Songs like Seventeen by Tomberlin
Based on a tempo of (+/- 10%) and a similar genre
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Harrison Whitford
Secret Garden
138 bpm • F# Maj • 02:51 • -11.51db
28% Popularity • 48% Danceability • 29% Energy • 33% Liveness
0% Instrumentalness • 45% Positiveness
28% Popularity • 48% Danceability • 29% Energy • 33% Liveness
0% Instrumentalness • 45% Positiveness
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Mia Joy
See Us
138 bpm • A# Maj • 02:10 • -14.29db
50% Popularity • 61% Danceability • 35% Energy • 14% Liveness
93% Instrumentalness • 44% Positiveness
50% Popularity • 61% Danceability • 35% Energy • 14% Liveness
93% Instrumentalness • 44% Positiveness
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Lucy Dacus
Fool's Gold
138 bpm • F min • 03:18 • -15.9db
46% Popularity • 59% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
46% Popularity • 59% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Tomberlin
Seventeen
138 bpm • G Maj • 04:31 • -9.95db
38% Popularity • 40% Danceability • 33% Energy • 14% Liveness
1% Instrumentalness • 31% Positiveness
38% Popularity • 40% Danceability • 33% Energy • 14% Liveness
1% Instrumentalness • 31% Positiveness
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Julien Baker
Sprained Ankle
138 bpm • D Maj • 02:22 • -14.47db
41% Popularity • 37% Danceability • 17% Energy • 11% Liveness
47% Instrumentalness • 20% Positiveness
41% Popularity • 37% Danceability • 17% Energy • 11% Liveness
47% Instrumentalness • 20% Positiveness
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Sadurn
snake
138 bpm • C# Maj • 04:33 • -8.75db
38% Popularity • 46% Danceability • 34% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
38% Popularity • 46% Danceability • 34% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
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Katy Kirby
Cool Dry Place
137 bpm • E Maj • 05:00 • -10.23db
42% Popularity • 41% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
42% Popularity • 41% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Charlie Hickey
Count The Stairs
139 bpm • F Maj • 04:00 • -9.42db
18% Popularity • 54% Danceability • 40% Energy • 21% Liveness
0% Instrumentalness • 52% Positiveness
18% Popularity • 54% Danceability • 40% Energy • 21% Liveness
0% Instrumentalness • 52% Positiveness
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Adrianne Lenker
Ringing Bells
139 bpm • C Maj • 03:49 • -17db
40% Popularity • 53% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 47% Positiveness
40% Popularity • 53% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 47% Positiveness
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Tomberlin
easy
138 bpm • G# Maj • 05:41 • -18.67db
24% Popularity • 55% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
24% Popularity • 55% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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The Dawdler
Lava Lamps
139 bpm • G Maj • 02:53 • -14.45db
34% Popularity • 46% Danceability • 26% Energy • 9% Liveness
93% Instrumentalness • 12% Positiveness
34% Popularity • 46% Danceability • 26% Energy • 9% Liveness
93% Instrumentalness • 12% Positiveness
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Sylvan Esso
Slack Jaw
139 bpm • D# Maj • 03:05 • -15db
44% Popularity • 53% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
44% Popularity • 53% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Mutual Benefit
Diamond Day
139 bpm • G Maj • 02:24 • -13.66db
29% Popularity • 31% Danceability • 22% Energy • 36% Liveness
95% Instrumentalness • 14% Positiveness
29% Popularity • 31% Danceability • 22% Energy • 36% Liveness
95% Instrumentalness • 14% Positiveness
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Lomelda
It's Infinite
137 bpm • C Maj • 02:54 • -17db
45% Popularity • 56% Danceability • 24% Energy • 11% Liveness
28% Instrumentalness • 45% Positiveness
45% Popularity • 56% Danceability • 24% Energy • 11% Liveness
28% Instrumentalness • 45% Positiveness
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Adrianne Lenker
I Still Hear You
139 bpm • A Maj • 03:26 • -16db
47% Popularity • 46% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
47% Popularity • 46% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Bedouine
All My Trials
137 bpm • G Maj • 02:30 • -15.46db
23% Popularity • 47% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
