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(She's So Fine) So Glad She's Mine
Songs like
(She's So Fine) So Glad She's Mine
by
Carter Brothers
Based on a tempo of (+/- 10%) and a similar genre
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Eddie Banks
Sugar Diabetes
136 bpm • C min • 02:39 • -6db
10% Popularity • 66% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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The Charmaines
I Idolize You
136 bpm • F min • 02:22 • -8.91db
11% Popularity • 41% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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Carter Brothers
(She's So Fine) So Glad She's Mine
136 bpm • F Maj • 02:31 • -6.63db
2% Popularity • 77% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Jessie Hill
Scoop Scoobie Doobie
136 bpm • A Maj • 02:53 • -5.84db
9% Popularity • 49% Danceability • 80% Energy • 40% Liveness
0% Instrumentalness • 88% Positiveness
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Jimmy Hughes
It Ain't What You Got
135 bpm • G# Maj • 02:13 • -5db
28% Popularity • 72% Danceability • 66% Energy • 26% Liveness
0% Instrumentalness • 90% Positiveness
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Dusty Wilson
Can't Do Without You
137 bpm • C Maj • 02:25 • -5.98db
13% Popularity • 68% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Allen Toussaint
Omar Khayyam - Remastered
137 bpm • C Maj • 02:15 • -3.96db
19% Popularity • 61% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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The "5" Royales
Thirty Second Lover
135 bpm • C# Maj • 02:27 • -12db
14% Popularity • 64% Danceability • 44% Energy • 31% Liveness
0% Instrumentalness • 78% Positiveness
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Carter Brothers
I Woke up Smiling
135 bpm • D# Maj • 03:27 • -11.27db
0% Popularity • 46% Danceability • 60% Energy • 28% Liveness
0% Instrumentalness • 57% Positiveness
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Stitch
Terp
137 bpm • C Maj • 02:40 • -19.84db
17% Popularity • 64% Danceability • 38% Energy • 16% Liveness
55% Instrumentalness • 86% Positiveness
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O.V. Wright
Love The Way You Love
137 bpm • A# min • 02:28 • -5.35db
12% Popularity • 61% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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The Intruders
You're My One & Only Baby
137 bpm • D Maj • 02:14 • -6.27db
11% Popularity • 59% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 81% Positiveness
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Mack Rice
Baby I'm Coming Home
137 bpm • G min • 02:30 • -14db
15% Popularity • 70% Danceability • 45% Energy • 8% Liveness
81% Instrumentalness • 98% Positiveness
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Jimmy Soul
When Matilda Comes Back
137 bpm • G# Maj • 02:37 • -7.29db
19% Popularity • 50% Danceability • 79% Energy • 27% Liveness
0% Instrumentalness • 94% Positiveness
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Carter Brothers
Stop Talking in Your Sleep
135 bpm • D Maj • 02:26 • -8.3db
0% Popularity • 57% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 95% Positiveness
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Sugar Pie DeSanto
Tell Me What's The Matter
137 bpm • G Maj • 02:31 • -5.92db
15% Popularity • 70% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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The Valentinos
I'll Make It Alright
135 bpm • A Maj • 02:14 • -6.8db
11% Popularity • 54% Danceability • 76% Energy • 51% Liveness
0% Instrumentalness • 96% Positiveness
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Bobby Charles
Worrying over You
135 bpm • B min • 02:13 • -10.75db
11% Popularity • 74% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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James Carr
Coming Back to Me Baby
137 bpm • C Maj • 01:59 • -7.24db
23% Popularity • 77% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 97% Positiveness
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Baby Washington
A Handful Of Memories
137 bpm • A min • 02:19 • -10.6db
18% Popularity • 73% Danceability • 67% Energy • 30% Liveness
0% Instrumentalness • 95% Positiveness
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Little Willie John
(I've Got) Spring Fever
138 bpm • C Maj • 02:10 • -8.94db
14% Popularity • 72% Danceability • 40% Energy • 30% Liveness
0% Instrumentalness • 68% Positiveness
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Sugar Pie DeSanto
There's Gonna Be Trouble
