Songs like She's Like The Wind (Dirty Dancing) by Mark Seibert
Based on a tempo of (+/- 10%) and a similar genre
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Mark Seibert
Rewrite the Stars - Live
130 bpm • A Maj • 03:43 • -12.95db
8% Popularity • 52% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
8% Popularity • 52% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
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Jan Ammann
Moulin Rouge Medley (Live)
130 bpm • E Maj • 06:56 • -10.08db
10% Popularity • 33% Danceability • 27% Energy • 99% Liveness
0% Instrumentalness • 8% Positiveness
10% Popularity • 33% Danceability • 27% Energy • 99% Liveness
0% Instrumentalness • 8% Positiveness
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Josh Strickland
For The First Time - Broadway Cast Recor...
131 bpm • C# Maj • 04:12 • -8.29db
20% Popularity • 37% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
20% Popularity • 37% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Lucy
Someone Like You
131 bpm • F Maj • 03:46 • -11db
38% Popularity • 28% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
38% Popularity • 28% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
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Titus Hoffmann
Ein Flugblatt | SCHOLL - Die Knospe der ...
129 bpm • F Maj • 02:35 • -12.3db
6% Popularity • 58% Danceability • 32% Energy • 21% Liveness
0% Instrumentalness • 16% Positiveness
6% Popularity • 58% Danceability • 32% Energy • 21% Liveness
0% Instrumentalness • 16% Positiveness
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Frank Wildhorn
Niemals Allein
131 bpm • F min • 04:54 • -11.71db
17% Popularity • 35% Danceability • 35% Energy • 12% Liveness
1% Instrumentalness • 14% Positiveness
17% Popularity • 35% Danceability • 35% Energy • 12% Liveness
1% Instrumentalness • 14% Positiveness
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Mark Seibert
She's Like The Wind (Dirty Dancing)
130 bpm • E min • 03:08 • -8.85db
10% Popularity • 48% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 48% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 4% Positiveness
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Sylvester LeVay
Ich bleibe in Wien!
129 bpm • G Maj • 04:01 • -9.38db
17% Popularity • 47% Danceability • 67% Energy • 69% Liveness
0% Instrumentalness • 44% Positiveness
17% Popularity • 47% Danceability • 67% Energy • 69% Liveness
0% Instrumentalness • 44% Positiveness
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Lisa Antoni
So viel mehr
129 bpm • D Maj • 04:04 • -9db
18% Popularity • 34% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 6% Positiveness
18% Popularity • 34% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 6% Positiveness
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Raimund Theater Ensemble
Der Hass
129 bpm • F min • 03:54 • -5db
14% Popularity • 56% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
14% Popularity • 56% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Jubiläumscast Wien 2012
Alle tanzten mit dem Tod
131 bpm • E Maj • 04:56 • -11.47db
32% Popularity • 38% Danceability • 43% Energy • 71% Liveness
0% Instrumentalness • 7% Positiveness
32% Popularity • 38% Danceability • 43% Energy • 71% Liveness
0% Instrumentalness • 7% Positiveness
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Duncan Sheik
Mama Who Bore Me (Mama)
129 bpm • G Maj • 01:50 • -13.26db
9% Popularity • 49% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
9% Popularity • 49% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Cameron English
Who Am I Anyway?
129 bpm • G Maj • 01:02 • -19.02db
21% Popularity • 32% Danceability • 12% Energy • 39% Liveness
0% Instrumentalness • 16% Positiveness
21% Popularity • 32% Danceability • 12% Energy • 39% Liveness
0% Instrumentalness • 16% Positiveness
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Sylvester LeVay
Wer ist wer?
128 bpm • A# min • 02:19 • -11.36db
13% Popularity • 51% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
13% Popularity • 51% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Anthony Warlow
This Is the Moment
131 bpm • E Maj • 03:31 • -8db
39% Popularity • 35% Danceability • 49% Energy • 24% Liveness
0% Instrumentalness • 18% Positiveness
39% Popularity • 35% Danceability • 49% Energy • 24% Liveness
0% Instrumentalness • 18% Positiveness
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Flashdance the Musical Studio Cast
Here and Now
132 bpm • E Maj • 03:41 • -3.97db
15% Popularity • 54% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
15% Popularity • 54% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Jubiläumscast Wien 2012
Nichts, nichts, gar nichts (Irrenhausbal...
