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Shakey Jake
Songs like
Shakey Jake
by
Joe Mcphee
Based on a tempo of (+/- 10%) and a similar genre
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Joe Mcphee
Shakey Jake
109 bpm • C Maj • 13:36 • -10.48db
29% Popularity • 36% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
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Marion Brown
Bismillahi 'Rrahmani 'Rrahim
109 bpm • F# Maj • 06:02 • -18.32db
20% Popularity • 24% Danceability • 17% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Tony Allen
Progress
110 bpm • F min • 09:40 • -10.26db
15% Popularity • 78% Danceability • 47% Energy • 11% Liveness
59% Instrumentalness • 82% Positiveness
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Lonnie Liston Smith
In Search Of Truth
108 bpm • A min • 07:11 • -14.01db
18% Popularity • 39% Danceability • 53% Energy • 74% Liveness
2% Instrumentalness • 54% Positiveness
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Mose Allison
Your Mind Is on Vacation
108 bpm • G# Maj • 02:37 • -20.84db
41% Popularity • 78% Danceability • 13% Energy • 13% Liveness
3% Instrumentalness • 73% Positiveness
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The Lyman Woodard Organization
Saturday Night Special
108 bpm • A# Maj • 07:08 • -9.93db
19% Popularity • 72% Danceability • 47% Energy • 13% Liveness
87% Instrumentalness • 75% Positiveness
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Joe Mcphee
As Serious as Your Life 1
109 bpm • F# min • 09:11 • -23.37db
0% Popularity • 54% Danceability • 5% Energy • 37% Liveness
2% Instrumentalness • 7% Positiveness
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Batsumi
Itumeleng - 1977 Version
108 bpm • G Maj • 07:53 • -13.97db
10% Popularity • 48% Danceability • 47% Energy • 26% Liveness
88% Instrumentalness • 72% Positiveness
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Les McCann
McCanna
108 bpm • D min • 04:26 • -14.42db
19% Popularity • 61% Danceability • 74% Energy • 6% Liveness
67% Instrumentalness • 88% Positiveness
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Pucho & The Latin Soul Brothers
Got Myself A Good Man
110 bpm • D# Maj • 05:46 • -11db
20% Popularity • 75% Danceability • 79% Energy • 3% Liveness
3% Instrumentalness • 88% Positiveness
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Rudolph Johnson
The Highest Pleasure
110 bpm • A Maj • 07:38 • -16.95db
14% Popularity • 41% Danceability • 51% Energy • 12% Liveness
81% Instrumentalness • 60% Positiveness
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Deep Listening Band
Kuranda
110 bpm • D Maj • 07:06 • -21.67db
0% Popularity • 20% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
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Joe Mcphee
Tok
108 bpm • A# min • 02:27 • -35.46db
0% Popularity • 49% Danceability • 24% Energy • 14% Liveness
52% Instrumentalness • 34% Positiveness
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Nina Simone
African Mailman (12)
108 bpm • G min • 03:08 • -13.8db
30% Popularity • 49% Danceability • 46% Energy • 17% Liveness
69% Instrumentalness • 86% Positiveness
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Roberta Flack
Compared To What - 2020 Remaster
108 bpm • F min • 05:16 • -12.37db
17% Popularity • 47% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Jeremy Steig
Howlin' For Judy
110 bpm • D Maj • 04:38 • -12.35db
30% Popularity • 42% Danceability • 60% Energy • 11% Liveness
1% Instrumentalness • 50% Positiveness
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Donald Byrd
Estavanico
110 bpm • F Maj • 11:35 • -15.59db
15% Popularity • 34% Danceability • 42% Energy • 10% Liveness
54% Instrumentalness • 38% Positiveness
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Gerald Wilson
Ray's Vision At The U
108 bpm • G min • 04:25 • -11.1db
16% Popularity • 36% Danceability • 19% Energy • 15% Liveness
82% Instrumentalness • 6% Positiveness
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Joe Mcphee
Party Lights
108 bpm • D# min • 01:03 • -22.72db
0% Popularity • 61% Danceability • 8% Energy • 28% Liveness
2% Instrumentalness • 58% Positiveness
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Anthony Braxton
BOR----H (Opus 23E)
111 bpm • G# Maj • 03:23 • -10.76db
12% Popularity • 49% Danceability • 65% Energy • 9% Liveness
61% Instrumentalness • 76% Positiveness
