Songs like Share Your Address by Ben Platt
Based on a tempo of (+/- 10%) and a similar genre
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John Mark Nelson
Stick Together
128 bpm • G Maj • 02:06 • -9.15db
35% Popularity • 82% Danceability • 55% Energy • 29% Liveness
1% Instrumentalness • 93% Positiveness
35% Popularity • 82% Danceability • 55% Energy • 29% Liveness
1% Instrumentalness • 93% Positiveness
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Anthony Amorim
2004
128 bpm • F Maj • 03:35 • -15.07db
40% Popularity • 89% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
40% Popularity • 89% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Ben Platt
Share Your Address - Live from Radio Cit...
128 bpm • B Maj • 05:09 • -4.16db
26% Popularity • 53% Danceability • 93% Energy • 76% Liveness
0% Instrumentalness • 58% Positiveness
26% Popularity • 53% Danceability • 93% Energy • 76% Liveness
0% Instrumentalness • 58% Positiveness
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Mother Mother
It's Alright
128 bpm • G# Maj • 02:55 • -10.15db
62% Popularity • 71% Danceability • 38% Energy • 24% Liveness
0% Instrumentalness • 62% Positiveness
62% Popularity • 71% Danceability • 38% Energy • 24% Liveness
0% Instrumentalness • 62% Positiveness
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Sara Kays
Struck by Lightning
128 bpm • D Maj • 02:34 • -9.74db
50% Popularity • 70% Danceability • 61% Energy • 55% Liveness
0% Instrumentalness • 75% Positiveness
50% Popularity • 70% Danceability • 61% Energy • 55% Liveness
0% Instrumentalness • 75% Positiveness
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Steve Kazee
Falling Slowly
128 bpm • C Maj • 04:26 • -12.65db
46% Popularity • 45% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
46% Popularity • 45% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Ryan Lerman
If I'd Never Seen Your Face
128 bpm • A# min • 02:52 • -5.12db
22% Popularity • 62% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
22% Popularity • 62% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Ryan McCartan
Pink and Green
128 bpm • G Maj • 02:53 • -7.04db
21% Popularity • 56% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
21% Popularity • 56% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Ben Platt
Share Your Address
128 bpm • B Maj • 03:02 • -5.05db
52% Popularity • 58% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
52% Popularity • 58% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Maddie Poppe
First Aid Kit
129 bpm • E Maj • 03:51 • -6.33db
23% Popularity • 51% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
23% Popularity • 51% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Sammy Rae & The Friends
The Feeling
127 bpm • F Maj • 03:56 • -4.98db
53% Popularity • 72% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
53% Popularity • 72% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Em Beihold
Nobody Else
129 bpm • F Maj • 03:13 • -8.61db
48% Popularity • 82% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
48% Popularity • 82% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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COIN
Cemetery
127 bpm • A Maj • 02:57 • -7.37db
53% Popularity • 65% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
53% Popularity • 65% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
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Felix Hagan & the Family
Tough to Be a Dreamer
127 bpm • E Maj • 04:22 • -6.77db
36% Popularity • 59% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
36% Popularity • 59% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
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Ivan & Alyosha
Everybody Breaks
129 bpm • G Maj • 04:13 • -4.6db
42% Popularity • 62% Danceability • 84% Energy • 32% Liveness
0% Instrumentalness • 64% Positiveness
42% Popularity • 62% Danceability • 84% Energy • 32% Liveness
0% Instrumentalness • 64% Positiveness
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Darren Criss
Foolish Thing
129 bpm • C Maj • 04:01 • -5.42db
33% Popularity • 62% Danceability • 66% Energy • 44% Liveness
0% Instrumentalness • 80% Positiveness
33% Popularity • 62% Danceability • 66% Energy • 44% Liveness
0% Instrumentalness • 80% Positiveness
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Panic! At The Disco
Dying in LA
126 bpm • D Maj • 03:49 • -5db
52% Popularity • 35% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
52% Popularity • 35% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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Housecat
Disco D
126 bpm • G Maj • 03:04 • -9db
30% Popularity • 66% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
30% Popularity • 66% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
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Andy Grammer
85
130 bpm • F Maj • 03:21 • -6.11db
50% Popularity • 76% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
50% Popularity • 76% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Alec Benjamin
I'm Not A Cynic
130 bpm • C# Maj • 02:16 • -5.64db
53% Popularity • 68% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 80% Positiveness
53% Popularity • 68% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 80% Positiveness
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chloe moriondo
Kalmia Kid
130 bpm • D Maj • 03:59 • -9.36db
40% Popularity • 60% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
40% Popularity • 60% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Ben Platt
Vienna
126 bpm • A# Maj • 03:29 • -7.35db
