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She Sets The City On Fire
Songs like
She Sets The City On Fire
by
Gavin DeGraw
Based on a tempo of (+/- 10%) and a similar genre
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MKTO
Thank You
126 bpm • B Maj • 03:49 • -4.75db
54% Popularity • 65% Danceability • 94% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
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The Fray
Corners
126 bpm • A min • 03:32 • -4db
39% Popularity • 59% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Wrabel
Poetry
126 bpm • G# Maj • 04:09 • -5.52db
45% Popularity • 57% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Kane Brown
What Ifs
126 bpm • A# Maj • 03:08 • -4.6db
75% Popularity • 61% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
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Tori Kelly
Hollow
126 bpm • D min • 03:30 • -6.85db
47% Popularity • 61% Danceability • 66% Energy • 44% Liveness
1% Instrumentalness • 45% Positiveness
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American Authors
I'm Born To Run
126 bpm • G# Maj • 03:26 • -5.62db
65% Popularity • 62% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Zac Brown Band
Beautiful Drug
126 bpm • G# min • 03:11 • -5.45db
55% Popularity • 62% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Gavin DeGraw
She Sets The City On Fire - Acoustic
126 bpm • E Maj • 03:37 • -6.17db
26% Popularity • 75% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Phillip Phillips
Raging Fire
126 bpm • G Maj • 03:54 • -4.67db
55% Popularity • 56% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 45% Positiveness
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MisterWives
Our Own House
126 bpm • G# Maj • 03:52 • -4.68db
54% Popularity • 56% Danceability • 76% Energy • 5% Liveness
0% Instrumentalness • 43% Positiveness
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A Great Big World
When the Morning Comes
127 bpm • B Maj • 03:45 • -7.82db
22% Popularity • 62% Danceability • 65% Energy • 39% Liveness
0% Instrumentalness • 38% Positiveness
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LunchMoney Lewis
Ain't Too Cool
125 bpm • A min • 03:42 • -4db
42% Popularity • 68% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
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Ester Dean
Crazy Youngsters
127 bpm • F# Maj • 03:39 • -5.2db
42% Popularity • 64% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Gavin DeGraw
She Sets The City On Fire
126 bpm • E Maj • 03:38 • -6.41db
58% Popularity • 62% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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American Authors
Replaced
125 bpm • F Maj • 03:32 • -6.39db
34% Popularity • 67% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
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Kyle Reynolds
Miles On My Heart
125 bpm • E Maj • 03:44 • -7db
21% Popularity • 59% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Sammy Adams
All Night Longer
127 bpm • C# Maj • 02:57 • -4.75db
59% Popularity • 71% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
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Five For Fighting
Slice
128 bpm • B Maj • 03:34 • -6db
45% Popularity • 59% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Skrizzly Adams
Me and You
128 bpm • C# Maj • 04:02 • -6.64db
25% Popularity • 55% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 47% Positiveness
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The Band Perry
Comeback Kid
128 bpm • D# Maj • 03:51 • -5.74db
35% Popularity • 79% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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BROWN & GRAY
Top Down
128 bpm • D Maj • 03:01 • -4db
41% Popularity • 63% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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Coleman Hell
Run Wild
128 bpm • C Maj • 03:50 • -4.27db
19% Popularity • 66% Danceability • 85% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Ryan Cabrera
House on Fire
128 bpm • D Maj • 03:34 • -4.7db
25% Popularity • 56% Danceability • 84% Energy • 35% Liveness
0% Instrumentalness • 48% Positiveness
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Gavin DeGraw
Chariot - Stripped Version
128 bpm • G Maj • 04:59 • -10db
19% Popularity • 48% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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The Summer Set
Lightning In A Bottle
129 bpm • E Maj • 04:05 • -2db
47% Popularity • 66% Danceability • 86% Energy • 30% Liveness
0% Instrumentalness • 77% Positiveness
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Phillip Phillips
Searchlight
123 bpm • B min • 04:12 • -5db
42% Popularity • 49% Danceability • 92% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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Grizfolk
Waiting For You