132 bpm • A# Maj • 02:47 • -11.53db
27% Popularity • 33% Danceability • 40% Energy • 69% Liveness
0% Instrumentalness • 6% Positiveness
27% Popularity • 33% Danceability • 40% Energy • 69% Liveness
0% Instrumentalness • 6% Positiveness
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Rob Fowler
What Part Of My Body Hurts The Most
132 bpm • A# min • 05:12 • -6.36db
27% Popularity • 54% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
27% Popularity • 54% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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Titus Hoffmann
Schicksal oder Glück | SCHOLL - Die Kno...
128 bpm • F Maj • 02:35 • -9.83db
7% Popularity • 70% Danceability • 64% Energy • 98% Liveness
0% Instrumentalness • 62% Positiveness
7% Popularity • 70% Danceability • 64% Energy • 98% Liveness
0% Instrumentalness • 62% Positiveness
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Mark Seibert
Heaven
132 bpm • A Maj • 04:37 • -9.24db
7% Popularity • 58% Danceability • 45% Energy • 97% Liveness
0% Instrumentalness • 31% Positiveness
7% Popularity • 58% Danceability • 45% Energy • 97% Liveness
0% Instrumentalness • 31% Positiveness
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Annemieke van Dam
Bald schon
127 bpm • D Maj • 04:58 • -6.7db
9% Popularity • 45% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
9% Popularity • 45% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Alexandra Burke
Greatest Love of All
127 bpm • G Maj • 04:13 • -13.5db
20% Popularity • 38% Danceability • 19% Energy • 22% Liveness
0% Instrumentalness • 20% Positiveness
20% Popularity • 38% Danceability • 19% Energy • 22% Liveness
0% Instrumentalness • 20% Positiveness
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Judith Caspari
Defying Gravity
133 bpm • G Maj • 04:35 • -8.62db
10% Popularity • 52% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 14% Positiveness
10% Popularity • 52% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 14% Positiveness
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Andrew Polec
Making Love Out Of Nothing At All
128 bpm • B Maj • 02:39 • -10.2db
23% Popularity • 49% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
23% Popularity • 49% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Philip Schwarz
Jonathans Ankunft (Live)
133 bpm • F# min • 02:41 • -12.98db
9% Popularity • 48% Danceability • 29% Energy • 29% Liveness
0% Instrumentalness • 48% Positiveness
9% Popularity • 48% Danceability • 29% Energy • 29% Liveness
0% Instrumentalness • 48% Positiveness
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Mark Seibert
Falling Slowly
128 bpm • D Maj • 04:37 • -9.77db
6% Popularity • 52% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
6% Popularity • 52% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Jan Ammann
Pretty Woman
127 bpm • A Maj • 03:06 • -9db
8% Popularity • 67% Danceability • 75% Energy • 67% Liveness
0% Instrumentalness • 96% Positiveness
8% Popularity • 67% Danceability • 75% Energy • 67% Liveness
0% Instrumentalness • 96% Positiveness
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Spotlight Musicals
Du Bist Nicht Allein Auf Dieser Welt
127 bpm • B Maj • 03:16 • -9.2db
30% Popularity • 50% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
30% Popularity • 50% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Mischa Mang
Heaven On Their Minds
126 bpm • D min • 04:03 • -5.36db
14% Popularity • 41% Danceability • 88% Energy • 60% Liveness
0% Instrumentalness • 23% Positiveness
14% Popularity • 41% Danceability • 88% Energy • 60% Liveness
0% Instrumentalness • 23% Positiveness
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Thomas Borchert
When Love Is True
126 bpm • A Maj • 03:11 • -8.93db
26% Popularity • 33% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
26% Popularity • 33% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Orange Blue
Can Somebody Tell Me Who I Am - Acoustic...
