Songs like Sheri by Eskmo
Based on a tempo of (+/- 10%) and a similar genre
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Ólafur Arnalds
Brim
145 bpm • G min • 04:42 • -14.09db
22% Popularity • 59% Danceability • 41% Energy • 11% Liveness
92% Instrumentalness • 36% Positiveness
22% Popularity • 59% Danceability • 41% Energy • 11% Liveness
92% Instrumentalness • 36% Positiveness
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Bersarin Quartett
Oktober
145 bpm • A min • 06:28 • -10db
26% Popularity • 55% Danceability • 45% Energy • 10% Liveness
85% Instrumentalness • 22% Positiveness
26% Popularity • 55% Danceability • 45% Energy • 10% Liveness
85% Instrumentalness • 22% Positiveness
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Éric Serra
I Am Everywhere
144 bpm • G min • 02:20 • -21.17db
20% Popularity • 81% Danceability • 13% Energy • 11% Liveness
88% Instrumentalness • 30% Positiveness
20% Popularity • 81% Danceability • 13% Energy • 11% Liveness
88% Instrumentalness • 30% Positiveness
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Symmetry
The Hunt
146 bpm • C# min • 02:48 • -10.21db
19% Popularity • 42% Danceability • 31% Energy • 15% Liveness
88% Instrumentalness • 9% Positiveness
19% Popularity • 42% Danceability • 31% Energy • 15% Liveness
88% Instrumentalness • 9% Positiveness
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Nils Frahm
For
146 bpm • C# Maj • 05:56 • -14.49db
22% Popularity • 32% Danceability • 27% Energy • 14% Liveness
88% Instrumentalness • 12% Positiveness
22% Popularity • 32% Danceability • 27% Energy • 14% Liveness
88% Instrumentalness • 12% Positiveness
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Silver Maple
Particle Emission
146 bpm • G# Maj • 02:43 • -26.73db
41% Popularity • 87% Danceability • 7% Energy • 15% Liveness
95% Instrumentalness • 42% Positiveness
41% Popularity • 87% Danceability • 7% Energy • 15% Liveness
95% Instrumentalness • 42% Positiveness
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Chromatics
Yes (Lullaby From Lost River)
146 bpm • F min • 02:37 • -18.01db
13% Popularity • 14% Danceability • 13% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
13% Popularity • 14% Danceability • 13% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
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Aeuria
Porcelain
146 bpm • A min • 04:35 • -14.57db
15% Popularity • 42% Danceability • 18% Energy • 9% Liveness
84% Instrumentalness • 6% Positiveness
15% Popularity • 42% Danceability • 18% Energy • 9% Liveness
84% Instrumentalness • 6% Positiveness
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Éric Serra
First Cells
144 bpm • G min • 01:00 • -22.31db
33% Popularity • 85% Danceability • 11% Energy • 11% Liveness
86% Instrumentalness • 23% Positiveness
33% Popularity • 85% Danceability • 11% Energy • 11% Liveness
86% Instrumentalness • 23% Positiveness
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Forest Swords
Congregate
144 bpm • A min • 04:15 • -15.2db
17% Popularity • 38% Danceability • 34% Energy • 42% Liveness
86% Instrumentalness • 32% Positiveness
17% Popularity • 38% Danceability • 34% Energy • 42% Liveness
86% Instrumentalness • 32% Positiveness
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mode
last light
143 bpm • G# Maj • 05:13 • -12.06db
11% Popularity • 15% Danceability • 40% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
11% Popularity • 15% Danceability • 40% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Emika
Dem Worlds
143 bpm • B Maj • 04:08 • -18.91db
26% Popularity • 14% Danceability • 9% Energy • 9% Liveness
80% Instrumentalness • 3% Positiveness
26% Popularity • 14% Danceability • 9% Energy • 9% Liveness
80% Instrumentalness • 3% Positiveness
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Chromatics
Yes (Symmetry Remix)
146 bpm • F min • 04:22 • -15.54db
31% Popularity • 66% Danceability • 37% Energy • 7% Liveness
96% Instrumentalness • 57% Positiveness
31% Popularity • 66% Danceability • 37% Energy • 7% Liveness
96% Instrumentalness • 57% Positiveness
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Rob Lewis
Pines
143 bpm • B min • 05:02 • -10.4db
19% Popularity • 64% Danceability • 96% Energy • 12% Liveness
75% Instrumentalness • 36% Positiveness
19% Popularity • 64% Danceability • 96% Energy • 12% Liveness
75% Instrumentalness • 36% Positiveness
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Disasterpeace
Pool
143 bpm • C# min • 01:35 • -17.21db
