Songs like Shake the Fire by Blue in Tokio
Based on a tempo of (+/- 10%) and a similar genre
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Beasts With No Name
About Us
115 bpm • G# Maj • 03:07 • -9.42db
9% Popularity • 67% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
9% Popularity • 67% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Born Rivals
Regular at the Harpoon
115 bpm • C Maj • 03:23 • -7.26db
31% Popularity • 60% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
31% Popularity • 60% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Faunea
Sound of Breaking
115 bpm • F# min • 04:39 • -10.87db
23% Popularity • 59% Danceability • 39% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
23% Popularity • 59% Danceability • 39% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Blue in Tokio
Shake the Fire
115 bpm • D Maj • 03:29 • -9.4db
31% Popularity • 49% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
31% Popularity • 49% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Bruises
Burning
115 bpm • C# Maj • 03:07 • -10.8db
11% Popularity • 72% Danceability • 43% Energy • 8% Liveness
2% Instrumentalness • 64% Positiveness
11% Popularity • 72% Danceability • 43% Energy • 8% Liveness
2% Instrumentalness • 64% Positiveness
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Arctic Lake
Too Close
115 bpm • E Maj • 04:37 • -11.16db
24% Popularity • 31% Danceability • 20% Energy • 34% Liveness
1% Instrumentalness • 6% Positiveness
24% Popularity • 31% Danceability • 20% Energy • 34% Liveness
1% Instrumentalness • 6% Positiveness
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Riley Pearce
Misplaced
115 bpm • F Maj • 04:53 • -9.94db
37% Popularity • 55% Danceability • 40% Energy • 10% Liveness
2% Instrumentalness • 7% Positiveness
37% Popularity • 55% Danceability • 40% Energy • 10% Liveness
2% Instrumentalness • 7% Positiveness
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Geographer
The Reason
114 bpm • C Maj • 05:39 • -14db
23% Popularity • 40% Danceability • 17% Energy • 9% Liveness
14% Instrumentalness • 10% Positiveness
23% Popularity • 40% Danceability • 17% Energy • 9% Liveness
14% Instrumentalness • 10% Positiveness
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Rose Of The West
Hunter's Will
116 bpm • A min • 04:14 • -7.4db
12% Popularity • 54% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
12% Popularity • 54% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Greta Stanley
Dreamstate
116 bpm • A Maj • 04:07 • -9.32db
14% Popularity • 50% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
14% Popularity • 50% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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Lowell
War Face
114 bpm • D Maj • 03:21 • -5.95db
24% Popularity • 62% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
24% Popularity • 62% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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BELLSAINT
Karma
114 bpm • D# Maj • 03:49 • -4.6db
18% Popularity • 52% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
18% Popularity • 52% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Talos
Head-up
117 bpm • A Maj • 03:44 • -9.75db
29% Popularity • 48% Danceability • 50% Energy • 7% Liveness
27% Instrumentalness • 33% Positiveness
29% Popularity • 48% Danceability • 50% Energy • 7% Liveness
27% Instrumentalness • 33% Positiveness
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Colouring
Everything Has Grown
113 bpm • F Maj • 05:16 • -12.37db
32% Popularity • 36% Danceability • 18% Energy • 45% Liveness
14% Instrumentalness • 4% Positiveness
32% Popularity • 36% Danceability • 18% Energy • 45% Liveness
14% Instrumentalness • 4% Positiveness
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Bien
The Best Part
117 bpm • E Maj • 03:50 • -11.05db
35% Popularity • 67% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
35% Popularity • 67% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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WILDES
Lightly
112 bpm • C Maj • 03:49 • -10.02db
20% Popularity • 41% Danceability • 41% Energy • 10% Liveness
5% Instrumentalness • 9% Positiveness
20% Popularity • 41% Danceability • 41% Energy • 10% Liveness
5% Instrumentalness • 9% Positiveness
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CLOVES
Frail Love
118 bpm • A Maj • 03:30 • -10.66db
22% Popularity • 72% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
22% Popularity • 72% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Millie Turner
Underwater
