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Seventeen Going Under - Edit
Songs like
Seventeen Going Under - Edit
by
Sam Fender
Based on a tempo of (+/- 10%) and a similar genre
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Sam Fender
Seventeen Going Under - Edit
162 bpm • C# Maj • 03:57 • -4.64db
47% Popularity • 50% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Tyne-James Organ
Sunday Suit
162 bpm • B Maj • 04:07 • -4.96db
37% Popularity • 55% Danceability • 78% Energy • 56% Liveness
0% Instrumentalness • 70% Positiveness
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Everything Everything
Violent Sun
162 bpm • A min • 04:00 • -5db
39% Popularity • 40% Danceability • 90% Energy • 32% Liveness
0% Instrumentalness • 43% Positiveness
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Red Rum Club
The River
163 bpm • G Maj • 02:52 • -4.46db
33% Popularity • 46% Danceability • 86% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
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Corella
Puppets
161 bpm • C# min • 02:29 • -5.12db
47% Popularity • 45% Danceability • 84% Energy • 8% Liveness
3% Instrumentalness • 64% Positiveness
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The Sherlocks
Wake Up
161 bpm • C Maj • 03:22 • -4.52db
22% Popularity • 20% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Sam Fender
Dead Boys - Recorded At RAK Studios, Lon...
162 bpm • B Maj • 03:33 • -5.4db
31% Popularity • 45% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Gerry Cinnamon
Ghost
161 bpm • A Maj • 03:27 • -6db
54% Popularity • 48% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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YourCuzMarcus
Obey
164 bpm • C# Maj • 03:06 • -9.99db
18% Popularity • 39% Danceability • 54% Energy • 8% Liveness
1% Instrumentalness • 46% Positiveness
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Inhaler
We Have To Move On
160 bpm • E min • 04:12 • -5.01db
43% Popularity • 46% Danceability • 95% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Circa Waves
T-Shirt Weather
160 bpm • E Maj • 03:12 • -5db
61% Popularity • 42% Danceability • 95% Energy • 24% Liveness
0% Instrumentalness • 47% Positiveness
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The Sherlocks
On the Run
160 bpm • F min • 03:58 • -2.88db
22% Popularity • 22% Danceability • 95% Energy • 25% Liveness
0% Instrumentalness • 39% Positiveness
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Sam Fender
Better Of Me
164 bpm • G# min • 03:48 • -7.43db
37% Popularity • 61% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Connie Constance
Monty Python
164 bpm • B min • 03:17 • -10.97db
27% Popularity • 66% Danceability • 47% Energy • 22% Liveness
0% Instrumentalness • 49% Positiveness
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Courteeners
Are You in Love With a Notion?
160 bpm • G Maj • 04:14 • -6.77db
51% Popularity • 40% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Inhaler
My Honest Face
160 bpm • F Maj • 04:32 • -4.17db
58% Popularity • 42% Danceability • 97% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Two Door Cinema Club
Wonderful Life - edit
160 bpm • F Maj • 03:05 • -2db
43% Popularity • 57% Danceability • 86% Energy • 18% Liveness
0% Instrumentalness • 75% Positiveness
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The Coronas
True Love Waits
160 bpm • G# Maj • 04:29 • -6.97db
26% Popularity • 42% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Sam Fender
Seventeen Going Under
162 bpm • C# Maj • 04:57 • -4.79db
70% Popularity • 48% Danceability • 87% Energy • 8% Liveness
1% Instrumentalness • 58% Positiveness
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Tom Grennan
All These Nights
160 bpm • A Maj • 02:34 • -2.48db
48% Popularity • 48% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
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Courteeners
Cavorting - Remastered 2022
159 bpm • G Maj • 03:03 • -3.25db
40% Popularity • 22% Danceability • 96% Energy • 32% Liveness
0% Instrumentalness • 36% Positiveness
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The K's
Hometown
165 bpm • B Maj • 04:53 • -7.12db
30% Popularity • 34% Danceability • 91% Energy • 39% Liveness
0% Instrumentalness • 52% Positiveness
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Two Door Cinema Club
Wonderful Life
160 bpm • F Maj • 03:19 • -3db
40% Popularity • 60% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
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Circa Waves
Movies
166 bpm • C Maj • 03:22 • -6db
51% Popularity • 58% Danceability • 79% Energy • 32% Liveness
0% Instrumentalness • 64% Positiveness
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Sam Fender
The Borders - live at Capitol Studios, s...