48% Popularity • 65% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
48% Popularity • 65% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Morningsiders
Freida
130 bpm • C Maj • 03:24 • -4.65db
44% Popularity • 79% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
44% Popularity • 79% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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The Happy Fits
So Alright, Cool, Whatever
130 bpm • C Maj • 03:11 • -5.42db
58% Popularity • 68% Danceability • 64% Energy • 3% Liveness
0% Instrumentalness • 76% Positiveness
58% Popularity • 68% Danceability • 64% Energy • 3% Liveness
0% Instrumentalness • 76% Positiveness
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Mike Love
Darlin'
126 bpm • B Maj • 02:38 • -5.52db
40% Popularity • 70% Danceability • 90% Energy • 29% Liveness
0% Instrumentalness • 88% Positiveness
40% Popularity • 70% Danceability • 90% Energy • 29% Liveness
0% Instrumentalness • 88% Positiveness
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alybob
renaissance girl
125 bpm • C min • 02:46 • -12.96db
36% Popularity • 63% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
36% Popularity • 63% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Chance Emerson
How Can I
125 bpm • G Maj • 03:17 • -6.65db
30% Popularity • 57% Danceability • 69% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
30% Popularity • 57% Danceability • 69% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
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Ben Platt
imagine
130 bpm • C# Maj • 02:44 • -7db
47% Popularity • 54% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
47% Popularity • 54% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Jessie Mueller
She Used to Be Mine
125 bpm • F# Maj • 04:20 • -8.57db
53% Popularity • 61% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
53% Popularity • 61% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Rivers Cuomo
Medicine for Melancholy
125 bpm • A Maj • 03:38 • -7.84db
35% Popularity • 59% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
35% Popularity • 59% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
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Maude Latour
One More Weekend
131 bpm • D# Maj • 02:22 • -6.92db
54% Popularity • 63% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 51% Positiveness
54% Popularity • 63% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 51% Positiveness
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Bug Hunter
Be Glad I Love You (Go to Bed)
125 bpm • A Maj • 03:37 • -4.02db
41% Popularity • 64% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
41% Popularity • 64% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Michael Lee Brown
Way It Used to Be
125 bpm • D Maj • 03:21 • -9.95db
24% Popularity • 79% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
24% Popularity • 79% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Ben Platt
Unworthy of Your Love
130 bpm • E Maj • 03:33 • -7.05db
36% Popularity • 39% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
36% Popularity • 39% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Jon Bellion
Blu
132 bpm • C Maj • 03:03 • -8.55db
54% Popularity • 38% Danceability • 46% Energy • 36% Liveness
0% Instrumentalness • 64% Positiveness
54% Popularity • 38% Danceability • 46% Energy • 36% Liveness
0% Instrumentalness • 64% Positiveness
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Air Traffic Controller
What You Do To My Soul
124 bpm • F Maj • 03:13 • -4.41db
35% Popularity • 51% Danceability • 86% Energy • 36% Liveness
0% Instrumentalness • 75% Positiveness
35% Popularity • 51% Danceability • 86% Energy • 36% Liveness
0% Instrumentalness • 75% Positiveness
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The Happy Fits
Achey Bones
132 bpm • C min • 03:21 • -4.52db
47% Popularity • 71% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
47% Popularity • 71% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
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Greta Isaac
Undone
124 bpm • A Maj • 03:23 • -5db
28% Popularity • 69% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
28% Popularity • 69% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Oh Jeremiah
Blue Light
124 bpm • F Maj • 03:16 • -8.05db
22% Popularity • 60% Danceability • 49% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
22% Popularity • 60% Danceability • 49% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
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Ben Platt
Yoü And I
125 bpm • C Maj • 04:42 • -8.62db
38% Popularity • 56% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
38% Popularity • 56% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Computer Games
We Like It
124 bpm • D Maj • 03:19 • -4.46db
24% Popularity • 73% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
24% Popularity • 73% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Sawyer
Emotional Girls
124 bpm • D# Maj • 03:00 • -4db
32% Popularity • 82% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
32% Popularity • 82% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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BAILEN
Not Gonna Take Me
124 bpm • A Maj • 03:36 • -5.59db
29% Popularity • 67% Danceability • 69% Energy • 33% Liveness
0% Instrumentalness • 46% Positiveness
29% Popularity • 67% Danceability • 69% Energy • 33% Liveness
0% Instrumentalness • 46% Positiveness
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Sody
is your bedroom ceiling bored?
