Songs like she's all i wanna be by Tate McRae
Based on a tempo of (+/- 10%) and a similar genre
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Djo
End of Beginning
160 bpm • D Maj • 02:39 • -7.64db
98% Popularity • 69% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
98% Popularity • 69% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
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Taylor Swift
...Ready For It?
160 bpm • D Maj • 03:28 • -6.51db
84% Popularity • 61% Danceability • 76% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
84% Popularity • 61% Danceability • 76% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
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The Chainsmokers
Summertime Friends
160 bpm • D Maj • 02:16 • -5.57db
61% Popularity • 52% Danceability • 69% Energy • 40% Liveness
0% Instrumentalness • 28% Positiveness
61% Popularity • 52% Danceability • 69% Energy • 40% Liveness
0% Instrumentalness • 28% Positiveness
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Ariana Grande
eternal sunshine
160 bpm • A Maj • 03:30 • -6.95db
87% Popularity • 66% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
87% Popularity • 66% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Teddy Swims
Lose Control
160 bpm • A Maj • 03:30 • -4.41db
93% Popularity • 56% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
93% Popularity • 56% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Tate McRae
she's all i wanna be
160 bpm • D min • 03:27 • -5.32db
78% Popularity • 60% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
78% Popularity • 60% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Natalie Jane
Tattoos
160 bpm • E min • 02:45 • -6.19db
66% Popularity • 47% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
66% Popularity • 47% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Jessica Baio
trust issues
161 bpm • A Maj • 02:14 • -9db
66% Popularity • 59% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
66% Popularity • 59% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Alexander Stewart
blame's on me
159 bpm • C# min • 02:18 • -17.12db
71% Popularity • 31% Danceability • 12% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
71% Popularity • 31% Danceability • 12% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
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Jamie Miller
It Is What It Is
162 bpm • E Maj • 02:05 • -5.62db
68% Popularity • 69% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
68% Popularity • 69% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Chris Brown
Angel Numbers / Ten Toes
158 bpm • E min • 05:06 • -8.45db
84% Popularity • 41% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 9% Positiveness
84% Popularity • 41% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 9% Positiveness
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Olivia Rodrigo
get him back!
162 bpm • F Maj • 03:31 • -5.72db
82% Popularity • 55% Danceability • 85% Energy • 61% Liveness
0% Instrumentalness • 74% Positiveness
82% Popularity • 55% Danceability • 85% Energy • 61% Liveness
0% Instrumentalness • 74% Positiveness
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Tate McRae
grave
158 bpm • F Maj • 03:13 • -8.06db
69% Popularity • 52% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
69% Popularity • 52% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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FLETCHER
Doing Better
158 bpm • B min • 02:33 • -8.32db
65% Popularity • 62% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
65% Popularity • 62% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Jessica Baio
ghost
158 bpm • F min • 02:09 • -4.79db
50% Popularity • 65% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
50% Popularity • 65% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
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Sabrina Carpenter
Sue Me
157 bpm • F# Maj • 02:59 • -5.42db
67% Popularity • 46% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
67% Popularity • 46% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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OneRepublic
RUNAWAY
163 bpm • D# min • 02:23 • -5.51db
75% Popularity • 62% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
75% Popularity • 62% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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Dean Lewis
Hurtless
163 bpm • C Maj • 03:00 • -6db
69% Popularity • 37% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
69% Popularity • 37% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Henry Moodie
you were there for me
164 bpm • F# Maj • 03:15 • -4.4db
64% Popularity • 57% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
64% Popularity • 57% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Olivia Rodrigo
jealousy, jealousy
164 bpm • A# min • 02:53 • -6.33db
83% Popularity • 70% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