161 bpm • C# Maj • 05:35 • -3.65db
29% Popularity • 48% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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STONE
Let's Dance To The Real Thing
158 bpm • A Maj • 02:47 • -4db
35% Popularity • 37% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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Liam Gallagher
Everything's Electric
166 bpm • C# min • 03:36 • -2.42db
49% Popularity • 41% Danceability • 97% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
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Maximo Park
Versions Of You
158 bpm • A Maj • 04:37 • -6db
33% Popularity • 43% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Gerry Cinnamon
Where We're Going
158 bpm • A Maj • 04:00 • -7db
59% Popularity • 52% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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BLOXX
Everything I’ve Ever Learned
158 bpm • B min • 03:54 • -3.38db
24% Popularity • 39% Danceability • 95% Energy • 33% Liveness
0% Instrumentalness • 41% Positiveness
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Sam Fender
The Borders
161 bpm • G# Maj • 05:32 • -3.79db
58% Popularity • 48% Danceability • 92% Energy • 30% Liveness
0% Instrumentalness • 58% Positiveness
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Catfish and the Bottlemen
2all
167 bpm • G min • 03:08 • -4db
53% Popularity • 40% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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JAMIE WEBSTER
Living For Yesterday
167 bpm • C# Maj • 03:36 • -6.36db
40% Popularity • 50% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
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Biffy Clyro
Space
157 bpm • A# Maj • 03:55 • -5.17db
51% Popularity • 46% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 41% Positiveness
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The Lathums
This Place O' Yours
168 bpm • A Maj • 03:48 • -7.58db
35% Popularity • 56% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Corella
Bloom
156 bpm • F min • 02:33 • -5db
56% Popularity • 49% Danceability • 89% Energy • 83% Liveness
0% Instrumentalness • 66% Positiveness
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Sam Fender
Getting Started
161 bpm • B Maj • 03:09 • -4.49db
60% Popularity • 47% Danceability • 90% Energy • 21% Liveness
0% Instrumentalness • 54% Positiveness
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Spector
Bad Summer
156 bpm • C Maj • 02:45 • -5db
19% Popularity • 44% Danceability • 80% Energy • 22% Liveness
0% Instrumentalness • 40% Positiveness
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Ben Howard
Sorry Kid - Edit
169 bpm • D min • 04:08 • -6.88db
42% Popularity • 59% Danceability • 72% Energy • 9% Liveness
2% Instrumentalness • 74% Positiveness
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Catfish and the Bottlemen
7
155 bpm • A# Maj • 04:16 • -4.93db
66% Popularity • 53% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Tom A. Smith
Dragonfly
155 bpm • G min • 03:38 • -4.62db
20% Popularity • 56% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Corella
Let On
156 bpm • F# min • 02:27 • -5.36db
53% Popularity • 46% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Sam Fender
Aye
156 bpm • C# Maj • 03:06 • -4.84db
43% Popularity • 59% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Jamie T
St. George Wharf Tower
169 bpm • G# Maj • 03:10 • -6db
33% Popularity • 36% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
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JAMIE WEBSTER
North End Kid
155 bpm • B Maj • 04:06 • -5.68db
41% Popularity • 54% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Jungle
Truth
155 bpm • G Maj • 02:51 • -5.7db
49% Popularity • 60% Danceability • 76% Energy • 13% Liveness
2% Instrumentalness • 77% Positiveness
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Gang of Youths
the man himself
155 bpm • E Maj • 04:24 • -6db
32% Popularity • 44% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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The Reytons
Slice Of Lime (2017)
155 bpm • B Maj • 03:50 • -3.74db
48% Popularity • 50% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
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Sam Fender
Long Way Off
164 bpm • G# min • 03:49 • -4.13db
43% Popularity • 45% Danceability • 82% Energy • 38% Liveness
0% Instrumentalness • 74% Positiveness
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Noah Kahan
Homesick
170 bpm • F# Maj • 03:14 • -6.44db
76% Popularity • 46% Danceability • 63% Energy • 34% Liveness
0% Instrumentalness • 39% Positiveness
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The Lathums
How Beautiful Life Can Be - Single Versi...
