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She's a Killer
Songs like
She's a Killer
by
The Seatbelts
Based on a tempo of (+/- 10%) and a similar genre
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The Seatbelts
She's a Killer
118 bpm • E min • 03:46 • -7.5db
1% Popularity • 63% Danceability • 82% Energy • 10% Liveness
5% Instrumentalness • 76% Positiveness
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Quentin Ricardo
New York
118 bpm • D min • 03:40 • -5.32db
27% Popularity • 72% Danceability • 89% Energy • 5% Liveness
0% Instrumentalness • 55% Positiveness
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Les Biftecs
Marble Road
118 bpm • A Maj • 01:15 • -9.37db
17% Popularity • 38% Danceability • 85% Energy • 68% Liveness
3% Instrumentalness • 55% Positiveness
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The Foremen DC
All Hail
118 bpm • A Maj • 03:28 • -9.75db
11% Popularity • 51% Danceability • 59% Energy • 17% Liveness
0% Instrumentalness • 73% Positiveness
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Chuck Disse project
I’d be Rich
117 bpm • D Maj • 03:14 • -5.14db
10% Popularity • 31% Danceability • 89% Energy • 21% Liveness
5% Instrumentalness • 32% Positiveness
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Amphibians
Cabane De Douanier
119 bpm • A Maj • 03:24 • -0.84db
13% Popularity • 46% Danceability • 97% Energy • 20% Liveness
0% Instrumentalness • 64% Positiveness
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Geoff Carne & the Raw Rox Band
If There's A Heaven
117 bpm • C# Maj • 02:10 • -6.17db
10% Popularity • 57% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Even Steven Moore
So Very Bad
119 bpm • E min • 02:12 • -8.63db
24% Popularity • 56% Danceability • 41% Energy • 47% Liveness
2% Instrumentalness • 15% Positiveness
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The Seatbelts
In a Cloud
119 bpm • A Maj • 04:20 • -4.98db
0% Popularity • 45% Danceability • 96% Energy • 15% Liveness
68% Instrumentalness • 44% Positiveness
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Garrett Mason
Butterface
119 bpm • G# Maj • 03:02 • -8.07db
8% Popularity • 62% Danceability • 93% Energy • 8% Liveness
2% Instrumentalness • 56% Positiveness
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Charlie Senger
Some Satellite
119 bpm • F# Maj • 03:19 • -7.24db
29% Popularity • 59% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Bedsit Poets
Pelican Club
120 bpm • A Maj • 03:50 • -5.69db
11% Popularity • 55% Danceability • 76% Energy • 45% Liveness
0% Instrumentalness • 39% Positiveness
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Bob Margolin
Rollin' and Tumblin'
119 bpm • A min • 02:51 • -8.03db
4% Popularity • 62% Danceability • 88% Energy • 37% Liveness
71% Instrumentalness • 56% Positiveness
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Mark V Bisson
You're So Cool
116 bpm • E Maj • 03:30 • -7.94db
13% Popularity • 52% Danceability • 70% Energy • 28% Liveness
52% Instrumentalness • 76% Positiveness
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Flatheads
Suicidal pond
120 bpm • E Maj • 04:24 • -7.3db
10% Popularity • 45% Danceability • 92% Energy • 20% Liveness
2% Instrumentalness • 21% Positiveness
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Karsen Edwards
Stay Away from Cars
116 bpm • D Maj • 05:29 • -6.69db
17% Popularity • 39% Danceability • 85% Energy • 38% Liveness
0% Instrumentalness • 51% Positiveness
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The Seatbelts
Heroes
120 bpm • G Maj • 05:42 • -8.02db
1% Popularity • 68% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Transistor
Sugar High
116 bpm • B min • 03:42 • -7.63db
12% Popularity • 45% Danceability • 66% Energy • 5% Liveness
19% Instrumentalness • 38% Positiveness
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TheNobleStrain
Love is a Miracle
120 bpm • G Maj • 03:06 • -5.61db
17% Popularity • 45% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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The Fuzes
Remedy Show
120 bpm • A min • 02:29 • -5.71db
21% Popularity • 64% Danceability • 77% Energy • 43% Liveness
0% Instrumentalness • 51% Positiveness
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The Dementia Cookie Box
Shooting Star
120 bpm • G Maj • 03:20 • -6.72db
17% Popularity • 43% Danceability • 82% Energy • 31% Liveness
0% Instrumentalness • 55% Positiveness
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Gina Giambone
Thanks Was Given
116 bpm • G Maj • 03:55 • -3.16db
10% Popularity • 64% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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The Seatbelts
The Seatbelts Crash Course 101 Medley: J...
120 bpm • G Maj • 04:35 • -4.77db
0% Popularity • 42% Danceability • 95% Energy • 29% Liveness
0% Instrumentalness • 60% Positiveness
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Al Watkins
I Woke Up This Morning With My Mind Set ...