126 bpm • A Maj • 03:45 • -5.59db
27% Popularity • 53% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
27% Popularity • 53% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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Ana Milva Gomes
Take Me to Heaven
134 bpm • F min • 03:44 • -4.43db
10% Popularity • 59% Danceability • 86% Energy • 34% Liveness
0% Instrumentalness • 55% Positiveness
10% Popularity • 59% Danceability • 86% Energy • 34% Liveness
0% Instrumentalness • 55% Positiveness
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![Go the Distance (Hercules) [Live] cover art](https://i.scdn.co/image/ab67616d00001e02545dad6f2cc878b2a5f3aa5c)
Mark Seibert
Go the Distance (Hercules) [Live]
126 bpm • B Maj • 05:42 • -10.85db
5% Popularity • 39% Danceability • 44% Energy • 68% Liveness
0% Instrumentalness • 22% Positiveness
5% Popularity • 39% Danceability • 44% Energy • 68% Liveness
0% Instrumentalness • 22% Positiveness
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Spotlight Musicals
Es fühlt sich nach Heimat an - Finale
127 bpm • C Maj • 04:11 • -10.24db
27% Popularity • 40% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
27% Popularity • 40% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Caroline Vasicek
Everything´s Alright
126 bpm • E Maj • 04:41 • -6db
15% Popularity • 35% Danceability • 67% Energy • 97% Liveness
0% Instrumentalness • 27% Positiveness
15% Popularity • 35% Danceability • 67% Energy • 97% Liveness
0% Instrumentalness • 27% Positiveness
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Tourneecast 2011
Der Schleier fällt
134 bpm • F Maj • 07:11 • -8.2db
20% Popularity • 29% Danceability • 95% Energy • 95% Liveness
7% Instrumentalness • 22% Positiveness
20% Popularity • 29% Danceability • 95% Energy • 95% Liveness
7% Instrumentalness • 22% Positiveness
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Jubiläumscast Wien 2012
Ich gehör nur mir (Reprise)
134 bpm • D# Maj • 03:33 • -11.47db
30% Popularity • 26% Danceability • 37% Energy • 92% Liveness
0% Instrumentalness • 20% Positiveness
30% Popularity • 26% Danceability • 37% Energy • 92% Liveness
0% Instrumentalness • 20% Positiveness
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Scott Alan
Watch Me Soar
134 bpm • C Maj • 02:55 • -8.39db
11% Popularity • 35% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
11% Popularity • 35% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Mark Seibert
Go The Distance (Disney's Hercules)
134 bpm • B Maj • 04:32 • -9.58db
16% Popularity • 35% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
16% Popularity • 35% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Spotlight Musicals
Schlaflied (Komm Zurück in Unseren Trau...
126 bpm • F Maj • 03:01 • -14.34db
15% Popularity • 28% Danceability • 33% Energy • 85% Liveness
0% Instrumentalness • 20% Positiveness
15% Popularity • 28% Danceability • 33% Energy • 85% Liveness
0% Instrumentalness • 20% Positiveness
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David Jakobs
Alle tanzten mit dem Tod (Live)
126 bpm • G min • 04:41 • -9.61db
13% Popularity • 39% Danceability • 44% Energy • 71% Liveness
0% Instrumentalness • 14% Positiveness
13% Popularity • 39% Danceability • 44% Energy • 71% Liveness
0% Instrumentalness • 14% Positiveness
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Marie Antoinette (Original Soundtrack)
Weil ich besser bin
125 bpm • E min • 02:32 • -5db
14% Popularity • 55% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
14% Popularity • 55% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
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Drew Sarich
Mut zur Tat
135 bpm • B Maj • 02:41 • -8.38db
18% Popularity • 34% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
18% Popularity • 34% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Sylvester LeVay
Niemand liebt dich so wie ich
135 bpm • B Maj • 02:10 • -10.31db
19% Popularity • 50% Danceability • 43% Energy • 28% Liveness
0% Instrumentalness • 52% Positiveness
19% Popularity • 50% Danceability • 43% Energy • 28% Liveness
0% Instrumentalness • 52% Positiveness
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Frank Wildhorn
Ein Leben Lang
126 bpm • A Maj • 03:11 • -8.61db
11% Popularity • 35% Danceability • 52% Energy • 9% Liveness
1% Instrumentalness • 22% Positiveness
11% Popularity • 35% Danceability • 52% Energy • 9% Liveness
1% Instrumentalness • 22% Positiveness
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Titus Hoffmann
Unsolider Tanz | SCHOLL - Die Knospe der...