23% Popularity • 47% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Jealous of the Birds
Mountain Lullaby
137 bpm • G# Maj • 03:33 • -14db
18% Popularity • 56% Danceability • 28% Energy • 11% Liveness
1% Instrumentalness • 35% Positiveness
18% Popularity • 56% Danceability • 28% Energy • 11% Liveness
1% Instrumentalness • 35% Positiveness
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Charlie Hickey
Seeing Things
139 bpm • F Maj • 03:34 • -9db
25% Popularity • 47% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
25% Popularity • 47% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Rosie Tucker
Ambrosia
140 bpm • C# Maj • 03:45 • -7db
36% Popularity • 47% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
36% Popularity • 47% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Ritt Momney
Golden Slumbers
140 bpm • C Maj • 02:58 • -12.31db
35% Popularity • 38% Danceability • 32% Energy • 10% Liveness
69% Instrumentalness • 12% Positiveness
35% Popularity • 38% Danceability • 32% Energy • 10% Liveness
69% Instrumentalness • 12% Positiveness
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Adrianne Lenker
Jonathan
137 bpm • B Maj • 02:08 • -14.24db
60% Popularity • 57% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
60% Popularity • 57% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Runnner
Awash
140 bpm • D Maj • 03:09 • -10db
27% Popularity • 50% Danceability • 48% Energy • 31% Liveness
24% Instrumentalness • 21% Positiveness
27% Popularity • 50% Danceability • 48% Energy • 31% Liveness
24% Instrumentalness • 21% Positiveness
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tomemitsu
I'm Just Waiting for Your Love
140 bpm • F# min • 05:40 • -14db
19% Popularity • 66% Danceability • 20% Energy • 11% Liveness
19% Instrumentalness • 32% Positiveness
19% Popularity • 66% Danceability • 20% Energy • 11% Liveness
19% Instrumentalness • 32% Positiveness
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Overcoats
New Shoes
136 bpm • G Maj • 03:18 • -11db
28% Popularity • 58% Danceability • 22% Energy • 36% Liveness
0% Instrumentalness • 17% Positiveness
28% Popularity • 58% Danceability • 22% Energy • 36% Liveness
0% Instrumentalness • 17% Positiveness
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Lucy Dacus
Direct Address
140 bpm • D Maj • 03:19 • -8db
41% Popularity • 40% Danceability • 40% Energy • 15% Liveness
18% Instrumentalness • 15% Positiveness
41% Popularity • 40% Danceability • 40% Energy • 15% Liveness
18% Instrumentalness • 15% Positiveness
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Miel
Columbus Day
140 bpm • F Maj • 02:03 • -13.33db
26% Popularity • 57% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 18% Positiveness
26% Popularity • 57% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 18% Positiveness
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Jay Som
I Think You're Alright
140 bpm • D Maj • 03:46 • -7.97db
40% Popularity • 56% Danceability • 47% Energy • 63% Liveness
18% Instrumentalness • 41% Positiveness
40% Popularity • 56% Danceability • 47% Energy • 63% Liveness
18% Instrumentalness • 41% Positiveness
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Runnner
Snowplow
140 bpm • D Maj • 02:41 • -10.71db
40% Popularity • 60% Danceability • 34% Energy • 11% Liveness
24% Instrumentalness • 24% Positiveness
40% Popularity • 60% Danceability • 34% Energy • 11% Liveness
24% Instrumentalness • 24% Positiveness
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Lily & Madeleine
Stuck on the Puzzle
136 bpm • G# Maj • 04:13 • -8.54db
23% Popularity • 43% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
23% Popularity • 43% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Snail Mail
Deep Sea
140 bpm • C# Maj • 04:42 • -6.01db
43% Popularity • 29% Danceability • 37% Energy • 11% Liveness
12% Instrumentalness • 12% Positiveness
43% Popularity • 29% Danceability • 37% Energy • 11% Liveness
12% Instrumentalness • 12% Positiveness
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Phoebe Bridgers
Would You Rather
136 bpm • A# Maj • 03:19 • -10.93db
51% Popularity • 48% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
51% Popularity • 48% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Laura Stevenson
Don't Think About Me
136 bpm • A Maj • 02:54 • -7.42db
29% Popularity • 34% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
