Songs like She Comes Running - 2007 Remaster by Lee Hazlewood
Based on a tempo of (+/- 10%) and a similar genre
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Lee Hazlewood
She Comes Running - 2007 Remaster
103 bpm • E Maj • 02:13 • -14.29db
21% Popularity • 39% Danceability • 40% Energy • 26% Liveness
28% Instrumentalness • 50% Positiveness
21% Popularity • 39% Danceability • 40% Energy • 26% Liveness
28% Instrumentalness • 50% Positiveness
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Kathy Heideman
The Earth Won't Hold Me
103 bpm • E Maj • 03:06 • -10db
29% Popularity • 51% Danceability • 49% Energy • 48% Liveness
0% Instrumentalness • 57% Positiveness
29% Popularity • 51% Danceability • 49% Energy • 48% Liveness
0% Instrumentalness • 57% Positiveness
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Alan Hull
Country Gentleman's Wife - 2005 Digital ...
104 bpm • G Maj • 03:39 • -13.35db
11% Popularity • 71% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
11% Popularity • 71% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Bobbie Gentry
Seasons Come, Seasons Go
104 bpm • G Maj • 02:50 • -16db
37% Popularity • 59% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
37% Popularity • 59% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
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Tim Hardin
See Where You Are And Get Out
102 bpm • G Maj • 01:11 • -8.24db
42% Popularity • 61% Danceability • 51% Energy • 37% Liveness
0% Instrumentalness • 73% Positiveness
42% Popularity • 61% Danceability • 51% Energy • 37% Liveness
0% Instrumentalness • 73% Positiveness
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Warren Zevon
Join Me in L.A.
102 bpm • C# Maj • 02:30 • -9.12db
32% Popularity • 68% Danceability • 32% Energy • 7% Liveness
2% Instrumentalness • 50% Positiveness
32% Popularity • 68% Danceability • 32% Energy • 7% Liveness
2% Instrumentalness • 50% Positiveness
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Bill Jerpe
Another Day Goes Down
104 bpm • E Maj • 04:34 • -11db
15% Popularity • 64% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
15% Popularity • 64% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Kathy Heideman
Sleep A Million Years
102 bpm • C Maj • 02:43 • -8db
26% Popularity • 57% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 56% Positiveness
26% Popularity • 57% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 56% Positiveness
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Flamin' Groovies
Yesterday's Numbers
102 bpm • E Maj • 03:57 • -4db
24% Popularity • 61% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
24% Popularity • 61% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
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Pearls Before Swine
Playmate
104 bpm • D Maj • 02:22 • -9.21db
14% Popularity • 62% Danceability • 59% Energy • 23% Liveness
0% Instrumentalness • 67% Positiveness
14% Popularity • 62% Danceability • 59% Energy • 23% Liveness
0% Instrumentalness • 67% Positiveness
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Townes Van Zandt
Mr. Mudd And Mr. Gold
104 bpm • B Maj • 02:21 • -17db
45% Popularity • 74% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 86% Positiveness
45% Popularity • 74% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 86% Positiveness
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Steve Forbert
Big City Cat
105 bpm • F Maj • 02:51 • -13.57db
19% Popularity • 72% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
19% Popularity • 72% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
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Arlo Guthrie
Wouldn't You Believe It - Remastered
102 bpm • G# Maj • 03:22 • -10db
25% Popularity • 60% Danceability • 55% Energy • 28% Liveness
0% Instrumentalness • 64% Positiveness
25% Popularity • 60% Danceability • 55% Energy • 28% Liveness
0% Instrumentalness • 64% Positiveness
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The Electric Prunes
Get Me to the World on Time
101 bpm • F Maj • 02:32 • -12db
20% Popularity • 33% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
20% Popularity • 33% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Tim Hardin
Stagger Lee
101 bpm • D# min • 03:12 • -11.14db
13% Popularity • 65% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
13% Popularity • 65% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Manfred Mann
It's so Easy Falling
101 bpm • A# Maj • 03:20 • -7.17db
6% Popularity • 44% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
6% Popularity • 44% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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Townes Van Zandt
Be Here to Love Me
101 bpm • B Maj • 02:38 • -12.2db
39% Popularity • 62% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
