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Shatter
Songs like
Shatter
by
Maggie Rogers
Based on a tempo of (+/- 10%) and a similar genre
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mxmtoon
coming of age
150 bpm • D# Maj • 02:38 • -4db
47% Popularity • 62% Danceability • 93% Energy • 5% Liveness
1% Instrumentalness • 91% Positiveness
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Bleachers
Modern Girl
150 bpm • A# Maj • 03:43 • -6.77db
63% Popularity • 62% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
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Lorde
No Better
150 bpm • F Maj • 02:50 • -7.08db
50% Popularity • 61% Danceability • 66% Energy • 31% Liveness
0% Instrumentalness • 35% Positiveness
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The Japanese House
Baby goes again
150 bpm • C Maj • 03:31 • -10.34db
45% Popularity • 50% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Maggie Rogers
Shatter
150 bpm • A Maj • 03:40 • -2db
60% Popularity • 57% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Remi Wolf
Cake
150 bpm • F min • 02:47 • -6db
45% Popularity • 52% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
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Daisy Jones & The Six
Aurora
151 bpm • A# Maj • 03:25 • -4.65db
56% Popularity • 58% Danceability • 86% Energy • 41% Liveness
5% Instrumentalness • 93% Positiveness
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Bleachers
Let's Get Married
150 bpm • C Maj • 03:06 • -5.99db
52% Popularity • 61% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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chloe moriondo
Manta Rays
150 bpm • E Maj • 03:31 • -3.81db
50% Popularity • 48% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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MARIS
False Idol
151 bpm • C Maj • 02:27 • -6.39db
31% Popularity • 59% Danceability • 71% Energy • 39% Liveness
0% Instrumentalness • 57% Positiveness
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Maggie Rogers
Overdrive
149 bpm • G Maj • 03:14 • -6.19db
55% Popularity • 37% Danceability • 78% Energy • 8% Liveness
10% Instrumentalness • 9% Positiveness
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The Beaches
Shower Beer
149 bpm • E Maj • 03:11 • -3.24db
52% Popularity • 45% Danceability • 93% Energy • 27% Liveness
0% Instrumentalness • 74% Positiveness
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Gracie Abrams
Where do we go now?
151 bpm • A# Maj • 04:03 • -10.64db
66% Popularity • 61% Danceability • 67% Energy • 15% Liveness
3% Instrumentalness • 65% Positiveness
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Tommy Lefroy
Jericho Beach
152 bpm • A Maj • 02:56 • -10db
39% Popularity • 48% Danceability • 26% Energy • 34% Liveness
10% Instrumentalness • 24% Positiveness
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The Sunshine State
Pushing 30
148 bpm • D Maj • 03:30 • -6.51db
23% Popularity • 50% Danceability • 57% Energy • 38% Liveness
0% Instrumentalness • 30% Positiveness
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King Princess
Let Us Die
152 bpm • C# Maj • 03:53 • -5db
40% Popularity • 52% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Betty Who
WEEKEND
148 bpm • C Maj • 03:33 • -7.12db
39% Popularity • 70% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 87% Positiveness
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Peace
Lovesick
152 bpm • E Maj • 02:12 • -4.69db
43% Popularity • 39% Danceability • 84% Energy • 29% Liveness
0% Instrumentalness • 54% Positiveness
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Paramore
C’est Comme Ça (Re: Wet Leg)
152 bpm • C Maj • 02:24 • -4.97db
50% Popularity • 63% Danceability • 76% Energy • 4% Liveness
78% Instrumentalness • 74% Positiveness
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Del Water Gap
All We Ever Do Is Talk
153 bpm • D Maj • 03:46 • -5.49db
61% Popularity • 47% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Haley Blais
Coolest fucking bitch in town
147 bpm • A# Maj • 04:56 • -10.45db
47% Popularity • 53% Danceability • 50% Energy • 21% Liveness
0% Instrumentalness • 53% Positiveness
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Madison Cunningham
Hospital (One Man Down)
146 bpm • F min • 03:27 • -5.94db
38% Popularity • 60% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Suki Waterhouse
Nostalgia
154 bpm • F# Maj • 03:57 • -8db
59% Popularity • 52% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Gracie Abrams
Difficult
146 bpm • D Maj • 04:18 • -9.09db