120 bpm • G Maj • 03:33 • -8.57db
23% Popularity • 67% Danceability • 72% Energy • 6% Liveness
1% Instrumentalness • 96% Positiveness
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Barrence Whitfield & The Savages
Let's Go to Mars
116 bpm • D Maj • 03:05 • -6.53db
16% Popularity • 46% Danceability • 73% Energy • 67% Liveness
0% Instrumentalness • 70% Positiveness
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Pete Jones
Blood Red, Bible Black
120 bpm • E min • 03:35 • -4.43db
10% Popularity • 58% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
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Lorenz
Alibi
120 bpm • A min • 03:49 • -10.37db
8% Popularity • 61% Danceability • 61% Energy • 42% Liveness
0% Instrumentalness • 39% Positiveness
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Gina Giambone
Juliet's Poison
120 bpm • D min • 04:39 • -3.94db
10% Popularity • 67% Danceability • 81% Energy • 34% Liveness
0% Instrumentalness • 22% Positiveness
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Steve Bull
Come On and Love Me Tonight
120 bpm • D Maj • 02:32 • -7.85db
14% Popularity • 62% Danceability • 72% Energy • 17% Liveness
1% Instrumentalness • 87% Positiveness
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Dekkar
Oscar Medley 2022
120 bpm • D Maj • 08:41 • -8.46db
10% Popularity • 60% Danceability • 83% Energy • 50% Liveness
0% Instrumentalness • 46% Positiveness
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Acorde 7 Blues Band
Kings of the City
120 bpm • B min • 04:14 • -4.29db
21% Popularity • 59% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
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Audio Nation
Wonder Why
120 bpm • D# Maj • 04:54 • -8.47db
10% Popularity • 63% Danceability • 69% Energy • 8% Liveness
2% Instrumentalness • 59% Positiveness
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Artie Norton
She's Never Gonna Stop
120 bpm • D Maj • 03:56 • -7.1db
9% Popularity • 58% Danceability • 76% Energy • 12% Liveness
1% Instrumentalness • 78% Positiveness
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Bombay Beach Revival
I Found You
116 bpm • B Maj • 03:40 • -6.23db
10% Popularity • 71% Danceability • 68% Energy • 19% Liveness
8% Instrumentalness • 80% Positiveness
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Uncle Doghouse
Natural Born Star
120 bpm • G Maj • 03:59 • -5.88db
38% Popularity • 55% Danceability • 81% Energy • 34% Liveness
0% Instrumentalness • 65% Positiveness
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Tammy Bulson
Troublesome
120 bpm • C Maj • 05:01 • -10.07db
17% Popularity • 61% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Lewis Floyd Henry
Sacred Gardens
116 bpm • A Maj • 03:01 • -3.53db
8% Popularity • 52% Danceability • 86% Energy • 28% Liveness
27% Instrumentalness • 45% Positiveness
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The Goldstars
It's Just Not True
121 bpm • C Maj • 01:58 • -6.11db
8% Popularity • 68% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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Artie Norton
Drive Me Crazy
120 bpm • A Maj • 03:46 • -5.45db
8% Popularity • 53% Danceability • 92% Energy • 12% Liveness
6% Instrumentalness • 65% Positiveness
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Emma Alonzo
Magic Green Board
121 bpm • C Maj • 03:24 • -9.05db
26% Popularity • 75% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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The Liverpool Gents
Revolution
121 bpm • A# min • 03:22 • -4.51db
9% Popularity • 48% Danceability • 87% Energy • 59% Liveness
0% Instrumentalness • 77% Positiveness
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The Seatbelts
She’s a Killer (Live)
121 bpm • B min • 03:50 • -6.24db
0% Popularity • 49% Danceability • 91% Energy • 12% Liveness
1% Instrumentalness • 61% Positiveness
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Kalamity Rising
Last Day
115 bpm • F Maj • 04:13 • -4.29db
14% Popularity • 42% Danceability • 80% Energy • 10% Liveness
7% Instrumentalness • 39% Positiveness
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Michael Waters
Tough Love
121 bpm • D Maj • 04:11 • -6.72db
9% Popularity • 52% Danceability • 77% Energy • 19% Liveness
0% Instrumentalness • 50% Positiveness
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Ray Beadle
Years Since Yesterday
121 bpm • D# min • 04:25 • -5.18db
16% Popularity • 40% Danceability • 84% Energy • 7% Liveness
1% Instrumentalness • 53% Positiveness
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Double Vision
Lady Killer
121 bpm • A min • 04:42 • -7.42db
14% Popularity • 46% Danceability • 72% Energy • 68% Liveness
0% Instrumentalness • 64% Positiveness
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Lonesome Train