29% Popularity • 34% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Harrison Whitford
Meclizine
136 bpm • F Maj • 05:46 • -12.37db
17% Popularity • 65% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
17% Popularity • 65% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Bella Porter
Cynicism
140 bpm • E Maj • 03:52 • -21.98db
33% Popularity • 32% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
33% Popularity • 32% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Lucy Dacus
Green Eyes, Red Face
135 bpm • A Maj • 03:38 • -9db
38% Popularity • 54% Danceability • 28% Energy • 8% Liveness
8% Instrumentalness • 4% Positiveness
38% Popularity • 54% Danceability • 28% Energy • 8% Liveness
8% Instrumentalness • 4% Positiveness
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Lomelda
Columbia River
135 bpm • A min • 04:42 • -13db
39% Popularity • 46% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
39% Popularity • 46% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Participant
Coast
135 bpm • A Maj • 03:55 • -12.77db
22% Popularity • 55% Danceability • 17% Energy • 11% Liveness
9% Instrumentalness • 25% Positiveness
22% Popularity • 55% Danceability • 17% Energy • 11% Liveness
9% Instrumentalness • 25% Positiveness
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Charlotte Cornfield
In My Corner
135 bpm • C min • 03:44 • -10.07db
35% Popularity • 63% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
35% Popularity • 63% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Julien Baker
Something
135 bpm • A Maj • 03:52 • -7.26db
42% Popularity • 37% Danceability • 20% Energy • 16% Liveness
0% Instrumentalness • 10% Positiveness
42% Popularity • 37% Danceability • 20% Energy • 16% Liveness
0% Instrumentalness • 10% Positiveness
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Runnner
bike again
135 bpm • F Maj • 03:04 • -14.17db
33% Popularity • 52% Danceability • 28% Energy • 10% Liveness
3% Instrumentalness • 18% Positiveness
33% Popularity • 52% Danceability • 28% Energy • 10% Liveness
3% Instrumentalness • 18% Positiveness
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Madi Diaz
New Person, Old Place
135 bpm • C Maj • 04:06 • -8db
36% Popularity • 60% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
36% Popularity • 60% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Better Oblivion Community Center
Didn't Know What I Was In For
141 bpm • D Maj • 04:03 • -11db
46% Popularity • 45% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
46% Popularity • 45% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Cooza
I Can See New Zealand From Here
135 bpm • F Maj • 02:03 • -16.03db
34% Popularity • 58% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
34% Popularity • 58% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Johanna Warren
Only the Truth
142 bpm • C Maj • 04:58 • -14.93db
13% Popularity • 34% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
13% Popularity • 34% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Lucy Dacus
Christine
142 bpm • C Maj • 02:33 • -10.84db
50% Popularity • 62% Danceability • 15% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
50% Popularity • 62% Danceability • 15% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
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Runnner
New Sublet
135 bpm • F Maj • 03:01 • -13.79db
23% Popularity • 63% Danceability • 17% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
23% Popularity • 63% Danceability • 17% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
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Kevin Reilly
Appalachian Moon
142 bpm • A# Maj • 03:12 • -21.42db
37% Popularity • 50% Danceability • 6% Energy • 14% Liveness
2% Instrumentalness • 46% Positiveness
37% Popularity • 50% Danceability • 6% Energy • 14% Liveness
2% Instrumentalness • 46% Positiveness
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Charlotte Cornfield
Silver Civic
142 bpm • C# Maj • 04:37 • -13.41db
20% Popularity • 55% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
20% Popularity • 55% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Katy Kirby
Tap Twice
134 bpm • F Maj • 02:37 • -13.54db
31% Popularity • 66% Danceability • 10% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
31% Popularity • 66% Danceability • 10% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
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Eliza McLamb
Salt Circle
