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Share Your Air
Songs like
Share Your Air (feat. Passenger)
by
Kate Miller-Heidke
Based on a tempo of (+/- 10%) and a similar genre
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Rachael Sage
Bravedancing
78 bpm • D# Maj • 04:08 • -6.67db
11% Popularity • 56% Danceability • 63% Energy • 29% Liveness
1% Instrumentalness • 43% Positiveness
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Kate Miller-Heidke
Share Your Air
78 bpm • A Maj • 03:33 • -8db
30% Popularity • 56% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Benjamin Northey
The Last Day on Earth - Live at the Sydn...
78 bpm • C Maj • 06:30 • -15.39db
4% Popularity • 14% Danceability • 40% Energy • 69% Liveness
2% Instrumentalness • 25% Positiveness
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Gretta Ray
A View Like This
78 bpm • F# Maj • 04:10 • -7.06db
19% Popularity • 44% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Lior
It's Only Natural
78 bpm • F Maj • 04:16 • -12db
19% Popularity • 39% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Wendy Matthews
Inexorably Yours
79 bpm • A Maj • 03:23 • -12.9db
14% Popularity • 59% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Emma Louise
1000 Sundowns
79 bpm • A Maj • 04:29 • -16db
28% Popularity • 40% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Bernard Fanning
Watch Over Me
77 bpm • D Maj • 03:33 • -15.92db
41% Popularity • 66% Danceability • 10% Energy • 11% Liveness
2% Instrumentalness • 47% Positiveness
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Benjamin Northey
My Sky - Live at the Sydney Opera House,...
78 bpm • G min • 03:57 • -12.03db
1% Popularity • 16% Danceability • 27% Energy • 34% Liveness
1% Instrumentalness • 6% Positiveness
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Damien Leith
22 Steps
77 bpm • G Maj • 03:35 • -6.45db
6% Popularity • 52% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 21% Positiveness
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Meg Mac
Roll Up Your Sleeves
79 bpm • G Maj • 03:04 • -6.83db
47% Popularity • 59% Danceability • 53% Energy • 12% Liveness
3% Instrumentalness • 39% Positiveness
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Rachael Sage
Barbed Wire
77 bpm • G Maj • 03:58 • -8db
10% Popularity • 56% Danceability • 46% Energy • 13% Liveness
3% Instrumentalness • 24% Positiveness
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Gretta Ray
Towers
77 bpm • G# Maj • 04:15 • -9db
24% Popularity • 67% Danceability • 44% Energy • 22% Liveness
0% Instrumentalness • 41% Positiveness
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Elmo
We Grow
77 bpm • C min • 03:40 • -7db
26% Popularity • 50% Danceability • 34% Energy • 44% Liveness
0% Instrumentalness • 17% Positiveness
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Benjamin Northey
Words - Live at the Sydney Opera House, ...
79 bpm • G Maj • 08:58 • -10.22db
2% Popularity • 40% Danceability • 52% Energy • 71% Liveness
0% Instrumentalness • 23% Positiveness
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Busby Marou
Underlying Message
79 bpm • D Maj • 04:25 • -6db
30% Popularity • 63% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Tasmanian Symphony Orchestra
Ernie
79 bpm • C Maj • 03:40 • -15.52db
18% Popularity • 34% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
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Michel van der Aa
Asterion (A Cappella)
77 bpm • G min • 02:57 • -13.6db
0% Popularity • 26% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Gretta Ray
Time
79 bpm • D Maj • 03:49 • -10db
27% Popularity • 52% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Lior
Real Love
80 bpm • A Maj • 03:11 • -12.7db
28% Popularity • 73% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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Benjamin Northey
God's Gift to Women - Live at the Sydney...
76 bpm • E min • 04:05 • -12.48db
1% Popularity • 53% Danceability • 29% Energy • 75% Liveness
0% Instrumentalness • 51% Positiveness
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Ben Lee
Song For The Divine Mother Of The Univer...