26% Popularity • 26% Danceability • 32% Energy • 8% Liveness
98% Instrumentalness • 4% Positiveness
26% Popularity • 26% Danceability • 32% Energy • 8% Liveness
98% Instrumentalness • 4% Positiveness
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Ben Salisbury
The Test Worked
143 bpm • C# Maj • 09:02 • -31.87db
25% Popularity • 14% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
25% Popularity • 14% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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Atticus Ross
Punching Bag
148 bpm • A min • 05:49 • -12.82db
10% Popularity • 33% Danceability • 51% Energy • 8% Liveness
88% Instrumentalness • 6% Positiveness
10% Popularity • 33% Danceability • 51% Energy • 8% Liveness
88% Instrumentalness • 6% Positiveness
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Rival Consoles
Walls
141 bpm • B Maj • 04:18 • -11.26db
23% Popularity • 60% Danceability • 65% Energy • 6% Liveness
88% Instrumentalness • 11% Positiveness
23% Popularity • 60% Danceability • 65% Energy • 6% Liveness
88% Instrumentalness • 11% Positiveness
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Chromatics
Yes (Love Theme From Lost River)
146 bpm • F min • 03:41 • -14.85db
15% Popularity • 44% Danceability • 37% Energy • 9% Liveness
98% Instrumentalness • 3% Positiveness
15% Popularity • 44% Danceability • 37% Energy • 9% Liveness
98% Instrumentalness • 3% Positiveness
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Jed Palmer
A Better Place
141 bpm • E min • 03:33 • -11.8db
34% Popularity • 32% Danceability • 46% Energy • 15% Liveness
94% Instrumentalness • 6% Positiveness
34% Popularity • 32% Danceability • 46% Energy • 15% Liveness
94% Instrumentalness • 6% Positiveness
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Hammock
Mono No Aware
141 bpm • D Maj • 06:37 • -15db
27% Popularity • 14% Danceability • 22% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
27% Popularity • 14% Danceability • 22% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Sebastian Plano
Novel
141 bpm • D# min • 05:05 • -12.89db
9% Popularity • 17% Danceability • 32% Energy • 13% Liveness
74% Instrumentalness • 3% Positiveness
9% Popularity • 17% Danceability • 32% Energy • 13% Liveness
74% Instrumentalness • 3% Positiveness
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Will Bates & Phil Mossman
White Peacock
141 bpm • D# Maj • 03:34 • -15db
32% Popularity • 33% Danceability • 12% Energy • 18% Liveness
89% Instrumentalness • 4% Positiveness
32% Popularity • 33% Danceability • 12% Energy • 18% Liveness
89% Instrumentalness • 4% Positiveness
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Max Cooper
Remnants
150 bpm • B Maj • 03:42 • -13.63db
27% Popularity • 46% Danceability • 57% Energy • 12% Liveness
80% Instrumentalness • 22% Positiveness
27% Popularity • 46% Danceability • 57% Energy • 12% Liveness
80% Instrumentalness • 22% Positiveness
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Chromatics
Yes (Love Theme From Lost River)
146 bpm • F min • 03:23 • -15.45db
26% Popularity • 55% Danceability • 33% Energy • 19% Liveness
95% Instrumentalness • 5% Positiveness
26% Popularity • 55% Danceability • 33% Energy • 19% Liveness
95% Instrumentalness • 5% Positiveness
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Chut On Vous Écoute
Behind the wall
150 bpm • G min • 04:51 • -11.86db
21% Popularity • 38% Danceability • 43% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
21% Popularity • 38% Danceability • 43% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Forest Swords
Shrine Out
150 bpm • C Maj • 06:56 • -13.06db
7% Popularity • 53% Danceability • 57% Energy • 9% Liveness
38% Instrumentalness • 17% Positiveness
7% Popularity • 53% Danceability • 57% Energy • 9% Liveness
38% Instrumentalness • 17% Positiveness
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Kristin Øhrn Dyrud
Em's Journey
140 bpm • C Maj • 03:45 • -11.12db
15% Popularity • 35% Danceability • 56% Energy • 11% Liveness
93% Instrumentalness • 9% Positiveness
15% Popularity • 35% Danceability • 56% Energy • 11% Liveness
93% Instrumentalness • 9% Positiveness
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Eskmo
San Francisco (The Rhythm)
140 bpm • D Maj • 04:49 • -6.81db
3% Popularity • 70% Danceability • 54% Energy • 25% Liveness
0% Instrumentalness • 22% Positiveness
3% Popularity • 70% Danceability • 54% Energy • 25% Liveness
0% Instrumentalness • 22% Positiveness
