Songs like She's In Love With The Boy - Single Version by Trisha Yearwood
Based on a tempo of (+/- 10%) and a similar genre
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Trisha Yearwood
She's In Love With The Boy - Single Vers...
125 bpm • D# Maj • 04:08 • -8.27db
70% Popularity • 78% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
70% Popularity • 78% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Shania Twain
That Don't Impress Me Much - Edit
125 bpm • C# Maj • 03:38 • -5.03db
53% Popularity • 77% Danceability • 78% Energy • 20% Liveness
0% Instrumentalness • 97% Positiveness
53% Popularity • 77% Danceability • 78% Energy • 20% Liveness
0% Instrumentalness • 97% Positiveness
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Toby Keith
A Little Less Talk And A Lot More Action
125 bpm • A Maj • 02:50 • -8db
63% Popularity • 76% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
63% Popularity • 76% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Kenny Chesney
How Forever Feels
125 bpm • G Maj • 03:08 • -7.43db
60% Popularity • 72% Danceability • 67% Energy • 28% Liveness
0% Instrumentalness • 61% Positiveness
60% Popularity • 72% Danceability • 67% Energy • 28% Liveness
0% Instrumentalness • 61% Positiveness
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The Judds
Why Not Me
126 bpm • A# Maj • 03:29 • -9.28db
63% Popularity • 73% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 73% Positiveness
63% Popularity • 73% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 73% Positiveness
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Brooks & Dunn
My Maria
126 bpm • D# Maj • 03:28 • -4.63db
68% Popularity • 67% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 90% Positiveness
68% Popularity • 67% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 90% Positiveness
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Trisha Yearwood
Xxx's & Ooo's
126 bpm • C Maj • 02:47 • -6.36db
6% Popularity • 73% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 87% Positiveness
6% Popularity • 73% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 87% Positiveness
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Shania Twain
Man! I Feel Like A Woman!
125 bpm • A# Maj • 03:53 • -3.34db
74% Popularity • 69% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
74% Popularity • 69% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Dan Seals
Meet Me In Montana
124 bpm • A# Maj • 03:56 • -12.29db
52% Popularity • 66% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
52% Popularity • 66% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Kenny Chesney
Young
126 bpm • A Maj • 03:55 • -5.75db
52% Popularity • 68% Danceability • 84% Energy • 33% Liveness
0% Instrumentalness • 68% Positiveness
52% Popularity • 68% Danceability • 84% Energy • 33% Liveness
0% Instrumentalness • 68% Positiveness
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The Judds
I Know Where I'm Going
126 bpm • C# min • 03:38 • -13db
40% Popularity • 94% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
40% Popularity • 94% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Lonestar
What About Now
126 bpm • E Maj • 03:30 • -7db
49% Popularity • 66% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
49% Popularity • 66% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Trisha Yearwood
XXX's And OOO's (An American Girl)
126 bpm • C Maj • 02:47 • -8.91db
63% Popularity • 71% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
63% Popularity • 71% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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George Strait
Blue Clear Sky
124 bpm • E Maj • 02:54 • -7db
64% Popularity • 64% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 71% Positiveness
64% Popularity • 64% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 71% Positiveness
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Dwight Yoakam
Fast as You
126 bpm • E Maj • 04:45 • -7.93db
64% Popularity • 63% Danceability • 80% Energy • 40% Liveness
9% Instrumentalness • 84% Positiveness
64% Popularity • 63% Danceability • 80% Energy • 40% Liveness
9% Instrumentalness • 84% Positiveness
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Kane Brown
What Ifs
126 bpm • A# Maj • 03:08 • -4.6db
75% Popularity • 61% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
75% Popularity • 61% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
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Tim McGraw
I Like It, I Love It
124 bpm • C Maj • 03:25 • -5.3db
71% Popularity • 64% Danceability • 96% Energy • 95% Liveness
0% Instrumentalness • 96% Positiveness
71% Popularity • 64% Danceability • 96% Energy • 95% Liveness
0% Instrumentalness • 96% Positiveness
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Carrie Underwood
All-American Girl
124 bpm • A Maj • 03:32 • -2.63db
61% Popularity • 62% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 77% Positiveness
61% Popularity • 62% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 77% Positiveness
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Trisha Yearwood
How Do I Live
126 bpm • D Maj • 04:02 • -7.37db
55% Popularity • 57% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
55% Popularity • 57% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Travis Tritt
The Whiskey Ain't Workin'
124 bpm • G Maj • 02:39 • -9.26db
52% Popularity • 67% Danceability • 63% Energy • 27% Liveness
0% Instrumentalness • 89% Positiveness
52% Popularity • 67% Danceability • 63% Energy • 27% Liveness
0% Instrumentalness • 89% Positiveness
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Gretchen Wilson
Here for the Party
124 bpm • C Maj • 03:16 • -4.87db
61% Popularity • 66% Danceability • 72% Energy • 90% Liveness
0% Instrumentalness • 81% Positiveness
61% Popularity • 66% Danceability • 72% Energy • 90% Liveness
0% Instrumentalness • 81% Positiveness
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Toby Keith
Who's Your Daddy?