137 bpm • A min • 02:53 • -6.15db
10% Popularity • 57% Danceability • 71% Energy • 18% Liveness
0% Instrumentalness • 78% Positiveness
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Huey "Piano" Smith
Well I'll Be John Brown
137 bpm • C min • 02:29 • -4.59db
17% Popularity • 66% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
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Garnet Mimms
A Little Bit Of Soap
134 bpm • D# Maj • 02:22 • -11db
16% Popularity • 57% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
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Ernie K-Doe
Te-Ta-Te-Ta-Ta - Remastered
134 bpm • F Maj • 02:37 • -9.08db
22% Popularity • 60% Danceability • 51% Energy • 40% Liveness
0% Instrumentalness • 86% Positiveness
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The Edsels
Twenty Four Hours
134 bpm • G# Maj • 02:00 • -8.45db
12% Popularity • 68% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 93% Positiveness
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Little Willie John
Love, Life And Money
138 bpm • A# min • 02:44 • -7.3db
12% Popularity • 44% Danceability • 50% Energy • 20% Liveness
0% Instrumentalness • 57% Positiveness
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Ike Turner
I'm Tore Up
134 bpm • A min • 02:23 • -8.72db
14% Popularity • 66% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Eddie Bo
Dinky Doo
134 bpm • D# Maj • 02:16 • -10.65db
14% Popularity • 71% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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Rosco Gordon
Just A Little Bit
138 bpm • C Maj • 02:09 • -14db
32% Popularity • 73% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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The "5" Royales
Catch That Teardrop
138 bpm • G Maj • 02:25 • -6db
16% Popularity • 73% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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Lee Dorsey
My Old Car Commercial
138 bpm • G Maj • 01:34 • -11.24db
14% Popularity • 75% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 95% Positiveness
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Danny White
Keep My Woman Home
134 bpm • G# Maj • 02:24 • -7db
13% Popularity • 65% Danceability • 55% Energy • 13% Liveness
14% Instrumentalness • 96% Positiveness
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Freddie King
Sittin` On The Boatdock
134 bpm • F Maj • 01:56 • -9.43db
16% Popularity • 64% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
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Huey "Piano" Smith
Havin a Good Time
134 bpm • G Maj • 02:32 • -7.93db
11% Popularity • 55% Danceability • 61% Energy • 34% Liveness
80% Instrumentalness • 75% Positiveness
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Rosco Gordon
Just A Little Bit
138 bpm • C Maj • 02:03 • -14.01db
23% Popularity • 67% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Albert Washington
I'm the Man
138 bpm • F Maj • 02:43 • -7db
15% Popularity • 80% Danceability • 60% Energy • 7% Liveness
69% Instrumentalness • 88% Positiveness
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The Contours
Whole Lotta Woman
138 bpm • G# Maj • 02:49 • -10.85db
31% Popularity • 70% Danceability • 72% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
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Art Neville
What's Going On
138 bpm • B min • 02:00 • -9db
28% Popularity • 68% Danceability • 57% Energy • 68% Liveness
0% Instrumentalness • 94% Positiveness
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Peppermint Harris
Wait Until It Happens to You
133 bpm • F min • 02:06 • -9db
11% Popularity • 61% Danceability • 61% Energy • 26% Liveness
0% Instrumentalness • 84% Positiveness
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Barbara Lynn
Oh! Baby
139 bpm • A Maj • 02:05 • -5db
8% Popularity • 54% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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The Swingin' Tomatoes
Get It
133 bpm • A# Maj • 02:45 • -8db
10% Popularity • 74% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
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Young Jessie
Mary Lou (Alternate Take)
139 bpm • B min • 03:04 • -8db
15% Popularity • 62% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
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Carter Brothers
So Glad She's Mine
139 bpm • G# Maj • 02:27 • -10.16db
0% Popularity • 73% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
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Benny Spellman
Lipstick Traces (On a Cigarette) - Remas...