124 bpm • F# Maj • 03:27 • -9.83db
51% Popularity • 62% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
51% Popularity • 62% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Sleeping At Last
Two
133 bpm • E Maj • 04:18 • -9db
56% Popularity • 50% Danceability • 33% Energy • 44% Liveness
0% Instrumentalness • 30% Positiveness
56% Popularity • 50% Danceability • 33% Energy • 44% Liveness
0% Instrumentalness • 30% Positiveness
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The Icarus Account
Cherry Street
133 bpm • C# Maj • 02:58 • -7db
38% Popularity • 68% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
38% Popularity • 68% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Computer Games
She Just Laughed Because My Joke Lacked ...
124 bpm • D Maj • 02:27 • -3.6db
8% Popularity • 53% Danceability • 86% Energy • 30% Liveness
0% Instrumentalness • 73% Positiveness
8% Popularity • 53% Danceability • 86% Energy • 30% Liveness
0% Instrumentalness • 73% Positiveness
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One Direction
Wolves
123 bpm • F Maj • 04:01 • -4.24db
61% Popularity • 63% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 53% Positiveness
61% Popularity • 63% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 53% Positiveness
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lovelytheband
loneliness for love
133 bpm • E Maj • 03:55 • -5db
41% Popularity • 60% Danceability • 95% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
41% Popularity • 60% Danceability • 95% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
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Scotty Sire
Don't Be Sad
133 bpm • C# Maj • 03:10 • -5.22db
40% Popularity • 66% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
40% Popularity • 66% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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A Great Big World
Boys In The Street
123 bpm • A Maj • 03:38 • -10.51db
25% Popularity • 73% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
25% Popularity • 73% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Kathryn Gallagher
I'll Get the Coffee
133 bpm • A Maj • 03:19 • -6db
46% Popularity • 80% Danceability • 53% Energy • 20% Liveness
6% Instrumentalness • 55% Positiveness
46% Popularity • 80% Danceability • 53% Energy • 20% Liveness
6% Instrumentalness • 55% Positiveness
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Devon Cole
July for the Whole Year
123 bpm • C# min • 03:24 • -8.36db
43% Popularity • 80% Danceability • 47% Energy • 29% Liveness
0% Instrumentalness • 58% Positiveness
43% Popularity • 80% Danceability • 47% Energy • 29% Liveness
0% Instrumentalness • 58% Positiveness
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Addison Grace
Sugar Rush
123 bpm • F Maj • 04:06 • -10.05db
46% Popularity • 74% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
46% Popularity • 74% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Ben Platt
Cherry On Top
134 bpm • E Maj • 04:14 • -5.36db
47% Popularity • 62% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
47% Popularity • 62% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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Darren Criss
walk of shame
123 bpm • A min • 02:51 • -8.25db
24% Popularity • 81% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
24% Popularity • 81% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
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Kate Stephenson
Exless
134 bpm • G# Maj • 03:25 • -12.5db
35% Popularity • 51% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
35% Popularity • 51% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
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5 Seconds of Summer
Red Desert
134 bpm • A Maj • 03:49 • -4.47db
56% Popularity • 50% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 45% Positiveness
56% Popularity • 50% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 45% Positiveness
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ADDIE
Drive Slow
134 bpm • C Maj • 06:10 • -8.77db
31% Popularity • 68% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
31% Popularity • 68% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Ryan McCartan
Changed My Mind
122 bpm • E min • 03:08 • -7.43db
13% Popularity • 78% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
13% Popularity • 78% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Kainoa Sorensen
You're Not Your Mistakes
122 bpm • A Maj • 03:57 • -4.56db
33% Popularity • 76% Danceability • 79% Energy • 23% Liveness
0% Instrumentalness • 78% Positiveness
33% Popularity • 76% Danceability • 79% Energy • 23% Liveness