118 bpm • C Maj • 03:54 • -7.26db
21% Popularity • 75% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
21% Popularity • 75% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Rain Jewels
Glittering Lights
118 bpm • C Maj • 03:11 • -7.86db
15% Popularity • 43% Danceability • 54% Energy • 14% Liveness
42% Instrumentalness • 8% Positiveness
15% Popularity • 43% Danceability • 54% Energy • 14% Liveness
42% Instrumentalness • 8% Positiveness
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Extreme Music
Who Calls It Love
118 bpm • B min • 04:07 • -10.19db
18% Popularity • 73% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
18% Popularity • 73% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Priscilla Ahn
Underneath the Covers
118 bpm • B min • 03:11 • -9.5db
23% Popularity • 63% Danceability • 68% Energy • 11% Liveness
93% Instrumentalness • 39% Positiveness
23% Popularity • 63% Danceability • 68% Energy • 11% Liveness
93% Instrumentalness • 39% Positiveness
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Rén with the Mane
Give It All Up
112 bpm • A min • 03:31 • -6.92db
12% Popularity • 62% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 23% Positiveness
12% Popularity • 62% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 23% Positiveness
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Amy Stroup
Quiet Hearts
112 bpm • C Maj • 04:12 • -13.14db
22% Popularity • 57% Danceability • 50% Energy • 11% Liveness
9% Instrumentalness • 54% Positiveness
22% Popularity • 57% Danceability • 50% Energy • 11% Liveness
9% Instrumentalness • 54% Positiveness
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Millie Turner
(breathe) Underwater
118 bpm • C Maj • 03:17 • -6.28db
16% Popularity • 76% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
16% Popularity • 76% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Folly and the Hunter
The Line
112 bpm • C Maj • 03:55 • -4.52db
12% Popularity • 72% Danceability • 74% Energy • 30% Liveness
1% Instrumentalness • 65% Positiveness
12% Popularity • 72% Danceability • 74% Energy • 30% Liveness
1% Instrumentalness • 65% Positiveness
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DYAN
The Push
118 bpm • G# Maj • 04:17 • -13.28db
22% Popularity • 24% Danceability • 31% Energy • 7% Liveness
53% Instrumentalness • 5% Positiveness
22% Popularity • 24% Danceability • 31% Energy • 7% Liveness
53% Instrumentalness • 5% Positiveness
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Blue in Tokio
Kanye West on Letterman
112 bpm • C Maj • 02:34 • -6.02db
4% Popularity • 66% Danceability • 53% Energy • 25% Liveness
0% Instrumentalness • 46% Positiveness
4% Popularity • 66% Danceability • 53% Energy • 25% Liveness
0% Instrumentalness • 46% Positiveness
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Laura Welsh
Atomised
112 bpm • D Maj • 04:04 • -10.39db
29% Popularity • 54% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
29% Popularity • 54% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Young Summer
Will It Ever Be the Same
119 bpm • F Maj • 04:02 • -6db
39% Popularity • 58% Danceability • 68% Energy • 14% Liveness
1% Instrumentalness • 42% Positiveness
39% Popularity • 58% Danceability • 68% Energy • 14% Liveness
1% Instrumentalness • 42% Positiveness
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Nick Kingsley
Into the Night
119 bpm • C# Maj • 03:29 • -7.58db
18% Popularity • 45% Danceability • 46% Energy • 34% Liveness
0% Instrumentalness • 8% Positiveness
18% Popularity • 45% Danceability • 46% Energy • 34% Liveness
0% Instrumentalness • 8% Positiveness
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Anderson Rocio
KING
111 bpm • G min • 03:37 • -5.95db
10% Popularity • 60% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
10% Popularity • 60% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Alex Kehm
Face
119 bpm • B Maj • 03:22 • -16db
39% Popularity • 68% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
39% Popularity • 68% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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MILCK
Animal
119 bpm • G Maj • 03:57 • -11.6db
37% Popularity • 62% Danceability • 35% Energy • 11% Liveness
9% Instrumentalness • 9% Positiveness
37% Popularity • 62% Danceability • 35% Energy • 11% Liveness
9% Instrumentalness • 9% Positiveness
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REYNA
Matinee
111 bpm • F Maj • 03:41 • -5.57db
28% Popularity • 59% Danceability • 82% Energy • 23% Liveness
0% Instrumentalness • 36% Positiveness
28% Popularity • 59% Danceability • 82% Energy • 23% Liveness