142 bpm • A# Maj • 04:20 • -11db
37% Popularity • 62% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
37% Popularity • 62% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Flyte
Losing You
142 bpm • C# Maj • 03:18 • -7.85db
44% Popularity • 63% Danceability • 67% Energy • 12% Liveness
2% Instrumentalness • 92% Positiveness
44% Popularity • 63% Danceability • 67% Energy • 12% Liveness
2% Instrumentalness • 92% Positiveness
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Sufjan Stevens
To Be Alone With You
142 bpm • C min • 02:48 • -18db
62% Popularity • 52% Danceability • 16% Energy • 12% Liveness
75% Instrumentalness • 36% Positiveness
62% Popularity • 52% Danceability • 16% Energy • 12% Liveness
75% Instrumentalness • 36% Positiveness
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Ada Lea
damn
142 bpm • G# min • 04:21 • -9db
39% Popularity • 69% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
39% Popularity • 69% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
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Eleni Drake
Sun Bear
134 bpm • C Maj • 04:21 • -12db
24% Popularity • 58% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
24% Popularity • 58% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Bedouine
Under the Night
134 bpm • G# Maj • 03:18 • -17db
29% Popularity • 57% Danceability • 19% Energy • 9% Liveness
16% Instrumentalness • 35% Positiveness
29% Popularity • 57% Danceability • 19% Energy • 9% Liveness
16% Instrumentalness • 35% Positiveness
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Hand Habits
placeholder
134 bpm • F# min • 03:50 • -9.37db
34% Popularity • 49% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
34% Popularity • 49% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Dora Jar
Spell
143 bpm • E min • 04:07 • -15db
42% Popularity • 34% Danceability • 17% Energy • 12% Liveness
43% Instrumentalness • 14% Positiveness
42% Popularity • 34% Danceability • 17% Energy • 12% Liveness
43% Instrumentalness • 14% Positiveness
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Phoebe Bridgers
Summer's End - Spotify Singles
134 bpm • C# Maj • 03:54 • -13.72db
54% Popularity • 47% Danceability • 30% Energy • 35% Liveness
0% Instrumentalness • 34% Positiveness
54% Popularity • 47% Danceability • 30% Energy • 35% Liveness
0% Instrumentalness • 34% Positiveness
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Sadurn
radiator
133 bpm • D Maj • 03:54 • -14.84db
48% Popularity • 55% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
48% Popularity • 55% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Molly Parden
Kitchen Table
133 bpm • D# Maj • 03:28 • -10db
25% Popularity • 59% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
25% Popularity • 59% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Kississippi
Dogmas
143 bpm • B Maj • 02:03 • -12db
44% Popularity • 44% Danceability • 32% Energy • 11% Liveness
31% Instrumentalness • 22% Positiveness
44% Popularity • 44% Danceability • 32% Energy • 11% Liveness
31% Instrumentalness • 22% Positiveness
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Hand Habits
Graves
133 bpm • F# Maj • 03:12 • -14.21db
35% Popularity • 70% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
35% Popularity • 70% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Angel Olsen
Some things Cosmic
144 bpm • G# Maj • 02:54 • -13.54db
51% Popularity • 21% Danceability • 18% Energy • 11% Liveness
1% Instrumentalness • 10% Positiveness
51% Popularity • 21% Danceability • 18% Energy • 11% Liveness
1% Instrumentalness • 10% Positiveness
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Mountain Man
You and I
132 bpm • C# Maj • 02:37 • -9db
26% Popularity • 69% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
26% Popularity • 69% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Adrianne Lenker
Angels
133 bpm • E Maj • 04:08 • -10.42db
49% Popularity • 47% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
49% Popularity • 47% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Ada Lea
the party
144 bpm • C min • 02:55 • -16.22db
27% Popularity • 59% Danceability • 19% Energy • 48% Liveness
19% Instrumentalness • 24% Positiveness
27% Popularity • 59% Danceability • 19% Energy • 48% Liveness
19% Instrumentalness • 24% Positiveness
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Novo Amor
I Make Sparks
144 bpm • C Maj • 03:38 • -13db
