% Liveness
93% Instrumentalness • 86% Positiveness
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William Ellwood
Scarborough Fair/Canticle
128 bpm • D Maj • 03:46 • -18.56db
32% Popularity • 57% Danceability • 32% Energy • 8% Liveness
57% Instrumentalness • 41% Positiveness
32% Popularity • 57% Danceability • 32% Energy • 8% Liveness
57% Instrumentalness • 41% Positiveness
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Colin Chin
The Alluvial Plains
112 bpm • D Maj • 07:11 • -18.12db
12% Popularity • 43% Danceability • 21% Energy • 7% Liveness
94% Instrumentalness • 8% Positiveness
12% Popularity • 43% Danceability • 21% Energy • 7% Liveness
94% Instrumentalness • 8% Positiveness
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Incendio
Malaga Sunset
112 bpm • G# min • 04:53 • -9.88db
30% Popularity • 70% Danceability • 40% Energy • 10% Liveness
94% Instrumentalness • 26% Positiveness
30% Popularity • 70% Danceability • 40% Energy • 10% Liveness
94% Instrumentalness • 26% Positiveness
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Angels Of Venice
Sad Lisa
112 bpm • D Maj • 04:50 • -12db
24% Popularity • 42% Danceability • 32% Energy • 31% Liveness
95% Instrumentalness • 21% Positiveness
24% Popularity • 42% Danceability • 32% Energy • 31% Liveness
95% Instrumentalness • 21% Positiveness
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Chris Spheeris
Indigo Blue
112 bpm • E Maj • 02:49 • -8.93db
1% Popularity • 55% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
1% Popularity • 55% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
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Paul Voudouris
Tendency Toward Dependency
129 bpm • G# Maj • 03:50 • -10.63db
1% Popularity • 79% Danceability • 62% Energy • 4% Liveness
1% Instrumentalness • 83% Positiveness
1% Popularity • 79% Danceability • 62% Energy • 4% Liveness
1% Instrumentalness • 83% Positiveness
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Marshall Styler
Katherine's Waltz
112 bpm • C Maj • 03:41 • -11.67db
32% Popularity • 39% Danceability • 31% Energy • 19% Liveness
88% Instrumentalness • 11% Positiveness
32% Popularity • 39% Danceability • 31% Energy • 19% Liveness
88% Instrumentalness • 11% Positiveness
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David Lanz
A Whiter Shade of Pale
130 bpm • A min • 05:27 • -15db
33% Popularity • 50% Danceability • 16% Energy • 11% Liveness
85% Instrumentalness • 19% Positiveness
33% Popularity • 50% Danceability • 16% Energy • 11% Liveness
85% Instrumentalness • 19% Positiveness
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Chris Spheeris
Laguna
111 bpm • A Maj • 06:36 • -13.87db
17% Popularity • 68% Danceability • 34% Energy • 9% Liveness
85% Instrumentalness • 22% Positiveness
17% Popularity • 68% Danceability • 34% Energy • 9% Liveness
85% Instrumentalness • 22% Positiveness
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George Skaroulis
Fragile
130 bpm • E min • 06:44 • -15.28db
35% Popularity • 55% Danceability • 29% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
35% Popularity • 55% Danceability • 29% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Chris Spheeris
No Need for Me
129 bpm • D Maj • 03:20 • -11.49db
1% Popularity • 65% Danceability • 34% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
1% Popularity • 65% Danceability • 34% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
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Luc Serra
Romeo & Juliette
130 bpm • G min • 03:21 • -16.2db
31% Popularity • 82% Danceability • 18% Energy • 7% Liveness
89% Instrumentalness • 26% Positiveness
31% Popularity • 82% Danceability • 18% Energy • 7% Liveness
89% Instrumentalness • 26% Positiveness
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Paul Speer
Tuscan Sunset
130 bpm • G min • 04:26 • -8.87db
24% Popularity • 75% Danceability • 57% Energy • 8% Liveness
84% Instrumentalness • 53% Positiveness
24% Popularity • 75% Danceability • 57% Energy • 8% Liveness
84% Instrumentalness • 53% Positiveness
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Thierry David
L'Invitation au Mystere
130 bpm • G min • 05:47 • -12.5db
25% Popularity • 53% Danceability • 38% Energy • 11% Liveness
93% Instrumentalness • 26% Positiveness
25% Popularity • 53% Danceability • 38% Energy • 11% Liveness
93% Instrumentalness • 26% Positiveness
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Mehdi
Guiding Light
130 bpm • C min • 05:40 • -12db
39% Popularity • 63% Danceability • 55% Energy • 11% Liveness
90% Instrumentalness • 51% Positiveness
39% Popularity • 63% Danceability • 55% Energy • 11% Liveness
90% Instrumentalness • 51% Positiveness
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Blonker
La Valetta
111 bpm • F# min • 03:26 • -11.56db
20% Popularity • 59% Danceability • 56% Energy • 14% Liveness
86% Instrumentalness • 95% Positiveness
20% Popularity • 59% Danceability • 56% Energy • 14% Liveness
86% Instrumentalness • 95% Positiveness
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Behzad
Rumi's Inspiration
130 bpm • E min • 06:02 • -8.17db
22% Popularity • 75% Danceability • 52% Energy • 46% Liveness
92% Instrumentalness • 57% Positiveness
22% Popularity • 75% Danceability • 52% Energy • 46% Liveness
92% Instrumentalness • 57% Positiveness
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Moreza
Mystic Dancer
130 bpm • D min • 04:00 • -11.7db
39% Popularity • 68% Danceability • 71% Energy • 10% Liveness
79% Instrumentalness • 35% Positiveness
39% Popularity • 68% Danceability • 71% Energy • 10% Liveness
79% Instrumentalness • 35% Positiveness
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Guenter Haas
Tales of a Broken Planet
130 bpm • G# Maj • 04:32 • -8.95db
41% Popularity • 59% Danceability • 54% Energy • 13% Liveness
91% Instrumentalness • 7% Positiveness
41% Popularity • 59% Danceability • 54% Energy • 13% Liveness
91% Instrumentalness • 7% Positiveness
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Origen
Piano Dreams
111 bpm • C Maj • 03:09 • -21.35db
48% Popularity • 40% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
48% Popularity • 40% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