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STS9
Shock Doctrine - Eskmo Remix
140 bpm • C# Maj • 04:06 • -6.74db
1% Popularity • 57% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
1% Popularity • 57% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Chromatics
Disintegration
142 bpm • A min • 03:35 • -16.82db
15% Popularity • 14% Danceability • 42% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
15% Popularity • 14% Danceability • 42% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
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Subheim
Streets
140 bpm • F# Maj • 06:16 • -10db
12% Popularity • 24% Danceability • 55% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
12% Popularity • 24% Danceability • 55% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
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Isan
Fueled
140 bpm • B Maj • 06:13 • -12.95db
15% Popularity • 36% Danceability • 42% Energy • 9% Liveness
79% Instrumentalness • 3% Positiveness
15% Popularity • 36% Danceability • 42% Energy • 9% Liveness
79% Instrumentalness • 3% Positiveness
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Loscil
Rorschach
140 bpm • E min • 08:19 • -21db
19% Popularity • 57% Danceability • 32% Energy • 8% Liveness
92% Instrumentalness • 24% Positiveness
19% Popularity • 57% Danceability • 32% Energy • 8% Liveness
92% Instrumentalness • 24% Positiveness
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Eskmo
Harmony
140 bpm • C# Maj • 04:48 • -6.03db
3% Popularity • 83% Danceability • 60% Energy • 62% Liveness
3% Instrumentalness • 52% Positiveness
3% Popularity • 83% Danceability • 60% Energy • 62% Liveness
3% Instrumentalness • 52% Positiveness
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Will Bates & Phil Mossman
No Time Like The Present
140 bpm • G# Maj • 02:42 • -11.35db
12% Popularity • 70% Danceability • 70% Energy • 9% Liveness
92% Instrumentalness • 40% Positiveness
12% Popularity • 70% Danceability • 70% Energy • 9% Liveness
92% Instrumentalness • 40% Positiveness
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Prequell
Part IV
140 bpm • D Maj • 04:20 • -8.46db
16% Popularity • 59% Danceability • 69% Energy • 43% Liveness
88% Instrumentalness • 32% Positiveness
16% Popularity • 59% Danceability • 69% Energy • 43% Liveness
88% Instrumentalness • 32% Positiveness
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Ben Frost
Stomp
140 bpm • C min • 08:26 • -17.29db
16% Popularity • 50% Danceability • 14% Energy • 35% Liveness
71% Instrumentalness • 12% Positiveness
16% Popularity • 50% Danceability • 14% Energy • 35% Liveness
71% Instrumentalness • 12% Positiveness
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Clubroot
Low Pressure Zone
140 bpm • B min • 03:34 • -12.64db
23% Popularity • 48% Danceability • 35% Energy • 12% Liveness
91% Instrumentalness • 8% Positiveness
23% Popularity • 48% Danceability • 35% Energy • 12% Liveness
91% Instrumentalness • 8% Positiveness
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Nils Frahm
Si - Plasma Rüby Rework
139 bpm • C# Maj • 03:57 • -17.67db
16% Popularity • 26% Danceability • 35% Energy • 13% Liveness
81% Instrumentalness • 5% Positiveness
16% Popularity • 26% Danceability • 35% Energy • 13% Liveness
81% Instrumentalness • 5% Positiveness
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Eskmo
Siblings
140 bpm • C# Maj • 04:48 • -8.58db
4% Popularity • 71% Danceability • 55% Energy • 18% Liveness
31% Instrumentalness • 10% Positiveness
4% Popularity • 71% Danceability • 55% Energy • 18% Liveness
31% Instrumentalness • 10% Positiveness
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Deru
1979
139 bpm • F Maj • 04:51 • -17db
36% Popularity • 30% Danceability • 13% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
36% Popularity • 30% Danceability • 13% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
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Ben Salisbury
The Turing Test
139 bpm • C# Maj • 04:34 • -31db
40% Popularity • 19% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
40% Popularity • 19% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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The Chemical Brothers
The Forest
139 bpm • G Maj • 01:07 • -21.9db
17% Popularity • 46% Danceability • 9% Energy • 10% Liveness
90% Instrumentalness • 33% Positiveness
17% Popularity • 46% Danceability • 9% Energy • 10% Liveness
90% Instrumentalness • 33% Positiveness
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Clubroot