80 bpm • C# Maj • 03:38 • -5.35db
6% Popularity • 64% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Busby Marou
All Of You
79 bpm • D Maj • 02:52 • -6db
36% Popularity • 57% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Michel van der Aa
Let Me Go
80 bpm • C# min • 05:02 • -10db
1% Popularity • 40% Danceability • 40% Energy • 11% Liveness
5% Instrumentalness • 11% Positiveness
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P!nk
Good Old Days
80 bpm • C Maj • 04:02 • -5.98db
41% Popularity • 42% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Kate Miller-Heidke
Words
80 bpm • D Maj • 03:33 • -4db
22% Popularity • 55% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 56% Positiveness
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Benjamin Northey
In the Dark - Live at the Sydney Opera H...
76 bpm • C Maj • 05:11 • -17.12db
2% Popularity • 22% Danceability • 10% Energy • 70% Liveness
0% Instrumentalness • 15% Positiveness
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Leonardo's Bride
Even When I'm Sleeping
80 bpm • F Maj • 03:54 • -7.14db
43% Popularity • 65% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Meg Mac
Every Lie
80 bpm • G min • 03:13 • -8.22db
30% Popularity • 68% Danceability • 26% Energy • 5% Liveness
0% Instrumentalness • 38% Positiveness
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Amy Shark
Leave Us Alone
76 bpm • C# Maj • 03:31 • -5.29db
30% Popularity • 63% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Seeker Lover Keeper
Going to Sleep
76 bpm • G Maj • 03:55 • -9.25db
10% Popularity • 48% Danceability • 51% Energy • 12% Liveness
8% Instrumentalness • 66% Positiveness
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Clare Bowditch
Woman
80 bpm • F Maj • 03:51 • -5.27db
14% Popularity • 50% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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Kate Miller-Heidke
Bliss
80 bpm • C Maj • 03:59 • -13.52db
7% Popularity • 30% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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Shannon Noll
Don't Give Up
80 bpm • D# Maj • 04:40 • -4db
23% Popularity • 42% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Meg Mac
Give Me My Name Back
81 bpm • G Maj • 03:11 • -6db
33% Popularity • 58% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Amy Shark
Never Coming Back
76 bpm • F# Maj • 03:13 • -4.75db
31% Popularity • 63% Danceability • 77% Energy • 8% Liveness
1% Instrumentalness • 72% Positiveness
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Seeker Lover Keeper
Rest Your Head On My Shoulder
81 bpm • C Maj • 03:31 • -14.26db
35% Popularity • 52% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Clare Bowditch
The One
75 bpm • G Maj • 04:19 • -7db
21% Popularity • 40% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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The Whitlams
Melbourne
82 bpm • C Maj • 04:50 • -9db
33% Popularity • 59% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Benjamin Northey
Caught in the Crowd - Live at the Sydney...
75 bpm • A Maj • 04:01 • -17.7db
5% Popularity • 53% Danceability • 16% Energy • 68% Liveness
0% Instrumentalness • 27% Positiveness
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Tina Arena
When You’re Ready
82 bpm • C Maj • 03:40 • -8.2db
12% Popularity • 58% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Amy Shark
I Said Hi
74 bpm • F# Maj • 02:50 • -4db
54% Popularity • 39% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
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Alex the Astronaut
Happy Song - Alternate Version
82 bpm • C Maj • 04:17 • -6.78db
28% Popularity • 59% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
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Clare Bowditch
You Make Me Happy
80 bpm • E Maj • 02:59 • -7.23db
28% Popularity • 46% Danceability • 58% Energy • 24% Liveness
0% Instrumentalness • 33% Positiveness
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George
Strange Days
82 bpm • A Maj • 04:27 • -11.99db
15% Popularity • 24% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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The Whitlams
Blow Up The Pokies
82 bpm • A min • 03:27 • -8db
47% Popularity • 25% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
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Thelma Plum
Around Here
83 bpm • C# Maj • 03:04 • -7db
29% Popularity • 61% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Eddi Reader
Bell, Book & Candle
74 bpm • D Maj • 04:12 • -16.02db
23% Popularity • 35% Danceability • 30% Energy • 19% Liveness
18% Instrumentalness • 24% Positiveness
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Natalie Bassingthwaighte
1000 Stars
83 bpm • A Maj • 04:00 • -5.08db
22% Popularity • 50% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Alex the Astronaut
I Like To Dance
83 bpm • C Maj • 03:28 • -6.22db
19% Popularity • 48% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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George
Truth
83 bpm • C Maj • 03:45 • -12.19db
17% Popularity • 48% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Kisschasy
Dinosaur
83 bpm • B Maj • 03:08 • -12db
34% Popularity • 52% Danceability • 44% Energy • 29% Liveness
0% Instrumentalness • 35% Positiveness
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Pete Murray
So Beautiful - Single Version
83 bpm • G min • 04:39 • -10db
50% Popularity • 50% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Benjamin Northey
Bliss - Live at the Sydney Opera House, ...
