Songs like Shades of You by Moses Boyd
Based on a tempo of (+/- 10%) and a similar genre
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Osquello
Restless
127 bpm • E min • 03:37 • -5.86db
20% Popularity • 67% Danceability • 81% Energy • 10% Liveness
1% Instrumentalness • 44% Positiveness
20% Popularity • 67% Danceability • 81% Energy • 10% Liveness
1% Instrumentalness • 44% Positiveness
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Moses Boyd
Shades of You
127 bpm • C min • 04:20 • -6.34db
21% Popularity • 66% Danceability • 96% Energy • 25% Liveness
1% Instrumentalness • 73% Positiveness
21% Popularity • 66% Danceability • 96% Energy • 25% Liveness
1% Instrumentalness • 73% Positiveness
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DARGZ
Earth Control
127 bpm • C Maj • 02:40 • -8.83db
32% Popularity • 51% Danceability • 70% Energy • 28% Liveness
84% Instrumentalness • 44% Positiveness
32% Popularity • 51% Danceability • 70% Energy • 28% Liveness
84% Instrumentalness • 44% Positiveness
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Little Dragon
New Fiction
127 bpm • G# Maj • 04:19 • -7.48db
37% Popularity • 74% Danceability • 62% Energy • 19% Liveness
41% Instrumentalness • 66% Positiveness
37% Popularity • 74% Danceability • 62% Energy • 19% Liveness
41% Instrumentalness • 66% Positiveness
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Apifera
Notre Damn
127 bpm • B min • 03:13 • -9.24db
10% Popularity • 45% Danceability • 57% Energy • 9% Liveness
31% Instrumentalness • 54% Positiveness
10% Popularity • 45% Danceability • 57% Energy • 9% Liveness
31% Instrumentalness • 54% Positiveness
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Tori Handsley
Polar Retreat
127 bpm • F min • 06:49 • -19.64db
0% Popularity • 42% Danceability • 23% Energy • 11% Liveness
92% Instrumentalness • 9% Positiveness
0% Popularity • 42% Danceability • 23% Energy • 11% Liveness
92% Instrumentalness • 9% Positiveness
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30/70
Nu Spring
127 bpm • G# min • 04:48 • -8.96db
18% Popularity • 43% Danceability • 73% Energy • 30% Liveness
0% Instrumentalness • 31% Positiveness
18% Popularity • 43% Danceability • 73% Energy • 30% Liveness
0% Instrumentalness • 31% Positiveness
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Ben Hayes
Soma Escape
128 bpm • G min • 04:41 • -11.86db
1% Popularity • 40% Danceability • 29% Energy • 8% Liveness
1% Instrumentalness • 9% Positiveness
1% Popularity • 40% Danceability • 29% Energy • 8% Liveness
1% Instrumentalness • 9% Positiveness
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DARGZ
Hold On, Pt.2
127 bpm • C# Maj • 02:15 • -8.05db
43% Popularity • 79% Danceability • 53% Energy • 15% Liveness
1% Instrumentalness • 58% Positiveness
43% Popularity • 79% Danceability • 53% Energy • 15% Liveness
1% Instrumentalness • 58% Positiveness
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Moses Boyd
2 Far Gone
126 bpm • C# Maj • 05:43 • -6.35db
30% Popularity • 37% Danceability • 89% Energy • 10% Liveness
32% Instrumentalness • 54% Positiveness
30% Popularity • 37% Danceability • 89% Energy • 10% Liveness
32% Instrumentalness • 54% Positiveness
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Alfa Mist
Door
126 bpm • D min • 04:07 • -11.62db
43% Popularity • 50% Danceability • 51% Energy • 12% Liveness
46% Instrumentalness • 24% Positiveness