39% Popularity • 62% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
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Heron
Take Me Back Home
105 bpm • D Maj • 02:00 • -7.38db
21% Popularity • 64% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
21% Popularity • 64% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
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The Lovin' Spoonful
It's Not Time Now
101 bpm • C Maj • 02:46 • -11.38db
22% Popularity • 64% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 91% Positiveness
22% Popularity • 64% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 91% Positiveness
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Mink DeVille
Venus Of Avenue D
100 bpm • E Maj • 05:02 • -13.12db
24% Popularity • 59% Danceability • 46% Energy • 33% Liveness
24% Instrumentalness • 96% Positiveness
24% Popularity • 59% Danceability • 46% Energy • 33% Liveness
24% Instrumentalness • 96% Positiveness
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Tom Rush
Shadow Dream Song - 2008 Remaster
100 bpm • C Maj • 03:27 • -16.89db
15% Popularity • 52% Danceability • 19% Energy • 10% Liveness
6% Instrumentalness • 37% Positiveness
15% Popularity • 52% Danceability • 19% Energy • 10% Liveness
6% Instrumentalness • 37% Positiveness
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Moby Grape
8:05
106 bpm • A Maj • 02:20 • -14db
40% Popularity • 58% Danceability • 37% Energy • 11% Liveness
19% Instrumentalness • 55% Positiveness
40% Popularity • 58% Danceability • 37% Energy • 11% Liveness
19% Instrumentalness • 55% Positiveness
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The Chocolate Watchband
Baby Blue
106 bpm • D Maj • 03:12 • -8.53db
34% Popularity • 54% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
34% Popularity • 54% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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Sanford Clark
She Taught Me - 2007 Remaster
100 bpm • D Maj • 02:50 • -18.03db
12% Popularity • 65% Danceability • 26% Energy • 20% Liveness
1% Instrumentalness • 69% Positiveness
12% Popularity • 65% Danceability • 26% Energy • 20% Liveness
1% Instrumentalness • 69% Positiveness
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Townes Van Zandt
For the Sake of the Song
106 bpm • C Maj • 04:46 • -11.03db
23% Popularity • 51% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
23% Popularity • 51% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
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Small Faces
The Universal - 2013 Remaster
106 bpm • A Maj • 02:42 • -10.6db
22% Popularity • 67% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
22% Popularity • 67% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Jack Nitzsche
The Lonely Surfer
106 bpm • F Maj • 02:35 • -10db
28% Popularity • 30% Danceability • 63% Energy • 17% Liveness
55% Instrumentalness • 40% Positiveness
28% Popularity • 30% Danceability • 63% Energy • 17% Liveness
55% Instrumentalness • 40% Positiveness
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The Music Machine
Some Other Drum
106 bpm • C min • 02:34 • -11db
30% Popularity • 69% Danceability • 54% Energy • 20% Liveness
22% Instrumentalness • 63% Positiveness
30% Popularity • 69% Danceability • 54% Energy • 20% Liveness
22% Instrumentalness • 63% Positiveness
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Jimmy Carter and Dallas County Green
A Night of Love
106 bpm • G Maj • 04:39 • -11db
32% Popularity • 66% Danceability • 51% Energy • 10% Liveness
5% Instrumentalness • 57% Positiveness
32% Popularity • 66% Danceability • 51% Energy • 10% Liveness
5% Instrumentalness • 57% Positiveness
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Buffalo Springfield
Carefree Country Day
100 bpm • D Maj • 02:41 • -18db
28% Popularity • 63% Danceability • 17% Energy • 10% Liveness
77% Instrumentalness • 29% Positiveness
28% Popularity • 63% Danceability • 17% Energy • 10% Liveness
77% Instrumentalness • 29% Positiveness
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Dion & The Wanderers
I Can't Help But Wonder Where I'm Bound
106 bpm • G Maj • 02:53 • -8.37db
13% Popularity • 49% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
13% Popularity • 49% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Jim Ford
Chain Gang
106 bpm • C Maj • 04:18 • -9db
12% Popularity • 64% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
12% Popularity • 64% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Jeff Cowell
Jake Lake
100 bpm • G Maj • 02:22 • -6.75db
18% Popularity • 54% Danceability • 59% Energy • 20% Liveness
22% Instrumentalness • 64% Positiveness
18% Popularity • 54% Danceability • 59% Energy • 20% Liveness
22% Instrumentalness • 64% Positiveness
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amiina
Hilli (At the Top of the World) - 10th A...