'Ennio's Eden'
140 bpm • C min • 04:59 • -13.88db
9% Popularity • 17% Danceability • 40% Energy • 12% Liveness
92% Instrumentalness • 5% Positiveness
9% Popularity • 17% Danceability • 40% Energy • 12% Liveness
92% Instrumentalness • 5% Positiveness
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Jed Palmer
The Procedure
139 bpm • E min • 03:50 • -23.07db
24% Popularity • 17% Danceability • 8% Energy • 11% Liveness
89% Instrumentalness • 3% Positiveness
24% Popularity • 17% Danceability • 8% Energy • 11% Liveness
89% Instrumentalness • 3% Positiveness
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Eskmo
Agnus Dei
140 bpm • C Maj • 04:27 • -6db
10% Popularity • 77% Danceability • 58% Energy • 12% Liveness
75% Instrumentalness • 43% Positiveness
10% Popularity • 77% Danceability • 58% Energy • 12% Liveness
75% Instrumentalness • 43% Positiveness
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Mac Quayle
1.1_3-oneor0.wma
152 bpm • C min • 03:07 • -18.13db
34% Popularity • 55% Danceability • 16% Energy • 22% Liveness
94% Instrumentalness • 10% Positiveness
34% Popularity • 55% Danceability • 16% Energy • 22% Liveness
94% Instrumentalness • 10% Positiveness
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Murcof
Camino
152 bpm • A Maj • 07:30 • -15.78db
18% Popularity • 66% Danceability • 28% Energy • 11% Liveness
87% Instrumentalness • 8% Positiveness
18% Popularity • 66% Danceability • 28% Energy • 11% Liveness
87% Instrumentalness • 8% Positiveness
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Craig Armstrong
Secret Downloading - Boys Noize Remix 2
152 bpm • F min • 04:10 • -18.33db
14% Popularity • 53% Danceability • 28% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
14% Popularity • 53% Danceability • 28% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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30Hz
Ghost in the Machine
138 bpm • F# min • 06:53 • -8.12db
0% Popularity • 70% Danceability • 77% Energy • 8% Liveness
57% Instrumentalness • 53% Positiveness
0% Popularity • 70% Danceability • 77% Energy • 8% Liveness
57% Instrumentalness • 53% Positiveness
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Alex Somers
End
138 bpm • A Maj • 04:58 • -15db
29% Popularity • 22% Danceability • 22% Energy • 59% Liveness
81% Instrumentalness • 10% Positiveness
29% Popularity • 22% Danceability • 22% Energy • 59% Liveness
81% Instrumentalness • 10% Positiveness
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Eskmo
Cloudlight
140 bpm • A# Maj • 03:56 • -6.92db
29% Popularity • 42% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
29% Popularity • 42% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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John Murphy
Automatic
138 bpm • D min • 03:10 • -11db
33% Popularity • 38% Danceability • 54% Energy • 11% Liveness
85% Instrumentalness • 6% Positiveness
33% Popularity • 38% Danceability • 54% Energy • 11% Liveness
85% Instrumentalness • 6% Positiveness
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Clark
Open Foe
138 bpm • A# min • 02:08 • -19.41db
25% Popularity • 40% Danceability • 34% Energy • 10% Liveness
91% Instrumentalness • 16% Positiveness
25% Popularity • 40% Danceability • 34% Energy • 10% Liveness
91% Instrumentalness • 16% Positiveness
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Moderat
3 Minutes Of
137 bpm • F# min • 03:17 • -13.7db
30% Popularity • 36% Danceability • 53% Energy • 55% Liveness
94% Instrumentalness • 4% Positiveness
30% Popularity • 36% Danceability • 53% Energy • 55% Liveness
94% Instrumentalness • 4% Positiveness
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Sinoia Caves
1983 - Main Theme
137 bpm • E min • 03:19 • -14.84db
37% Popularity • 24% Danceability • 32% Energy • 15% Liveness
22% Instrumentalness • 3% Positiveness
37% Popularity • 24% Danceability • 32% Energy • 15% Liveness
22% Instrumentalness • 3% Positiveness
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Alaskan Tapes
Speaker
136 bpm • F# min • 03:00 • -27.7db
10% Popularity • 31% Danceability • 10% Energy • 69% Liveness
90% Instrumentalness • 3% Positiveness
10% Popularity • 31% Danceability • 10% Energy • 69% Liveness
90% Instrumentalness • 3% Positiveness
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Eskmo
Moving Glowstream
140 bpm • A# Maj • 03:50 • -7.45db
6% Popularity • 45% Danceability • 45% Energy • 12% Liveness
5% Instrumentalness • 7% Positiveness