170 bpm • G Maj • 02:30 • -3.29db
43% Popularity • 44% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Middle Kids
Questions
170 bpm • C Maj • 02:53 • -6db
35% Popularity • 39% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
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The Royston Club
Mariana
170 bpm • D Maj • 03:10 • -4.96db
43% Popularity • 50% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
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The Peach Fuzz
The Outside Looking In
153 bpm • E min • 03:14 • -5.85db
26% Popularity • 44% Danceability • 88% Energy • 38% Liveness
0% Instrumentalness • 63% Positiveness
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Sam Fender
Get You Down - Edit
158 bpm • D Maj • 03:40 • -5.95db
27% Popularity • 43% Danceability • 96% Energy • 51% Liveness
76% Instrumentalness • 53% Positiveness
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The 1975
Looking For Somebody (To Love)
171 bpm • D Maj • 02:58 • -4.92db
63% Popularity • 52% Danceability • 96% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
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The Lathums
How Beautiful Life Can Be
170 bpm • G Maj • 02:46 • -2.78db
39% Popularity • 43% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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The Killers
My Own Soul’s Warning
152 bpm • G Maj • 04:34 • -3.48db
55% Popularity • 36% Danceability • 96% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Louis Berry
Molly Malone
173 bpm • G Maj • 03:03 • -4.76db
31% Popularity • 59% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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The Wombats
If You Ever Leave, I'm Coming With You
152 bpm • A min • 02:49 • -5.46db
39% Popularity • 52% Danceability • 88% Energy • 52% Liveness
0% Instrumentalness • 59% Positiveness
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Sam Fender
Get You Down
158 bpm • D Maj • 04:23 • -4.91db
50% Popularity • 39% Danceability • 97% Energy • 30% Liveness
9% Instrumentalness • 39% Positiveness
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The Amazons
How Will I Know?
152 bpm • G min • 03:59 • -5.4db
26% Popularity • 18% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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The Lathums
Fight On
152 bpm • B min • 02:48 • -4db
54% Popularity • 49% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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The Coronas
Lost in The Thick of It
173 bpm • C Maj • 03:34 • -7.45db
35% Popularity • 41% Danceability • 58% Energy • 4% Liveness
0% Instrumentalness • 31% Positiveness
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Holly Humberstone
Sleep Tight
174 bpm • G Maj • 03:38 • -5.65db
46% Popularity • 53% Danceability • 64% Energy • 9% Liveness
1% Instrumentalness • 56% Positiveness
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Corella
Do You Want It?
174 bpm • F# min • 03:10 • -5db
45% Popularity • 22% Danceability • 85% Energy • 22% Liveness
4% Instrumentalness • 19% Positiveness
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Sam Fender
The Leveller
157 bpm • D Maj • 04:01 • -4.72db
35% Popularity • 47% Danceability • 95% Energy • 33% Liveness
0% Instrumentalness • 49% Positiveness
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Harry Styles
As It Was
174 bpm • F# min • 02:47 • -5.34db
91% Popularity • 52% Danceability • 73% Energy • 31% Liveness
0% Instrumentalness • 66% Positiveness
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Florence + The Machine
Free
175 bpm • A# min • 03:54 • -6db
66% Popularity • 46% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 5% Positiveness
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Catfish and the Bottlemen
Encore
150 bpm • A Maj • 02:45 • -3.65db
53% Popularity • 49% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
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The Wombats
Dressed to Kill
150 bpm • C Maj • 02:52 • -6.53db
41% Popularity • 52% Danceability • 79% Energy • 28% Liveness
0% Instrumentalness • 73% Positiveness
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Black Honey
Back of the Bar
150 bpm • E min • 02:35 • -5.32db
25% Popularity • 60% Danceability • 90% Energy • 13% Liveness
1% Instrumentalness • 79% Positiveness
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Sam Fender
Dead Boys
168 bpm • C Maj • 03:23 • -3.63db
54% Popularity • 46% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Tyne-James Organ
Better Than This
150 bpm • B Maj • 03:48 • -5.44db
27% Popularity • 52% Danceability • 86% Energy • 14% Liveness
19% Instrumentalness • 52% Positiveness
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POLICE CAR COLLECTIVE
MINE
150 bpm • C Maj • 04:03 • -4.74db
22% Popularity • 34% Danceability • 75% Energy • 51% Liveness
