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Shed Your Head
Songs like
Shed Your Head
by
Blake Mills
Based on a tempo of (+/- 10%) and a similar genre
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Blake Mills
Window Facing A Window
112 bpm • G min • 04:58 • -19.18db
11% Popularity • 49% Danceability • 12% Energy • 30% Liveness
36% Instrumentalness • 12% Positiveness
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KIMOCK
While We Wait
112 bpm • F# min • 04:44 • -23.42db
10% Popularity • 52% Danceability • 17% Energy • 9% Liveness
87% Instrumentalness • 12% Positiveness
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Toubab Krewe
Night Shade
112 bpm • E min • 03:40 • -9.5db
17% Popularity • 56% Danceability • 86% Energy • 14% Liveness
84% Instrumentalness • 56% Positiveness
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Ryley Walker
The West Wind
113 bpm • A# min • 05:15 • -7.17db
7% Popularity • 45% Danceability • 52% Energy • 10% Liveness
30% Instrumentalness • 35% Positiveness
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Daniel Bachman
Song For The Setting Sun II
111 bpm • G Maj • 08:20 • -9.19db
7% Popularity • 32% Danceability • 32% Energy • 10% Liveness
86% Instrumentalness • 16% Positiveness
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The Lounge Lizards
The First and Royal Queen
111 bpm • C# Maj • 04:00 • -15db
25% Popularity • 75% Danceability • 35% Energy • 5% Liveness
21% Instrumentalness • 70% Positiveness
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Blake Mills
Shed Your Head
112 bpm • F min • 07:56 • -11.78db
17% Popularity • 73% Danceability • 41% Energy • 14% Liveness
84% Instrumentalness • 43% Positiveness
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Julian Lage & Chris Eldridge
Greener Grass
110 bpm • A min • 03:02 • -13.27db
38% Popularity • 50% Danceability • 38% Energy • 9% Liveness
94% Instrumentalness • 73% Positiveness
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Toubab Krewe
Hang Tan
111 bpm • E min • 05:31 • -7.21db
33% Popularity • 55% Danceability • 73% Energy • 10% Liveness
48% Instrumentalness • 69% Positiveness
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Jerry Garcia & Howard Wales
South Side Strut
111 bpm • G Maj • 05:44 • -9db
27% Popularity • 38% Danceability • 78% Energy • 17% Liveness
88% Instrumentalness • 70% Positiveness
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Bill Callahan
Easy Wind
114 bpm • A Maj • 05:38 • -15.99db
17% Popularity • 44% Danceability • 20% Energy • 10% Liveness
87% Instrumentalness • 23% Positiveness
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Glenn Jones
Flower Turned Inside-Out
114 bpm • F Maj • 04:20 • -13db
24% Popularity • 43% Danceability • 37% Energy • 12% Liveness
88% Instrumentalness • 9% Positiveness
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Blake Mills
Curable Disease
112 bpm • D# Maj • 04:08 • -15.03db
20% Popularity • 68% Danceability • 21% Energy • 13% Liveness
1% Instrumentalness • 28% Positiveness
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Steve Kimock Band
Moon People
110 bpm • D Maj • 06:34 • -6.48db
7% Popularity • 60% Danceability • 82% Energy • 7% Liveness
86% Instrumentalness • 44% Positiveness
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Toubab Krewe
Saba Meniya
110 bpm • D min • 05:27 • -10.76db
12% Popularity • 60% Danceability • 68% Energy • 11% Liveness
79% Instrumentalness • 51% Positiveness
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Rose City Band
Me and Willie
110 bpm • A Maj • 07:32 • -11.36db
21% Popularity • 55% Danceability • 41% Energy • 10% Liveness
90% Instrumentalness • 31% Positiveness
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Sean Hayes
Moonrise
114 bpm • G# min • 04:33 • -15.65db
9% Popularity • 51% Danceability • 16% Energy • 12% Liveness
65% Instrumentalness • 7% Positiveness
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Karen Dalton
In My Own Dream
114 bpm • G Maj • 04:18 • -9.02db
13% Popularity • 62% Danceability • 51% Energy • 11% Liveness
53% Instrumentalness • 42% Positiveness
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Blake Mills
Like It's Something
112 bpm • F Maj • 03:27 • -10.2db
21% Popularity • 39% Danceability • 39% Energy • 13% Liveness
26% Instrumentalness • 8% Positiveness
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Keller Williams
Cookies
109 bpm • G Maj • 04:51 • -15db
9% Popularity • 41% Danceability • 62% Energy • 13% Liveness
77% Instrumentalness • 54% Positiveness
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Toubab Krewe
That Damn Squash
110 bpm • G min • 04:02 • -10db
23% Popularity • 52% Danceability • 74% Energy • 20% Liveness
77% Instrumentalness • 62% Positiveness
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Man Forever
Drums -> Space
110 bpm • D min • 04:51 • -12.43db
10% Popularity • 44% Danceability • 52% Energy • 15% Liveness
82% Instrumentalness • 15% Positiveness
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Ed Thigpen
Danish Drive
109 bpm • A# min • 06:10 • -13.51db
8% Popularity • 52% Danceability • 51% Energy • 10% Liveness
24% Instrumentalness • 81% Positiveness
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Taj Mahal
Ain't Gwine Whistle Dixie (Anymo') - Liv...