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Steve Swell
Every Edge of Every Fold
111 bpm • F# min • 07:54 • -10.01db
2% Popularity • 42% Danceability • 55% Energy • 36% Liveness
0% Instrumentalness • 23% Positiveness
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Noël McGhie & Space Spies
Trapeze
111 bpm • F# min • 07:40 • -13.04db
14% Popularity • 47% Danceability • 43% Energy • 12% Liveness
94% Instrumentalness • 40% Positiveness
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Ndikho Xaba
Nomusa
111 bpm • B min • 08:47 • -13.05db
11% Popularity • 68% Danceability • 40% Energy • 15% Liveness
43% Instrumentalness • 52% Positiveness
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Salah Ragab
Neveen
111 bpm • B min • 07:54 • -8db
21% Popularity • 57% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
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Tom Skinner
Quiet as It's Kept
107 bpm • B Maj • 04:03 • -10db
13% Popularity • 32% Danceability • 51% Energy • 32% Liveness
74% Instrumentalness • 38% Positiveness
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Joe Mcphee
Cerulean Mood Swing
111 bpm • D# Maj • 06:36 • -12db
0% Popularity • 45% Danceability • 31% Energy • 33% Liveness
22% Instrumentalness • 22% Positiveness
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The Lounge Lizards
The First and Royal Queen
111 bpm • C# Maj • 04:00 • -15db
25% Popularity • 75% Danceability • 35% Energy • 5% Liveness
21% Instrumentalness • 70% Positiveness
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Marion Brown
Vista
111 bpm • C Maj • 07:44 • -13.58db
10% Popularity • 48% Danceability • 43% Energy • 11% Liveness
40% Instrumentalness • 23% Positiveness
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Jimmy Smith
8 Counts For Rita
107 bpm • F Maj • 05:20 • -9.83db
8% Popularity • 61% Danceability • 71% Energy • 10% Liveness
61% Instrumentalness • 69% Positiveness
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Universal Indians
Dewey's Do
111 bpm • G# Maj • 05:21 • -23.62db
0% Popularity • 34% Danceability • 17% Energy • 70% Liveness
55% Instrumentalness • 16% Positiveness
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Makaya McCraven
Black Rhythm Happening
107 bpm • F# min • 03:34 • -6db
21% Popularity • 61% Danceability • 93% Energy • 67% Liveness
13% Instrumentalness • 86% Positiveness
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Joe Mcphee
Ice Blu
111 bpm • F# Maj • 06:55 • -14.04db
0% Popularity • 46% Danceability • 20% Energy • 37% Liveness
1% Instrumentalness • 34% Positiveness
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Sven Wunder
Sun Kissed
107 bpm • C Maj • 04:15 • -5.74db
20% Popularity • 46% Danceability • 82% Energy • 35% Liveness
4% Instrumentalness • 74% Positiveness
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Peter King
Ajo
107 bpm • A# Maj • 03:57 • -9db
28% Popularity • 75% Danceability • 84% Energy • 35% Liveness
5% Instrumentalness • 96% Positiveness
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Yusef Lateef
Jungle Plum - 1972
111 bpm • A min • 04:33 • -17.34db
21% Popularity • 50% Danceability • 42% Energy • 7% Liveness
60% Instrumentalness • 65% Positiveness
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Bob James
Take Me To The Mardi Gras
106 bpm • A# Maj • 05:49 • -8.6db
34% Popularity • 48% Danceability • 73% Energy • 5% Liveness
84% Instrumentalness • 90% Positiveness
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Basil Kirchin
Silicon Chip
111 bpm • F min • 04:10 • -11.64db
26% Popularity • 52% Danceability • 81% Energy • 15% Liveness
39% Instrumentalness • 52% Positiveness
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Evan Parker
If
106 bpm • F Maj • 13:54 • -17.55db
0% Popularity • 49% Danceability • 15% Energy • 14% Liveness
25% Instrumentalness • 27% Positiveness
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Takeo Moriyama
East Plants
112 bpm • G min • 10:22 • -12.91db
14% Popularity • 61% Danceability • 65% Energy • 31% Liveness
90% Instrumentalness • 50% Positiveness
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Rufus Harley
Crack
112 bpm • F min • 09:56 • -7.76db
8% Popularity • 28% Danceability • 82% Energy • 77% Liveness
3% Instrumentalness • 44% Positiveness
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Delvon Lamarr Organ Trio
I Wanna Be Where You Are