83% Popularity • 70% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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Tate McRae
vicious
156 bpm • F min • 03:02 • -5.78db
55% Popularity • 73% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
55% Popularity • 73% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Cian Ducrot
I'll Be Waiting
156 bpm • C# Maj • 02:52 • -4.11db
70% Popularity • 52% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
70% Popularity • 52% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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charlieonnafriday
I'm Not Crazy
156 bpm • A Maj • 02:41 • -5.49db
60% Popularity • 73% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
60% Popularity • 73% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Dean Lewis
Waves
157 bpm • B min • 04:00 • -7.19db
75% Popularity • 52% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
75% Popularity • 52% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
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Nessa Barrett
lie
155 bpm • D Maj • 03:34 • -8.26db
58% Popularity • 65% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
58% Popularity • 65% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Ava Max
Maybe You’re The Problem
166 bpm • A Maj • 03:10 • -3.65db
70% Popularity • 53% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 45% Positiveness
70% Popularity • 53% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 45% Positiveness
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Tate McRae
cut my hair
164 bpm • D min • 02:55 • -4db
64% Popularity • 60% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
64% Popularity • 60% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Tyla
Truth or Dare
154 bpm • C# Maj • 03:10 • -5.75db
72% Popularity • 61% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
72% Popularity • 61% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Rachel Grae
Friend Like Me
154 bpm • F# Maj • 02:32 • -5.82db
60% Popularity • 67% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
60% Popularity • 67% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Leah Kate
10 Things I Hate About You
154 bpm • G# Maj • 02:37 • -2.97db
72% Popularity • 54% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 45% Positiveness
72% Popularity • 54% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 45% Positiveness
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Seafret
Atlantis
166 bpm • G# min • 03:49 • -7.99db
84% Popularity • 40% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
84% Popularity • 40% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Justin Bieber
Ghost
154 bpm • D Maj • 02:33 • -5.57db
87% Popularity • 60% Danceability • 74% Energy • 42% Liveness
0% Instrumentalness • 44% Positiveness
87% Popularity • 60% Danceability • 74% Energy • 42% Liveness
0% Instrumentalness • 44% Positiveness
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Tate McRae
rubberband
155 bpm • A# Maj • 02:27 • -8.91db
64% Popularity • 64% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
64% Popularity • 64% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Conan Gray
Family Line
154 bpm • F# Maj • 03:36 • -8.15db
74% Popularity • 33% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
74% Popularity • 33% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Olivia Rodrigo
good 4 u
167 bpm • A Maj • 02:58 • -5.04db
85% Popularity • 56% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
85% Popularity • 56% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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MAX
STUPID IN LOVE
153 bpm • G# min • 02:53 • -5.3db
74% Popularity • 66% Danceability • 70% Energy • 38% Liveness
0% Instrumentalness • 59% Positiveness
74% Popularity • 66% Danceability • 70% Energy • 38% Liveness
0% Instrumentalness • 59% Positiveness
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RAYE
Ice Cream Man.
153 bpm • F# Maj • 04:08 • -10.28db
61% Popularity • 55% Danceability • 30% Energy • 25% Liveness
0% Instrumentalness • 12% Positiveness
61% Popularity • 55% Danceability • 30% Energy • 25% Liveness
0% Instrumentalness • 12% Positiveness
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Ariana Grande
bloodline
152 bpm • D min • 03:36 • -5.19db
81% Popularity • 76% Danceability • 66% Energy • 22% Liveness
0% Instrumentalness • 64% Positiveness
81% Popularity • 76% Danceability • 66% Energy • 22% Liveness
0% Instrumentalness • 64% Positiveness
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Tate McRae
think later
153 bpm • C# Maj • 02:13 • -4.63db
67% Popularity • 68% Danceability • 71% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
67% Popularity • 68% Danceability • 71% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
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Clinton Kane
BITTERSWEET
152 bpm • C# min • 02:38 • -5.35db
51% Popularity • 59% Danceability • 79% Energy • 26% Liveness