126 bpm • A Maj • 03:57 • -5db
59% Popularity • 69% Danceability • 84% Energy • 5% Liveness
3% Instrumentalness • 88% Positiveness
59% Popularity • 69% Danceability • 84% Energy • 5% Liveness
3% Instrumentalness • 88% Positiveness
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George Strait
Write This Down
124 bpm • D# Maj • 03:39 • -7.47db
69% Popularity • 73% Danceability • 69% Energy • 30% Liveness
0% Instrumentalness • 67% Positiveness
69% Popularity • 73% Danceability • 69% Energy • 30% Liveness
0% Instrumentalness • 67% Positiveness
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Hank Williams, Jr.
Family Tradition
126 bpm • E Maj • 04:02 • -12.07db
68% Popularity • 66% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
68% Popularity • 66% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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Trisha Yearwood
Some Days
126 bpm • A Maj • 03:51 • -11.33db
5% Popularity • 66% Danceability • 29% Energy • 10% Liveness
1% Instrumentalness • 17% Positiveness
5% Popularity • 66% Danceability • 29% Energy • 10% Liveness
1% Instrumentalness • 17% Positiveness
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Travis Tritt
Country Club
126 bpm • E Maj • 03:10 • -8db
55% Popularity • 80% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
55% Popularity • 80% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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The Judds
Have Mercy
123 bpm • D Maj • 03:21 • -7.95db
51% Popularity • 86% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 93% Positiveness
51% Popularity • 86% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 93% Positiveness
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Josh Turner
Another Try
123 bpm • A# Maj • 03:45 • -8db
43% Popularity • 51% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
43% Popularity • 51% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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John Anderson
Seminole Wind
127 bpm • D Maj • 03:58 • -11.1db
57% Popularity • 62% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
57% Popularity • 62% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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The Oak Ridge Boys
Elvira
127 bpm • G# Maj • 03:45 • -17.49db
59% Popularity • 82% Danceability • 28% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
59% Popularity • 82% Danceability • 28% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
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Martina McBride
This One's for the Girls
127 bpm • G# Maj • 04:03 • -4.43db
59% Popularity • 61% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
59% Popularity • 61% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Miranda Lambert
Kerosene
127 bpm • G Maj • 03:05 • -3.25db
61% Popularity • 63% Danceability • 92% Energy • 34% Liveness
0% Instrumentalness • 81% Positiveness
61% Popularity • 63% Danceability • 92% Energy • 34% Liveness
0% Instrumentalness • 81% Positiveness
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Brooks & Dunn
Brand New Man - with Luke Combs
127 bpm • G Maj • 03:11 • -4.87db
67% Popularity • 57% Danceability • 85% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
67% Popularity • 57% Danceability • 85% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
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Josh Turner
Would You Go With Me
123 bpm • F# Maj • 03:48 • -5.37db
71% Popularity • 60% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
71% Popularity • 60% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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David Lee Murphy
Party Crowd
127 bpm • G Maj • 03:18 • -11.66db
56% Popularity • 76% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
56% Popularity • 76% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Chris LeDoux
Whatcha Gonna Do With A Cowboy
127 bpm • D Maj • 02:35 • -7.63db
54% Popularity • 74% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
54% Popularity • 74% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
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Deana Carter
Strawberry Wine
123 bpm • C# Maj • 04:51 • -6.57db
67% Popularity • 57% Danceability • 45% Energy • 3% Liveness
0% Instrumentalness • 21% Positiveness
67% Popularity • 57% Danceability • 45% Energy • 3% Liveness
0% Instrumentalness • 21% Positiveness
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Trisha Yearwood
When A Love Song Sings The Blues
123 bpm • F Maj • 04:27 • -9.63db
4% Popularity • 47% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
4% Popularity • 47% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Brooks & Dunn
Brand New Man
128 bpm • G Maj • 02:59 • -4.36db
63% Popularity • 64% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
63% Popularity • 64% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Billy Currington