133 bpm • D# Maj • 02:27 • -7db
10% Popularity • 56% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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Ray Frazier
King of Lovers
139 bpm • F min • 02:45 • -6.72db
8% Popularity • 72% Danceability • 55% Energy • 23% Liveness
0% Instrumentalness • 89% Positiveness
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Charles Sheffield
I Got Fever
139 bpm • D min • 02:16 • -9db
21% Popularity • 64% Danceability • 56% Energy • 36% Liveness
0% Instrumentalness • 87% Positiveness
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The "5" Royales
I Like It Like That
139 bpm • F Maj • 02:52 • -7.81db
12% Popularity • 50% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Controrchestra Big Band
Got To Get Into My Life
133 bpm • G Maj • 02:48 • -8.84db
8% Popularity • 54% Danceability • 59% Energy • 24% Liveness
0% Instrumentalness • 79% Positiveness
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LaVern Baker
Hey Memphis
139 bpm • G min • 02:28 • -9.61db
20% Popularity • 59% Danceability • 76% Energy • 31% Liveness
0% Instrumentalness • 93% Positiveness
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Jackie Lee
The Duck
133 bpm • C# Maj • 02:22 • -7db
17% Popularity • 74% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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B.B. King
Beautician Blues
133 bpm • G# Maj • 02:03 • -11.56db
11% Popularity • 65% Danceability • 44% Energy • 36% Liveness
0% Instrumentalness • 90% Positiveness
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The Mar-Keys
Morning After
133 bpm • C Maj • 02:14 • -7.64db
25% Popularity • 59% Danceability • 59% Energy • 16% Liveness
76% Instrumentalness • 94% Positiveness
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Clarence "Frogman" Henry
It Went to Your Head
132 bpm • G Maj • 02:10 • -11.55db
12% Popularity • 64% Danceability • 57% Energy • 30% Liveness
0% Instrumentalness • 85% Positiveness
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Mary Ann Fisher
Put On My Shoes
133 bpm • F# Maj • 02:28 • -9.61db
16% Popularity • 48% Danceability • 30% Energy • 34% Liveness
0% Instrumentalness • 49% Positiveness
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Sam & Dave
You Ain't No Big Thing Baby
140 bpm • G Maj • 02:30 • -7.15db
14% Popularity • 67% Danceability • 53% Energy • 29% Liveness
0% Instrumentalness • 78% Positiveness
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Mable John
Ain't Giving It Up
140 bpm • C Maj • 02:49 • -10.36db
12% Popularity • 74% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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Barrett Strong
You Knows What To Do - Single Version
132 bpm • C Maj • 02:42 • -7db
12% Popularity • 68% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 85% Positiveness
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Benny Spellman
Lipstick Traces
132 bpm • D# Maj • 02:23 • -12db
13% Popularity • 61% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
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Art Neville
The Dummy
132 bpm • G# Maj • 01:53 • -9db
14% Popularity • 79% Danceability • 63% Energy • 28% Liveness
0% Instrumentalness • 96% Positiveness
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Gene Vincent
Poor Man's Prison
132 bpm • F Maj • 02:30 • -9.5db
14% Popularity • 70% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Sherri Taylor
Oh Lover - Single Version
132 bpm • F min • 02:55 • -4db
10% Popularity • 54% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 84% Positiveness
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Curtis Lee
Is She in Your Town?
140 bpm • B min • 02:08 • -9db
16% Popularity • 57% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 92% Positiveness
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Sugar Pie DeSanto
Use What You Got
132 bpm • F Maj • 02:40 • -8.02db
29% Popularity • 66% Danceability • 67% Energy • 36% Liveness
0% Instrumentalness • 74% Positiveness
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Garnet Mimms
There Goes My Baby
132 bpm • F# min • 02:24 • -10.9db
11% Popularity • 56% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 85% Positiveness
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Dorothy Williams
The Well's Gone Dry
132 bpm • D# Maj • 02:29 • -7.2db
12% Popularity • 76% Danceability • 57% Energy • 24% Liveness
0% Instrumentalness • 78% Positiveness
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The "5" Royales
Right Around The Corner
132 bpm • D# Maj • 02:28 • -12db
20% Popularity • 73% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Baby Washington
Hush Heart
141 bpm • C# Maj • 02:11 • -12db
14% Popularity • 69% Danceability • 56% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
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Clifton Chenier
Ti Na Na
141 bpm • D# Maj • 03:15 • -8.39db
13% Popularity • 44% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
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Faye Adams
Johnnie Lee
141 bpm • A Maj • 02:14 • -5.1db
10% Popularity • 74% Danceability • 80% Energy • 2% Liveness
6% Instrumentalness • 74% Positiveness
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Homer Banks
Aint That A Lot Of Love
131 bpm • A# Maj • 02:37 • -6.62db
29% Popularity • 69% Danceability • 47% Energy • 27% Liveness
0% Instrumentalness • 78% Positiveness
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Little Willie John
Take My Love (I Want To Give It All To Y...