0% Instrumentalness • 23% Positiveness
51% Popularity • 59% Danceability • 79% Energy • 26% Liveness
0% Instrumentalness • 23% Positiveness
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Artemas
i like the way you kiss me
152 bpm • B Maj • 02:22 • -4.26db
94% Popularity • 60% Danceability • 95% Energy • 8% Liveness
1% Instrumentalness • 75% Positiveness
94% Popularity • 60% Danceability • 95% Energy • 8% Liveness
1% Instrumentalness • 75% Positiveness
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Olivia Rodrigo
happier
169 bpm • F# Maj • 02:55 • -9.72db
84% Popularity • 40% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
84% Popularity • 40% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Bellah Mae
Drama King
151 bpm • C Maj • 02:37 • -4.25db
56% Popularity • 58% Danceability • 88% Energy • 50% Liveness
0% Instrumentalness • 67% Positiveness
56% Popularity • 58% Danceability • 88% Energy • 50% Liveness
0% Instrumentalness • 67% Positiveness
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Lewis Capaldi
Pointless
169 bpm • E Maj • 03:51 • -4.03db
71% Popularity • 34% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
71% Popularity • 34% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Tate McRae
Drown
169 bpm • A# Maj • 03:36 • -8db
51% Popularity • 65% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
51% Popularity • 65% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Post Malone
Chemical
170 bpm • D Maj • 03:04 • -4.91db
82% Popularity • 50% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
82% Popularity • 50% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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The Kid LAROI
STAY
170 bpm • C# Maj • 02:21 • -5.48db
81% Popularity • 59% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
81% Popularity • 59% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Olivia Rodrigo
1 step forward, 3 steps back
169 bpm • D Maj • 02:43 • -12.63db
80% Popularity • 47% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
80% Popularity • 47% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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ILLENIUM
All That Really Matters
170 bpm • C# Maj • 04:04 • -5db
72% Popularity • 35% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
72% Popularity • 35% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Taylor Swift
Cruel Summer
170 bpm • A Maj • 02:58 • -5.71db
96% Popularity • 55% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
96% Popularity • 55% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Kenya Grace
Strangers
170 bpm • B min • 02:52 • -8.31db
65% Popularity • 63% Danceability • 52% Energy • 22% Liveness
0% Instrumentalness • 42% Positiveness
65% Popularity • 63% Danceability • 52% Energy • 22% Liveness
0% Instrumentalness • 42% Positiveness
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Rosa Linn
SNAP
170 bpm • C Maj • 02:59 • -8.2db
85% Popularity • 56% Danceability • 64% Energy • 45% Liveness
0% Instrumentalness • 52% Positiveness
85% Popularity • 56% Danceability • 64% Energy • 45% Liveness
0% Instrumentalness • 52% Positiveness
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Charlie Puth
That’s Not How This Works - Sabrina�...
170 bpm • A Maj • 02:46 • -3.93db
60% Popularity • 56% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
60% Popularity • 56% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Alec Benjamin
Let Me Down Slowly
150 bpm • C# min • 02:49 • -5.71db
86% Popularity • 65% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
86% Popularity • 65% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Selena Gomez
People You Know
150 bpm • G# min • 03:14 • -8.08db
78% Popularity • 70% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
78% Popularity • 70% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Taylor Swift
Miss Americana & The Heartbreak Prince
150 bpm • B min • 03:54 • -6.93db
81% Popularity • 66% Danceability • 75% Energy • 14% Liveness
1% Instrumentalness • 49% Positiveness
81% Popularity • 66% Danceability • 75% Energy • 14% Liveness
1% Instrumentalness • 49% Positiveness
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GRAHAM
Cheap Cologne
150 bpm • C Maj • 02:11 • -6.59db
63% Popularity • 61% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
63% Popularity • 61% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Loreen
Tattoo
150 bpm • D# min • 03:03 • -6.24db
83% Popularity • 55% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
83% Popularity • 55% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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elijah woods
24/7, 365
150 bpm • F# Maj • 02:47 • -7.28db
77% Popularity • 66% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
77% Popularity • 66% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Faouzia
Tears of Gold
150 bpm • F min • 02:56 • -5.7db
65% Popularity • 59% Danceability • 66% Energy • 32% Liveness