6% Popularity • 45% Danceability • 45% Energy • 12% Liveness
5% Instrumentalness • 7% Positiveness
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John Murphy
Ghosts
136 bpm • E min • 04:29 • -10.93db
24% Popularity • 42% Danceability • 57% Energy • 13% Liveness
75% Instrumentalness • 10% Positiveness
24% Popularity • 42% Danceability • 57% Energy • 13% Liveness
75% Instrumentalness • 10% Positiveness
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Prequell
Part III
136 bpm • E min • 07:09 • -10.17db
20% Popularity • 54% Danceability • 59% Energy • 8% Liveness
86% Instrumentalness • 19% Positiveness
20% Popularity • 54% Danceability • 59% Energy • 8% Liveness
86% Instrumentalness • 19% Positiveness
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Mac Quayle
1.0_8-whatsyourask.m4p
136 bpm • A# min • 01:37 • -14.87db
44% Popularity • 53% Danceability • 39% Energy • 11% Liveness
87% Instrumentalness • 3% Positiveness
44% Popularity • 53% Danceability • 39% Energy • 11% Liveness
87% Instrumentalness • 3% Positiveness
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WIFE
Bodies
155 bpm • E Maj • 04:10 • -12.04db
19% Popularity • 54% Danceability • 50% Energy • 12% Liveness
80% Instrumentalness • 18% Positiveness
19% Popularity • 54% Danceability • 50% Energy • 12% Liveness
80% Instrumentalness • 18% Positiveness
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Angus MacRae
Forgot
155 bpm • C Maj • 05:54 • -18db
14% Popularity • 36% Danceability • 27% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
14% Popularity • 36% Danceability • 27% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
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Eskmo
Gold & Stone
140 bpm • A# Maj • 04:01 • -6.87db
4% Popularity • 27% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
4% Popularity • 27% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
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IO Echo
Aokigahara Forest
135 bpm • G Maj • 04:22 • -12.48db
22% Popularity • 15% Danceability • 18% Energy • 7% Liveness
95% Instrumentalness • 3% Positiveness
22% Popularity • 15% Danceability • 18% Energy • 7% Liveness
95% Instrumentalness • 3% Positiveness
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Ben Salisbury
Hacking / Cutting
135 bpm • C# min • 06:39 • -26db
25% Popularity • 24% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
25% Popularity • 24% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
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Trent Reznor and Atticus Ross
8 Billion
135 bpm • A# Maj • 08:41 • -18.75db
28% Popularity • 15% Danceability • 14% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
28% Popularity • 15% Danceability • 14% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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Brendan Angelides
Alex
135 bpm • A min • 02:23 • -12.58db
13% Popularity • 57% Danceability • 35% Energy • 10% Liveness
79% Instrumentalness • 14% Positiveness
13% Popularity • 57% Danceability • 35% Energy • 10% Liveness
79% Instrumentalness • 14% Positiveness
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Deru
1979 (On A Snowy February Day)
135 bpm • D min • 04:21 • -19.31db
8% Popularity • 16% Danceability • 12% Energy • 54% Liveness
91% Instrumentalness • 4% Positiveness
8% Popularity • 16% Danceability • 12% Energy • 54% Liveness
91% Instrumentalness • 4% Positiveness
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Eskmo
The Melody
139 bpm • G min • 04:20 • -6.27db
8% Popularity • 46% Danceability • 59% Energy • 72% Liveness
0% Instrumentalness • 35% Positiveness
8% Popularity • 46% Danceability • 59% Energy • 72% Liveness
0% Instrumentalness • 35% Positiveness
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A Winged Victory for the Sullen
Retour au Champ-de-Mars
156 bpm • F Maj • 03:44 • -22.54db
13% Popularity • 33% Danceability • 29% Energy • 13% Liveness
91% Instrumentalness • 3% Positiveness
13% Popularity • 33% Danceability • 29% Energy • 13% Liveness
91% Instrumentalness • 3% Positiveness
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Forest Swords
Knife Edge
156 bpm • E min • 06:16 • -13.49db
19% Popularity • 56% Danceability • 44% Energy • 17% Liveness
90% Instrumentalness • 7% Positiveness
19% Popularity • 56% Danceability • 44% Energy • 17% Liveness
90% Instrumentalness • 7% Positiveness
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Craig Armstrong
Ed Copies Data - Secret Downloading Vari...