99 bpm • C Maj • 03:21 • -16.27db
6% Popularity • 50% Danceability • 27% Energy • 16% Liveness
4% Instrumentalness • 41% Positiveness
6% Popularity • 50% Danceability • 27% Energy • 16% Liveness
4% Instrumentalness • 41% Positiveness
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Dan Hicks & His Hot Licks
Canned Music
107 bpm • A min • 04:05 • -18db
23% Popularity • 61% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
23% Popularity • 61% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Dillard & Clark
With Care From Someone
99 bpm • G min • 03:39 • -9.72db
18% Popularity • 43% Danceability • 70% Energy • 61% Liveness
0% Instrumentalness • 52% Positiveness
18% Popularity • 43% Danceability • 70% Energy • 61% Liveness
0% Instrumentalness • 52% Positiveness
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Jonathan Richman & The Modern Lovers
Stop This Car
99 bpm • C Maj • 01:49 • -13.28db
8% Popularity • 74% Danceability • 38% Energy • 40% Liveness
0% Instrumentalness • 75% Positiveness
8% Popularity • 74% Danceability • 38% Energy • 40% Liveness
0% Instrumentalness • 75% Positiveness
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Them
Could You Would You
107 bpm • C Maj • 03:09 • -8.08db
24% Popularity • 46% Danceability • 87% Energy • 38% Liveness
0% Instrumentalness • 80% Positiveness
24% Popularity • 46% Danceability • 87% Energy • 38% Liveness
0% Instrumentalness • 80% Positiveness
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Captain Beefheart & His Magic Band
Yellow Brick Road
99 bpm • G Maj • 02:27 • -7db
29% Popularity • 59% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
29% Popularity • 59% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Graham Nash
Hey You (Looking at the Moon)
107 bpm • C Maj • 02:17 • -13db
36% Popularity • 75% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
36% Popularity • 75% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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Flamin' Groovies
Sometimes
107 bpm • G Maj • 02:20 • -9.07db
23% Popularity • 36% Danceability • 66% Energy • 34% Liveness
0% Instrumentalness • 52% Positiveness
23% Popularity • 36% Danceability • 66% Energy • 34% Liveness
0% Instrumentalness • 52% Positiveness
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Mitch Ryder and The Detroit Wheels
Baby Jane (Mo-Mo Jane)
107 bpm • A Maj • 04:00 • -11db
26% Popularity • 72% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
26% Popularity • 72% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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David Ackles
Down River
99 bpm • A# Maj • 03:57 • -15.59db
13% Popularity • 30% Danceability • 19% Energy • 12% Liveness
40% Instrumentalness • 24% Positiveness
13% Popularity • 30% Danceability • 19% Energy • 12% Liveness
40% Instrumentalness • 24% Positiveness
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Jonathan Richman & The Modern Lovers
Back In the U.S.A.