0% Instrumentalness • 62% Positiveness
65% Popularity • 59% Danceability • 66% Energy • 32% Liveness
0% Instrumentalness • 62% Positiveness
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5 Seconds of Summer
Ghost Of You
150 bpm • A# Maj • 03:17 • -4.82db
71% Popularity • 46% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
71% Popularity • 46% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
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James Arthur
Car's Outside
150 bpm • A Maj • 04:08 • -7.18db
84% Popularity • 34% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
84% Popularity • 34% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Matt Hansen
better off without me
150 bpm • C Maj • 02:50 • -7db
73% Popularity • 62% Danceability • 47% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
73% Popularity • 62% Danceability • 47% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
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Ashley Kutcher
Love You From a Distance
149 bpm • E Maj • 03:24 • -8.65db
64% Popularity • 33% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
64% Popularity • 33% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Reneé Rapp
Tummy Hurts
150 bpm • E Maj • 02:48 • -5.86db
75% Popularity • 64% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
75% Popularity • 64% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Jessie Murph
Son of a Bitch
149 bpm • D min • 02:35 • -7.51db
72% Popularity • 60% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
72% Popularity • 60% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Shawn Mendes
Mercy
148 bpm • B min • 03:28 • -4.95db
81% Popularity • 56% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
81% Popularity • 56% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Doechii
What It Is (Solo Version)
172 bpm • C# min • 03:09 • -5.85db
77% Popularity • 74% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
77% Popularity • 74% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Olivia Rodrigo
favorite crime
173 bpm • A Maj • 02:32 • -10.5db
84% Popularity • 37% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
84% Popularity • 37% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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Michael Marcagi
Scared To Start
148 bpm • G Maj • 02:39 • -11.26db
91% Popularity • 53% Danceability • 55% Energy • 40% Liveness
0% Instrumentalness • 44% Positiveness
91% Popularity • 53% Danceability • 55% Energy • 40% Liveness
0% Instrumentalness • 44% Positiveness
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Lizzy McAlpine
ceilings
148 bpm • A Maj • 03:02 • -11.76db
83% Popularity • 52% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
83% Popularity • 52% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
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Little Mix
Power
173 bpm • G Maj • 04:07 • -4.02db
72% Popularity • 57% Danceability • 86% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
72% Popularity • 57% Danceability • 86% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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FLETCHER
Lead Me On
148 bpm • F Maj • 02:53 • -4.78db
63% Popularity • 46% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
63% Popularity • 46% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Alec Benjamin
If We Have Each Other
173 bpm • A# min • 03:01 • -5.57db
77% Popularity • 66% Danceability • 58% Energy • 30% Liveness
0% Instrumentalness • 86% Positiveness
77% Popularity • 66% Danceability • 58% Energy • 30% Liveness
0% Instrumentalness • 86% Positiveness
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Charli XCX
Speed Drive
174 bpm • C Maj • 01:57 • -6.41db
74% Popularity • 65% Danceability • 88% Energy • 9% Liveness
9% Instrumentalness • 79% Positiveness
74% Popularity • 65% Danceability • 88% Energy • 9% Liveness
9% Instrumentalness • 79% Positiveness
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Tate McRae
want that too
173 bpm • C# Maj • 03:10 • -9.52db
64% Popularity • 49% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
64% Popularity • 49% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Demi Lovato
Heart Attack
174 bpm • G# Maj • 03:30 • -4.8db
81% Popularity • 50% Danceability • 78% Energy • 24% Liveness
0% Instrumentalness • 50% Positiveness
81% Popularity • 50% Danceability • 78% Energy • 24% Liveness
0% Instrumentalness • 50% Positiveness
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Shawn Mendes
When You're Gone
147 bpm • F Maj • 02:52 • -5.81db
74% Popularity • 60% Danceability • 69% Energy • 58% Liveness
0% Instrumentalness • 58% Positiveness
74% Popularity • 60% Danceability • 69% Energy • 58% Liveness
0% Instrumentalness • 58% Positiveness
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Miley Cyrus
Used To Be Young
147 bpm • E Maj • 03:11 • -3.84db
80% Popularity • 45% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