123 bpm • D# Maj • 03:57 • -5.56db
42% Popularity • 59% Danceability • 89% Energy • 14% Liveness
23% Instrumentalness • 55% Positiveness
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Sara Bareilles
Love Song
123 bpm • D min • 04:18 • -3.14db
75% Popularity • 58% Danceability • 79% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
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lovelytheband
broken
123 bpm • G Maj • 03:24 • -5.81db
70% Popularity • 67% Danceability • 73% Energy • 4% Liveness
0% Instrumentalness • 51% Positiveness
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Gavin DeGraw
Dancing Shoes
124 bpm • C Maj • 03:46 • -11.68db
29% Popularity • 58% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Macklemore
Good Old Days
123 bpm • G# Maj • 04:00 • -8.16db
74% Popularity • 71% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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MKTO
American Dream
123 bpm • C Maj • 03:45 • -5db
59% Popularity • 55% Danceability • 77% Energy • 23% Liveness
0% Instrumentalness • 50% Positiveness
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The Goo Goo Dolls
Sympathy
130 bpm • G# Maj • 02:58 • -5.76db
64% Popularity • 55% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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The Script
Wonders
130 bpm • D Maj • 04:18 • -5.89db
47% Popularity • 60% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
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Thomas Rhett
Crash and Burn
130 bpm • F min • 03:10 • -5.1db
65% Popularity • 69% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
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Gavin DeGraw
I'm Gonna Try
123 bpm • A Maj • 03:45 • -6.04db
29% Popularity • 62% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
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All Time Low
Good Times
130 bpm • G Maj • 03:44 • -6.31db
51% Popularity • 56% Danceability • 89% Energy • 34% Liveness
0% Instrumentalness • 20% Positiveness
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Kelly Clarkson
Love So Soft
130 bpm • B Maj • 02:52 • -5.43db
55% Popularity • 81% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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The Fray
How to Save a Life
122 bpm • A# Maj • 04:22 • -4.08db
83% Popularity • 64% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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American Authors
Go Big Or Go Home
122 bpm • C# Maj • 02:49 • -4.27db
60% Popularity • 66% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Thomas Rhett
Unforgettable
130 bpm • G Maj • 02:37 • -5.5db
69% Popularity • 66% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Gavin DeGraw
Say I Am
122 bpm • F# Maj • 03:15 • -4.8db
32% Popularity • 54% Danceability • 67% Energy • 41% Liveness
0% Instrumentalness • 51% Positiveness
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Jake Reese
Day To Feel Alive
122 bpm • B Maj • 02:48 • -6.98db
27% Popularity • 74% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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O.A.R.
Love And Memories
122 bpm • E Maj • 03:27 • -5db
54% Popularity • 65% Danceability • 71% Energy • 48% Liveness
0% Instrumentalness • 66% Positiveness
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OBB
Sweater
122 bpm • B Maj • 02:42 • -5db
20% Popularity • 73% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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Ocean Park Standoff
Tunnel Lights
131 bpm • A Maj • 03:41 • -6.35db
24% Popularity • 61% Danceability • 81% Energy • 35% Liveness
0% Instrumentalness • 43% Positiveness
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Michael McEachern
Shot In The Dark
131 bpm • G Maj • 03:18 • -5.26db
15% Popularity • 61% Danceability • 80% Energy • 58% Liveness
17% Instrumentalness • 45% Positiveness
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Gavin DeGraw
More Than Anyone
123 bpm • A Maj • 02:58 • -7.44db
27% Popularity • 66% Danceability • 41% Energy • 24% Liveness
0% Instrumentalness • 20% Positiveness
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Phillip Phillips
Home
121 bpm • C Maj • 03:30 • -6.04db
72% Popularity • 61% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Life of Dillon
Toys
121 bpm • F Maj • 03:43 • -5db
29% Popularity • 71% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Calum Scott
Rhythm Inside
121 bpm • D min • 03:32 • -5.58db
47% Popularity • 59% Danceability • 62% Energy • 22% Liveness
0% Instrumentalness • 16% Positiveness
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Five For Fighting
100 Years
121 bpm • G Maj • 04:04 • -7.46db
66% Popularity • 64% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 28% Positiveness
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Keith Urban
The Fighter
132 bpm • B min • 03:04 • -5.17db