51% Popularity • 59% Danceability • 37% Energy • 10% Liveness
74% Instrumentalness • 35% Positiveness
51% Popularity • 59% Danceability • 37% Energy • 10% Liveness
74% Instrumentalness • 35% Positiveness
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Scott Orr
Fall Apart
144 bpm • A Maj • 04:36 • -14.07db
23% Popularity • 63% Danceability • 53% Energy • 36% Liveness
75% Instrumentalness • 61% Positiveness
23% Popularity • 63% Danceability • 53% Energy • 36% Liveness
75% Instrumentalness • 61% Positiveness
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Molly Payton
I'm Too Smart
144 bpm • D Maj • 05:04 • -8db
22% Popularity • 37% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
22% Popularity • 37% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Haley Heynderickx
Worth It
132 bpm • E Maj • 07:53 • -10db
43% Popularity • 46% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
43% Popularity • 46% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Laura Stevenson
Living Room, NY
132 bpm • F Maj • 03:22 • -7.25db
33% Popularity • 29% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
33% Popularity • 29% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Tomberlin
sunstruck
132 bpm • A Maj • 05:01 • -11.64db
25% Popularity • 61% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
25% Popularity • 61% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Babehoven
Often
132 bpm • D Maj • 04:01 • -13.28db
31% Popularity • 55% Danceability • 17% Energy • 11% Liveness
2% Instrumentalness • 19% Positiveness
31% Popularity • 55% Danceability • 17% Energy • 11% Liveness
2% Instrumentalness • 19% Positiveness
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Hand Habits
No Difference
132 bpm • A# Maj • 02:51 • -9.99db
35% Popularity • 61% Danceability • 64% Energy • 15% Liveness
23% Instrumentalness • 52% Positiveness
35% Popularity • 61% Danceability • 64% Energy • 15% Liveness
23% Instrumentalness • 52% Positiveness
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Hovvdy
The Only Exception
132 bpm • D# Maj • 03:38 • -9.13db
21% Popularity • 41% Danceability • 30% Energy • 20% Liveness
0% Instrumentalness • 29% Positiveness
21% Popularity • 41% Danceability • 30% Energy • 20% Liveness
0% Instrumentalness • 29% Positiveness
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Miya Folick
Strange Darling
132 bpm • E min • 03:42 • -14.52db
33% Popularity • 58% Danceability • 29% Energy • 9% Liveness
2% Instrumentalness • 14% Positiveness
33% Popularity • 58% Danceability • 29% Energy • 9% Liveness
2% Instrumentalness • 14% Positiveness
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Gregory Alan Isakov
Honey, It's Alright
132 bpm • C Maj • 03:11 • -15.66db
59% Popularity • 47% Danceability • 8% Energy • 11% Liveness
1% Instrumentalness • 8% Positiveness
59% Popularity • 47% Danceability • 8% Energy • 11% Liveness
1% Instrumentalness • 8% Positiveness
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Clairo
Just For Today
144 bpm • D# Maj • 03:37 • -21.85db
50% Popularity • 38% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
50% Popularity • 38% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Katie Bejsiuk
Mother's Records
132 bpm • A Maj • 02:29 • -9.11db
21% Popularity • 60% Danceability • 36% Energy • 13% Liveness
9% Instrumentalness • 40% Positiveness
21% Popularity • 60% Danceability • 36% Energy • 13% Liveness
9% Instrumentalness • 40% Positiveness
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Katy Kirby
Eyelids
145 bpm • C Maj • 01:40 • -20db
38% Popularity • 53% Danceability • 5% Energy • 17% Liveness
0% Instrumentalness • 18% Positiveness
38% Popularity • 53% Danceability • 5% Energy • 17% Liveness
0% Instrumentalness • 18% Positiveness
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Skullcrusher
Places/Plans
132 bpm • F Maj • 03:03 • -14db
38% Popularity • 35% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
38% Popularity • 35% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Johanna Warren
Black Moss
131 bpm • B Maj • 04:08 • -11.74db
28% Popularity • 43% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
28% Popularity • 43% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Hovvdy
Blindsided
145 bpm • G# Maj • 03:42 • -10.31db
40% Popularity • 50% Danceability • 38% Energy • 24% Liveness
60% Instrumentalness • 29% Positiveness
40% Popularity • 50% Danceability • 38% Energy • 24% Liveness
60% Instrumentalness • 29% Positiveness