62% Popularity • 60% Danceability • 59% Energy • 26% Liveness
0% Instrumentalness • 47% Positiveness
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Sjowgren
Seventeen
146 bpm • G Maj • 03:45 • -5.6db
64% Popularity • 61% Danceability • 72% Energy • 5% Liveness
8% Instrumentalness • 33% Positiveness
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Aly & AJ
Love You This Way
146 bpm • E Maj • 03:11 • -6.07db
27% Popularity • 58% Danceability • 85% Energy • 20% Liveness
44% Instrumentalness • 88% Positiveness
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Boyish
Kill Your Pain
146 bpm • C# Maj • 02:46 • -6.19db
51% Popularity • 49% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Harriette
Fucking Married
146 bpm • G Maj • 03:13 • -7.75db
37% Popularity • 58% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Sir Babygirl
Flirting with Her
155 bpm • D Maj • 03:50 • -5.75db
43% Popularity • 37% Danceability • 71% Energy • 23% Liveness
14% Instrumentalness • 22% Positiveness
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Lemondrop
Strawberry Wine
155 bpm • G# Maj • 03:53 • -8.34db
43% Popularity • 61% Danceability • 59% Energy • 8% Liveness
1% Instrumentalness • 48% Positiveness
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Del Water Gap
Hurting Kind
155 bpm • A Maj • 03:40 • -8db
46% Popularity • 59% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
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Ashe
omw
155 bpm • E Maj • 02:51 • -6db
38% Popularity • 73% Danceability • 85% Energy • 17% Liveness
4% Instrumentalness • 74% Positiveness
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Daisy Jones & The Six
The River
145 bpm • A min • 04:54 • -3db
61% Popularity • 44% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Orla Gartland
You're Not Special, Babe
145 bpm • C Maj • 03:23 • -7.29db
43% Popularity • 73% Danceability • 47% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
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Gracie Abrams
Feels Like
145 bpm • B Maj • 02:32 • -7.36db
75% Popularity • 62% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Middle Kids
Highlands
145 bpm • F Maj • 03:31 • -3.95db
37% Popularity • 50% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Maggie Rogers
Honey
144 bpm • G Maj • 03:42 • -2.11db
42% Popularity • 32% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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FIZZ
As Good As It Gets
156 bpm • G Maj • 02:44 • -7.3db
41% Popularity • 57% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Daisy Jones & The Six
Kill You To Try
145 bpm • F Maj • 05:12 • -5.64db
53% Popularity • 53% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 73% Positiveness
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The Beaches
Blame Brett
156 bpm • C# min • 02:57 • -3.16db
71% Popularity • 47% Danceability • 87% Energy • 33% Liveness
0% Instrumentalness • 79% Positiveness
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Bleachers
Tiny Moves
156 bpm • A Maj • 03:48 • -8.26db
62% Popularity • 69% Danceability • 65% Energy • 15% Liveness
7% Instrumentalness • 91% Positiveness
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The National
The Alcott
156 bpm • C Maj • 04:27 • -10.6db
70% Popularity • 37% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Maggie Rogers
Don't Forget Me
145 bpm • G# Maj • 04:25 • -4.22db
58% Popularity • 49% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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Suki Waterhouse
Wild Side
144 bpm • E Maj • 03:55 • -9db
48% Popularity • 61% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Thomas Headon
i loved a boy
144 bpm • A Maj • 02:25 • -6db
42% Popularity • 61% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Olivia Rodrigo
all-american bitch
156 bpm • F# Maj • 02:45 • -4.23db
82% Popularity • 43% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Trousdale
Go There
144 bpm • E Maj • 03:22 • -7.54db
34% Popularity • 51% Danceability • 58% Energy • 31% Liveness
0% Instrumentalness • 56% Positiveness
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Noah Kahan
New Perspective
157 bpm • F Maj • 04:16 • -10db
74% Popularity • 68% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Tommy Lefroy
The Mess
144 bpm • B Maj • 01:08 • -10.21db
57% Popularity • 56% Danceability • 36% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
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Hippo Campus
Moonshine
157 bpm • E Maj • 04:00 • -6db
47% Popularity • 51% Danceability • 93% Energy • 7% Liveness