43% Popularity • 50% Danceability • 51% Energy • 12% Liveness
46% Instrumentalness • 24% Positiveness
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Saul
No Fuss No Fight
126 bpm • A# Maj • 05:16 • -7.62db
27% Popularity • 76% Danceability • 59% Energy • 7% Liveness
11% Instrumentalness • 45% Positiveness
27% Popularity • 76% Danceability • 59% Energy • 7% Liveness
11% Instrumentalness • 45% Positiveness
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WheelUP
Stay for Long
126 bpm • C min • 02:47 • -5.88db
14% Popularity • 80% Danceability • 83% Energy • 9% Liveness
37% Instrumentalness • 88% Positiveness
14% Popularity • 80% Danceability • 83% Energy • 9% Liveness
37% Instrumentalness • 88% Positiveness
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Nardeydey
Speedial
128 bpm • G# Maj • 04:00 • -10.06db
9% Popularity • 84% Danceability • 54% Energy • 32% Liveness
18% Instrumentalness • 24% Positiveness
9% Popularity • 84% Danceability • 54% Energy • 32% Liveness
18% Instrumentalness • 24% Positiveness
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Merle
Fannie Likes 2 Dance
128 bpm • D# min • 05:02 • -9.93db
18% Popularity • 86% Danceability • 52% Energy • 32% Liveness
77% Instrumentalness • 96% Positiveness
18% Popularity • 86% Danceability • 52% Energy • 32% Liveness
77% Instrumentalness • 96% Positiveness
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Moses Boyd
Bridge the Gap - El-B Remix
128 bpm • A min • 04:35 • -6.44db
7% Popularity • 80% Danceability • 95% Energy • 7% Liveness
88% Instrumentalness • 95% Positiveness
7% Popularity • 80% Danceability • 95% Energy • 7% Liveness
88% Instrumentalness • 95% Positiveness
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Madison McFerrin
Learn Your Lesson - Photay Remix
128 bpm • F Maj • 06:07 • -9.04db
34% Popularity • 74% Danceability • 54% Energy • 31% Liveness
2% Instrumentalness • 27% Positiveness
34% Popularity • 74% Danceability • 54% Energy • 31% Liveness
2% Instrumentalness • 27% Positiveness
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Spoek Mathambo
I Found U
128 bpm • G Maj • 05:33 • -7.56db
23% Popularity • 54% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
23% Popularity • 54% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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WheelUP
Take Me Higher
126 bpm • C Maj • 03:37 • -7db
21% Popularity • 76% Danceability • 68% Energy • 7% Liveness
6% Instrumentalness • 72% Positiveness
21% Popularity • 76% Danceability • 68% Energy • 7% Liveness
6% Instrumentalness • 72% Positiveness
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Village of the Sun
First Light
126 bpm • F# min • 05:48 • -7.9db
11% Popularity • 55% Danceability • 75% Energy • 11% Liveness
86% Instrumentalness • 72% Positiveness
11% Popularity • 55% Danceability • 75% Energy • 11% Liveness
86% Instrumentalness • 72% Positiveness
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Sudan Archives
Paid
125 bpm • G Maj • 02:23 • -7.39db
31% Popularity • 78% Danceability • 55% Energy • 12% Liveness
19% Instrumentalness • 59% Positiveness
31% Popularity • 78% Danceability • 55% Energy • 12% Liveness
19% Instrumentalness • 59% Positiveness
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The Comet Is Coming
Unity
126 bpm • G Maj • 04:13 • -11.45db
32% Popularity • 62% Danceability • 71% Energy • 11% Liveness