0% Instrumentalness • 36% Positiveness
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BEGINNERS
Trust No One
111 bpm • A# min • 03:14 • -11.86db
23% Popularity • 57% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 11% Positiveness
23% Popularity • 57% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 11% Positiveness
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Mating Ritual
An Honest Mistake
111 bpm • E Maj • 03:48 • -14.81db
30% Popularity • 49% Danceability • 20% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
30% Popularity • 49% Danceability • 20% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
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Bien
Spinning on Blue
111 bpm • C# Maj • 04:34 • -10.99db
22% Popularity • 56% Danceability • 38% Energy • 9% Liveness
38% Instrumentalness • 9% Positiveness
22% Popularity • 56% Danceability • 38% Energy • 9% Liveness
38% Instrumentalness • 9% Positiveness
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Adaline
Nothing Can Take Us
111 bpm • F# Maj • 03:30 • -6.81db
8% Popularity • 68% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
8% Popularity • 68% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
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Brighter Later
Come And Go
120 bpm • F Maj • 03:55 • -12db
24% Popularity • 56% Danceability • 18% Energy • 10% Liveness
5% Instrumentalness • 10% Positiveness
24% Popularity • 56% Danceability • 18% Energy • 10% Liveness
5% Instrumentalness • 10% Positiveness
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Tsutro
Move
111 bpm • C Maj • 03:24 • -10.72db
11% Popularity • 38% Danceability • 56% Energy • 14% Liveness
1% Instrumentalness • 35% Positiveness
11% Popularity • 38% Danceability • 56% Energy • 14% Liveness
1% Instrumentalness • 35% Positiveness
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Emma Zander
Beautiful Regret
120 bpm • A min • 03:34 • -8.18db
29% Popularity • 52% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
29% Popularity • 52% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Tom Joshua
Cinema
120 bpm • F# Maj • 03:54 • -9.99db
16% Popularity • 43% Danceability • 43% Energy • 53% Liveness
2% Instrumentalness • 7% Positiveness
16% Popularity • 43% Danceability • 43% Energy • 53% Liveness
2% Instrumentalness • 7% Positiveness
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FJØRA
This is the End
120 bpm • E min • 03:08 • -7.69db
25% Popularity • 25% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
25% Popularity • 25% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Blue in Tokio
Winter Snow Gave Me a White Rose
120 bpm • C# Maj • 03:33 • -8.28db
10% Popularity • 58% Danceability • 39% Energy • 24% Liveness
0% Instrumentalness • 11% Positiveness
10% Popularity • 58% Danceability • 39% Energy • 24% Liveness
0% Instrumentalness • 11% Positiveness
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Ruelle
Take It Out On You
120 bpm • F Maj • 03:51 • -8.68db
24% Popularity • 54% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
24% Popularity • 54% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Sydney Lau
He Doesn't Know
120 bpm • C min • 03:42 • -11.44db
31% Popularity • 62% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
31% Popularity • 62% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Emma Zander
Beautiful Regret - Sex/Life Mix
120 bpm • A min • 03:32 • -8.59db
23% Popularity • 53% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
23% Popularity • 53% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
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Featurette
Give a Little
120 bpm • F# Maj • 03:07 • -5.59db
17% Popularity • 67% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
17% Popularity • 67% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Milk & Bone
Faded
120 bpm • A min • 04:32 • -7.83db
19% Popularity • 36% Danceability • 52% Energy • 12% Liveness
4% Instrumentalness • 26% Positiveness
19% Popularity • 36% Danceability • 52% Energy • 12% Liveness
4% Instrumentalness • 26% Positiveness
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Blue in Tokio
Evolution of a Sun
120 bpm • A Maj • 03:34 • -15.6db
15% Popularity • 44% Danceability • 9% Energy • 12% Liveness
1% Instrumentalness • 8% Positiveness
15% Popularity • 44% Danceability • 9% Energy • 12% Liveness
1% Instrumentalness • 8% Positiveness
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Julia Nunes
No Sudden Moves
120 bpm • G Maj • 03:21 • -10.14db
37% Popularity • 76% Danceability • 46% Energy • 12% Liveness