106 bpm • G Maj • 03:14 • -7.5db
14% Popularity • 67% Danceability • 75% Energy • 17% Liveness
91% Instrumentalness • 66% Positiveness
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Cato Salsa Experience
Art Star
106 bpm • C Maj • 02:47 • -8.02db
0% Popularity • 48% Danceability • 87% Energy • 98% Liveness
39% Instrumentalness • 32% Positiveness
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André Jaume
872
106 bpm • C# Maj • 07:03 • -18.12db
0% Popularity • 47% Danceability • 31% Energy • 20% Liveness
77% Instrumentalness • 43% Positiveness
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Joe Mcphee
For Fred Anderson
106 bpm • D# Maj • 02:50 • -7.8db
0% Popularity • 36% Danceability • 86% Energy • 28% Liveness
1% Instrumentalness • 40% Positiveness
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Lalo Schifrin
Machinations
112 bpm • G min • 02:43 • -11.67db
10% Popularity • 44% Danceability • 48% Energy • 22% Liveness
70% Instrumentalness • 43% Positiveness
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Alice Coltrane
Blue Nile
112 bpm • B min • 07:01 • -13db
38% Popularity • 37% Danceability • 53% Energy • 10% Liveness
60% Instrumentalness • 25% Positiveness
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The Tony Williams Lifetime
There Comes A Time
112 bpm • A Maj • 06:01 • -9db
20% Popularity • 40% Danceability • 70% Energy • 34% Liveness
3% Instrumentalness • 47% Positiveness
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Don Cherry
Brown Rice
105 bpm • G# min • 05:14 • -10.96db
33% Popularity • 60% Danceability • 78% Energy • 12% Liveness
62% Instrumentalness • 53% Positiveness
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Herbie Mann
Memphis Two-Step
113 bpm • A# min • 06:25 • -9.89db
9% Popularity • 62% Danceability • 80% Energy • 8% Liveness
41% Instrumentalness • 58% Positiveness
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Arthur Blythe
Down San Diego Way
113 bpm • D Maj • 07:51 • -11.85db
11% Popularity • 59% Danceability • 68% Energy • 11% Liveness
1% Instrumentalness • 92% Positiveness
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Alain Romans
Générique de début - Play Time
105 bpm • G# Maj • 02:22 • -14db
11% Popularity • 65% Danceability • 49% Energy • 21% Liveness
82% Instrumentalness • 41% Positiveness
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Art Blakey
A Chant For Bu
105 bpm • A# min • 08:35 • -10.97db
21% Popularity • 44% Danceability • 71% Energy • 9% Liveness
38% Instrumentalness • 65% Positiveness
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The Freedom Sounds
Behold the Day
105 bpm • F# min • 04:49 • -12.5db
8% Popularity • 59% Danceability • 61% Energy • 18% Liveness
5% Instrumentalness • 79% Positiveness
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Peter Brötzmann
Pieces of Red, Green, And Blue
113 bpm • G min • 08:01 • -10.52db
0% Popularity • 35% Danceability • 44% Energy • 28% Liveness
80% Instrumentalness • 30% Positiveness
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Duke Ellington
Portrait of Mahalia Jackson
113 bpm • A min • 04:54 • -11.37db
11% Popularity • 23% Danceability • 39% Energy • 31% Liveness
0% Instrumentalness • 44% Positiveness
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Charles Stepney
Step on Step
105 bpm • F Maj • 04:02 • -13.32db
14% Popularity • 69% Danceability • 41% Energy • 15% Liveness
84% Instrumentalness • 66% Positiveness
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Albert Ayler
New Ghosts
113 bpm • A min • 04:12 • -9.89db
12% Popularity • 42% Danceability • 63% Energy • 11% Liveness
53% Instrumentalness • 66% Positiveness
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Joe Mcphee
New Voices
114 bpm • C# Maj • 05:41 • -18.45db
0% Popularity • 46% Danceability • 5% Energy • 26% Liveness
3% Instrumentalness • 7% Positiveness
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Charles Mingus
Freedom
114 bpm • D# Maj • 05:10 • -8.28db
27% Popularity • 43% Danceability • 55% Energy • 14% Liveness
1% Instrumentalness • 38% Positiveness
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Peter Brötzmann
Do You Still Love Me/Did I Ever?
105 bpm • E min • 12:07 • -10.12db
0% Popularity • 47% Danceability • 51% Energy • 31% Liveness
82% Instrumentalness • 46% Positiveness
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本田竹æ›
ワッツ・ゴーイング・オン rem...