109 bpm • A Maj • 08:36 • -12.84db
13% Popularity • 54% Danceability • 57% Energy • 65% Liveness
34% Instrumentalness • 61% Positiveness
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Blake Mills
Hey Lover
113 bpm • C Maj • 03:22 • -5.54db
40% Popularity • 57% Danceability • 95% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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Ted Lucas
Raga in "D"
115 bpm • G Maj • 03:37 • -14.55db
18% Popularity • 40% Danceability • 41% Energy • 11% Liveness
89% Instrumentalness • 41% Positiveness
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Steve Gunn
Trailways Ramble
109 bpm • C# min • 08:53 • -11.39db
8% Popularity • 41% Danceability • 58% Energy • 8% Liveness
65% Instrumentalness • 56% Positiveness
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Bruce Cockburn
Islands In A Black Sky
115 bpm • D# min • 07:40 • -28.46db
17% Popularity • 34% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 21% Positiveness
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John Fahey
The Yellow Princess
109 bpm • B min • 04:53 • -18.82db
18% Popularity • 27% Danceability • 35% Energy • 8% Liveness
87% Instrumentalness • 51% Positiveness
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Daniel Bachman
Song For The Setting Sun I
109 bpm • B min • 08:16 • -8.55db
10% Popularity • 31% Danceability • 55% Energy • 20% Liveness
90% Instrumentalness • 11% Positiveness
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Blake Mills
Just Out Of View
110 bpm • F Maj • 03:53 • -13.61db
17% Popularity • 62% Danceability • 23% Energy • 12% Liveness
25% Instrumentalness • 14% Positiveness
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Steelism
Eno Nothing
115 bpm • A Maj • 03:36 • -8.73db
25% Popularity • 64% Danceability • 66% Energy • 12% Liveness
90% Instrumentalness • 75% Positiveness
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Calexico
Long Board
115 bpm • G min • 03:02 • -18.65db
3% Popularity • 57% Danceability • 21% Energy • 12% Liveness
79% Instrumentalness • 24% Positiveness
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The Electric Peanut Butter Company
Fat Budda
115 bpm • A Maj • 04:02 • -6.2db
20% Popularity • 57% Danceability • 60% Energy • 19% Liveness
54% Instrumentalness • 54% Positiveness
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John Fahey
Buck Dancer's Choice
115 bpm • D Maj • 03:19 • -13.81db
30% Popularity • 46% Danceability • 25% Energy • 10% Liveness
87% Instrumentalness • 94% Positiveness
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Toubab Krewe
Rooster
109 bpm • E min • 04:23 • -8.86db
18% Popularity • 42% Danceability • 66% Energy • 10% Liveness
88% Instrumentalness • 59% Positiveness
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Blake Mills
Without An Ending
115 bpm • F# Maj • 04:18 • -14.17db
20% Popularity • 76% Danceability • 23% Energy • 11% Liveness
72% Instrumentalness • 29% Positiveness
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The Donkeys
Theme from the Endless Summer
116 bpm • G Maj • 03:17 • -7.09db
22% Popularity • 68% Danceability • 56% Energy • 8% Liveness
90% Instrumentalness • 28% Positiveness
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Steve Kimock Band
In Reply
109 bpm • B Maj • 05:56 • -10.06db
9% Popularity • 54% Danceability • 35% Energy • 10% Liveness
9% Instrumentalness • 9% Positiveness
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Julian Lage & Chris Eldridge
Goldacre
108 bpm • G Maj • 03:25 • -13.88db
14% Popularity • 49% Danceability • 34% Energy • 11% Liveness
97% Instrumentalness • 62% Positiveness
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Orgone
Melting Pot
116 bpm • A min • 07:50 • -6.54db
24% Popularity • 64% Danceability • 84% Energy • 7% Liveness
80% Instrumentalness • 89% Positiveness
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Toubab Krewe
Djarabi
116 bpm • B min • 04:43 • -5.74db
13% Popularity • 36% Danceability • 82% Energy • 12% Liveness
79% Instrumentalness • 55% Positiveness
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Joe Russo
Molly & Anni
108 bpm • D Maj • 03:09 • -6.55db
24% Popularity • 55% Danceability • 81% Energy • 31% Liveness
90% Instrumentalness • 57% Positiveness
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Blake Mills
May Later
116 bpm • C# Maj • 05:18 • -14.12db
18% Popularity • 51% Danceability • 19% Energy • 11% Liveness
57% Instrumentalness • 18% Positiveness
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Ted Hawkins
Biloxi
107 bpm • F# Maj • 04:41 • -11.82db
27% Popularity • 62% Danceability • 30% Energy • 11% Liveness
1% Instrumentalness • 69% Positiveness
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Glenn Jones
Mother's Day
107 bpm • D# min • 05:09 • -16.59db
15% Popularity • 39% Danceability • 16% Energy • 11% Liveness
80% Instrumentalness • 26% Positiveness
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The Texas Gentlemen
TX Jelly
117 bpm • C# Maj • 03:51 • -7.5db
12% Popularity • 59% Danceability • 65% Energy • 10% Liveness
82% Instrumentalness • 34% Positiveness
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Gunn - Truscinski Duo
Valley Spiral
117 bpm • G Maj • 04:56 • -14.14db
11% Popularity • 54% Danceability • 38% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
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Keller Williams
Off Time Chorus Line
117 bpm • A min • 03:16 • -12.36db
16% Popularity • 64% Danceability • 72% Energy • 14% Liveness
80% Instrumentalness • 77% Positiveness
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Blake Mills
Vanishing Twin
117 bpm • F# Maj • 06:16 • -11db
22% Popularity • 38% Danceability • 15% Energy • 11% Liveness
72% Instrumentalness • 16% Positiveness
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Hot Tuna
Water Song
107 bpm • G Maj • 05:16 • -18db
36% Popularity • 48% Danceability • 41% Energy • 36% Liveness
91% Instrumentalness • 61% Positiveness
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The New Mastersounds
Dusty Groove
107 bpm • C Maj • 05:38 • -7.59db
15% Popularity • 42% Danceability • 92% Energy • 33% Liveness
81% Instrumentalness • 90% Positiveness
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Glenn Jones
Gone Before
107 bpm • C Maj • 02:44 • -12.32db
17% Popularity • 36% Danceability • 26% Energy • 11% Liveness
87% Instrumentalness • 19% Positiveness
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Julian Lage & Chris Eldridge
Lion's Share
117 bpm • F Maj • 03:31 • -19.64db
18% Popularity • 59% Danceability • 3% Energy • 10% Liveness
84% Instrumentalness • 7% Positiveness
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John Fahey
Franklin Blues
117 bpm • E Maj • 03:15 • -16.8db
19% Popularity • 59% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 72% Positiveness
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Blake Mills
Seven
117 bpm • D# Maj • 04:59 • -10.49db
19% Popularity • 57% Danceability • 24% Energy • 11% Liveness
45% Instrumentalness • 17% Positiveness
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Marisa Anderson
Embudo
117 bpm • E Maj • 02:41 • -18.99db
14% Popularity • 48% Danceability • 2% Energy • 12% Liveness
83% Instrumentalness • 17% Positiveness
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Dangermuffin
Jaula
107 bpm • F Maj • 02:24 • -17.84db
39% Popularity • 59% Danceability • 24% Energy • 10% Liveness
91% Instrumentalness • 53% Positiveness
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Glenn Jones
Of Its Own Kind
107 bpm • G# Maj • 07:25 • -14db
29% Popularity • 27% Danceability • 36% Energy • 10% Liveness
94% Instrumentalness • 19% Positiveness
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Daniel Bachman
Little Lady Blues
118 bpm • D Maj • 05:12 • -9.02db
30% Popularity • 43% Danceability • 33% Energy • 10% Liveness
70% Instrumentalness • 33% Positiveness
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Circles Around The Sun
Hat and Cane
118 bpm • A Maj • 11:29 • -11.12db
18% Popularity • 45% Danceability • 50% Energy • 28% Liveness
83% Instrumentalness • 16% Positiveness
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Blake Mills
Wintersong
118 bpm • G min • 04:16 • -8.22db
40% Popularity • 47% Danceability • 76% Energy • 14% Liveness
5% Instrumentalness • 74% Positiveness
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Willie Mitchell
Black Fox
119 bpm • A min • 03:44 • -8.13db
19% Popularity • 78% Danceability • 43% Energy • 10% Liveness
88% Instrumentalness • 81% Positiveness
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The Slip
Firewater
119 bpm • G Maj • 06:43 • -16.95db
23% Popularity • 51% Danceability • 37% Energy • 12% Liveness
80% Instrumentalness • 57% Positiveness
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Ray Barbee Meets the Mattson 2
Waiting to Breeve
119 bpm • C# min • 07:01 • -15.01db
12% Popularity • 43% Danceability • 27% Energy • 11% Liveness
80% Instrumentalness • 9% Positiveness
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Perpetual Groove
Astro Monkey
119 bpm • A Maj • 04:37 • -10.9db
26% Popularity • 38% Danceability • 58% Energy • 16% Liveness
86% Instrumentalness • 25% Positiveness
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James Elkington
Reel Around the Fountain
119 bpm • A Maj • 03:37 • -10.85db
23% Popularity • 49% Danceability • 37% Energy • 9% Liveness
89% Instrumentalness • 65% Positiveness
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Blake Mills
Three Weeks In Havana
118 bpm • C Maj • 03:43 • -17.43db
19% Popularity • 67% Danceability • 18% Energy • 11% Liveness
2% Instrumentalness • 39% Positiveness
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Glenn Jones
The Giant Who Ate Himself
119 bpm • D min • 04:42 • -13.68db
16% Popularity • 43% Danceability • 28% Energy • 15% Liveness
68% Instrumentalness • 33% Positiveness
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Little
Lafayette Railroad
119 bpm • D Maj • 03:36 • -21.66db
28% Popularity • 68% Danceability • 14% Energy • 9% Liveness
89% Instrumentalness • 47% Positiveness
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Ryley Walker
The Great and Undecided
105 bpm • D# Maj • 03:39 • -10.84db
20% Popularity • 62% Danceability • 49% Energy • 16% Liveness
7% Instrumentalness • 56% Positiveness
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Calexico
Shortboard
119 bpm • D Maj • 01:57 • -16.67db
5% Popularity • 57% Danceability • 30% Energy • 19% Liveness
63% Instrumentalness • 20% Positiveness
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Marisa Anderson
Deep Gap
119 bpm • C# min • 03:23 • -14.05db
28% Popularity • 44% Danceability • 20% Energy • 10% Liveness
80% Instrumentalness • 27% Positiveness
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Blake Mills
It'll All Work Out
119 bpm • A Maj • 04:28 • -8db
38% Popularity • 76% Danceability • 44% Energy • 11% Liveness
15% Instrumentalness • 57% Positiveness
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Jerry Garcia & Howard Wales
A Trip to What Next
105 bpm • D Maj • 07:24 • -15.35db
12% Popularity • 46% Danceability • 34% Energy • 11% Liveness
74% Instrumentalness • 37% Positiveness
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Glenn Jones
The Great Pacific Northwest
105 bpm • E Maj • 04:56 • -20.62db
23% Popularity • 29% Danceability • 20% Energy • 12% Liveness
94% Instrumentalness • 14% Positiveness
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Six Organs Of Admittance
They Fixed The Broken Windmill Today
105 bpm • F Maj • 07:18 • -15.6db
26% Popularity • 34% Danceability • 26% Energy • 11% Liveness
88% Instrumentalness • 29% Positiveness
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Béla Fleck
Nashville
105 bpm • A min • 03:51 • -15db
22% Popularity • 43% Danceability • 52% Energy • 81% Liveness
92% Instrumentalness • 66% Positiveness
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Steve Gunn
Spring Garden
120 bpm • G Maj • 10:05 • -14.92db
11% Popularity • 66% Danceability • 39% Energy • 11% Liveness
82% Instrumentalness • 26% Positiveness
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Punch Brothers
Kid A
105 bpm • F Maj • 04:52 • -11.26db
22% Popularity • 65% Danceability • 43% Energy • 24% Liveness
22% Instrumentalness • 58% Positiveness
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The Bad Plus
Pound For Pound
120 bpm • C Maj • 06:10 • -11db
28% Popularity • 65% Danceability • 23% Energy • 11% Liveness
93% Instrumentalness • 22% Positiveness