136 bpm • B min • 02:19 • -9.93db
7% Popularity • 58% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
7% Popularity • 58% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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Jubiläumscast Wien 2012
Wie du
136 bpm • D# Maj • 02:50 • -15db
29% Popularity • 48% Danceability • 25% Energy • 80% Liveness
0% Instrumentalness • 48% Positiveness
29% Popularity • 48% Danceability • 25% Energy • 80% Liveness
0% Instrumentalness • 48% Positiveness
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Mark Seibert
A Light In The Dark (Next To Normal)
136 bpm • G Maj • 02:53 • -9.97db
8% Popularity • 39% Danceability • 24% Energy • 25% Liveness
0% Instrumentalness • 36% Positiveness
8% Popularity • 39% Danceability • 24% Energy • 25% Liveness
0% Instrumentalness • 36% Positiveness
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Alexandra Burke
I Will Always Love You
136 bpm • D# Maj • 04:47 • -10.19db
29% Popularity • 30% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
29% Popularity • 30% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Die Nacht der Musicals
The Phantom of the Opera
124 bpm • D min • 04:22 • -4.29db
14% Popularity • 52% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
14% Popularity • 52% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Galileo
Who Wants To Live Forever
136 bpm • D min • 04:17 • -13.69db
28% Popularity • 19% Danceability • 15% Energy • 29% Liveness
0% Instrumentalness • 9% Positiveness
28% Popularity • 19% Danceability • 15% Energy • 29% Liveness
0% Instrumentalness • 9% Positiveness
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Titus Hoffmann
Am Sonntag kommt zum Kaffeeklatsch der F...
125 bpm • A Maj • 02:05 • -8.4db
6% Popularity • 64% Danceability • 47% Energy • 37% Liveness
0% Instrumentalness • 87% Positiveness
6% Popularity • 64% Danceability • 47% Energy • 37% Liveness
0% Instrumentalness • 87% Positiveness
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Original (German) Cast of "Tanz Der Vampire"
Gott ist tot
124 bpm • E min • 03:00 • -10.66db
35% Popularity • 30% Danceability • 35% Energy • 23% Liveness
0% Instrumentalness • 8% Positiveness
35% Popularity • 30% Danceability • 35% Energy • 23% Liveness
0% Instrumentalness • 8% Positiveness
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Sylvester LeVay
Schliess dein Herz in Eisen ein
136 bpm • C Maj • 04:10 • -10.78db
20% Popularity • 32% Danceability • 38% Energy • 71% Liveness
0% Instrumentalness • 5% Positiveness
20% Popularity • 32% Danceability • 38% Energy • 71% Liveness
0% Instrumentalness • 5% Positiveness
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Mark Seibert
Solang ich Dich hab (As Long As You're M...
124 bpm • F Maj • 03:41 • -7.6db
17% Popularity • 48% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
17% Popularity • 48% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Jubiläumscast Wien 2012
Rondo - schwarzer Prinz
136 bpm • C# Maj • 03:27 • -13.86db
31% Popularity • 31% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
31% Popularity • 31% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Philipp Gruber-Hirschbrich
Mama, wo bist du? (Live)
137 bpm • D Maj • 02:55 • -17.75db
7% Popularity • 34% Danceability • 7% Energy • 98% Liveness
0% Instrumentalness • 20% Positiveness
7% Popularity • 34% Danceability • 7% Energy • 98% Liveness
0% Instrumentalness • 20% Positiveness
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Die Nacht der Musicals
Let It Go
137 bpm • G Maj • 03:50 • -4.21db
14% Popularity • 56% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
14% Popularity • 56% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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Original (German) Cast of "Tanz Der Vampire"
Eine schöne Tochter ist ein Segen
124 bpm • A Maj • 01:54 • -12.04db
29% Popularity • 52% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
29% Popularity • 52% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Orchester der Vereinigten Bühnen Wien
Bist du glücklich? / Bist du böse? (Li...
137 bpm • E Maj • 04:58 • -15.83db
21% Popularity • 50% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 19% Positiveness
21% Popularity • 50% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 19% Positiveness
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Jan Ammann
Vivo Per Lei (Live)
137 bpm • F# min • 06:57 • -11.46db
15% Popularity • 32% Danceability • 69% Energy • 98% Liveness
0% Instrumentalness • 35% Positiveness
15% Popularity • 32% Danceability • 69% Energy • 98% Liveness
0% Instrumentalness • 35% Positiveness
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Lisa Antoni
Vertrau uns
137 bpm • F# Maj • 04:25 • -9.88db
20% Popularity • 24% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
20% Popularity • 24% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Raimund Theater Ensemble
Siehe da, Sie liebt
123 bpm • C# Maj • 03:40 • -7.78db
11% Popularity • 36% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
11% Popularity • 36% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Antonio Banderas
High Flying, Adored
123 bpm • D# Maj • 03:32 • -12db
37% Popularity • 69% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
37% Popularity • 69% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Titus Hoffmann
Glück | SCHOLL - Die Knospe der Weißen...