156 bpm • C min • 06:22 • -21.84db
11% Popularity • 48% Danceability • 16% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
11% Popularity • 48% Danceability • 16% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
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Sinoia Caves
Elena's Sound-World
135 bpm • G Maj • 05:10 • -16.62db
41% Popularity • 22% Danceability • 32% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
41% Popularity • 22% Danceability • 32% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Mac Quayle
3.1_4-root@kali.0cc
156 bpm • F min • 02:32 • -16.8db
29% Popularity • 40% Danceability • 48% Energy • 8% Liveness
93% Instrumentalness • 77% Positiveness
29% Popularity • 40% Danceability • 48% Energy • 8% Liveness
93% Instrumentalness • 77% Positiveness
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Eskmo
Lands And Bones
138 bpm • D min • 04:02 • -9.43db
4% Popularity • 61% Danceability • 54% Energy • 5% Liveness
0% Instrumentalness • 7% Positiveness
4% Popularity • 61% Danceability • 54% Energy • 5% Liveness
0% Instrumentalness • 7% Positiveness
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Gidge
Fauna, Pt I
134 bpm • G min • 03:33 • -18.54db
29% Popularity • 16% Danceability • 20% Energy • 42% Liveness
97% Instrumentalness • 3% Positiveness
29% Popularity • 16% Danceability • 20% Energy • 42% Liveness
97% Instrumentalness • 3% Positiveness
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Big Black Delta
whoRU812
134 bpm • C Maj • 06:52 • -22.04db
8% Popularity • 21% Danceability • 13% Energy • 11% Liveness
87% Instrumentalness • 9% Positiveness
8% Popularity • 21% Danceability • 13% Energy • 11% Liveness
87% Instrumentalness • 9% Positiveness
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DJ Shadow
Scars
134 bpm • A min • 03:35 • -5.67db
29% Popularity • 59% Danceability • 77% Energy • 12% Liveness
95% Instrumentalness • 50% Positiveness
29% Popularity • 59% Danceability • 77% Energy • 12% Liveness
95% Instrumentalness • 50% Positiveness
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Post Pines
Simma
134 bpm • D Maj • 03:24 • -13.68db
13% Popularity • 38% Danceability • 37% Energy • 87% Liveness
80% Instrumentalness • 15% Positiveness
13% Popularity • 38% Danceability • 37% Energy • 87% Liveness
80% Instrumentalness • 15% Positiveness
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Will Bates & Phil Mossman
Discoveries
133 bpm • F# min • 04:43 • -22.27db
12% Popularity • 49% Danceability • 22% Energy • 12% Liveness
90% Instrumentalness • 7% Positiveness
12% Popularity • 49% Danceability • 22% Energy • 12% Liveness
90% Instrumentalness • 7% Positiveness
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Eskmo
My Gears Are Starting To Tremble
137 bpm • F min • 01:41 • -9.44db
7% Popularity • 40% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 49% Positiveness
7% Popularity • 40% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 49% Positiveness
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Trent Reznor and Atticus Ross
Intriguing Possibilities
133 bpm • D Maj • 04:24 • -15.03db
44% Popularity • 59% Danceability • 44% Energy • 11% Liveness
89% Instrumentalness • 2% Positiveness
44% Popularity • 59% Danceability • 44% Energy • 11% Liveness
89% Instrumentalness • 2% Positiveness
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David Wingo
New World
133 bpm • D# Maj • 04:19 • -20.14db
11% Popularity • 16% Danceability • 15% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
11% Popularity • 16% Danceability • 15% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Loscil
Sea Island Murders
132 bpm • A min • 08:26 • -22.5db
18% Popularity • 22% Danceability • 21% Energy • 9% Liveness