Good Directions
123 bpm • F Maj • 03:35 • -2.18db
72% Popularity • 72% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
72% Popularity • 72% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Shania Twain
You Win My Love
128 bpm • F# Maj • 04:25 • -8.94db
54% Popularity • 71% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
54% Popularity • 71% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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Tim McGraw
Down On The Farm
128 bpm • F min • 02:58 • -12db
61% Popularity • 72% Danceability • 74% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
61% Popularity • 72% Danceability • 74% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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George Strait
Here For A Good Time
128 bpm • F# Maj • 03:00 • -6.75db
66% Popularity • 60% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
66% Popularity • 60% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Kenny Chesney
She Thinks My Tractor's Sexy
122 bpm • A# min • 04:08 • -7.07db
66% Popularity • 69% Danceability • 89% Energy • 28% Liveness
0% Instrumentalness • 91% Positiveness
66% Popularity • 69% Danceability • 89% Energy • 28% Liveness
0% Instrumentalness • 91% Positiveness
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Luke Combs
When It Rains It Pours
128 bpm • F# Maj • 04:00 • -5.07db
81% Popularity • 55% Danceability • 80% Energy • 26% Liveness
0% Instrumentalness • 62% Positiveness
81% Popularity • 55% Danceability • 80% Energy • 26% Liveness
0% Instrumentalness • 62% Positiveness
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John Michael Montgomery
Letters from Home
128 bpm • C Maj • 04:27 • -7db
55% Popularity • 64% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
55% Popularity • 64% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Trisha Yearwood
Seven Year Ache
122 bpm • A min • 03:33 • -6.81db
25% Popularity • 59% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
25% Popularity • 59% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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Hailey Whitters
Everything She Ain’t
122 bpm • D Maj • 02:31 • -6.13db
65% Popularity • 80% Danceability • 62% Energy • 27% Liveness
0% Instrumentalness • 81% Positiveness
65% Popularity • 80% Danceability • 62% Energy • 27% Liveness
0% Instrumentalness • 81% Positiveness
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Josh Turner
Why Don't We Just Dance
122 bpm • F Maj • 03:12 • -5.93db
70% Popularity • 68% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
70% Popularity • 68% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Billy Ray Cyrus
Achy Breaky Heart
122 bpm • A Maj • 03:23 • -10.21db
68% Popularity • 80% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
68% Popularity • 80% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Alabama
I'm in a Hurry (And Don't Know Why)
129 bpm • A Maj • 02:48 • -8db
65% Popularity • 75% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
65% Popularity • 75% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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Shenandoah
Two Dozen Roses
121 bpm • E Maj • 03:24 • -9.14db
70% Popularity • 69% Danceability • 65% Energy • 29% Liveness
0% Instrumentalness • 60% Positiveness
70% Popularity • 69% Danceability • 65% Energy • 29% Liveness
0% Instrumentalness • 60% Positiveness
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Little Texas
God Blessed Texas
129 bpm • A Maj • 03:28 • -8.51db
55% Popularity • 65% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
55% Popularity • 65% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
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Clint Black
Killin' Time
121 bpm • G Maj • 02:47 • -10.32db
62% Popularity • 71% Danceability • 49% Energy • 25% Liveness
0% Instrumentalness • 67% Positiveness
62% Popularity • 71% Danceability • 49% Energy • 25% Liveness
0% Instrumentalness • 67% Positiveness
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Doug Stone
Why Didn't I Think Of That
121 bpm • D Maj • 03:11 • -7.47db
48% Popularity • 76% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
48% Popularity • 76% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
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Travis Tritt
It's A Great Day To Be Alive
129 bpm • G Maj • 04:01 • -4.94db
71% Popularity • 60% Danceability • 65% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
71% Popularity • 60% Danceability • 65% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
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Rhett Akins
That Ain't My Truck
129 bpm • G Maj • 04:03 • -9.01db
62% Popularity • 64% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
62% Popularity • 64% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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George Strait
Amarillo By Morning