82% Instrumentalness • 72% Positiveness
32% Popularity • 62% Danceability • 71% Energy • 11% Liveness
82% Instrumentalness • 72% Positiveness
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Saul
Earth & Rain - Radio Edit
125 bpm • A# min • 04:00 • -13.41db
19% Popularity • 71% Danceability • 60% Energy • 7% Liveness
21% Instrumentalness • 61% Positiveness
19% Popularity • 71% Danceability • 60% Energy • 7% Liveness
21% Instrumentalness • 61% Positiveness
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Girls of the Internet
Take Back
125 bpm • G# Maj • 04:53 • -13.23db
13% Popularity • 69% Danceability • 44% Energy • 12% Liveness
9% Instrumentalness • 18% Positiveness
13% Popularity • 69% Danceability • 44% Energy • 12% Liveness
9% Instrumentalness • 18% Positiveness
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Oscar Jerome
Chromatic Descendants
129 bpm • F min • 05:06 • -7.77db
17% Popularity • 70% Danceability • 76% Energy • 12% Liveness
31% Instrumentalness • 54% Positiveness
17% Popularity • 70% Danceability • 76% Energy • 12% Liveness
31% Instrumentalness • 54% Positiveness
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Porij
I Like That
125 bpm • E min • 03:45 • -8.78db
16% Popularity • 62% Danceability • 71% Energy • 23% Liveness
0% Instrumentalness • 34% Positiveness
16% Popularity • 62% Danceability • 71% Energy • 23% Liveness
0% Instrumentalness • 34% Positiveness
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Thundercat
Fair Chance - Floating Points Remix
125 bpm • F# min • 05:08 • -9db
32% Popularity • 77% Danceability • 78% Energy • 11% Liveness
13% Instrumentalness • 47% Positiveness
32% Popularity • 77% Danceability • 78% Energy • 11% Liveness
13% Instrumentalness • 47% Positiveness
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The Comet Is Coming
All That Matters Is The Moments
129 bpm • F min • 07:44 • -6db
22% Popularity • 44% Danceability • 70% Energy • 21% Liveness
12% Instrumentalness • 32% Positiveness
22% Popularity • 44% Danceability • 70% Energy • 21% Liveness
12% Instrumentalness • 32% Positiveness
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Saul
Earth & Rain
125 bpm • A# min • 06:05 • -7.75db
17% Popularity • 71% Danceability • 75% Energy • 8% Liveness
38% Instrumentalness • 56% Positiveness
17% Popularity • 71% Danceability • 75% Energy • 8% Liveness
38% Instrumentalness • 56% Positiveness
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Charlotte Adigéry
B B C
125 bpm • A min • 04:11 • -9db
15% Popularity • 84% Danceability • 62% Energy • 11% Liveness
38% Instrumentalness • 40% Positiveness
15% Popularity • 84% Danceability • 62% Energy • 11% Liveness
38% Instrumentalness • 40% Positiveness
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Oscar Jerome
Gravitate
125 bpm • G# min • 05:42 • -9db
35% Popularity • 71% Danceability • 71% Energy • 17% Liveness
13% Instrumentalness • 85% Positiveness
35% Popularity • 71% Danceability • 71% Energy • 17% Liveness
13% Instrumentalness • 85% Positiveness
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Laurence Guy
Drum Is a Woman
125 bpm • B Maj • 03:58 • -13.73db
29% Popularity • 61% Danceability • 48% Energy • 11% Liveness
67% Instrumentalness • 8% Positiveness
29% Popularity • 61% Danceability • 48% Energy • 11% Liveness
67% Instrumentalness • 8% Positiveness
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Keleketla!