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Clairo
Blouse
145 bpm • G Maj • 03:15 • -20.33db
55% Popularity • 32% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
55% Popularity • 32% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Bedouine
Nice and Quiet
131 bpm • C Maj • 03:51 • -15db
42% Popularity • 51% Danceability • 29% Energy • 10% Liveness
38% Instrumentalness • 44% Positiveness
42% Popularity • 51% Danceability • 29% Energy • 10% Liveness
38% Instrumentalness • 44% Positiveness
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Wild Pink
Albert Ross (Acoustic Version)
130 bpm • D Maj • 04:30 • -14db
22% Popularity • 50% Danceability • 37% Energy • 12% Liveness
36% Instrumentalness • 32% Positiveness
22% Popularity • 50% Danceability • 37% Energy • 12% Liveness
36% Instrumentalness • 32% Positiveness
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Skullcrusher
Quiet the Room
131 bpm • A# Maj • 03:24 • -16db
28% Popularity • 23% Danceability • 19% Energy • 13% Liveness
7% Instrumentalness • 5% Positiveness
28% Popularity • 23% Danceability • 19% Energy • 13% Liveness
7% Instrumentalness • 5% Positiveness
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The Brazen Youth
Center of Gravity
130 bpm • C# min • 05:27 • -12.14db
48% Popularity • 52% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
48% Popularity • 52% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Vagabon
Every Woman
146 bpm • G# min • 03:27 • -17.36db
30% Popularity • 48% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
30% Popularity • 48% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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The Wild Reeds
New Ways To Die
130 bpm • C Maj • 02:18 • -10.15db
22% Popularity • 41% Danceability • 32% Energy • 10% Liveness
64% Instrumentalness • 24% Positiveness
22% Popularity • 41% Danceability • 32% Energy • 10% Liveness
64% Instrumentalness • 24% Positiveness
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Lucy Dacus
VBS
146 bpm • C Maj • 03:56 • -7.64db
47% Popularity • 55% Danceability • 50% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
47% Popularity • 55% Danceability • 50% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
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Adam Melchor
Last Time
146 bpm • G Maj • 03:13 • -11.35db
43% Popularity • 49% Danceability • 56% Energy • 29% Liveness
4% Instrumentalness • 41% Positiveness
43% Popularity • 49% Danceability • 56% Energy • 29% Liveness
4% Instrumentalness • 41% Positiveness
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Le Siren
Burnt Sage
146 bpm • D Maj • 02:37 • -13db
26% Popularity • 44% Danceability • 22% Energy • 12% Liveness
36% Instrumentalness • 18% Positiveness
26% Popularity • 44% Danceability • 22% Energy • 12% Liveness
36% Instrumentalness • 18% Positiveness
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Sadurn
golden arm
130 bpm • D Maj • 04:04 • -15db
31% Popularity • 61% Danceability • 18% Energy • 9% Liveness
1% Instrumentalness • 23% Positiveness
31% Popularity • 61% Danceability • 18% Energy • 9% Liveness
1% Instrumentalness • 23% Positiveness
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Eliza McLamb
Lena Grove
130 bpm • A# Maj • 03:37 • -11.96db
31% Popularity • 49% Danceability • 31% Energy • 46% Liveness
0% Instrumentalness • 32% Positiveness
31% Popularity • 49% Danceability • 31% Energy • 46% Liveness
0% Instrumentalness • 32% Positiveness
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Babehoven
Bad Week
130 bpm • F Maj • 03:53 • -10.5db
19% Popularity • 44% Danceability • 38% Energy • 15% Liveness
17% Instrumentalness • 17% Positiveness
19% Popularity • 44% Danceability • 38% Energy • 15% Liveness
17% Instrumentalness • 17% Positiveness
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S. Carey
Fool's Gold
130 bpm • A Maj • 04:14 • -13db
40% Popularity • 50% Danceability • 29% Energy • 13% Liveness
1% Instrumentalness • 19% Positiveness
40% Popularity • 50% Danceability • 29% Energy • 13% Liveness
1% Instrumentalness • 19% Positiveness
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Someone
True Love Will Find You In The End
130 bpm • A# Maj • 03:35 • -15.68db
33% Popularity • 58% Danceability • 13% Energy • 11% Liveness
3% Instrumentalness • 25% Positiveness
33% Popularity • 58% Danceability • 13% Energy • 11% Liveness
3% Instrumentalness • 25% Positiveness