83 bpm • C Maj • 03:56 • -17.11db
3% Popularity • 22% Danceability • 7% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
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Meg Mac
Didn’t Wanna Get So Low But I Had To
84 bpm • F Maj • 03:51 • -7db
29% Popularity • 58% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Michel van der Aa
Identical Hands
84 bpm • A# Maj • 05:17 • -14.13db
0% Popularity • 20% Danceability • 28% Energy • 16% Liveness
1% Instrumentalness • 4% Positiveness
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Missy Higgins
Ten Days
84 bpm • F Maj • 03:46 • -6.88db
43% Popularity • 52% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Kate Miller-Heidke
Offer It Up
84 bpm • G# Maj • 03:45 • -6.76db
12% Popularity • 48% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Christine Anu
Coz Im Free
84 bpm • G Maj • 03:56 • -8db
20% Popularity • 48% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 26% Positiveness
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Jack River
Truly Madly Deeply - triple j Like A Ver...
84 bpm • C Maj • 04:24 • -6db
34% Popularity • 42% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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Meg Mac
I’m Not Coming Back
84 bpm • A# Maj • 03:06 • -5.59db
35% Popularity • 45% Danceability • 59% Energy • 13% Liveness
2% Instrumentalness • 27% Positiveness
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Thelma Plum
Clumsy Love
85 bpm • E Maj • 03:07 • -5.53db
48% Popularity • 69% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Ben Lee
The Universe Inside
72 bpm • G Maj • 04:47 • -12.73db
9% Popularity • 38% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Kate Miller-Heidke
Jimmy
84 bpm • A Maj • 03:30 • -5.08db
10% Popularity • 59% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
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Marina Prior
Other Ships
85 bpm • A# Maj • 02:01 • -14.29db
1% Popularity • 17% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 8% Positiveness
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Seeker Lover Keeper
Bring Me Back
71 bpm • D Maj • 03:19 • -14.67db
17% Popularity • 26% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Benjamin Northey
Sarah - Live at the Sydney Opera House, ...
87 bpm • D min • 04:34 • -10.29db
2% Popularity • 36% Danceability • 53% Energy • 74% Liveness
0% Instrumentalness • 9% Positiveness
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Nerina Pallot
Sophia (remastered)
87 bpm • D Maj • 03:40 • -7.5db
33% Popularity • 54% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Bernard Fanning
Yesterday's Gone
87 bpm • A Maj • 02:32 • -9db
40% Popularity • 59% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Clare Bowditch
The Big Happy
87 bpm • G Maj • 03:12 • -9db
17% Popularity • 47% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Thelma Plum
These Days
88 bpm • C Maj • 03:23 • -8.68db
44% Popularity • 55% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Michel van der Aa
What a Dream
88 bpm • E min • 04:52 • -12.87db
3% Popularity • 41% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Benjamin Northey
Mama - Live at the Sydney Opera House, 2...