0% Instrumentalness • 78% Positiveness
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Harry Styles
Treat People With Kindness
122 bpm • F Maj • 03:17 • -3.73db
65% Popularity • 65% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
65% Popularity • 65% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
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Kimiko Glenn
When He Sees Me
122 bpm • A# Maj • 03:43 • -6.45db
64% Popularity • 73% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
64% Popularity • 73% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Leanna Firestone
Suneater
135 bpm • D Maj • 03:59 • -10.57db
45% Popularity • 46% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
45% Popularity • 46% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Ben Platt
Bad Habit
134 bpm • F Maj • 04:22 • -6.37db
45% Popularity • 34% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
45% Popularity • 34% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Carrie Hope Fletcher
I Won't Say (I'm in Love)
122 bpm • C Maj • 02:26 • -7.06db
43% Popularity • 62% Danceability • 60% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
43% Popularity • 62% Danceability • 60% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
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Sophia Anne Caruso
Toys
122 bpm • F min • 03:13 • -12db
20% Popularity • 42% Danceability • 9% Energy • 24% Liveness
0% Instrumentalness • 32% Positiveness
20% Popularity • 42% Danceability • 9% Energy • 24% Liveness
0% Instrumentalness • 32% Positiveness
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push baby
thenineteenseventyfive
135 bpm • E Maj • 04:14 • -7db
41% Popularity • 58% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
41% Popularity • 58% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Saint Motel
Sisters
121 bpm • G min • 03:16 • -5.49db
43% Popularity • 70% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
43% Popularity • 70% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Bruce Wiegner
Idk
135 bpm • G# Maj • 03:06 • -7.17db
35% Popularity • 69% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
35% Popularity • 69% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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Micah Marcos
Trace
135 bpm • C# min • 02:51 • -11db
31% Popularity • 80% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
31% Popularity • 80% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Juice
September Told Me
135 bpm • D Maj • 04:15 • -4db
41% Popularity • 49% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
41% Popularity • 49% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Ben Platt
carefully
135 bpm • C Maj • 04:45 • -8.74db
38% Popularity • 65% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
38% Popularity • 65% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Taylor Trensch
Obvious - Bonus Track
135 bpm • G Maj • 04:14 • -8.85db
36% Popularity • 52% Danceability • 31% Energy • 32% Liveness
0% Instrumentalness • 21% Positiveness
36% Popularity • 52% Danceability • 31% Energy • 32% Liveness
0% Instrumentalness • 21% Positiveness
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Sophia Anne Caruso
Dead Mom
135 bpm • D Maj • 03:04 • -6.55db
60% Popularity • 53% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
60% Popularity • 53% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Lauren Marcus
(I Got) The One That Got Away (Back)
121 bpm • D Maj • 03:51 • -6db
11% Popularity • 65% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
11% Popularity • 65% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Card Club
Gabriella
121 bpm • D Maj • 03:49 • -8.22db
30% Popularity • 65% Danceability • 63% Energy • 36% Liveness
0% Instrumentalness • 68% Positiveness
30% Popularity • 65% Danceability • 63% Energy • 36% Liveness
0% Instrumentalness • 68% Positiveness
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Annika Bennett
Boy Who Has Everything
136 bpm • C# Maj • 03:06 • -13db
36% Popularity • 55% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
36% Popularity • 55% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Lauryn Marie
The Romantic
120 bpm • F Maj • 03:35 • -16db
36% Popularity • 63% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
36% Popularity • 63% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Grace VanderWaal
Repeat
120 bpm • B min • 02:20 • -7.07db
35% Popularity • 76% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
35% Popularity • 76% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Lostboycrow
Strawberry Sunscreen
120 bpm • G# Maj • 02:09 • -3.9db