Papua Merdeka
125 bpm • C# Maj • 06:41 • -7.39db
14% Popularity • 73% Danceability • 83% Energy • 8% Liveness
6% Instrumentalness • 35% Positiveness
14% Popularity • 73% Danceability • 83% Energy • 8% Liveness
6% Instrumentalness • 35% Positiveness
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Bryony Jarman-Pinto
Sweet Sweet
130 bpm • B min • 03:45 • -8.89db
18% Popularity • 62% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
18% Popularity • 62% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
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Horatio Luna
The Wake-Up
124 bpm • C# min • 07:33 • -15.36db
11% Popularity • 59% Danceability • 46% Energy • 11% Liveness
68% Instrumentalness • 37% Positiveness
11% Popularity • 59% Danceability • 46% Energy • 11% Liveness
68% Instrumentalness • 37% Positiveness
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Julien Dyne
Hours
124 bpm • C Maj • 03:55 • -7.85db
32% Popularity • 76% Danceability • 80% Energy • 12% Liveness
1% Instrumentalness • 61% Positiveness
32% Popularity • 76% Danceability • 80% Energy • 12% Liveness
1% Instrumentalness • 61% Positiveness
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Jamie Isaac
(04:30) Idler / Sleep
130 bpm • D Maj • 04:14 • -10db
21% Popularity • 68% Danceability • 72% Energy • 17% Liveness
50% Instrumentalness • 52% Positiveness
21% Popularity • 68% Danceability • 72% Energy • 17% Liveness
50% Instrumentalness • 52% Positiveness
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ELIZA
Game
130 bpm • B min • 05:01 • -13db
32% Popularity • 84% Danceability • 34% Energy • 12% Liveness
50% Instrumentalness • 94% Positiveness
32% Popularity • 84% Danceability • 34% Energy • 12% Liveness
50% Instrumentalness • 94% Positiveness
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Moses Boyd
Hard Food (Interlude)
130 bpm • D# min • 00:59 • -6.02db
15% Popularity • 71% Danceability • 86% Energy • 45% Liveness
0% Instrumentalness • 77% Positiveness
15% Popularity • 71% Danceability • 86% Energy • 45% Liveness
0% Instrumentalness • 77% Positiveness
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Ria Moran
You'll Stay Down
130 bpm • E min • 04:22 • -7.78db
13% Popularity • 62% Danceability • 72% Energy • 24% Liveness
6% Instrumentalness • 54% Positiveness
13% Popularity • 62% Danceability • 72% Energy • 24% Liveness
6% Instrumentalness • 54% Positiveness
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Poppy Ajudha
Watermelon Man (Under The Sun)
130 bpm • F min • 04:30 • -9.6db
21% Popularity • 59% Danceability • 59% Energy • 5% Liveness
0% Instrumentalness • 33% Positiveness
21% Popularity • 59% Danceability • 59% Energy • 5% Liveness
0% Instrumentalness • 33% Positiveness
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Kokoroko
Carry Me Home
130 bpm • A# min • 05:27 • -10.84db
44% Popularity • 41% Danceability • 75% Energy • 41% Liveness
64% Instrumentalness • 80% Positiveness
44% Popularity • 41% Danceability • 75% Energy • 41% Liveness
64% Instrumentalness • 80% Positiveness
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Wilma Archer
Decades
130 bpm • A min • 05:38 • -13.5db
22% Popularity • 54% Danceability • 32% Energy • 8% Liveness
3% Instrumentalness • 23% Positiveness
22% Popularity • 54% Danceability • 32% Energy • 8% Liveness
3% Instrumentalness • 23% Positiveness
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Harriet Brown
Paper
130 bpm • F# Maj • 04:44 • -7.95db
8% Popularity • 84% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
8% Popularity • 84% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Moses Boyd
Y.O.Y.O
130 bpm • C# Maj • 05:30 • -8.55db
21% Popularity • 57% Danceability • 93% Energy • 3% Liveness
90% Instrumentalness • 78% Positiveness
21% Popularity • 57% Danceability • 93% Energy • 3% Liveness
90% Instrumentalness • 78% Positiveness
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A. K. Paul
Be Honest
124 bpm • C Maj • 03:57 • -12.95db
25% Popularity • 81% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
25% Popularity • 81% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Jetta