121 bpm • A Maj • 02:53 • -16.03db
71% Popularity • 61% Danceability • 36% Energy • 38% Liveness
0% Instrumentalness • 62% Positiveness
71% Popularity • 61% Danceability • 36% Energy • 38% Liveness
0% Instrumentalness • 62% Positiveness
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Josh Gracin
Nothin' To Lose
121 bpm • G Maj • 02:36 • -4.12db
58% Popularity • 61% Danceability • 88% Energy • 52% Liveness
0% Instrumentalness • 89% Positiveness
58% Popularity • 61% Danceability • 88% Energy • 52% Liveness
0% Instrumentalness • 89% Positiveness
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Trisha Yearwood
Here Comes Temptation
121 bpm • C# Maj • 03:40 • -7.83db
7% Popularity • 70% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
7% Popularity • 70% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Collin Raye
I Think About You
121 bpm • C Maj • 03:26 • -7db
48% Popularity • 70% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
48% Popularity • 70% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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Jamey Johnson
In Color
130 bpm • D# Maj • 04:50 • -8.75db
69% Popularity • 54% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
69% Popularity • 54% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
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Tracy Byrd
I'm From The Country - Single Version
130 bpm • D Maj • 03:33 • -4db
61% Popularity • 69% Danceability • 90% Energy • 28% Liveness
0% Instrumentalness • 95% Positiveness
61% Popularity • 69% Danceability • 90% Energy • 28% Liveness
0% Instrumentalness • 95% Positiveness
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Zac Brown Band
Toes
130 bpm • B Maj • 04:22 • -5.4db
72% Popularity • 80% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
72% Popularity • 80% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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The Judds
Young Love (Strong Love)
120 bpm • B Maj • 04:22 • -8.34db
43% Popularity • 74% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
43% Popularity • 74% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Trisha Yearwood
Put It In A Song
130 bpm • G Maj • 03:35 • -8.46db
17% Popularity • 57% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
17% Popularity • 57% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Dierks Bentley
Free And Easy (Down The Road I Go)
120 bpm • F# Maj • 03:19 • -5db
59% Popularity • 58% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
59% Popularity • 58% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Carrie Underwood
Cowboy Casanova
120 bpm • F Maj • 03:56 • -2.53db
61% Popularity • 60% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
61% Popularity • 60% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Joe Diffie
John Deere Green
130 bpm • G Maj • 04:32 • -5.05db
59% Popularity • 70% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
59% Popularity • 70% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Brooks & Dunn
Boot Scootin' Boogie
130 bpm • B min • 03:18 • -4.3db
71% Popularity • 66% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 86% Positiveness
71% Popularity • 66% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 86% Positiveness
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George Strait
All My Ex's Live In Texas
131 bpm • A Maj • 03:20 • -16.02db
63% Popularity • 76% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
63% Popularity • 76% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Trisha Yearwood
Perfect Love
130 bpm • F Maj • 03:01 • -7.54db
9% Popularity • 73% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
9% Popularity • 73% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
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Charley Pride
Kiss an Angel Good Mornin'
131 bpm • E Maj • 02:03 • -11db
62% Popularity • 66% Danceability • 51% Energy • 37% Liveness
0% Instrumentalness • 87% Positiveness
62% Popularity • 66% Danceability • 51% Energy • 37% Liveness
0% Instrumentalness • 87% Positiveness
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Diamond Rio
One More Day
131 bpm • E Maj • 03:36 • -7.63db
54% Popularity • 67% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
54% Popularity • 67% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Toby Keith
As Good As I Once Was
119 bpm • F Maj • 03:47 • -4db
75% Popularity • 68% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
75% Popularity • 68% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Brooks & Dunn
Boot Scootin' Boogie
131 bpm • B min • 03:17 • -7.29db
54% Popularity • 67% Danceability • 78% Energy • 36% Liveness
0% Instrumentalness • 90% Positiveness
54% Popularity • 67% Danceability • 78% Energy • 36% Liveness
0% Instrumentalness • 90% Positiveness
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George Strait
I Cross My Heart - Pure Country Soundtra...