60% Popularity • 69% Danceability • 68% Energy • 3% Liveness
0% Instrumentalness • 91% Positiveness
60% Popularity • 69% Danceability • 68% Energy • 3% Liveness
0% Instrumentalness • 91% Positiveness
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The Arcadian Wild
If You're the Coffee
120 bpm • B min • 03:54 • -7.1db
39% Popularity • 76% Danceability • 30% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
39% Popularity • 76% Danceability • 30% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
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Ben Platt
RAIN
120 bpm • D Maj • 03:33 • -5db
44% Popularity • 77% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
44% Popularity • 77% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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lovelytheband
don't worry, you will
120 bpm • A min • 03:17 • -4db
46% Popularity • 75% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 85% Positiveness
46% Popularity • 75% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 85% Positiveness
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Ellie Dixon
Freak
120 bpm • C# Maj • 02:53 • -7.53db
32% Popularity • 72% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
32% Popularity • 72% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Nicole Amine
Wine Song
120 bpm • E Maj • 03:56 • -8.32db
24% Popularity • 72% Danceability • 75% Energy • 33% Liveness
0% Instrumentalness • 71% Positiveness
24% Popularity • 72% Danceability • 75% Energy • 33% Liveness
0% Instrumentalness • 71% Positiveness
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Carly Bannister
Overthinkin'
120 bpm • C Maj • 03:16 • -10db
33% Popularity • 75% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
33% Popularity • 75% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Leslie Odom Jr.
Go Crazy
120 bpm • D Maj • 03:26 • -5.38db
46% Popularity • 77% Danceability • 79% Energy • 77% Liveness
0% Instrumentalness • 73% Positiveness
46% Popularity • 77% Danceability • 79% Energy • 77% Liveness
0% Instrumentalness • 73% Positiveness
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Ben Platt
leave my mind
120 bpm • F# Maj • 03:18 • -5.85db
39% Popularity • 55% Danceability • 65% Energy • 4% Liveness
0% Instrumentalness • 39% Positiveness
39% Popularity • 55% Danceability • 65% Energy • 4% Liveness
0% Instrumentalness • 39% Positiveness
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chloe moriondo
I Want To Be With You
120 bpm • E Maj • 02:59 • -6.97db
58% Popularity • 74% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
58% Popularity • 74% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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FINNEAS
Shelter
120 bpm • D# min • 03:07 • -10.04db
49% Popularity • 89% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
49% Popularity • 89% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Original Broadway Cast of Sing Street
Up
120 bpm • E Maj • 03:03 • -9.42db
26% Popularity • 64% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
26% Popularity • 64% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Jeremy Jordan
Get Up and Go
120 bpm • C Maj • 04:46 • -5.4db
22% Popularity • 44% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
22% Popularity • 44% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Kate Stephenson
Ramen Noodle
120 bpm • A Maj • 02:13 • -13.36db
19% Popularity • 75% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
19% Popularity • 75% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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The Happy Fits
She Wants Me (To Be Loved)
120 bpm • A Maj • 03:19 • -5.18db
59% Popularity • 78% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
59% Popularity • 78% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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Mike Faist
Disappear
137 bpm • G# Maj • 04:35 • -6.65db
51% Popularity • 45% Danceability • 63% Energy • 23% Liveness
0% Instrumentalness • 30% Positiveness
51% Popularity • 45% Danceability • 63% Energy • 23% Liveness
0% Instrumentalness • 30% Positiveness
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Leslie Odom Jr.
Standards
120 bpm • F min • 03:28 • -7.72db
39% Popularity • 48% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
39% Popularity • 48% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Prince of Eden
Say My Name
120 bpm • D Maj • 03:56 • -5.85db
45% Popularity • 39% Danceability • 71% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
45% Popularity • 39% Danceability • 71% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