Ring of Fire
115 bpm • G# Maj • 03:17 • -5.45db
15% Popularity • 78% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Doug Mclane
The Bitchin
115 bpm • A min • 03:18 • -10.27db
30% Popularity • 55% Danceability • 76% Energy • 67% Liveness
2% Instrumentalness • 84% Positiveness
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Chadzilla
I Feel Good
115 bpm • D Maj • 04:05 • -9.25db
13% Popularity • 81% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 88% Positiveness
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Bernd Begemann
Es hat einen Vorfall gegeben
115 bpm • E min • 03:02 • -4.64db
15% Popularity • 81% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Marcel Gemme
Rebel
115 bpm • A Maj • 02:58 • -6.64db
8% Popularity • 71% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Johnny Casino
Mr Fastgun
121 bpm • A Maj • 04:00 • -5.82db
20% Popularity • 44% Danceability • 82% Energy • 9% Liveness
1% Instrumentalness • 56% Positiveness
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A Hoodoo Few
San Diego
115 bpm • D Maj • 02:53 • -3.01db
12% Popularity • 62% Danceability • 95% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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Lord Stanley
Conarbanandt
115 bpm • E min • 03:22 • -13.03db
8% Popularity • 47% Danceability • 52% Energy • 26% Liveness
5% Instrumentalness • 25% Positiveness
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The Ronelles
It Won't Be Long
121 bpm • E min • 02:06 • -5.62db
31% Popularity • 35% Danceability • 83% Energy • 38% Liveness
0% Instrumentalness • 69% Positiveness
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Pompano Drive
Walking by Myself
122 bpm • A Maj • 02:54 • -3.89db
20% Popularity • 52% Danceability • 78% Energy • 31% Liveness
0% Instrumentalness • 85% Positiveness
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Gerry Stanek
I Got My Wings
114 bpm • F# min • 02:05 • -5db
9% Popularity • 79% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 98% Positiveness
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Chilly Pom Pom Pee
No One To Lose - Radio Edit
122 bpm • D Maj • 02:47 • -4.91db
8% Popularity • 60% Danceability • 82% Energy • 31% Liveness
0% Instrumentalness • 61% Positiveness
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All & Always
Pirate Boat
122 bpm • A min • 03:06 • -4.66db
10% Popularity • 60% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Payne Nahum
If It Makes You Happy
122 bpm • G Maj • 03:30 • -7.66db
25% Popularity • 60% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 84% Positiveness
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Thorsten Pawelzik
Thorsten Pawelzik
114 bpm • D Maj • 03:01 • -8.93db
21% Popularity • 69% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Hallaballoo
Last Room
114 bpm • F Maj • 03:01 • -5.15db
13% Popularity • 60% Danceability • 69% Energy • 12% Liveness
6% Instrumentalness • 76% Positiveness
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The Yayhoos
I Can Give You Everything
122 bpm • A Maj • 03:07 • -4.12db
10% Popularity • 51% Danceability • 92% Energy • 27% Liveness
0% Instrumentalness • 71% Positiveness
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The Blackout Vipers
Taste
122 bpm • A min • 03:59 • -3.02db
15% Popularity • 58% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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Gugun Blues Shelter
Born To Be Free
113 bpm • G# Maj • 04:13 • -7.11db
12% Popularity • 27% Danceability • 76% Energy • 16% Liveness
81% Instrumentalness • 50% Positiveness
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Jack Hardy
Hangin
113 bpm • C Maj • 03:16 • -11.22db
15% Popularity • 59% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
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Ev V Frederick
Don't Call Me - Raw Live 2020
113 bpm • F# min • 02:31 • -3.33db
18% Popularity • 42% Danceability • 59% Energy • 42% Liveness
0% Instrumentalness • 45% Positiveness
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Hugh Cornwell
Mosin'
123 bpm • A Maj • 03:15 • -7.29db
8% Popularity • 68% Danceability • 68% Energy • 7% Liveness
70% Instrumentalness • 86% Positiveness
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Bryan James Duffy
Salem Girl
123 bpm • D Maj • 03:31 • -6.67db
19% Popularity • 62% Danceability • 92% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
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Genevieve Zemingway
Moon
123 bpm • C Maj • 02:46 • -13.32db
33% Popularity • 38% Danceability • 54% Energy • 37% Liveness
0% Instrumentalness • 69% Positiveness
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The Ozark Mountain Daredevils
If You Wanna Get To Heaven (Re-Recorded)...