0% Instrumentalness • 24% Positiveness
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Corella
Come Around
175 bpm • F# min • 03:14 • -2db
52% Popularity • 37% Danceability • 95% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
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The Wombats
Ready For the High
150 bpm • B min • 04:05 • -7db
28% Popularity • 50% Danceability • 77% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
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The Killers
In The Car Outside
150 bpm • B Maj • 05:28 • -3.75db
37% Popularity • 50% Danceability • 91% Energy • 41% Liveness
0% Instrumentalness • 27% Positiveness
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Sam Fender
You're Not The Only One
156 bpm • B Maj • 04:35 • -3.88db
51% Popularity • 43% Danceability • 96% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Gerry Cinnamon
Sometimes
150 bpm • A Maj • 03:16 • -6.74db
65% Popularity • 64% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Bear's Den
Blue Hours
150 bpm • F# min • 03:53 • -8.31db
37% Popularity • 66% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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JAMIE WEBSTER
This Place
150 bpm • C Maj • 03:14 • -5.19db
52% Popularity • 65% Danceability • 86% Energy • 33% Liveness
0% Instrumentalness • 61% Positiveness
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Corella
Barcelona Girl
150 bpm • F# Maj • 03:24 • -5.36db
50% Popularity • 61% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
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The Killers
In The Car Outside - Abridged
150 bpm • B Maj • 04:48 • -2.66db
34% Popularity • 48% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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DMA'S
The Glow
150 bpm • C Maj • 02:54 • -4.09db
34% Popularity • 41% Danceability • 91% Energy • 25% Liveness
0% Instrumentalness • 76% Positiveness
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Sam Fender
Greasy Spoon
171 bpm • F# Maj • 02:58 • -6db
44% Popularity • 52% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Ben Howard
Crowhurst's Meme
176 bpm • G min • 03:44 • -7.54db
35% Popularity • 62% Danceability • 88% Energy • 6% Liveness
71% Instrumentalness • 81% Positiveness
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JAMIE WEBSTER
Going Out
176 bpm • C# Maj • 03:48 • -2.86db
41% Popularity • 47% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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The Lathums
Sad Face Baby
149 bpm • D Maj • 04:17 • -3.13db
40% Popularity • 50% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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The Snuts
Seasons
148 bpm • G Maj • 03:19 • -2.77db
47% Popularity • 32% Danceability • 90% Energy • 32% Liveness
0% Instrumentalness • 36% Positiveness
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Paris Youth Foundation
The Back Seat
177 bpm • F# min • 04:12 • -4.93db
29% Popularity • 49% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Sam Fender
Spice
175 bpm • C# Maj • 02:21 • -3db
57% Popularity • 49% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
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Catfish and the Bottlemen
Pacifier
148 bpm • A Maj • 03:57 • -4.1db
60% Popularity • 46% Danceability • 88% Energy • 12% Liveness
3% Instrumentalness • 34% Positiveness
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Kings of Leon
Echoing
148 bpm • C Maj • 03:37 • -5.58db
42% Popularity • 29% Danceability • 78% Energy • 10% Liveness
23% Instrumentalness • 24% Positiveness
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The Lathums
Oh My Love
178 bpm • F# min • 02:22 • -4db
44% Popularity • 40% Danceability • 81% Energy • 26% Liveness
0% Instrumentalness • 66% Positiveness
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Stereophonics
Dakota
147 bpm • E Maj • 04:57 • -3.5db
70% Popularity • 51% Danceability • 93% Energy • 9% Liveness
1% Instrumentalness • 30% Positiveness
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Coldplay
Higher Power
178 bpm • A# Maj • 03:26 • -5.93db
65% Popularity • 51% Danceability • 83% Energy • 23% Liveness
0% Instrumentalness • 48% Positiveness
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Sam Fender
Saturday
176 bpm • C# Maj • 03:01 • -3.08db
59% Popularity • 45% Danceability • 81% Energy • 16% Liveness
1% Instrumentalness • 68% Positiveness
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We Were Promised Jetpacks
If It Happens
147 bpm • C Maj • 04:54 • -6.08db
27% Popularity • 50% Danceability • 76% Energy • 8% Liveness
1% Instrumentalness • 38% Positiveness
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JAMIE WEBSTER
Weekend In Paradise
147 bpm • E Maj • 03:16 • -5.98db
59% Popularity • 66% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Seventeen Going Under - Edit