1% Instrumentalness • 74% Positiveness
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Suki Waterhouse
To Love
157 bpm • D Maj • 03:56 • -4.45db
61% Popularity • 28% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Taylor Swift
Holy Ground (Taylor's Version)
157 bpm • A Maj • 03:22 • -5.62db
68% Popularity • 62% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Florence + The Machine
Choreomania
157 bpm • C Maj • 03:33 • -7.61db
57% Popularity • 64% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
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Maude Latour
No Rush
157 bpm • B Maj • 02:12 • -4.74db
36% Popularity • 67% Danceability • 81% Energy • 38% Liveness
0% Instrumentalness • 73% Positiveness
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Maggie Rogers
Together
157 bpm • D Maj • 03:22 • -3.56db
30% Popularity • 34% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Gatlin
Really Funny
143 bpm • C min • 03:21 • -7.72db
31% Popularity • 70% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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Madison Cunningham
Hospital
142 bpm • E Maj • 03:33 • -9db
44% Popularity • 55% Danceability • 51% Energy • 27% Liveness
0% Instrumentalness • 67% Positiveness
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Taylor Swift
Would've, Could've, Should've
158 bpm • C Maj • 04:20 • -6.51db
68% Popularity • 49% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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Caroline Rose
Cry!
142 bpm • E Maj • 03:43 • -5.77db
28% Popularity • 61% Danceability • 84% Energy • 10% Liveness
79% Instrumentalness • 84% Positiveness
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The Japanese House
You always get what you want
142 bpm • A# Maj • 02:48 • -9.14db
45% Popularity • 63% Danceability • 47% Energy • 10% Liveness
10% Instrumentalness • 62% Positiveness
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Joy Oladokun
Taking Things For Granted
142 bpm • B Maj • 03:36 • -7.53db
42% Popularity • 59% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
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Maude Latour
Lola
159 bpm • D# Maj • 02:41 • -7.57db
41% Popularity • 59% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 77% Positiveness
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Vistas
Retrospect
159 bpm • G# Maj • 03:26 • -3.98db
44% Popularity • 38% Danceability • 86% Energy • 30% Liveness
0% Instrumentalness • 50% Positiveness
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Daisy Jones & The Six
Look At Us Now (Honeycomb)
141 bpm • G Maj • 05:32 • -6.14db
65% Popularity • 32% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Chappell Roan
Picture You
160 bpm • E Maj • 03:07 • -5.47db
66% Popularity • 36% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Miya Folick
Get Out of My House
160 bpm • C Maj • 03:32 • -5.89db
34% Popularity • 52% Danceability • 88% Energy • 55% Liveness
0% Instrumentalness • 80% Positiveness
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Metronomy
Things will be fine - Bratty Remix
160 bpm • C Maj • 03:20 • -6.86db
41% Popularity • 59% Danceability • 89% Energy • 18% Liveness
40% Instrumentalness • 92% Positiveness
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Taylor Swift
Glitch
141 bpm • B min • 02:28 • -9.74db
54% Popularity • 57% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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mercury
I Don’t Know You Like I Used To
160 bpm • F Maj • 04:19 • -7.23db
47% Popularity • 43% Danceability • 69% Energy • 35% Liveness
0% Instrumentalness • 32% Positiveness
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Olivia Rodrigo
love is embarrassing
160 bpm • A Maj • 02:34 • -3.43db
80% Popularity • 52% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
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The Beaches
Edge of the Earth
160 bpm • C Maj • 02:40 • -4.74db
67% Popularity • 49% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
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Etta Marcus
Theatre
140 bpm • C# Maj • 02:59 • -5.55db
49% Popularity • 50% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 12% Positiveness
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Maggie Rogers
James
160 bpm • G# Maj • 04:29 • -8.2db
41% Popularity • 29% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Gatlin
Paris
140 bpm • C Maj • 02:47 • -7.36db
26% Popularity • 68% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Chappell Roan
HOT TO GO!