99 bpm • C# Maj • 02:24 • -6.69db
12% Popularity • 72% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
12% Popularity • 72% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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Jack Nitzsche
Lower California
108 bpm • A# Maj • 02:14 • -16db
14% Popularity • 39% Danceability • 40% Energy • 11% Liveness
91% Instrumentalness • 37% Positiveness
14% Popularity • 39% Danceability • 40% Energy • 11% Liveness
91% Instrumentalness • 37% Positiveness
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Nico
I'm Not Sayin' (Single Version)
98 bpm • A# Maj • 02:48 • -9.43db
33% Popularity • 48% Danceability • 82% Energy • 22% Liveness
0% Instrumentalness • 75% Positiveness
33% Popularity • 48% Danceability • 82% Energy • 22% Liveness
0% Instrumentalness • 75% Positiveness
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Crazy Horse
I'll Get By
108 bpm • D Maj • 03:11 • -9db
17% Popularity • 60% Danceability • 82% Energy • 25% Liveness
0% Instrumentalness • 96% Positiveness
17% Popularity • 60% Danceability • 82% Energy • 25% Liveness
0% Instrumentalness • 96% Positiveness
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Kevin Ayers
May I? - 2003 Remaster
108 bpm • C Maj • 04:01 • -17db
30% Popularity • 54% Danceability • 35% Energy • 12% Liveness
88% Instrumentalness • 40% Positiveness
30% Popularity • 54% Danceability • 35% Energy • 12% Liveness
88% Instrumentalness • 40% Positiveness
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The Incredible String Band
Dandelion Blues - 2010 Remaster
108 bpm • E Maj • 02:58 • -15.53db
16% Popularity • 63% Danceability • 26% Energy • 21% Liveness
0% Instrumentalness • 70% Positiveness
16% Popularity • 63% Danceability • 26% Energy • 21% Liveness
0% Instrumentalness • 70% Positiveness
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Roy Harper
Goldfish
108 bpm • C min • 02:49 • -10.22db
9% Popularity • 46% Danceability • 49% Energy • 13% Liveness
65% Instrumentalness • 59% Positiveness
9% Popularity • 46% Danceability • 49% Energy • 13% Liveness
65% Instrumentalness • 59% Positiveness
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Bobby Charles
Long Face
108 bpm • C# Maj • 03:38 • -12db
27% Popularity • 72% Danceability • 38% Energy • 8% Liveness
1% Instrumentalness • 90% Positiveness
27% Popularity • 72% Danceability • 38% Energy • 8% Liveness
1% Instrumentalness • 90% Positiveness
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Duffy Power
Where Am I
98 bpm • G# Maj • 02:50 • -8db
30% Popularity • 47% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
30% Popularity • 47% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Michael Hurley
So You Say
98 bpm • A# Maj • 03:25 • -13.99db
25% Popularity • 85% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
25% Popularity • 85% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Buddy Holly
Smokey Joe's Cafe
98 bpm • B Maj • 02:13 • -10db
24% Popularity • 57% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
24% Popularity • 57% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
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Dan Hicks & His Hot Licks
Evenin' Breeze
109 bpm • A Maj • 03:55 • -15.2db
16% Popularity • 74% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
16% Popularity • 74% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
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13th Floor Elevators
(It's All over Now) Baby Blue - Mono LP ...
98 bpm • D# Maj • 05:05 • -8.73db
25% Popularity • 40% Danceability • 55% Energy • 17% Liveness
27% Instrumentalness • 44% Positiveness
25% Popularity • 40% Danceability • 55% Energy • 17% Liveness
27% Instrumentalness • 44% Positiveness
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Warren Zevon
Carmelita - 1974 Demo
109 bpm • G# Maj • 03:58 • -10.8db
18% Popularity • 58% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
18% Popularity • 58% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Ry Cooder
Teardrops Will Fall
109 bpm • E Maj • 03:05 • -17.96db
26% Popularity • 83% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
26% Popularity • 83% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Jim Ford
Harry Hippie
97 bpm • F# min • 03:22 • -8.34db
13% Popularity • 62% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
13% Popularity • 62% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Them
Turn on Your Love Light
97 bpm • D Maj • 02:19 • -7.14db
22% Popularity • 50% Danceability • 90% Energy • 84% Liveness
0% Instrumentalness • 78% Positiveness
22% Popularity • 50% Danceability • 90% Energy • 84% Liveness
0% Instrumentalness • 78% Positiveness
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Bobbie Gentry
Touch 'Em With Love
97 bpm • A Maj • 02:05 • -11.55db
26% Popularity • 60% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
26% Popularity • 60% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
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Buddy Holly
Love Is Strange
109 bpm • C# Maj • 03:04 • -10.54db
43% Popularity • 52% Danceability • 50% Energy • 9% Liveness
48% Instrumentalness • 57% Positiveness
43% Popularity • 52% Danceability • 50% Energy • 9% Liveness
48% Instrumentalness • 57% Positiveness
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Lee Hazlewood
My Baby Cried All Night Long
109 bpm • A Maj • 03:16 • -14.52db
23% Popularity • 60% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
23% Popularity • 60% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Chris Bell
You And Your Sister - Single Version
109 bpm • G min • 03:10 • -13.62db
26% Popularity • 38% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
26% Popularity • 38% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Jim Ford
I'm Gonna Make Her Love Me
97 bpm • A# min • 03:06 • -5.63db
31% Popularity • 70% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
31% Popularity • 70% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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The Association
Wantin' Ain't Gettin' - Remastered Versi...