Livin'
130 bpm • B min • 03:13 • -6.11db
31% Popularity • 74% Danceability • 86% Energy • 12% Liveness
30% Instrumentalness • 47% Positiveness
31% Popularity • 74% Danceability • 86% Energy • 12% Liveness
30% Instrumentalness • 47% Positiveness
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Scrimshire
After
124 bpm • D min • 06:03 • -7.72db
8% Popularity • 62% Danceability • 83% Energy • 5% Liveness
1% Instrumentalness • 28% Positiveness
8% Popularity • 62% Danceability • 83% Energy • 5% Liveness
1% Instrumentalness • 28% Positiveness
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Village of the Sun
Ted
124 bpm • B min • 04:15 • -8.03db
11% Popularity • 50% Danceability • 81% Energy • 9% Liveness
86% Instrumentalness • 51% Positiveness
11% Popularity • 50% Danceability • 81% Energy • 9% Liveness
86% Instrumentalness • 51% Positiveness
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James Blake
I Keep Calling
131 bpm • C# Maj • 04:05 • -6.9db
31% Popularity • 38% Danceability • 60% Energy • 38% Liveness
5% Instrumentalness • 10% Positiveness
31% Popularity • 38% Danceability • 60% Energy • 38% Liveness
5% Instrumentalness • 10% Positiveness
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Moses Boyd
Bridge the Gap
130 bpm • F min • 04:00 • -6.62db
13% Popularity • 73% Danceability • 89% Energy • 4% Liveness
84% Instrumentalness • 94% Positiveness
13% Popularity • 73% Danceability • 89% Energy • 4% Liveness
84% Instrumentalness • 94% Positiveness
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Barney McAll
Precious Energy - Homage to Leon Thomas ...
124 bpm • C# Maj • 05:09 • -9.1db
9% Popularity • 57% Danceability • 48% Energy • 9% Liveness
6% Instrumentalness • 69% Positiveness
9% Popularity • 57% Danceability • 48% Energy • 9% Liveness
6% Instrumentalness • 69% Positiveness
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Poppy Ajudha
Spilling into You
131 bpm • F# min • 03:52 • -8db
26% Popularity • 70% Danceability • 53% Energy • 38% Liveness
0% Instrumentalness • 56% Positiveness
26% Popularity • 70% Danceability • 53% Energy • 38% Liveness
0% Instrumentalness • 56% Positiveness
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Kokoroko
Baba Ayoola
123 bpm • F# min • 03:58 • -9.08db
32% Popularity • 79% Danceability • 67% Energy • 9% Liveness
3% Instrumentalness • 81% Positiveness
32% Popularity • 79% Danceability • 67% Energy • 9% Liveness
3% Instrumentalness • 81% Positiveness
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Village of the Sun
The Spanish Master
124 bpm • E min • 05:30 • -8.41db
10% Popularity • 49% Danceability • 79% Energy • 9% Liveness
86% Instrumentalness • 54% Positiveness
10% Popularity • 49% Danceability • 79% Energy • 9% Liveness
86% Instrumentalness • 54% Positiveness
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Pinty
All Nightly
123 bpm • A min • 04:39 • -7.54db
7% Popularity • 68% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
7% Popularity • 68% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Moses Boyd
Dirty South
130 bpm • F min • 03:19 • -4.74db
12% Popularity • 69% Danceability • 93% Energy • 18% Liveness
82% Instrumentalness • 87% Positiveness
12% Popularity • 69% Danceability • 93% Energy • 18% Liveness
82% Instrumentalness • 87% Positiveness
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Tom Misch
Disco Yes
123 bpm • A min • 04:40 • -7db
61% Popularity • 93% Danceability • 55% Energy • 30% Liveness
4% Instrumentalness • 67% Positiveness
61% Popularity • 93% Danceability • 55% Energy • 30% Liveness
4% Instrumentalness • 67% Positiveness
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Ezra Collective
Samuel L Riddim
131 bpm • G Maj • 03:22 • -8.35db
28% Popularity • 45% Danceability • 78% Energy • 13% Liveness
50% Instrumentalness • 71% Positiveness
28% Popularity • 45% Danceability • 78% Energy • 13% Liveness
50% Instrumentalness • 71% Positiveness
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Kamaal Williams
Strings (ATL) - Mixed
132 bpm • G# Maj • 05:42 • -7.94db
20% Popularity • 39% Danceability • 88% Energy • 11% Liveness
88% Instrumentalness • 49% Positiveness
20% Popularity • 39% Danceability • 88% Energy • 11% Liveness
88% Instrumentalness • 49% Positiveness
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Ben Marc
Breathe Suite B
122 bpm • F min • 06:47 • -10.53db
13% Popularity • 49% Danceability • 73% Energy • 12% Liveness
21% Instrumentalness • 30% Positiveness
13% Popularity • 49% Danceability • 73% Energy • 12% Liveness
21% Instrumentalness • 30% Positiveness
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Hejira
Joyful Mind
132 bpm • C# min • 04:50 • -11.5db
7% Popularity • 51% Danceability • 49% Energy • 21% Liveness
0% Instrumentalness • 56% Positiveness
7% Popularity • 51% Danceability • 49% Energy • 21% Liveness
0% Instrumentalness • 56% Positiveness
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Moses Boyd
2 Far Gone - Vocal Mix
124 bpm • C# Maj • 05:09 • -7.35db
19% Popularity • 42% Danceability • 79% Energy • 13% Liveness
3% Instrumentalness • 38% Positiveness
19% Popularity • 42% Danceability • 79% Energy • 13% Liveness
3% Instrumentalness • 38% Positiveness
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Swindle
Talk a Lot
122 bpm • C# Maj • 04:00 • -6.53db
11% Popularity • 54% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
11% Popularity • 54% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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Fimber Bravo
Hiyah Man
133 bpm • F# Maj • 06:29 • -8.96db
16% Popularity • 72% Danceability • 74% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
16% Popularity • 72% Danceability • 74% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
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BODUR
Talking to the Walls - Ash Walker Remix
121 bpm • B Maj • 04:32 • -8.64db
19% Popularity • 72% Danceability • 79% Energy • 10% Liveness
88% Instrumentalness • 68% Positiveness
19% Popularity • 72% Danceability • 79% Energy • 10% Liveness
88% Instrumentalness • 68% Positiveness
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Porij
Dirty Love
121 bpm • A min • 03:06 • -8.69db
13% Popularity • 70% Danceability • 70% Energy • 7% Liveness
2% Instrumentalness • 78% Positiveness
13% Popularity • 70% Danceability • 70% Energy • 7% Liveness
2% Instrumentalness • 78% Positiveness
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Ezra Collective
Reason in Disguise
134 bpm • B Maj • 03:41 • -13db
43% Popularity • 55% Danceability • 44% Energy • 15% Liveness
6% Instrumentalness • 65% Positiveness
43% Popularity • 55% Danceability • 44% Energy • 15% Liveness
6% Instrumentalness • 65% Positiveness
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Moses Boyd
Ancestors
132 bpm • G# Maj • 03:10 • -7.23db
13% Popularity • 50% Danceability • 51% Energy • 17% Liveness
0% Instrumentalness • 86% Positiveness
13% Popularity • 50% Danceability • 51% Energy • 17% Liveness
0% Instrumentalness • 86% Positiveness
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Steve Spacek
Waiting 4 You
120 bpm • C Maj • 07:30 • -10.53db
21% Popularity • 81% Danceability • 54% Energy • 9% Liveness
12% Instrumentalness • 45% Positiveness
21% Popularity • 81% Danceability • 54% Energy • 9% Liveness
12% Instrumentalness • 45% Positiveness
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Duke Hugh
Say No More
120 bpm • B Maj • 03:14 • -8.81db
30% Popularity • 65% Danceability • 53% Energy • 11% Liveness
12% Instrumentalness • 51% Positiveness
30% Popularity • 65% Danceability • 53% Energy • 11% Liveness
12% Instrumentalness • 51% Positiveness
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Jordan Rakei
Talk to Me
120 bpm • F# min • 03:06 • -10.44db
36% Popularity • 65% Danceability • 65% Energy • 15% Liveness
15% Instrumentalness • 6% Positiveness
36% Popularity • 65% Danceability • 65% Energy • 15% Liveness
15% Instrumentalness • 6% Positiveness
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Porij
Ego
134 bpm • F min • 03:14 • -9.72db
20% Popularity • 43% Danceability • 62% Energy • 28% Liveness
2% Instrumentalness • 33% Positiveness
20% Popularity • 43% Danceability • 62% Energy • 28% Liveness
2% Instrumentalness • 33% Positiveness
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Brijean
Show and Tell
120 bpm • G min • 04:38 • -8.69db
24% Popularity • 64% Danceability • 77% Energy • 8% Liveness
30% Instrumentalness • 61% Positiveness
24% Popularity • 64% Danceability • 77% Energy • 8% Liveness
30% Instrumentalness • 61% Positiveness
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Moses Boyd
Stranger Than Fiction
133 bpm • C min • 04:54 • -7.42db
30% Popularity • 38% Danceability • 83% Energy • 46% Liveness
59% Instrumentalness • 29% Positiveness
30% Popularity • 38% Danceability • 83% Energy • 46% Liveness
59% Instrumentalness • 29% Positiveness
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KEYAH/BLU
If You Know
120 bpm • C# Maj • 03:48 • -11.54db
8% Popularity • 79% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
8% Popularity • 79% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Charlotte Adigéry
Okashi
120 bpm • D Maj • 03:34 • -9.89db
17% Popularity • 73% Danceability • 44% Energy • 16% Liveness
1% Instrumentalness • 30% Positiveness
17% Popularity • 73% Danceability • 44% Energy • 16% Liveness
1% Instrumentalness • 30% Positiveness
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Paul White
Smile (See the Light)
120 bpm • F# min • 03:25 • -10db
31% Popularity • 74% Danceability • 58% Energy • 23% Liveness
0% Instrumentalness • 41% Positiveness
31% Popularity • 74% Danceability • 58% Energy • 23% Liveness
0% Instrumentalness • 41% Positiveness
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Kassa Overall
Darkness in Mind
120 bpm • E min • 06:01 • -8.06db
11% Popularity • 40% Danceability • 44% Energy • 7% Liveness
47% Instrumentalness • 8% Positiveness
11% Popularity • 40% Danceability • 44% Energy • 7% Liveness
47% Instrumentalness • 8% Positiveness
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Ghostpoet
Concrete Pony
120 bpm • C Maj • 04:06 • -10db
16% Popularity • 82% Danceability • 49% Energy • 34% Liveness
12% Instrumentalness • 76% Positiveness
16% Popularity • 82% Danceability • 49% Energy • 34% Liveness
12% Instrumentalness • 76% Positiveness
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Moses Boyd
Rye Lane Shuffle
134 bpm • C min • 04:26 • -7.2db
28% Popularity • 42% Danceability • 92% Energy • 9% Liveness
86% Instrumentalness • 92% Positiveness
28% Popularity • 42% Danceability • 92% Energy • 9% Liveness
86% Instrumentalness • 92% Positiveness
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Inflo
No Fear
120 bpm • F Maj • 04:11 • -7db
36% Popularity • 76% Danceability • 86% Energy • 38% Liveness
0% Instrumentalness • 74% Positiveness
36% Popularity • 76% Danceability • 86% Energy • 38% Liveness
0% Instrumentalness • 74% Positiveness
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Charles Webster
Music
120 bpm • F Maj • 03:53 • -10.56db
9% Popularity • 65% Danceability • 52% Energy • 16% Liveness
11% Instrumentalness • 16% Positiveness
9% Popularity • 65% Danceability • 52% Energy • 16% Liveness
11% Instrumentalness • 16% Positiveness
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Aurora Dee Raynes
Good for You
120 bpm • C min • 03:20 • -9.78db
13% Popularity • 71% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 14% Positiveness
13% Popularity • 71% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 14% Positiveness
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Gil Scott-Heron
I'm New Here
120 bpm • G# min • 04:13 • -9.72db
26% Popularity • 77% Danceability • 61% Energy • 10% Liveness
23% Instrumentalness • 80% Positiveness
26% Popularity • 77% Danceability • 61% Energy • 10% Liveness
23% Instrumentalness • 80% Positiveness
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Oscar Jerome
Gravitate - Hemai Remix
120 bpm • G# min • 03:16 • -8.75db
15% Popularity • 86% Danceability • 90% Energy • 46% Liveness
0% Instrumentalness • 82% Positiveness
15% Popularity • 86% Danceability • 90% Energy • 46% Liveness
0% Instrumentalness • 82% Positiveness
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Moses Boyd
What Now?
120 bpm • G# min • 08:39 • -8.7db
13% Popularity • 44% Danceability • 40% Energy • 10% Liveness
9% Instrumentalness • 5% Positiveness
13% Popularity • 44% Danceability • 40% Energy • 10% Liveness
9% Instrumentalness • 5% Positiveness
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Darkstar
Jam
120 bpm • C# Maj • 03:30 • -11.53db
17% Popularity • 92% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
17% Popularity • 92% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Planningtorock
Beulah Loves Dancing
120 bpm • F Maj • 04:09 • -11.11db
30% Popularity • 96% Danceability • 38% Energy • 7% Liveness
2% Instrumentalness • 40% Positiveness
30% Popularity • 96% Danceability • 38% Energy • 7% Liveness
2% Instrumentalness • 40% Positiveness
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Theo Parrish
This Is For You
120 bpm • A min • 10:26 • -7.05db
21% Popularity • 67% Danceability • 84% Energy • 11% Liveness
33% Instrumentalness • 28% Positiveness
21% Popularity • 67% Danceability • 84% Energy • 11% Liveness
33% Instrumentalness • 28% Positiveness
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Brijean
Walkie Talkie
120 bpm • C min • 03:58 • -7db
14% Popularity • 78% Danceability • 66% Energy • 25% Liveness
15% Instrumentalness • 32% Positiveness
14% Popularity • 78% Danceability • 66% Energy • 25% Liveness
15% Instrumentalness • 32% Positiveness
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Charlotte Dos Santos
Red Clay
120 bpm • B min • 02:27 • -9.81db
38% Popularity • 74% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
38% Popularity • 74% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Moses Boyd
Sirens
120 bpm • A# min • 05:40 • -11.61db
7% Popularity • 72% Danceability • 78% Energy • 6% Liveness
87% Instrumentalness • 66% Positiveness
7% Popularity • 72% Danceability • 78% Energy • 6% Liveness
87% Instrumentalness • 66% Positiveness
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Tenesha The Wordsmith
I Dream So Loud
120 bpm • A# min • 02:43 • -11.48db
8% Popularity • 58% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
8% Popularity • 58% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Greentea Peng
Ghost Town
135 bpm • A min • 03:33 • -5.18db
32% Popularity • 56% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
32% Popularity • 56% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
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Khalab
Dawn
135 bpm • B Maj • 03:11 • -9.33db
4% Popularity • 58% Danceability • 77% Energy • 16% Liveness
88% Instrumentalness • 33% Positiveness
4% Popularity • 58% Danceability • 77% Energy • 16% Liveness
88% Instrumentalness • 33% Positiveness
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Zara McFarlane
Black Treasure
135 bpm • C# Maj • 03:38 • -9.04db
8% Popularity • 74% Danceability • 70% Energy • 17% Liveness
4% Instrumentalness • 89% Positiveness
8% Popularity • 74% Danceability • 70% Energy • 17% Liveness
4% Instrumentalness • 89% Positiveness
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Cid Rim
Swnerve
119 bpm • B Maj • 04:26 • -9.56db
25% Popularity • 36% Danceability • 41% Energy • 10% Liveness
1% Instrumentalness • 25% Positiveness
25% Popularity • 36% Danceability • 41% Energy • 10% Liveness
1% Instrumentalness • 25% Positiveness