140 bpm • F# Maj • 03:04 • -4.92db
76% Popularity • 74% Danceability • 76% Energy • 27% Liveness
0% Instrumentalness • 96% Positiveness
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Dayglow
Then It All Goes Away
140 bpm • D Maj • 03:03 • -3db
57% Popularity • 68% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Saint Joan
Gold
140 bpm • F# Maj • 03:27 • -6.15db
23% Popularity • 61% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
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Hana Eid
Dancing to The Smiths
140 bpm • D Maj • 04:19 • -9.45db
34% Popularity • 53% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
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Remi Wolf
Prescription
140 bpm • A Maj • 03:33 • -5.82db
54% Popularity • 65% Danceability • 62% Energy • 14% Liveness
3% Instrumentalness • 74% Positiveness
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Gatlin
Still Not Me
139 bpm • F# Maj • 02:32 • -8.63db
29% Popularity • 56% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 45% Positiveness
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Michigander
Superglue
139 bpm • F Maj • 04:10 • -4.24db
48% Popularity • 53% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Miya Folick
What We Wanna
139 bpm • E Maj • 02:15 • -5.9db
27% Popularity • 84% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 95% Positiveness
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quinnie
flounder
162 bpm • B Maj • 03:39 • -6db
43% Popularity • 56% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Bad Bad Hats
Detroit Basketball
139 bpm • D Maj • 02:27 • -6db
44% Popularity • 67% Danceability • 89% Energy • 11% Liveness
36% Instrumentalness • 78% Positiveness
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Bleachers
Rollercoaster
162 bpm • A# Maj • 03:08 • -6.23db
67% Popularity • 42% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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Martin Luke Brown
**it gets better
163 bpm • G Maj • 03:09 • -4.94db
32% Popularity • 63% Danceability • 88% Energy • 10% Liveness
17% Instrumentalness • 80% Positiveness
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boygenius
Afraid of Heights
138 bpm • G# Maj • 02:41 • -12.81db
61% Popularity • 69% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Trousdale
Out Of My Mind
138 bpm • B Maj • 04:41 • -9.2db
37% Popularity • 58% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Maude Latour
Kids in America
163 bpm • B min • 03:14 • -4.8db
38% Popularity • 46% Danceability • 92% Energy • 19% Liveness
0% Instrumentalness • 65% Positiveness
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King Princess
Too Bad
138 bpm • C Maj • 02:53 • -5.38db
36% Popularity • 55% Danceability • 83% Energy • 22% Liveness
0% Instrumentalness • 56% Positiveness
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SOAK
Knock Me Off My Feet
138 bpm • A Maj • 03:07 • -5.12db
48% Popularity • 64% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 93% Positiveness
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Remi Wolf
Michael
164 bpm • E Maj • 02:45 • -4.47db
46% Popularity • 56% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Maggie Rogers
Back In My Body
164 bpm • E Maj • 04:09 • -6.07db
51% Popularity • 44% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Taylor Swift
Bejeweled
164 bpm • G Maj • 03:14 • -9.19db
81% Popularity • 70% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Joy Oladokun
Changes
164 bpm • C Maj • 03:09 • -9.98db
42% Popularity • 56% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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King Princess
Little Bother
164 bpm • E Maj • 02:41 • -6db
45% Popularity • 44% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
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The Greeting Committee
Make Out
164 bpm • C# Maj • 02:23 • -5db
39% Popularity • 52% Danceability • 77% Energy • 4% Liveness
0% Instrumentalness • 63% Positiveness
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Remi Wolf
Buzz Me In
164 bpm • A Maj • 02:46 • -7.71db
52% Popularity • 61% Danceability • 78% Energy • 15% Liveness
7% Instrumentalness • 55% Positiveness
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Daisy Jones & The Six
Let Me Down Easy
137 bpm • A min • 03:24 • -4db
61% Popularity • 62% Danceability • 90% Energy • 18% Liveness
0% Instrumentalness • 73% Positiveness
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BEL
Are You Okay?
136 bpm • A Maj • 02:44 • -7.83db
49% Popularity • 67% Danceability • 54% Energy • 44% Liveness
11% Instrumentalness • 85% Positiveness
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Shatter