97 bpm • E min • 02:20 • -12db
23% Popularity • 64% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
23% Popularity • 64% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Jonathan Richman & The Modern Lovers
Hey There Little Insect
97 bpm • D Maj • 03:11 • -12.93db
14% Popularity • 74% Danceability • 41% Energy • 30% Liveness
0% Instrumentalness • 28% Positiveness
14% Popularity • 74% Danceability • 41% Energy • 30% Liveness
0% Instrumentalness • 28% Positiveness
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Geoff & Maria Muldaur
Death Letter Blues
110 bpm • G Maj • 06:15 • -15.62db
11% Popularity • 57% Danceability • 26% Energy • 14% Liveness
59% Instrumentalness • 34% Positiveness
11% Popularity • 57% Danceability • 26% Energy • 14% Liveness
59% Instrumentalness • 34% Positiveness
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The Human Beinz
Dance On Through
110 bpm • D Maj • 03:07 • -10.75db
35% Popularity • 64% Danceability • 56% Energy • 14% Liveness
5% Instrumentalness • 47% Positiveness
35% Popularity • 64% Danceability • 56% Energy • 14% Liveness
5% Instrumentalness • 47% Positiveness
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Them
My Lonely Sad Eyes
110 bpm • G Maj • 02:29 • -8.08db
31% Popularity • 58% Danceability • 83% Energy • 55% Liveness
0% Instrumentalness • 93% Positiveness
31% Popularity • 58% Danceability • 83% Energy • 55% Liveness
0% Instrumentalness • 93% Positiveness
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Kevin Ayers
Whatevershebringswesing - 1999 Remaster
97 bpm • C Maj • 08:13 • -15db
26% Popularity • 43% Danceability • 25% Energy • 11% Liveness
55% Instrumentalness • 26% Positiveness
26% Popularity • 43% Danceability • 25% Energy • 11% Liveness
55% Instrumentalness • 26% Positiveness
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Sopwith Camel
Saga of the Low Down Let Down
97 bpm • E Maj • 01:50 • -15.71db
22% Popularity • 58% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
22% Popularity • 58% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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Jonathan Richman & The Modern Lovers
That Summer Feeling
110 bpm • A Maj • 03:56 • -12db
22% Popularity • 64% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
22% Popularity • 64% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Cowboy
Livin' In The Country
110 bpm • A Maj • 03:10 • -11.43db
30% Popularity • 61% Danceability • 34% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
30% Popularity • 61% Danceability • 34% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
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Townes Van Zandt
Sixteen Summers, Fifteen Falls
110 bpm • C Maj • 02:35 • -11.62db
20% Popularity • 35% Danceability • 49% Energy • 49% Liveness
0% Instrumentalness • 62% Positiveness
20% Popularity • 35% Danceability • 49% Energy • 49% Liveness
0% Instrumentalness • 62% Positiveness
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Them
My Little Baby - Mono Version
97 bpm • G Maj • 02:11 • -7.89db
14% Popularity • 62% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
14% Popularity • 62% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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Country Joe & The Fish
Not So Sweet Martha Lorraine
110 bpm • E Maj • 04:24 • -13db
29% Popularity • 52% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
29% Popularity • 52% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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John Prine
Saddle in the Rain
110 bpm • E min • 03:35 • -11.09db
30% Popularity • 57% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 86% Positiveness
30% Popularity • 57% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 86% Positiveness
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Jackie DeShannon
Laurel Canyon - 2005 Digital Remaster
96 bpm • F Maj • 04:07 • -8.6db
13% Popularity • 66% Danceability • 70% Energy • 3% Liveness
0% Instrumentalness • 78% Positiveness
13% Popularity • 66% Danceability • 70% Energy • 3% Liveness
0% Instrumentalness • 78% Positiveness
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Bobbie Gentry
Something In The Way He Moves
96 bpm • C Maj • 02:39 • -24.15db
22% Popularity • 68% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
22% Popularity • 68% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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13th Floor Elevators
Postures (Leave Your Body Behind) - Mono...