123 bpm • C Maj • 03:04 • -11.65db
12% Popularity • 75% Danceability • 61% Energy • 48% Liveness
86% Instrumentalness • 90% Positiveness
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The Tripwires
Easy Work
123 bpm • B min • 03:31 • -5.47db
7% Popularity • 62% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
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Reginald Jeremy
Walking On Wire
123 bpm • D Maj • 03:49 • -8.86db
20% Popularity • 46% Danceability • 64% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
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Augustine Maurice
Carnival
113 bpm • D Maj • 04:19 • -7.7db
19% Popularity • 55% Danceability • 65% Energy • 40% Liveness
1% Instrumentalness • 54% Positiveness
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Cabana Man
I Love My Tiki God
113 bpm • C Maj • 04:39 • -9.27db
17% Popularity • 52% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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The Seatbelts
Workin' the Line
113 bpm • A min • 03:26 • -4.51db
0% Popularity • 61% Danceability • 90% Energy • 10% Liveness
78% Instrumentalness • 68% Positiveness
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Falling Stars
We Are the Future
123 bpm • A Maj • 02:39 • -4.12db
13% Popularity • 58% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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Baldwin Harold
Nurse
113 bpm • C Maj • 03:28 • -13.89db
19% Popularity • 68% Danceability • 45% Energy • 24% Liveness
81% Instrumentalness • 70% Positiveness
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Katell Guigneux
Cuba
113 bpm • F# Maj • 05:01 • -11.14db
27% Popularity • 76% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Jhett Black
16 Tons
124 bpm • G Maj • 03:19 • -12.09db
15% Popularity • 69% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Benedict Attlee
Is That You
124 bpm • D Maj • 03:27 • -12.2db
29% Popularity • 60% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 69% Positiveness
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The Seatbelts
After the Gold Rush
113 bpm • C Maj • 03:44 • -7.06db
1% Popularity • 53% Danceability • 86% Energy • 19% Liveness
0% Instrumentalness • 42% Positiveness
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Donald Nahill
Girl
124 bpm • A# min • 02:42 • -11db
29% Popularity • 54% Danceability • 74% Energy • 26% Liveness
40% Instrumentalness • 77% Positiveness
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Call Me Cannon
Submission
124 bpm • A# Maj • 03:10 • -5.56db
8% Popularity • 55% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
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4160volts
Otherside
124 bpm • D Maj • 03:31 • -4.75db
32% Popularity • 48% Danceability • 82% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
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Artie Norton
Catch You When You Fall
124 bpm • D Maj • 04:04 • -6db
9% Popularity • 31% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 79% Positiveness
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Susan Santos
Voodoo Wheels
124 bpm • C# min • 03:23 • -6.76db
13% Popularity • 57% Danceability • 89% Energy • 14% Liveness
18% Instrumentalness • 81% Positiveness
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The Tripwires
Kite String Broke
124 bpm • B Maj • 02:43 • -5.82db
8% Popularity • 58% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
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Jake Andrews
Apricot Brandy - Single Version
124 bpm • B min • 03:40 • -6.43db
18% Popularity • 43% Danceability • 93% Energy • 19% Liveness
82% Instrumentalness • 48% Positiveness
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Bryan James Duffy
Black Coffee And Alcohol
112 bpm • G Maj • 03:41 • -8.38db
19% Popularity • 52% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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Webster Perkin
Hard Twice
112 bpm • A# Maj • 03:18 • -5.99db
28% Popularity • 63% Danceability • 69% Energy • 10% Liveness
78% Instrumentalness • 49% Positiveness
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Kerwin Hansom
My Life
112 bpm • C# Maj • 04:44 • -13.45db
25% Popularity • 61% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 54% Positiveness
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Flamingos
Say Diamond
124 bpm • G Maj • 03:49 • -9.01db
16% Popularity • 79% Danceability • 57% Energy • 8% Liveness
30% Instrumentalness • 84% Positiveness
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The Yayhoos
Monkey With A Gun
125 bpm • D min • 03:28 • -4.27db
12% Popularity • 55% Danceability • 95% Energy • 34% Liveness
0% Instrumentalness • 88% Positiveness
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Tibone
A Música Não Mente
112 bpm • C# Maj • 02:30 • -5.03db
10% Popularity • 29% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Even Steven Moore
Angel in White
112 bpm • A min • 02:19 • -6.46db
24% Popularity • 38% Danceability • 46% Energy • 11% Liveness
28% Instrumentalness • 25% Positiveness
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The Buffalo Skinners
Wear It On Your Sleeve
125 bpm • A Maj • 04:25 • -5.52db
9% Popularity • 52% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Emma Alonzo
Dear John
125 bpm • C min • 02:27 • -8.86db
26% Popularity • 61% Danceability • 83% Energy • 48% Liveness
0% Instrumentalness • 86% Positiveness
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The Fargo Railroad Co.
Hard Work
125 bpm • E Maj • 03:39 • -5.25db
18% Popularity • 76% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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5ht the Band
Who Invited Kenny G
125 bpm • A Maj • 02:36 • -1.77db
7% Popularity • 45% Danceability • 91% Energy • 25% Liveness
25% Instrumentalness • 60% Positiveness
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She's a Killer