1% Instrumentalness • 33% Positiveness
37% Popularity • 76% Danceability • 46% Energy • 12% Liveness
1% Instrumentalness • 33% Positiveness
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Jill Andrews
Cloud Chaser
120 bpm • A# Maj • 03:20 • -10db
29% Popularity • 65% Danceability • 46% Energy • 10% Liveness
10% Instrumentalness • 16% Positiveness
29% Popularity • 65% Danceability • 46% Energy • 10% Liveness
10% Instrumentalness • 16% Positiveness
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Ruelle
Hold Your Breath
120 bpm • F# min • 04:05 • -9db
38% Popularity • 36% Danceability • 52% Energy • 9% Liveness
2% Instrumentalness • 16% Positiveness
38% Popularity • 36% Danceability • 52% Energy • 9% Liveness
2% Instrumentalness • 16% Positiveness
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Young Summer
Striking Distance
120 bpm • C min • 02:13 • -9.89db
28% Popularity • 58% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
28% Popularity • 58% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Emma McGrath
Fall with You
120 bpm • C# Maj • 03:13 • -7.99db
43% Popularity • 53% Danceability • 56% Energy • 3% Liveness
0% Instrumentalness • 23% Positiveness
43% Popularity • 53% Danceability • 56% Energy • 3% Liveness
0% Instrumentalness • 23% Positiveness
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Raphael Lake
We Are Golden
120 bpm • G Maj • 03:07 • -6.29db
28% Popularity • 60% Danceability • 70% Energy • 37% Liveness
0% Instrumentalness • 27% Positiveness
28% Popularity • 60% Danceability • 70% Energy • 37% Liveness
0% Instrumentalness • 27% Positiveness
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Hannah Georgas
All I Need
120 bpm • C Maj • 04:46 • -10.52db
33% Popularity • 68% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
33% Popularity • 68% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Buzzy Lee
Walk Away
120 bpm • C# Maj • 03:18 • -10.85db
25% Popularity • 59% Danceability • 32% Energy • 10% Liveness
1% Instrumentalness • 17% Positiveness
25% Popularity • 59% Danceability • 32% Energy • 10% Liveness
1% Instrumentalness • 17% Positiveness
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The Venice Connection
Lipstick
120 bpm • D Maj • 02:28 • -10db
37% Popularity • 72% Danceability • 49% Energy • 41% Liveness
2% Instrumentalness • 26% Positiveness
37% Popularity • 72% Danceability • 49% Energy • 41% Liveness
2% Instrumentalness • 26% Positiveness
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Hilzie
Overdose
120 bpm • F min • 02:52 • -8.17db
14% Popularity • 88% Danceability • 50% Energy • 10% Liveness
4% Instrumentalness • 54% Positiveness
14% Popularity • 88% Danceability • 50% Energy • 10% Liveness
4% Instrumentalness • 54% Positiveness
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biz colletti
To the Toxic
120 bpm • A min • 02:48 • -5.26db
11% Popularity • 87% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
11% Popularity • 87% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Katie Herzig
I Want to Make You Proud
120 bpm • D Maj • 03:07 • -7.34db
15% Popularity • 60% Danceability • 87% Energy • 10% Liveness
55% Instrumentalness • 66% Positiveness
15% Popularity • 60% Danceability • 87% Energy • 10% Liveness
55% Instrumentalness • 66% Positiveness
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Beds and Beats
On Top of the World
120 bpm • C Maj • 02:10 • -8.58db
25% Popularity • 61% Danceability • 62% Energy • 62% Liveness
32% Instrumentalness • 28% Positiveness
25% Popularity • 61% Danceability • 62% Energy • 62% Liveness
32% Instrumentalness • 28% Positiveness
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Raphael Lake
The Time Is Now
120 bpm • D Maj • 03:22 • -7db
11% Popularity • 66% Danceability • 92% Energy • 6% Liveness
4% Instrumentalness • 60% Positiveness
11% Popularity • 66% Danceability • 92% Energy • 6% Liveness
4% Instrumentalness • 60% Positiveness
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Zola Simone
Easy
120 bpm • A min • 03:42 • -5.61db
16% Popularity • 63% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
16% Popularity • 63% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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Mike Reed
You Got What I Need
120 bpm • E min • 03:16 • -9.04db
14% Popularity • 55% Danceability • 57% Energy • 10% Liveness
7% Instrumentalness • 41% Positiveness
14% Popularity • 55% Danceability • 57% Energy • 10% Liveness
7% Instrumentalness • 41% Positiveness
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Extreme Music
L.O.V.E.
120 bpm • A min • 03:11 • -7db
25% Popularity • 61% Danceability • 81% Energy • 19% Liveness
76% Instrumentalness • 93% Positiveness
25% Popularity • 61% Danceability • 81% Energy • 19% Liveness
76% Instrumentalness • 93% Positiveness
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DYAN
Reality
120 bpm • F Maj • 02:25 • -15db
25% Popularity • 44% Danceability • 27% Energy • 8% Liveness
80% Instrumentalness • 29% Positiveness
25% Popularity • 44% Danceability • 27% Energy • 8% Liveness
80% Instrumentalness • 29% Positiveness
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Blue in Tokio
Fake Flowers
120 bpm • D Maj • 02:23 • -9.29db
17% Popularity • 78% Danceability • 47% Energy • 6% Liveness
11% Instrumentalness • 73% Positiveness
17% Popularity • 78% Danceability • 47% Energy • 6% Liveness
11% Instrumentalness • 73% Positiveness
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SHELLS
Jagwar
120 bpm • G Maj • 03:32 • -11.05db
41% Popularity • 69% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
41% Popularity • 69% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Colouring
Fading
120 bpm • C# Maj • 03:22 • -5.37db
39% Popularity • 63% Danceability • 79% Energy • 7% Liveness
1% Instrumentalness • 38% Positiveness
39% Popularity • 63% Danceability • 79% Energy • 7% Liveness
1% Instrumentalness • 38% Positiveness
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VINCINT
Mission
120 bpm • D Maj • 02:38 • -9.67db
18% Popularity • 83% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
18% Popularity • 83% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Brooke Annibale
Collided
120 bpm • C# min • 04:27 • -10.22db
20% Popularity • 52% Danceability • 38% Energy • 11% Liveness
70% Instrumentalness • 15% Positiveness
20% Popularity • 52% Danceability • 38% Energy • 11% Liveness
70% Instrumentalness • 15% Positiveness
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Raye Zaragoza
Lost With You
120 bpm • A# Maj • 03:21 • -11db
32% Popularity • 59% Danceability • 54% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
32% Popularity • 59% Danceability • 54% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
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Human Touch
Need to Run
120 bpm • F min • 05:32 • -7.89db
19% Popularity • 50% Danceability • 38% Energy • 9% Liveness
14% Instrumentalness • 14% Positiveness
19% Popularity • 50% Danceability • 38% Energy • 9% Liveness
14% Instrumentalness • 14% Positiveness
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Bien
Different With You
120 bpm • F# Maj • 04:43 • -9.93db
18% Popularity • 54% Danceability • 47% Energy • 11% Liveness
8% Instrumentalness • 31% Positiveness
18% Popularity • 54% Danceability • 47% Energy • 11% Liveness
8% Instrumentalness • 31% Positiveness
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Emmit Fenn
Far from Here
120 bpm • F# Maj • 05:51 • -14.38db
35% Popularity • 43% Danceability • 31% Energy • 12% Liveness
4% Instrumentalness • 3% Positiveness
35% Popularity • 43% Danceability • 31% Energy • 12% Liveness
4% Instrumentalness • 3% Positiveness
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Klergy
Awaken
110 bpm • F# min • 03:39 • -10.71db
27% Popularity • 56% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 13% Positiveness
27% Popularity • 56% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 13% Positiveness
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Spencer Hutchings
Walking In Circles
120 bpm • B min • 03:39 • -13.23db
19% Popularity • 46% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
19% Popularity • 46% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Frank Mighty
Rakefire
110 bpm • D Maj • 04:44 • -10.34db
21% Popularity • 72% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
21% Popularity • 72% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
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Summer Kennedy
Feel Alive
110 bpm • C Maj • 03:42 • -4.16db
27% Popularity • 72% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
27% Popularity • 72% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
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Hiatus
All the Troubled Hearts
110 bpm • F# min • 04:23 • -12.7db
27% Popularity • 35% Danceability • 47% Energy • 10% Liveness
3% Instrumentalness • 6% Positiveness
27% Popularity • 35% Danceability • 47% Energy • 10% Liveness
3% Instrumentalness • 6% Positiveness
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Rupert Pope
Chasing Stars
110 bpm • G Maj • 03:29 • -6.53db
38% Popularity • 57% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
38% Popularity • 57% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Rynn
In My Head
110 bpm • C# min • 03:51 • -8.4db
22% Popularity • 63% Danceability • 60% Energy • 13% Liveness
31% Instrumentalness • 4% Positiveness
22% Popularity • 63% Danceability • 60% Energy • 13% Liveness
31% Instrumentalness • 4% Positiveness
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Young Summer
Severing Ties
110 bpm • E min • 03:51 • -7.67db
20% Popularity • 63% Danceability • 64% Energy • 34% Liveness
0% Instrumentalness • 50% Positiveness
20% Popularity • 63% Danceability • 64% Energy • 34% Liveness
0% Instrumentalness • 50% Positiveness
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Alberto Bof
Never Go Back
110 bpm • G Maj • 03:05 • -9.64db
24% Popularity • 78% Danceability • 32% Energy • 10% Liveness
16% Instrumentalness • 59% Positiveness
24% Popularity • 78% Danceability • 32% Energy • 10% Liveness
16% Instrumentalness • 59% Positiveness
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The Dayshift
Drive All Night
110 bpm • D Maj • 02:21 • -4.54db
19% Popularity • 64% Danceability • 75% Energy • 49% Liveness
0% Instrumentalness • 17% Positiveness
19% Popularity • 64% Danceability • 75% Energy • 49% Liveness
0% Instrumentalness • 17% Positiveness
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Jon Dix
Breaking All the Rules
110 bpm • B min • 02:52 • -9.28db
15% Popularity • 56% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
15% Popularity • 56% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Lexxi Saal
Save Your Soul
120 bpm • G Maj • 03:47 • -11db
35% Popularity • 58% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
35% Popularity • 58% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Emily Wurramara
Black Smoke
121 bpm • G Maj • 04:38 • -9.96db
35% Popularity • 65% Danceability • 38% Energy • 9% Liveness
1% Instrumentalness • 29% Positiveness
35% Popularity • 65% Danceability • 38% Energy • 9% Liveness
1% Instrumentalness • 29% Positiveness
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Rupert Pope
Final Teardrop
110 bpm • C Maj • 03:42 • -8.46db
25% Popularity • 50% Danceability • 45% Energy • 10% Liveness
5% Instrumentalness • 13% Positiveness
25% Popularity • 50% Danceability • 45% Energy • 10% Liveness
5% Instrumentalness • 13% Positiveness
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Katie Garfield
Feeling Our Way Through the Dark
109 bpm • C Maj • 04:15 • -15db
28% Popularity • 52% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
28% Popularity • 52% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Robinson
Don't Trust Myself
109 bpm • G min • 02:49 • -8db
37% Popularity • 61% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
37% Popularity • 61% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Antoinette Halliday
My Symmetry
121 bpm • F Maj • 03:18 • -6db
15% Popularity • 34% Danceability • 82% Energy • 10% Liveness
4% Instrumentalness • 18% Positiveness
15% Popularity • 34% Danceability • 82% Energy • 10% Liveness
4% Instrumentalness • 18% Positiveness
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Alex Kehm
Sorry
109 bpm • D Maj • 02:25 • -13db
36% Popularity • 38% Danceability • 29% Energy • 12% Liveness
15% Instrumentalness • 4% Positiveness
36% Popularity • 38% Danceability • 29% Energy • 12% Liveness
15% Instrumentalness • 4% Positiveness
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Marie Gallo
When the Darkness Comes
109 bpm • C Maj • 03:05 • -20.4db
26% Popularity • 28% Danceability • 1% Energy • 11% Liveness
1% Instrumentalness • 10% Positiveness
26% Popularity • 28% Danceability • 1% Energy • 11% Liveness
1% Instrumentalness • 10% Positiveness
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Sky Barbarick
Island of Mine
122 bpm • G Maj • 03:17 • -10.83db
20% Popularity • 65% Danceability • 48% Energy • 11% Liveness
21% Instrumentalness • 12% Positiveness
20% Popularity • 65% Danceability • 48% Energy • 11% Liveness
21% Instrumentalness • 12% Positiveness
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Elaskia
Calling out My Name
122 bpm • F# min • 03:52 • -9.07db
28% Popularity • 53% Danceability • 40% Energy • 11% Liveness
1% Instrumentalness • 7% Positiveness
28% Popularity • 53% Danceability • 40% Energy • 11% Liveness
1% Instrumentalness • 7% Positiveness