131 bpm • D# Maj • 03:32 • -10.13db
62% Popularity • 53% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
62% Popularity • 53% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Trisha Yearwood
Believe Me Baby (I Lied)
120 bpm • C# Maj • 03:43 • -6.68db
29% Popularity • 66% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 70% Positiveness
29% Popularity • 66% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 70% Positiveness
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Tracy Byrd
Don't Take Her She's All I Got
131 bpm • A# Maj • 03:28 • -8db
54% Popularity • 63% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
54% Popularity • 63% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
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Eddie Rabbitt
I Love a Rainy Night
131 bpm • C Maj • 03:11 • -7.72db
63% Popularity • 68% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
63% Popularity • 68% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Toby Keith
Beer For My Horses
119 bpm • A# Maj • 03:24 • -5.33db
72% Popularity • 72% Danceability • 85% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
72% Popularity • 72% Danceability • 85% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
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Luke Bryan
Knockin' Boots
132 bpm • D Maj • 03:20 • -3.75db
69% Popularity • 73% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
69% Popularity • 73% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
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Alabama
Roll On (Eighteen Wheeler)
132 bpm • F Maj • 04:24 • -9.04db
51% Popularity • 63% Danceability • 66% Energy • 65% Liveness
0% Instrumentalness • 67% Positiveness
51% Popularity • 63% Danceability • 66% Energy • 65% Liveness
0% Instrumentalness • 67% Positiveness
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Trisha Yearwood
Nothin' 'Bout Memphis
131 bpm • D# Maj • 03:45 • -4.71db
5% Popularity • 53% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
5% Popularity • 53% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Martina McBride
Independence Day
118 bpm • A Maj • 03:24 • -6.2db
61% Popularity • 71% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
61% Popularity • 71% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Keith Urban
Days Go By
132 bpm • D Maj • 03:44 • -3db
59% Popularity • 59% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
59% Popularity • 59% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
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Shania Twain
Whose Bed Have Your Boots Been Under? - ...
132 bpm • A# Maj • 04:01 • -3.04db
57% Popularity • 69% Danceability • 83% Energy • 26% Liveness
0% Instrumentalness • 84% Positiveness
57% Popularity • 69% Danceability • 83% Energy • 26% Liveness
0% Instrumentalness • 84% Positiveness
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Pistol Annies
Hell on Heels
132 bpm • F# Maj • 03:14 • -5.83db
56% Popularity • 66% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
56% Popularity • 66% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Carly Pearce
I Hope You’re Happy Now
118 bpm • A# Maj • 03:18 • -4.73db
68% Popularity • 59% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
68% Popularity • 59% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Trisha Yearwood
I Wanna Go Too Far
131 bpm • C Maj • 03:01 • -7.44db
20% Popularity • 63% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
20% Popularity • 63% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Rascal Flatts
Fast Cars And Freedom
118 bpm • D# min • 04:22 • -4.84db
60% Popularity • 62% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
60% Popularity • 62% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Kenny Chesney
No Shoes, No Shirt, No Problems
118 bpm • G Maj • 03:29 • -10.24db
60% Popularity • 72% Danceability • 55% Energy • 18% Liveness
1% Instrumentalness • 67% Positiveness
60% Popularity • 72% Danceability • 55% Energy • 18% Liveness
1% Instrumentalness • 67% Positiveness
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Shania Twain
Whose Bed Have Your Boots Been Under?
132 bpm • F Maj • 04:24 • -9db
52% Popularity • 73% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
52% Popularity • 73% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Sara Evans
No Place That Far
133 bpm • C Maj • 03:37 • -7db
49% Popularity • 55% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 18% Positiveness
49% Popularity • 55% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 18% Positiveness
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Clay Walker
What's It to You
118 bpm • D Maj • 02:46 • -13.22db
57% Popularity • 72% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
57% Popularity • 72% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
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Trisha Yearwood
That's What I Like About You
118 bpm • G# Maj • 02:40 • -7.41db
44% Popularity • 65% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
44% Popularity • 65% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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The Judds
Love Can Build A Bridge
133 bpm • B Maj • 05:22 • -15.64db
51% Popularity • 57% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
51% Popularity • 57% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Kenny Chesney
She's Got It All
133 bpm • G Maj • 03:25 • -7db
60% Popularity • 71% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
60% Popularity • 71% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