131 bpm • C# Maj • 02:44 • -12.65db
11% Popularity • 46% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 79% Positiveness
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Barrett Strong
Sugar Daddy
131 bpm • F# Maj • 02:43 • -6.23db
12% Popularity • 71% Danceability • 74% Energy • 31% Liveness
0% Instrumentalness • 88% Positiveness
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LaVern Baker
You Said
141 bpm • F Maj • 02:17 • -12.02db
13% Popularity • 73% Danceability • 38% Energy • 89% Liveness
0% Instrumentalness • 96% Positiveness
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Rosie & The Originals
Give Me Love
131 bpm • E Maj • 03:02 • -8.29db
11% Popularity • 61% Danceability • 55% Energy • 32% Liveness
0% Instrumentalness • 74% Positiveness
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Rodger Collins
She's Looking Good
141 bpm • B min • 02:20 • -7.12db
15% Popularity • 82% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Willie Mitchell
That Driving Beat
131 bpm • C min • 02:10 • -6.21db
17% Popularity • 77% Danceability • 58% Energy • 13% Liveness
1% Instrumentalness • 93% Positiveness
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Lazy Lester
Sugar Coated Love
131 bpm • A Maj • 02:46 • -7db
16% Popularity • 63% Danceability • 75% Energy • 22% Liveness
0% Instrumentalness • 49% Positiveness
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Little Willie John
Look What You've Done To Me
131 bpm • A# min • 02:13 • -6.66db
12% Popularity • 63% Danceability • 63% Energy • 21% Liveness
7% Instrumentalness • 76% Positiveness
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Bobby "Blue" Bland
Shoes - Single Version
131 bpm • A# Maj • 02:47 • -10.22db
12% Popularity • 59% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Ernie K-Doe
a Certain Girl
131 bpm • C# Maj • 02:49 • -9db
11% Popularity • 82% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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The Orioles
Hey Little Woman
131 bpm • E min • 02:21 • -11.95db
10% Popularity • 60% Danceability • 54% Energy • 38% Liveness
0% Instrumentalness • 90% Positiveness
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Art Neville
When My Baby Went Away
142 bpm • F Maj • 01:50 • -16.11db
19% Popularity • 71% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Eddie Bo
Every Dog Got His Day
142 bpm • G# Maj • 02:17 • -6.71db
27% Popularity • 76% Danceability • 90% Energy • 7% Liveness
2% Instrumentalness • 96% Positiveness
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Barbara Lynn
You Left the Water Running
130 bpm • A min • 02:11 • -8.5db
29% Popularity • 54% Danceability • 62% Energy • 4% Liveness
0% Instrumentalness • 84% Positiveness
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Lonnie Lester
You Can't Go
130 bpm • A min • 02:21 • -3.93db
14% Popularity • 67% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 95% Positiveness
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Ronnie Love
Chills and Fever
142 bpm • A min • 02:28 • -9.88db
16% Popularity • 52% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
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Mo' Flow
Tell Em'
130 bpm • F# Maj • 02:19 • -9.54db
15% Popularity • 50% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Chuck Willis
What'cha Gonna Do (When Your Baby Leaves...
130 bpm • D min • 02:45 • -9db
27% Popularity • 72% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
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Eddie Bo
Every Dog Has Its Day
142 bpm • G# Maj • 02:11 • -6.87db
13% Popularity • 76% Danceability • 91% Energy • 4% Liveness
6% Instrumentalness • 96% Positiveness
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Trini Lopez
This Little Girl Of Mine
142 bpm • C Maj • 02:22 • -9.15db
12% Popularity • 64% Danceability • 60% Energy • 15% Liveness
91% Instrumentalness • 86% Positiveness
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Ernie K-Doe
A Certain Girl
130 bpm • C# Maj • 02:44 • -10.36db
29% Popularity • 80% Danceability • 60% Energy • 25% Liveness
0% Instrumentalness • 92% Positiveness
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The Cadillacs
Holy Smokes Baby
143 bpm • C Maj • 02:34 • -7.14db
8% Popularity • 50% Danceability • 92% Energy • 29% Liveness
0% Instrumentalness • 83% Positiveness
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Roy Brown
Good Looking and Foxy Too
130 bpm • F Maj • 02:14 • -8.61db
8% Popularity • 63% Danceability • 56% Energy • 36% Liveness
0% Instrumentalness • 86% Positiveness
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Varetta Dillard
That's Why I Cry - Alternate Take
143 bpm • D min • 02:31 • -6.16db
9% Popularity • 41% Danceability • 74% Energy • 64% Liveness
0% Instrumentalness • 71% Positiveness
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Baby Washington
Let Love Go By
129 bpm • D Maj • 01:54 • -9.07db
18% Popularity • 63% Danceability • 60% Energy • 73% Liveness
0% Instrumentalness • 95% Positiveness
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Hank Ballard & The Midnighters
Do You Know How To Twist
129 bpm • G# Maj • 02:27 • -14db
9% Popularity • 74% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Big Jay McNeely
... Back... Shack... Track
143 bpm • F# Maj • 02:39 • -9.84db
10% Popularity • 52% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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The Robins
Truble
129 bpm • F# min • 02:25 • -6db
4% Popularity • 54% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Howard Bomar
Set Down Fo I Fall Down
129 bpm • F# Maj • 02:28 • -8.72db
17% Popularity • 64% Danceability • 68% Energy • 39% Liveness
0% Instrumentalness • 80% Positiveness
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(She's So Fine) So Glad She's Mine