51% Popularity • 68% Danceability • 86% Energy • 19% Liveness
0% Instrumentalness • 76% Positiveness
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Gavin DeGraw
Different for Girls
130 bpm • C Maj • 03:40 • -6.31db
22% Popularity • 66% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
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Phillip Phillips
Magnetic
132 bpm • A# min • 03:15 • -6.58db
37% Popularity • 54% Danceability • 52% Energy • 4% Liveness
0% Instrumentalness • 26% Positiveness
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American Authors
What We Live For
120 bpm • C Maj • 02:58 • -4.75db
51% Popularity • 69% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
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MKTO
Could Be Me
120 bpm • E Maj • 03:30 • -5.09db
41% Popularity • 73% Danceability • 94% Energy • 28% Liveness
0% Instrumentalness • 92% Positiveness
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Ocean Park Standoff
If You Were Mine
120 bpm • G# Maj • 03:24 • -3.61db
45% Popularity • 66% Danceability • 77% Energy • 44% Liveness
0% Instrumentalness • 41% Positiveness
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Castro
Diamond Dreams
120 bpm • F# Maj • 03:15 • -6db
33% Popularity • 61% Danceability • 67% Energy • 51% Liveness
0% Instrumentalness • 60% Positiveness
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Gavin DeGraw
Stealing
122 bpm • G Maj • 04:17 • -8.1db
34% Popularity • 60% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Coleman Hell
2 Heads
120 bpm • C Maj • 03:33 • -4.82db
53% Popularity • 75% Danceability • 75% Energy • 18% Liveness
0% Instrumentalness • 40% Positiveness
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Life of Dillon
Rocks
120 bpm • G Maj • 03:13 • -5db
31% Popularity • 63% Danceability • 81% Energy • 39% Liveness
0% Instrumentalness • 81% Positiveness
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MKTO
Just Imagine It
120 bpm • A# Maj • 04:10 • -4.34db
50% Popularity • 70% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Eric Hutchinson
Tell The World
120 bpm • E Maj • 02:41 • -5.9db
51% Popularity • 67% Danceability • 85% Energy • 29% Liveness
0% Instrumentalness • 71% Positiveness
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Maroon 5
Love Somebody
120 bpm • C# Maj • 03:49 • -6.28db
62% Popularity • 68% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Walker Hayes
You Broke Up with Me
120 bpm • C Maj • 03:16 • -8.29db
59% Popularity • 85% Danceability • 70% Energy • 27% Liveness
0% Instrumentalness • 87% Positiveness
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Karmin
Brokenhearted
120 bpm • C# min • 03:47 • -2.73db
63% Popularity • 76% Danceability • 76% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
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The Script
Paint the Town Green
120 bpm • D Maj • 03:31 • -4.92db
53% Popularity • 65% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
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MKTO
Forever Until Tomorrow
120 bpm • C# Maj • 03:46 • -4.95db
38% Popularity • 52% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
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American Authors
Nothing Better
120 bpm • C# Maj • 03:38 • -4.58db
31% Popularity • 64% Danceability • 91% Energy • 32% Liveness
0% Instrumentalness • 70% Positiveness
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Scott Helman
Bungalow
120 bpm • C# Maj • 03:32 • -4.78db
45% Popularity • 71% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Maddie Poppe
Going Going Gone
120 bpm • D Maj • 03:26 • -3.49db
39% Popularity • 67% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Bea Miller
brand new eyes
120 bpm • F Maj • 03:27 • -7.09db
36% Popularity • 57% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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Five For Fighting
The Riddle
119 bpm • A# Maj • 03:47 • -5.8db
50% Popularity • 59% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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Oh Honey
Sugar, You
133 bpm • A Maj • 03:32 • -7db
47% Popularity • 52% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 25% Positiveness
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The Icarus Account
Cherry Street
133 bpm • C# Maj • 02:58 • -7db
38% Popularity • 68% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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A Great Big World
I Really Want It
133 bpm • C# Maj • 03:22 • -5.77db
20% Popularity • 77% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Sara James
Pumping Blood
119 bpm • G Maj • 03:31 • -5.96db
37% Popularity • 69% Danceability • 66% Energy • 11% Liveness
13% Instrumentalness • 64% Positiveness
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Ocean Park Standoff
If You Were Mine - Thompson Acoustic Rem...