69 bpm • E Maj • 03:21 • -11.59db
2% Popularity • 45% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 47% Positiveness
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Birds Of Tokyo
Anchor
88 bpm • F Maj • 03:36 • -5db
42% Popularity • 60% Danceability • 70% Energy • 32% Liveness
0% Instrumentalness • 57% Positiveness
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Vera Blue
Regular Touch - Acoustic
88 bpm • G# min • 04:06 • -9.25db
18% Popularity • 52% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Bernard Fanning
Departures (Blue Toowong Skies)
89 bpm • G Maj • 04:20 • -12db
32% Popularity • 40% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Thelma Plum
Woke Blokes
88 bpm • C min • 02:34 • -9db
36% Popularity • 80% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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Busby Marou
Better Be Home Soon
89 bpm • C Maj • 03:49 • -9db
31% Popularity • 56% Danceability • 43% Energy • 22% Liveness
0% Instrumentalness • 24% Positiveness
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Spinifex Gum
Ms Dhu
89 bpm • G min • 03:22 • -7.86db
13% Popularity • 74% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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George
Special Ones
90 bpm • G Maj • 03:46 • -11db
32% Popularity • 54% Danceability • 47% Energy • 26% Liveness
0% Instrumentalness • 37% Positiveness
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Vera Blue
First Week
90 bpm • C Maj • 04:13 • -9.57db
28% Popularity • 25% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Kate Miller-Heidke
Out And In
90 bpm • F# Maj • 03:58 • -8.41db
13% Popularity • 40% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Christine Anu
Island Home - Earth Beat
90 bpm • D Maj • 03:49 • -10db
26% Popularity • 56% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Amy Shark
Adore
67 bpm • F# Maj • 03:05 • -6db
52% Popularity • 60% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Sara Storer
The Ruining
67 bpm • B Maj • 03:06 • -14.56db
10% Popularity • 33% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Michel van der Aa
19th Step
91 bpm • A# min • 06:35 • -10.77db
0% Popularity • 26% Danceability • 38% Energy • 8% Liveness
11% Instrumentalness • 4% Positiveness
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Meg Mac
Maybe It’s My First Time
91 bpm • B min • 03:33 • -6.52db
33% Popularity • 70% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
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Kate Miller-Heidke
Ducks Don't Need Satellites
67 bpm • C Maj • 03:57 • -9.16db
13% Popularity • 59% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Natalie Imbruglia
Big Mistake
91 bpm • D Maj • 04:33 • -6.23db
39% Popularity • 56% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Conrad Sewell
Start Again
67 bpm • A# Maj • 03:37 • -9.47db
46% Popularity • 55% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Missy Higgins
Scar
92 bpm • C Maj • 03:33 • -5.67db
56% Popularity • 65% Danceability • 79% Energy • 28% Liveness
0% Instrumentalness • 83% Positiveness
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Thelma Plum
Ugly
92 bpm • G Maj • 03:07 • -5.78db
26% Popularity • 71% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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Meg Mac
Bridges - triple j Like A Version
91 bpm • C min • 03:36 • -7.3db
33% Popularity • 54% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Kate Miller-Heidke
Space They Cannot Touch
92 bpm • C# Maj • 04:08 • -7.55db
25% Popularity • 46% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Lior
I'll Forget You
92 bpm • C# Maj • 03:20 • -8.03db
30% Popularity • 46% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
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Vera Blue
Turn
92 bpm • F# min • 03:39 • -7.56db
25% Popularity • 59% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Nerina Pallot
Real Late Starter
93 bpm • B min • 03:21 • -4.71db
16% Popularity • 67% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Thirsty Merc
20 Good Reasons
93 bpm • C# Maj • 03:49 • -5db
50% Popularity • 42% Danceability • 66% Energy • 21% Liveness
0% Instrumentalness • 15% Positiveness
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The Jezabels
Mace Spray
93 bpm • C Maj • 05:07 • -7.69db
38% Popularity • 46% Danceability • 71% Energy • 11% Liveness
71% Instrumentalness • 22% Positiveness
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Kate Miller-Heidke
Shoebox
91 bpm • C# Maj • 04:11 • -4.84db
14% Popularity • 52% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Share Your Air