105 bpm • C# min • 04:41 • -6.47db
8% Popularity • 43% Danceability • 67% Energy • 11% Liveness
54% Instrumentalness • 34% Positiveness
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Trespass Trio
Xe
104 bpm • D# Maj • 06:49 • -24.37db
0% Popularity • 28% Danceability • 12% Energy • 70% Liveness
26% Instrumentalness • 24% Positiveness
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Annette Peacock
My Mama Never Taught Me How to Cook
114 bpm • C Maj • 05:31 • -13.81db
18% Popularity • 59% Danceability • 35% Energy • 7% Liveness
1% Instrumentalness • 40% Positiveness
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Audrey Powne
Bleeding Hearts
114 bpm • G min • 06:29 • -13.86db
7% Popularity • 28% Danceability • 36% Energy • 9% Liveness
23% Instrumentalness • 19% Positiveness
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E.U.
It's All Imagination
104 bpm • F# Maj • 03:25 • -5.38db
12% Popularity • 62% Danceability • 90% Energy • 27% Liveness
0% Instrumentalness • 70% Positiveness
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Yusef Lateef
Eastern Market
114 bpm • F min • 04:19 • -11.04db
25% Popularity • 55% Danceability • 72% Energy • 31% Liveness
0% Instrumentalness • 77% Positiveness
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Quincy Jones
Go Down Dying
114 bpm • G Maj • 04:12 • -15.59db
13% Popularity • 58% Danceability • 50% Energy • 8% Liveness
81% Instrumentalness • 51% Positiveness
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King Britt
Untitled One
114 bpm • F min • 09:40 • -9.14db
9% Popularity • 42% Danceability • 67% Energy • 8% Liveness
90% Instrumentalness • 87% Positiveness
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Dominic Duval
Undersound 10
114 bpm • G Maj • 03:50 • -29.94db
0% Popularity • 32% Danceability • 10% Energy • 9% Liveness
93% Instrumentalness • 11% Positiveness
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Delvon Lamarr Organ Trio
Pull Your Pants Up
104 bpm • A# Maj • 04:50 • -7.43db
25% Popularity • 77% Danceability • 85% Energy • 14% Liveness
92% Instrumentalness • 85% Positiveness
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Daniel Salinas
Straussmania
114 bpm • A# min • 04:50 • -8.19db
14% Popularity • 64% Danceability • 89% Energy • 7% Liveness
82% Instrumentalness • 57% Positiveness
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Exuma
Exuma, The Obeah Man
114 bpm • A# min • 06:17 • -6.97db
37% Popularity • 49% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Alice Coltrane
A Love Supreme
104 bpm • B Maj • 10:04 • -16.28db
18% Popularity • 29% Danceability • 41% Energy • 13% Liveness
70% Instrumentalness • 22% Positiveness
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Joe Mcphee
After It's Over
104 bpm • A# Maj • 07:40 • -10.34db
0% Popularity • 48% Danceability • 41% Energy • 6% Liveness
60% Instrumentalness • 17% Positiveness
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Masaru Imada Trio + 1
Planets
114 bpm • D# Maj • 05:39 • -22db
13% Popularity • 45% Danceability • 18% Energy • 28% Liveness
1% Instrumentalness • 19% Positiveness
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Jack McDuff
Flat Backin'
114 bpm • A# Maj • 10:23 • -10.8db
15% Popularity • 51% Danceability • 57% Energy • 17% Liveness
74% Instrumentalness • 39% Positiveness
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Bacao Rhythm & Steel Band
Laventille Road March
104 bpm • D min • 03:10 • -4db
35% Popularity • 83% Danceability • 94% Energy • 4% Liveness
91% Instrumentalness • 91% Positiveness
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The Awakening
Awakening - Prologue Spring Thing
114 bpm • G# Maj • 09:34 • -17.7db
10% Popularity • 40% Danceability • 43% Energy • 21% Liveness
15% Instrumentalness • 25% Positiveness
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Chico Hamilton Quintet
Blue Sands
104 bpm • C# Maj • 06:36 • -23.07db
25% Popularity • 47% Danceability • 9% Energy • 12% Liveness
73% Instrumentalness • 31% Positiveness
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Joe Mcphee
Astral Spirits
115 bpm • G Maj • 07:13 • -10.34db
0% Popularity • 32% Danceability • 32% Energy • 10% Liveness
83% Instrumentalness • 12% Positiveness
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Rokotto
Are You Ready