119 bpm • D# Maj • 03:01 • -6db
41% Popularity • 70% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
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Sara Bareilles
King of Anything
119 bpm • C# Maj • 03:27 • -4.17db
59% Popularity • 68% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
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Rob Thomas
Pieces - Radio Mix
119 bpm • F Maj • 03:39 • -4.68db
31% Popularity • 62% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Christian Burghardt
Safe Place to Land
134 bpm • A# Maj • 03:56 • -4.23db
26% Popularity • 63% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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A Great Big World
Oasis
134 bpm • F Maj • 03:23 • -5db
36% Popularity • 58% Danceability • 70% Energy • 25% Liveness
0% Instrumentalness • 35% Positiveness
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Russell Dickerson
Yours
134 bpm • B Maj • 03:36 • -6db
66% Popularity • 55% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Gavin DeGraw
Something Worth Saving
134 bpm • C Maj • 03:38 • -5.76db
37% Popularity • 56% Danceability • 53% Energy • 21% Liveness
0% Instrumentalness • 28% Positiveness
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Hot Chelle Rae
Downtown Girl
118 bpm • G Maj • 02:56 • -5.6db
41% Popularity • 68% Danceability • 73% Energy • 25% Liveness
0% Instrumentalness • 78% Positiveness
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Rob Thomas
I Think We'd Feel Good Together
134 bpm • F# min • 03:00 • -4.68db
37% Popularity • 66% Danceability • 86% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
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MKTO
How Can I Forget (Ryan Riback Remix)
118 bpm • D# Maj • 02:42 • -6.69db
48% Popularity • 72% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Keith Urban
Somewhere In My Car
118 bpm • A# Maj • 03:56 • -5.39db
56% Popularity • 60% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Matchbox Twenty
She's so Mean
118 bpm • C Maj • 03:52 • -3.73db
62% Popularity • 67% Danceability • 88% Energy • 28% Liveness
0% Instrumentalness • 68% Positiveness
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Phillip Phillips
Gone, Gone, Gone
118 bpm • F# Maj • 03:29 • -5.96db
75% Popularity • 66% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Gavin DeGraw
Candy
118 bpm • C# min • 04:38 • -5.4db
28% Popularity • 56% Danceability • 77% Energy • 20% Liveness
0% Instrumentalness • 16% Positiveness
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Zayde Wølf
Live Life
118 bpm • F min • 03:27 • -5.32db
37% Popularity • 58% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Ocean Park Standoff
Lost Boys
117 bpm • A Maj • 03:49 • -6db
47% Popularity • 62% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Oh Honey
Be Okay
117 bpm • E Maj • 03:18 • -4.44db
51% Popularity • 66% Danceability • 92% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
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Rob Thomas
Someday
136 bpm • A# Maj • 04:07 • -6db
52% Popularity • 57% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Dan + Shay
Keeping Score
136 bpm • E Maj • 03:40 • -4db
56% Popularity • 57% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Gavin DeGraw
Make a Move
118 bpm • A# Maj • 03:17 • -5.55db
38% Popularity • 73% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Five For Fighting
Your Man
136 bpm • G# Maj • 03:28 • -6db
32% Popularity • 56% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Sam Hunt
Break Up In A Small Town
136 bpm • G# Maj • 03:49 • -5.37db
68% Popularity • 58% Danceability • 78% Energy • 24% Liveness
0% Instrumentalness • 43% Positiveness
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She Sets The City On Fire