123 bpm • D Maj • 01:02 • -13.54db
7% Popularity • 47% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
7% Popularity • 47% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Michele Mais
Every Rose Has Its Thorn
138 bpm • G Maj • 03:58 • -9.84db
28% Popularity • 50% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
28% Popularity • 50% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Sylvester LeVay
Gold von den Sternen
122 bpm • C Maj • 04:10 • -9.18db
32% Popularity • 41% Danceability • 42% Energy • 71% Liveness
0% Instrumentalness • 29% Positiveness
32% Popularity • 41% Danceability • 42% Energy • 71% Liveness
0% Instrumentalness • 29% Positiveness
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The New York Theatre Orchestra - The Broadway Choir
The Phantom of the Opera from the Phanto...
122 bpm • C Maj • 04:15 • -9.35db
16% Popularity • 53% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
16% Popularity • 53% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
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Alexandra Burke
Run To You (Reprise) / Going Home
122 bpm • G# Maj • 02:26 • -12.7db
11% Popularity • 28% Danceability • 18% Energy • 12% Liveness
1% Instrumentalness • 6% Positiveness
11% Popularity • 28% Danceability • 18% Energy • 12% Liveness
1% Instrumentalness • 6% Positiveness
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Original (German) Cast of "Tanz Der Vampire"
Totale Finsternis
122 bpm • A Maj • 08:19 • -8.71db
34% Popularity • 36% Danceability • 52% Energy • 26% Liveness
0% Instrumentalness • 15% Positiveness
34% Popularity • 36% Danceability • 52% Energy • 26% Liveness
0% Instrumentalness • 15% Positiveness
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Titus Hoffmann
Geist & Empfinden | SCHOLL - Die Knospe ...
122 bpm • D Maj • 02:55 • -10.11db
7% Popularity • 40% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
7% Popularity • 40% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Drew Sarich
Wohin führt mein Weg
122 bpm • D# Maj • 03:06 • -8.77db
17% Popularity • 36% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
17% Popularity • 36% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Conchita Wurst
All by Myself
122 bpm • B min • 06:27 • -11.88db
17% Popularity • 25% Danceability • 23% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
17% Popularity • 25% Danceability • 23% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
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Oliver Tompsett
Stay
121 bpm • B Maj • 04:46 • -9.4db
15% Popularity • 38% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
15% Popularity • 38% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Mark Seibert
Who Wants to Live Forever
139 bpm • D min • 04:24 • -8.13db
5% Popularity • 24% Danceability • 28% Energy • 25% Liveness
0% Instrumentalness • 10% Positiveness
5% Popularity • 24% Danceability • 28% Energy • 25% Liveness
0% Instrumentalness • 10% Positiveness
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Pia Douwes
Wenn ich tanzen will (Live)
139 bpm • G Maj • 03:42 • -8.15db
17% Popularity • 48% Danceability • 57% Energy • 96% Liveness
0% Instrumentalness • 25% Positiveness
17% Popularity • 48% Danceability • 57% Energy • 96% Liveness
0% Instrumentalness • 25% Positiveness
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Sylvester LeVay
Was für ein Kind!
121 bpm • C Maj • 07:32 • -13.39db
18% Popularity • 45% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 18% Positiveness
18% Popularity • 45% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 18% Positiveness
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Drew Sarich
Totale Finsternis
122 bpm • A Maj • 05:28 • -8.05db
24% Popularity • 43% Danceability • 50% Energy • 23% Liveness
0% Instrumentalness • 20% Positiveness
24% Popularity • 43% Danceability • 50% Energy • 23% Liveness
0% Instrumentalness • 20% Positiveness
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Adam Pascal
A Step Too Far
121 bpm • F min • 03:59 • -9db
32% Popularity • 51% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
32% Popularity • 51% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Marie Antoinette (Original Soundtrack)
Gott sieht uns zu
140 bpm • D min • 03:03 • -7db
13% Popularity • 33% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
13% Popularity • 33% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Barbara Obermeier
Natürlich blond
140 bpm • C Maj • 04:26 • -14db
17% Popularity • 46% Danceability • 28% Energy • 72% Liveness
0% Instrumentalness • 28% Positiveness
17% Popularity • 46% Danceability • 28% Energy • 72% Liveness
0% Instrumentalness • 28% Positiveness
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Jubiläumscast Wien 2012
Ich gehör nur mir
140 bpm • C# Maj • 04:22 • -9db
37% Popularity • 32% Danceability • 44% Energy • 92% Liveness
0% Instrumentalness • 22% Positiveness
37% Popularity • 32% Danceability • 44% Energy • 92% Liveness
0% Instrumentalness • 22% Positiveness
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Mark Seibert
Sometimes
140 bpm • D Maj • 02:58 • -7.99db
3% Popularity • 26% Danceability • 37% Energy • 37% Liveness
0% Instrumentalness • 27% Positiveness
3% Popularity • 26% Danceability • 37% Energy • 37% Liveness
0% Instrumentalness • 27% Positiveness
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Matt Henry
Not My Father's Son
140 bpm • A Maj • 06:27 • -13.23db
26% Popularity • 45% Danceability • 25% Energy • 79% Liveness
0% Instrumentalness • 32% Positiveness
26% Popularity • 45% Danceability • 25% Energy • 79% Liveness
0% Instrumentalness • 32% Positiveness
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Anna Maria Kaufmann
Das Phantom der Oper: The Phantom Of The...