115 bpm • D Maj • 02:40 • -4.87db
17% Popularity • 80% Danceability • 85% Energy • 31% Liveness
10% Instrumentalness • 72% Positiveness
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Billy Cobham
Snoopy's Search
115 bpm • G# Maj • 01:03 • -25.02db
23% Popularity • 52% Danceability • 63% Energy • 8% Liveness
87% Instrumentalness • 18% Positiveness
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Count Basie
Constantinople
115 bpm • A# min • 08:28 • -14db
8% Popularity • 54% Danceability • 31% Energy • 11% Liveness
54% Instrumentalness • 41% Positiveness
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Kiyoshi Yamaya
Aizu Bandaisan
115 bpm • A min • 02:55 • -7.75db
22% Popularity • 54% Danceability • 70% Energy • 11% Liveness
1% Instrumentalness • 85% Positiveness
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Sun Ra & His Arkestra
Door of the Cosmos
115 bpm • A# Maj • 09:00 • -9.25db
35% Popularity • 59% Danceability • 61% Energy • 11% Liveness
65% Instrumentalness • 61% Positiveness
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Joe Mcphee
Sweet Dragon
115 bpm • F Maj • 05:35 • -12.68db
0% Popularity • 43% Danceability • 15% Energy • 34% Liveness
75% Instrumentalness • 28% Positiveness
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LORD DAVID SUTCH
Flashing Lights
115 bpm • F min • 03:13 • -11.75db
10% Popularity • 68% Danceability • 86% Energy • 36% Liveness
0% Instrumentalness • 96% Positiveness
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George Duke
Uncle Remus
116 bpm • D min • 05:10 • -20.03db
13% Popularity • 55% Danceability • 21% Energy • 8% Liveness
1% Instrumentalness • 20% Positiveness
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Gene Harris
Higga-Boom
103 bpm • A# Maj • 06:00 • -11.09db
18% Popularity • 55% Danceability • 87% Energy • 30% Liveness
92% Instrumentalness • 93% Positiveness
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Peter Brötzmann
Alto Lightning in a Violin Sky (For Jimm...
116 bpm • G Maj • 05:53 • -9db
0% Popularity • 41% Danceability • 67% Energy • 27% Liveness
1% Instrumentalness • 68% Positiveness
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Dizzy Gillespie
Matrix
103 bpm • F min • 04:01 • -7.43db
29% Popularity • 63% Danceability • 55% Energy • 13% Liveness
87% Instrumentalness • 54% Positiveness
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André Jaume
Love & Hate
116 bpm • A# Maj • 08:09 • -24.52db
0% Popularity • 37% Danceability • 4% Energy • 12% Liveness
29% Instrumentalness • 10% Positiveness
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Joe Mcphee
The Redwood Rag
102 bpm • A min • 03:52 • -12.98db
0% Popularity • 47% Danceability • 8% Energy • 21% Liveness
20% Instrumentalness • 47% Positiveness
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René Costy
Scrabble
102 bpm • A min • 04:12 • -8.19db
15% Popularity • 54% Danceability • 72% Energy • 7% Liveness
11% Instrumentalness • 96% Positiveness
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Herbie Hancock
Rain Dance
102 bpm • A# min • 09:15 • -14db
26% Popularity • 68% Danceability • 69% Energy • 13% Liveness
86% Instrumentalness • 54% Positiveness
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Breakestra
Dark Clouds Rain Soul - Dub
116 bpm • F# min • 05:10 • -6.76db
36% Popularity • 86% Danceability • 97% Energy • 7% Liveness
65% Instrumentalness • 87% Positiveness
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Dizzy Gillespie
Matrix
102 bpm • F min • 04:04 • -8.4db
9% Popularity • 57% Danceability • 56% Energy • 13% Liveness
83% Instrumentalness • 75% Positiveness
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Alice Coltrane
Huntington Ashram Monastery
117 bpm • A min • 05:31 • -15.66db
24% Popularity • 55% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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Joe Mcphee
Exuma
103 bpm • A# min • 04:23 • -12.66db
0% Popularity • 55% Danceability • 44% Energy • 10% Liveness
2% Instrumentalness • 66% Positiveness
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David Axelrod
Mucho Chupar
101 bpm • G Maj • 03:13 • -11.31db
29% Popularity • 52% Danceability • 72% Energy • 8% Liveness
89% Instrumentalness • 65% Positiveness
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Shakey Jake