82% Instrumentalness • 7% Positiveness
18% Popularity • 22% Danceability • 21% Energy • 9% Liveness
82% Instrumentalness • 7% Positiveness
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Ben Salisbury
I Am Become Death
132 bpm • A# min • 03:18 • -30.78db
30% Popularity • 20% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 6% Positiveness
30% Popularity • 20% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 6% Positiveness
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Will Bates & Phil Mossman
Salomina
133 bpm • A# Maj • 03:21 • -17.3db
18% Popularity • 24% Danceability • 14% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
18% Popularity • 24% Danceability • 14% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Mike Sheridan
Stjernekiggeri
160 bpm • F# min • 02:52 • -20.74db
14% Popularity • 11% Danceability • 10% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
14% Popularity • 11% Danceability • 10% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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Eskmo
Oh in This World of Dread, Carry On
153 bpm • G Maj • 04:16 • -8.06db
18% Popularity • 42% Danceability • 63% Energy • 9% Liveness
1% Instrumentalness • 16% Positiveness
18% Popularity • 42% Danceability • 63% Energy • 9% Liveness
1% Instrumentalness • 16% Positiveness
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Kaoru Ishibashi
Inspiration Room
132 bpm • E min • 01:36 • -20.56db
27% Popularity • 40% Danceability • 53% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
27% Popularity • 40% Danceability • 53% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
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Junkie XL
Dark Beaches
160 bpm • C min • 08:20 • -10.84db
8% Popularity • 38% Danceability • 50% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
8% Popularity • 38% Danceability • 50% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Clark
Catastrophe Anthem
160 bpm • F# min • 06:35 • -7.51db
17% Popularity • 21% Danceability • 38% Energy • 22% Liveness
85% Instrumentalness • 4% Positiveness
17% Popularity • 21% Danceability • 38% Energy • 22% Liveness
85% Instrumentalness • 4% Positiveness
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Forest Swords
Shrine Hold
160 bpm • F# min • 07:00 • -11.13db
11% Popularity • 60% Danceability • 37% Energy • 60% Liveness
46% Instrumentalness • 9% Positiveness
11% Popularity • 60% Danceability • 37% Energy • 60% Liveness
46% Instrumentalness • 9% Positiveness
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Phaeleh
Blue Night
160 bpm • C# Maj • 06:31 • -16.52db
15% Popularity • 42% Danceability • 37% Energy • 10% Liveness
65% Instrumentalness • 23% Positiveness
15% Popularity • 42% Danceability • 37% Energy • 10% Liveness
65% Instrumentalness • 23% Positiveness
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Eskmo
Mind of War
160 bpm • F# Maj • 03:11 • -8.87db
13% Popularity • 73% Danceability • 59% Energy • 46% Liveness
1% Instrumentalness • 66% Positiveness
13% Popularity • 73% Danceability • 59% Energy • 46% Liveness
1% Instrumentalness • 66% Positiveness
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Rival Consoles
Looming
131 bpm • E min • 06:23 • -11.82db
29% Popularity • 46% Danceability • 66% Energy • 12% Liveness
85% Instrumentalness • 3% Positiveness
29% Popularity • 46% Danceability • 66% Energy • 12% Liveness
85% Instrumentalness • 3% Positiveness
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Jimmy Lavalle
Louise
161 bpm • D Maj • 01:44 • -16.21db
39% Popularity • 25% Danceability • 21% Energy • 8% Liveness
96% Instrumentalness • 7% Positiveness
39% Popularity • 25% Danceability • 21% Energy • 8% Liveness
96% Instrumentalness • 7% Positiveness