111 bpm • D Maj • 06:17 • -10.4db
19% Popularity • 65% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
19% Popularity • 65% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Neil Diamond
Someday Baby
96 bpm • E Maj • 02:18 • -4.77db
20% Popularity • 49% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 83% Positiveness
20% Popularity • 49% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 83% Positiveness
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Flamin' Groovies
32-20
96 bpm • G Maj • 02:04 • -6.11db
16% Popularity • 61% Danceability • 79% Energy • 26% Liveness
0% Instrumentalness • 96% Positiveness
16% Popularity • 61% Danceability • 79% Energy • 26% Liveness
0% Instrumentalness • 96% Positiveness
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Captain Beefheart & His Magic Band
Too Much Time
111 bpm • A Maj • 02:50 • -14db
40% Popularity • 84% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
40% Popularity • 84% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Bonnie Dobson
Morning Dew
111 bpm • E Maj • 03:18 • -8.85db
22% Popularity • 41% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
22% Popularity • 41% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Del Shannon
Cut And Come Again - Remastered 2006
111 bpm • C Maj • 02:51 • -6.55db
16% Popularity • 39% Danceability • 70% Energy • 12% Liveness
71% Instrumentalness • 69% Positiveness
16% Popularity • 39% Danceability • 70% Energy • 12% Liveness
71% Instrumentalness • 69% Positiveness
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The International Submarine Band
Do You Know How It Feels to Be Lonesome?
111 bpm • D Maj • 03:33 • -9.46db
23% Popularity • 53% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
23% Popularity • 53% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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Jonathan Richman & The Modern Lovers
New England
96 bpm • E Maj • 02:23 • -9.18db
30% Popularity • 59% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
30% Popularity • 59% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Buffalo Springfield
Flying on the Ground Is Wrong
111 bpm • A Maj • 02:43 • -15db
44% Popularity • 65% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
44% Popularity • 65% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Roger McGuinn
Up to Me
96 bpm • E Maj • 05:37 • -13.12db
8% Popularity • 57% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
8% Popularity • 57% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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The Left Banke
What Do You Know
95 bpm • F# Maj • 03:00 • -7.9db
16% Popularity • 55% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
16% Popularity • 55% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Sanford Clark
Sure at the Wind Will Blow
112 bpm • B Maj • 02:57 • -12.65db
20% Popularity • 63% Danceability • 47% Energy • 17% Liveness
8% Instrumentalness • 75% Positiveness
20% Popularity • 63% Danceability • 47% Energy • 17% Liveness
8% Instrumentalness • 75% Positiveness
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Yo La Tengo
Here Comes My Baby
95 bpm • F# Maj • 02:33 • -12.42db
34% Popularity • 42% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
34% Popularity • 42% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Mickey Newbury
T. Total Tommy
95 bpm • G Maj • 04:08 • -17db
24% Popularity • 54% Danceability • 28% Energy • 12% Liveness
1% Instrumentalness • 73% Positiveness
24% Popularity • 54% Danceability • 28% Energy • 12% Liveness
1% Instrumentalness • 73% Positiveness
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Nick Lowe
Queen of Sheba
112 bpm • D Maj • 02:28 • -10.11db
13% Popularity • 70% Danceability • 58% Energy • 9% Liveness
13% Instrumentalness • 76% Positiveness
13% Popularity • 70% Danceability • 58% Energy • 9% Liveness
13% Instrumentalness • 76% Positiveness
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Jackie DeShannon
Splendor In The Grass
112 bpm • A# Maj • 02:23 • -12.44db
14% Popularity • 42% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
14% Popularity • 42% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Big Star
Thank You Friends
112 bpm • G Maj • 03:06 • -6.32db
27% Popularity • 39% Danceability • 95% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
27% Popularity • 39% Danceability • 95% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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Medicine Head
(And The) Pictures In The Sky
112 bpm • A# min • 02:36 • -11.76db
12% Popularity • 79% Danceability • 54% Energy • 9% Liveness
3% Instrumentalness • 80% Positiveness
12% Popularity • 79% Danceability • 54% Energy • 9% Liveness
3% Instrumentalness • 80% Positiveness