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The Marcus King Band
Thespian Espionage
105 bpm • F min • 05:34 • -6.64db
29% Popularity • 34% Danceability • 74% Energy • 13% Liveness
92% Instrumentalness • 72% Positiveness
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Marco Benevento
Humanz
120 bpm • C Maj • 03:05 • -3.93db
12% Popularity • 59% Danceability • 81% Energy • 72% Liveness
18% Instrumentalness • 58% Positiveness
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Blake Mills
Jelly Road
105 bpm • E Maj • 02:54 • -8.56db
24% Popularity • 47% Danceability • 47% Energy • 22% Liveness
3% Instrumentalness • 27% Positiveness
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Galactic
Crazyhorse Mongoose
120 bpm • G min • 04:47 • -9.53db
24% Popularity • 63% Danceability • 82% Energy • 20% Liveness
85% Instrumentalness • 83% Positiveness
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Charlie Hunter
A Song For Karen Carpenter
120 bpm • C Maj • 05:52 • -12.52db
15% Popularity • 67% Danceability • 18% Energy • 6% Liveness
89% Instrumentalness • 37% Positiveness
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Megafaun
Real Slow
120 bpm • G Maj • 04:54 • -7.82db
12% Popularity • 29% Danceability • 55% Energy • 14% Liveness
2% Instrumentalness • 17% Positiveness
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Brightblack Morning Light
Star Blanket River Child
120 bpm • B Maj • 10:28 • -13.47db
28% Popularity • 49% Danceability • 33% Energy • 28% Liveness
40% Instrumentalness • 25% Positiveness
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Bill MacKay
I Heard Them Singing
104 bpm • B min • 02:17 • -12.9db
35% Popularity • 49% Danceability • 45% Energy • 9% Liveness
89% Instrumentalness • 63% Positiveness
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WOLF!
Ratso
104 bpm • B min • 02:26 • -8.34db
11% Popularity • 62% Danceability • 66% Energy • 7% Liveness
93% Instrumentalness • 62% Positiveness
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Scott Hirsch
A Pair of Nines
104 bpm • E Maj • 04:23 • -11.02db
11% Popularity • 61% Danceability • 29% Energy • 10% Liveness
89% Instrumentalness • 22% Positiveness
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Toubab Krewe
Wassoulou/Bani (Reprise)
121 bpm • C Maj • 05:01 • -7.33db
15% Popularity • 38% Danceability • 77% Energy • 11% Liveness
94% Instrumentalness • 77% Positiveness
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Stuff
Foots
104 bpm • D Maj • 04:02 • -14db
31% Popularity • 64% Danceability • 63% Energy • 7% Liveness
57% Instrumentalness • 78% Positiveness
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Julian Lage & Chris Eldridge
Broadcast
104 bpm • D Maj • 03:27 • -15.86db
18% Popularity • 55% Danceability • 26% Energy • 11% Liveness
93% Instrumentalness • 57% Positiveness
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Bosley
Neon Magazine
121 bpm • G Maj • 05:14 • -8.65db
26% Popularity • 66% Danceability • 61% Energy • 7% Liveness
1% Instrumentalness • 67% Positiveness
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Anders Osborne
Big Talk
104 bpm • C Maj • 05:43 • -9.8db
11% Popularity • 67% Danceability • 42% Energy • 15% Liveness
48% Instrumentalness • 24% Positiveness
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Ryley Walker
Rocks on Rainbow
104 bpm • G Maj • 01:45 • -13.43db
40% Popularity • 42% Danceability • 40% Energy • 16% Liveness
89% Instrumentalness • 90% Positiveness
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Blake Mills
Cheers
103 bpm • C Maj • 03:32 • -13.72db
24% Popularity • 48% Danceability • 15% Energy • 10% Liveness
2% Instrumentalness • 30% Positiveness
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Ramsey Lewis
Rocky Raccoon
103 bpm • F Maj • 02:38 • -12.04db
33% Popularity • 55% Danceability • 51% Energy • 26% Liveness
5% Instrumentalness • 57% Positiveness
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The Mattson 2
Peaks of Yew
103 bpm • E Maj • 09:48 • -8.78db
17% Popularity • 26% Danceability • 76% Energy • 39% Liveness
88% Instrumentalness • 50% Positiveness
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Shed Your Head