80% Popularity • 45% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Diplo
Heartbroken
147 bpm • D Maj • 03:24 • -5.69db
72% Popularity • 67% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
72% Popularity • 67% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Sabrina Carpenter
because i liked a boy
147 bpm • B Maj • 03:16 • -7.3db
77% Popularity • 39% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
77% Popularity • 39% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Tate McRae
uh oh
174 bpm • A# min • 02:49 • -7db
65% Popularity • 62% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
65% Popularity • 62% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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JP Saxe
If the World Was Ending
147 bpm • C# Maj • 03:29 • -9.97db
73% Popularity • 43% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
73% Popularity • 43% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Jessie Murph
How Could You
147 bpm • B Maj • 03:07 • -11db
69% Popularity • 57% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
69% Popularity • 57% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Kehlani
Nights Like This
146 bpm • G# Maj • 03:21 • -5.13db
75% Popularity • 61% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
75% Popularity • 61% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
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Drake
Rich Baby Daddy
146 bpm • D Maj • 05:19 • -4.56db
88% Popularity • 64% Danceability • 73% Energy • 38% Liveness
0% Instrumentalness • 14% Positiveness
88% Popularity • 64% Danceability • 73% Energy • 38% Liveness
0% Instrumentalness • 14% Positiveness
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The Kid LAROI
BLEED
175 bpm • A# min • 02:49 • -7.03db
70% Popularity • 57% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 67% Positiveness
70% Popularity • 57% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 67% Positiveness
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Clinton Kane
DANCING ALL ALONE
146 bpm • F Maj • 02:51 • -6db
54% Popularity • 40% Danceability • 58% Energy • 55% Liveness
0% Instrumentalness • 49% Positiveness
54% Popularity • 40% Danceability • 58% Energy • 55% Liveness
0% Instrumentalness • 49% Positiveness
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Gracie Abrams
Feels Like
145 bpm • B Maj • 02:32 • -7.36db
74% Popularity • 62% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
74% Popularity • 62% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Tate McRae
boy x
145 bpm • D# Maj • 03:46 • -8.55db
55% Popularity • 44% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
55% Popularity • 44% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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David Kushner
Mr. Forgettable
145 bpm • G# min • 03:07 • -9.23db
76% Popularity • 56% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
76% Popularity • 56% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
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Olivia O'Brien
hate u love u
177 bpm • F# min • 02:55 • -8.92db
67% Popularity • 41% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
67% Popularity • 41% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Dove Cameron
Sand
178 bpm • A min • 03:39 • -9.04db
57% Popularity • 32% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
57% Popularity • 32% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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Good Neighbours
Keep It Up
178 bpm • G# Maj • 02:36 • -6.23db
55% Popularity • 45% Danceability • 84% Energy • 21% Liveness
0% Instrumentalness • 34% Positiveness
55% Popularity • 45% Danceability • 84% Energy • 21% Liveness
0% Instrumentalness • 34% Positiveness
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girl in red
You Need Me Now?
144 bpm • G min • 03:06 • -4.4db
74% Popularity • 54% Danceability • 85% Energy • 3% Liveness
0% Instrumentalness • 64% Positiveness
74% Popularity • 54% Danceability • 85% Energy • 3% Liveness
0% Instrumentalness • 64% Positiveness
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Tate McRae
feel like shit
145 bpm • G Maj • 03:23 • -7.17db
70% Popularity • 52% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
70% Popularity • 52% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Beach Weather
Sex, Drugs, Etc.
144 bpm • E min • 03:16 • -5.09db
83% Popularity • 57% Danceability • 84% Energy • 52% Liveness
1% Instrumentalness • 47% Positiveness
83% Popularity • 57% Danceability • 84% Energy • 52% Liveness
1% Instrumentalness • 47% Positiveness
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Olivia Rodrigo
drivers license
144 bpm • A# Maj • 04:02 • -8.81db
86% Popularity • 56% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
86% Popularity • 56% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
![Barbie World (with Aqua) [From Barbie The Album] cover art](https://i.scdn.co/image/ab67616d00001e027e8f938c02fac3b564931116)