120 bpm • D min • 04:32 • -9.21db
15% Popularity • 52% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
15% Popularity • 52% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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Scott Alan
Always
141 bpm • G# Maj • 03:18 • -9.76db
12% Popularity • 29% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
12% Popularity • 29% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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Linda Eder
Someone Like You
141 bpm • F Maj • 04:05 • -12.38db
22% Popularity • 23% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
22% Popularity • 23% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Jubiläumscast Wien 2012
Der letzte Tanz
140 bpm • D Maj • 03:48 • -9db
30% Popularity • 38% Danceability • 41% Energy • 70% Liveness
0% Instrumentalness • 36% Positiveness
30% Popularity • 38% Danceability • 41% Energy • 70% Liveness
0% Instrumentalness • 36% Positiveness
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Mark Seibert
Gethsemane (Jesus Christ Superstar)
141 bpm • G# Maj • 05:56 • -8.03db
7% Popularity • 36% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
7% Popularity • 36% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
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Jan Ammann
Always Remember Us This Way (Live)
120 bpm • G Maj • 03:40 • -9.52db
10% Popularity • 52% Danceability • 46% Energy • 99% Liveness
0% Instrumentalness • 21% Positiveness
10% Popularity • 52% Danceability • 46% Energy • 99% Liveness
0% Instrumentalness • 21% Positiveness
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Orchester der Vereinigten Bühnen Wien
Manderley in Flammen (Live)
141 bpm • G# min • 02:22 • -6.45db
21% Popularity • 35% Danceability • 77% Energy • 93% Liveness
0% Instrumentalness • 41% Positiveness
21% Popularity • 35% Danceability • 77% Energy • 93% Liveness
0% Instrumentalness • 41% Positiveness
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Susan May
Bridge of Light
141 bpm • F Maj • 03:52 • -7.09db
14% Popularity • 40% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
14% Popularity • 40% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Flashdance the Musical Studio Cast
Just out of Reach
119 bpm • F Maj • 03:25 • -3.82db
15% Popularity • 46% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
15% Popularity • 46% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Philip Schwarz
Jonathans Schlafgemach (Live)
142 bpm • F min • 02:25 • -18.82db
7% Popularity • 53% Danceability • 21% Energy • 28% Liveness
0% Instrumentalness • 21% Positiveness
7% Popularity • 53% Danceability • 21% Energy • 28% Liveness
0% Instrumentalness • 21% Positiveness
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Mark Seibert
Nur Sie Allein
141 bpm • A# Maj • 05:03 • -9.55db
20% Popularity • 27% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
20% Popularity • 27% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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Sebastian Krumbiegel
Gern geschehen - Helmut Kohl Theme
142 bpm • D Maj • 02:34 • -5.83db
12% Popularity • 64% Danceability • 76% Energy • 81% Liveness
0% Instrumentalness • 85% Positiveness
12% Popularity • 64% Danceability • 76% Energy • 81% Liveness
0% Instrumentalness • 85% Positiveness
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Die Nacht der Musicals
Totale Finsternis
119 bpm • A Maj • 03:21 • -5.55db
16% Popularity • 50% Danceability • 61% Energy • 22% Liveness
0% Instrumentalness • 16% Positiveness
16% Popularity • 50% Danceability • 61% Energy • 22% Liveness
0% Instrumentalness • 16% Positiveness
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Linda Eder
Even Now
143 bpm • G# Maj • 03:59 • -9.26db
10% Popularity • 24% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
10% Popularity • 24% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness