Songs like Shimmy Shimmy Ya by El Michels Affair
Based on a tempo of (+/- 10%) and a similar genre
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Massive Attack
I Against I
100 bpm • F# min • 05:41 • -10.87db
47% Popularity • 68% Danceability • 52% Energy • 10% Liveness
9% Instrumentalness • 26% Positiveness
47% Popularity • 68% Danceability • 52% Energy • 10% Liveness
9% Instrumentalness • 26% Positiveness
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Wargirl
Sass Girl
100 bpm • E min • 03:25 • -3.74db
27% Popularity • 80% Danceability • 89% Energy • 15% Liveness
4% Instrumentalness • 54% Positiveness
27% Popularity • 80% Danceability • 89% Energy • 15% Liveness
4% Instrumentalness • 54% Positiveness
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El Michels Affair
Shimmy Shimmy Ya
100 bpm • B Maj • 02:25 • -5.77db
49% Popularity • 60% Danceability • 67% Energy • 8% Liveness
65% Instrumentalness • 9% Positiveness
49% Popularity • 60% Danceability • 67% Energy • 8% Liveness
65% Instrumentalness • 9% Positiveness
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David Holmes
Rip Rip
100 bpm • E min • 03:52 • -9db
15% Popularity • 74% Danceability • 81% Energy • 33% Liveness
18% Instrumentalness • 86% Positiveness
15% Popularity • 74% Danceability • 81% Energy • 33% Liveness
18% Instrumentalness • 86% Positiveness
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Darondo
Luscious Lady
100 bpm • A# min • 03:15 • -7db
45% Popularity • 70% Danceability • 67% Energy • 10% Liveness
1% Instrumentalness • 86% Positiveness
45% Popularity • 70% Danceability • 67% Energy • 10% Liveness
1% Instrumentalness • 86% Positiveness
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Bobbie Gentry
Reunion
100 bpm • C Maj • 02:37 • -11db
34% Popularity • 69% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
34% Popularity • 69% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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The Budos Band
Adeniji
101 bpm • D Maj • 02:45 • -4.01db
48% Popularity • 69% Danceability • 89% Energy • 29% Liveness
71% Instrumentalness • 83% Positiveness
48% Popularity • 69% Danceability • 89% Energy • 29% Liveness
71% Instrumentalness • 83% Positiveness
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Black Sheep
The Choice Is Yours
101 bpm • G# min • 03:23 • -11.94db
43% Popularity • 83% Danceability • 75% Energy • 31% Liveness
0% Instrumentalness • 95% Positiveness
43% Popularity • 83% Danceability • 75% Energy • 31% Liveness
0% Instrumentalness • 95% Positiveness
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El Michels Affair
The End (Eat My Vocals)
101 bpm • C min • 03:34 • -15.07db
22% Popularity • 70% Danceability • 27% Energy • 12% Liveness
89% Instrumentalness • 24% Positiveness
22% Popularity • 70% Danceability • 27% Energy • 12% Liveness
89% Instrumentalness • 24% Positiveness
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Lee Fields
Watch That Man
100 bpm • C# Maj • 04:18 • -7.07db
17% Popularity • 72% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
17% Popularity • 72% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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Kelly Finnigan
Since I Don’t Have You Anymore
99 bpm • A min • 03:55 • -6db
39% Popularity • 53% Danceability • 74% Energy • 54% Liveness
0% Instrumentalness • 63% Positiveness
39% Popularity • 53% Danceability • 74% Energy • 54% Liveness
0% Instrumentalness • 63% Positiveness
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Bill Withers
Who Is He (And What Is He to You)?
99 bpm • C# min • 03:14 • -12.54db
60% Popularity • 92% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
60% Popularity • 92% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Guts
Take Me Back
99 bpm • C min • 02:56 • -6db
31% Popularity • 84% Danceability • 73% Energy • 28% Liveness
0% Instrumentalness • 67% Positiveness
31% Popularity • 84% Danceability • 73% Energy • 28% Liveness
0% Instrumentalness • 67% Positiveness
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Lonette
Stop! (Don't Worry About It)
101 bpm • F Maj • 02:25 • -5.66db
26% Popularity • 72% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 68% Positiveness
26% Popularity • 72% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 68% Positiveness
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El Michels Affair
Too Late To Turn Back
101 bpm • F Maj • 03:33 • -8.18db
29% Popularity • 75% Danceability • 54% Energy • 11% Liveness
35% Instrumentalness • 50% Positiveness
29% Popularity • 75% Danceability • 54% Energy • 11% Liveness
35% Instrumentalness • 50% Positiveness
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Sweet Revival
Mr. Soul Saving Man
99 bpm • D Maj • 03:46 • -11.81db
19% Popularity • 63% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
19% Popularity • 63% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Blue Boy
Remember Me - Original Mix
101 bpm • F# Maj • 07:03 • -8.66db
57% Popularity • 88% Danceability • 69% Energy • 12% Liveness
78% Instrumentalness • 96% Positiveness
57% Popularity • 88% Danceability • 69% Energy • 12% Liveness
78% Instrumentalness • 96% Positiveness
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Etta James
I Got You Babe
99 bpm • A# min • 02:28 • -6.03db
47% Popularity • 62% Danceability • 78% Energy • 28% Liveness
2% Instrumentalness • 84% Positiveness
47% Popularity • 62% Danceability • 78% Energy • 28% Liveness
2% Instrumentalness • 84% Positiveness
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![Holy Calamity [Bear Witness II] cover art](https://i.scdn.co/image/ab67616d00001e02952f4da94c8d41b100570f49)
Handsome Boy Modeling School
Holy Calamity [Bear Witness II]
99 bpm • F# Maj • 04:01 • -6.35db
42% Popularity • 80% Danceability • 98% Energy • 32% Liveness
35% Instrumentalness • 37% Positiveness
42% Popularity • 80% Danceability • 98% Energy • 32% Liveness
35% Instrumentalness • 37% Positiveness
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Terry Callier
You Goin' Miss Your Candyman
99 bpm • A min • 07:19 • -12.8db
44% Popularity • 45% Danceability • 65% Energy • 28% Liveness
10% Instrumentalness • 61% Positiveness
44% Popularity • 45% Danceability • 65% Energy • 28% Liveness
10% Instrumentalness • 61% Positiveness
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Menahan Street Band
The Traitor
101 bpm • D# min • 02:42 • -8.04db
65% Popularity • 63% Danceability • 58% Energy • 5% Liveness
93% Instrumentalness • 62% Positiveness
65% Popularity • 63% Danceability • 58% Energy • 5% Liveness
93% Instrumentalness • 62% Positiveness
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Deee-Lite
Deee-Lite Theme
99 bpm • A min • 02:09 • -12db
38% Popularity • 68% Danceability • 92% Energy • 10% Liveness
56% Instrumentalness • 40% Positiveness
38% Popularity • 68% Danceability • 92% Energy • 10% Liveness
56% Instrumentalness • 40% Positiveness
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Finley Quaye
Sunday Shining
101 bpm • D Maj • 03:42 • -5.5db
47% Popularity • 60% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 57% Positiveness
47% Popularity • 60% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 57% Positiveness
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Lyrics Born
I Changed My Mind - Stereo Mcs Rattlesna...
101 bpm • E min • 04:30 • -4.64db
41% Popularity • 72% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
41% Popularity • 72% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Wyclef Jean
We Trying to Stay Alive
99 bpm • C# Maj • 03:11 • -8.69db
59% Popularity • 87% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
59% Popularity • 87% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Jurassic 5
Jayou
99 bpm • F# Maj • 02:58 • -9.75db
44% Popularity • 94% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
44% Popularity • 94% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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The Budos Band
Black Venom
101 bpm • B Maj • 03:32 • -9db
43% Popularity • 57% Danceability • 79% Energy • 12% Liveness
89% Instrumentalness • 84% Positiveness
43% Popularity • 57% Danceability • 79% Energy • 12% Liveness
89% Instrumentalness • 84% Positiveness
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The Chakachas
Jungle Fever
99 bpm • C Maj • 04:23 • -15db
39% Popularity • 65% Danceability • 49% Energy • 19% Liveness
21% Instrumentalness • 62% Positiveness
39% Popularity • 65% Danceability • 49% Energy • 19% Liveness
21% Instrumentalness • 62% Positiveness
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Bacao Rhythm & Steel Band
1 Thing
101 bpm • G# Maj • 02:26 • -5.88db
29% Popularity • 66% Danceability • 95% Energy • 8% Liveness
70% Instrumentalness • 93% Positiveness
29% Popularity • 66% Danceability • 95% Energy • 8% Liveness
70% Instrumentalness • 93% Positiveness
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Black Sheep
The Choice Is Yours (Revisited)
101 bpm • A# min • 04:03 • -12.03db
57% Popularity • 87% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
57% Popularity • 87% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Charles Bradley
No Time for Dreaming
101 bpm • C Maj • 02:52 • -7.77db
58% Popularity • 72% Danceability • 76% Energy • 10% Liveness
2% Instrumentalness • 61% Positiveness
58% Popularity • 72% Danceability • 76% Energy • 10% Liveness
2% Instrumentalness • 61% Positiveness
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Camille Yarbrough
Take Yo' Praise
101 bpm • C# Maj • 04:13 • -14.49db
59% Popularity • 80% Danceability • 53% Energy • 14% Liveness
1% Instrumentalness • 53% Positiveness
59% Popularity • 80% Danceability • 53% Energy • 14% Liveness
1% Instrumentalness • 53% Positiveness
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The Budos Band
Long in the Tooth
99 bpm • C Maj • 03:41 • -7.8db
39% Popularity • 52% Danceability • 62% Energy • 37% Liveness
88% Instrumentalness • 64% Positiveness
39% Popularity • 52% Danceability • 62% Energy • 37% Liveness
88% Instrumentalness • 64% Positiveness
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Soul Coughing
Super Bon Bon
99 bpm • C# Maj • 03:31 • -9db
52% Popularity • 69% Danceability • 72% Energy • 12% Liveness
11% Instrumentalness • 92% Positiveness
52% Popularity • 69% Danceability • 72% Energy • 12% Liveness
11% Instrumentalness • 92% Positiveness
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El Michels Affair
Glaciers Of Ice
98 bpm • A# min • 03:28 • -7.21db
31% Popularity • 44% Danceability • 79% Energy • 24% Liveness
43% Instrumentalness • 49% Positiveness
31% Popularity • 44% Danceability • 79% Energy • 24% Liveness
43% Instrumentalness • 49% Positiveness
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Pigmeat Markham
Here Comes The Judge
98 bpm • F Maj • 02:39 • -11db
27% Popularity • 75% Danceability • 65% Energy • 62% Liveness
0% Instrumentalness • 81% Positiveness
27% Popularity • 75% Danceability • 65% Energy • 62% Liveness
0% Instrumentalness • 81% Positiveness
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Monophonics
Like Yesterday
98 bpm • A min • 04:12 • -13db
33% Popularity • 54% Danceability • 54% Energy • 19% Liveness
2% Instrumentalness • 49% Positiveness
33% Popularity • 54% Danceability • 54% Energy • 19% Liveness
2% Instrumentalness • 49% Positiveness
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Digable Planets
Rebirth Of Slick (Cool Like Dat)
98 bpm • C# min • 04:21 • -18.94db
62% Popularity • 88% Danceability • 33% Energy • 11% Liveness
6% Instrumentalness • 57% Positiveness
62% Popularity • 88% Danceability • 33% Energy • 11% Liveness
6% Instrumentalness • 57% Positiveness
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The Ides Of March
Vehicle
102 bpm • A# min • 02:58 • -8.81db
52% Popularity • 47% Danceability • 73% Energy • 26% Liveness
0% Instrumentalness • 93% Positiveness
52% Popularity • 47% Danceability • 73% Energy • 26% Liveness
0% Instrumentalness • 93% Positiveness
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Gil Scott-Heron
Home Is Where the Hatred Is
98 bpm • A# Maj • 03:21 • -9db
48% Popularity • 69% Danceability • 71% Energy • 18% Liveness
1% Instrumentalness • 90% Positiveness
48% Popularity • 69% Danceability • 71% Energy • 18% Liveness
1% Instrumentalness • 90% Positiveness
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Timber Timbre
Run From Me
102 bpm • B Maj • 04:16 • -7db
42% Popularity • 44% Danceability • 42% Energy • 11% Liveness
72% Instrumentalness • 41% Positiveness
42% Popularity • 44% Danceability • 42% Energy • 11% Liveness
72% Instrumentalness • 41% Positiveness
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Sharon Jones & The Dap-Kings
This Land Is Your Land
98 bpm • F# Maj • 04:30 • -5.3db
46% Popularity • 62% Danceability • 71% Energy • 3% Liveness
0% Instrumentalness • 91% Positiveness
46% Popularity • 62% Danceability • 71% Energy • 3% Liveness
0% Instrumentalness • 91% Positiveness
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Baby Charles
I Bet You Look Good On The Dancefloor
102 bpm • C# min • 04:28 • -4.94db
41% Popularity • 59% Danceability • 98% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
41% Popularity • 59% Danceability • 98% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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El Michels Affair
Criminology
102 bpm • G min • 01:35 • -6.75db
33% Popularity • 83% Danceability • 42% Energy • 8% Liveness
85% Instrumentalness • 51% Positiveness
33% Popularity • 83% Danceability • 42% Energy • 8% Liveness
85% Instrumentalness • 51% Positiveness
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Boca 45
Soul on Top
102 bpm • A# min • 03:25 • -9.52db
14% Popularity • 71% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
14% Popularity • 71% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Dan The Automator
Theme from Don
102 bpm • G min • 02:45 • -4.81db
17% Popularity • 53% Danceability • 92% Energy • 8% Liveness
86% Instrumentalness • 64% Positiveness
17% Popularity • 53% Danceability • 92% Energy • 8% Liveness
86% Instrumentalness • 64% Positiveness
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The Trammps
Rubber Band
98 bpm • C# min • 05:15 • -12.31db
41% Popularity • 73% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
41% Popularity • 73% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
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James Brown
People Get Up And Drive Your Funky Soul
98 bpm • C Maj • 03:41 • -5.94db
43% Popularity • 85% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
43% Popularity • 85% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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Moby
Honey
102 bpm • G# Maj • 03:28 • -8.59db
58% Popularity • 83% Danceability • 73% Energy • 8% Liveness
19% Instrumentalness • 68% Positiveness
58% Popularity • 83% Danceability • 73% Energy • 8% Liveness
19% Instrumentalness • 68% Positiveness
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RJD2
All For U
102 bpm • C# Maj • 03:28 • -7db
37% Popularity • 76% Danceability • 85% Energy • 32% Liveness
89% Instrumentalness • 93% Positiveness
37% Popularity • 76% Danceability • 85% Energy • 32% Liveness
89% Instrumentalness • 93% Positiveness
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Ebo Taylor
Love and Death
102 bpm • C Maj • 06:55 • -7.21db
47% Popularity • 74% Danceability • 90% Energy • 12% Liveness
46% Instrumentalness • 87% Positiveness
47% Popularity • 74% Danceability • 90% Energy • 12% Liveness
46% Instrumentalness • 87% Positiveness
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Shuggie Otis
Aht Uh Mi Hed
103 bpm • F# min • 04:17 • -8.14db
45% Popularity • 82% Danceability • 62% Energy • 10% Liveness
15% Instrumentalness • 82% Positiveness
45% Popularity • 82% Danceability • 62% Energy • 10% Liveness
15% Instrumentalness • 82% Positiveness
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Pigeonhed
Battle Flag
97 bpm • B min • 05:57 • -9db
29% Popularity • 72% Danceability • 63% Energy • 30% Liveness
11% Instrumentalness • 63% Positiveness
29% Popularity • 72% Danceability • 63% Energy • 30% Liveness
11% Instrumentalness • 63% Positiveness
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James Brown
The Payback
98 bpm • F# Maj • 07:39 • -10.99db
55% Popularity • 87% Danceability • 64% Energy • 90% Liveness
0% Instrumentalness • 78% Positiveness
55% Popularity • 87% Danceability • 64% Energy • 90% Liveness
0% Instrumentalness • 78% Positiveness
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Public Enemy
He Got Game
97 bpm • E Maj • 04:46 • -6.61db
55% Popularity • 82% Danceability • 64% Energy • 6% Liveness
2% Instrumentalness • 87% Positiveness
55% Popularity • 82% Danceability • 64% Energy • 6% Liveness
2% Instrumentalness • 87% Positiveness
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SAULT
Up All Night
103 bpm • G# Maj • 04:15 • -6.57db
49% Popularity • 77% Danceability • 63% Energy • 9% Liveness
48% Instrumentalness • 47% Positiveness
49% Popularity • 77% Danceability • 63% Energy • 9% Liveness
48% Instrumentalness • 47% Positiveness
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Mattiel
Count Your Blessings
97 bpm • D# min • 03:16 • -3.21db
46% Popularity • 38% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 50% Positiveness
46% Popularity • 38% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 50% Positiveness
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El Michels Affair
Tearz
97 bpm • G# Maj • 02:31 • -8db
49% Popularity • 75% Danceability • 38% Energy • 28% Liveness
30% Instrumentalness • 45% Positiveness
49% Popularity • 75% Danceability • 38% Energy • 28% Liveness
30% Instrumentalness • 45% Positiveness
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Jungle Brothers
Because I Got It Like That
103 bpm • C# min • 04:37 • -7.48db
29% Popularity • 90% Danceability • 92% Energy • 3% Liveness
0% Instrumentalness • 54% Positiveness
29% Popularity • 90% Danceability • 92% Energy • 3% Liveness
0% Instrumentalness • 54% Positiveness
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James Brown
People Get Up And Drive Your Funky Soul
98 bpm • C Maj • 03:39 • -13.05db
28% Popularity • 82% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
28% Popularity • 82% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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Latyrx
Lady Don't Tek No
97 bpm • G# Maj • 03:36 • -5db
42% Popularity • 90% Danceability • 58% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
42% Popularity • 90% Danceability • 58% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
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The Motherhood
Soul Town
97 bpm • F Maj • 02:29 • -4.96db
27% Popularity • 40% Danceability • 82% Energy • 20% Liveness
48% Instrumentalness • 66% Positiveness
27% Popularity • 40% Danceability • 82% Energy • 20% Liveness
48% Instrumentalness • 66% Positiveness
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Nina Simone
Take Care Of Business
103 bpm • D min • 02:05 • -8.53db
55% Popularity • 65% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
55% Popularity • 65% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Gil Scott-Heron
Whitey on the Moon
103 bpm • C# Maj • 01:59 • -11.49db
27% Popularity • 64% Danceability • 56% Energy • 73% Liveness
0% Instrumentalness • 72% Positiveness
27% Popularity • 64% Danceability • 56% Energy • 73% Liveness
0% Instrumentalness • 72% Positiveness
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RJD2
1976
103 bpm • A Maj • 02:27 • -6.06db
44% Popularity • 74% Danceability • 81% Energy • 12% Liveness
53% Instrumentalness • 94% Positiveness
44% Popularity • 74% Danceability • 81% Energy • 12% Liveness
53% Instrumentalness • 94% Positiveness
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James Brown
The Boss
98 bpm • C# Maj • 03:14 • -14.71db
62% Popularity • 74% Danceability • 35% Energy • 8% Liveness
1% Instrumentalness • 62% Positiveness
62% Popularity • 74% Danceability • 35% Energy • 8% Liveness
1% Instrumentalness • 62% Positiveness
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George Baker Selection
Little Green Bag - Single Edit
103 bpm • G Maj • 03:21 • -7.63db
57% Popularity • 70% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
57% Popularity • 70% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Danger Mouse
The Only One
97 bpm • B min • 03:17 • -10db
48% Popularity • 76% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
48% Popularity • 76% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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The Bombay Royale
Monkey Fight Snake
103 bpm • A Maj • 03:33 • -3.46db
24% Popularity • 34% Danceability • 86% Energy • 31% Liveness
89% Instrumentalness • 56% Positiveness
24% Popularity • 34% Danceability • 86% Energy • 31% Liveness
89% Instrumentalness • 56% Positiveness
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Gil Scott-Heron
New York Is Killing Me
103 bpm • C Maj • 04:29 • -6.39db
30% Popularity • 88% Danceability • 88% Energy • 21% Liveness
27% Instrumentalness • 72% Positiveness
30% Popularity • 88% Danceability • 88% Energy • 21% Liveness
27% Instrumentalness • 72% Positiveness
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Mark Ronson
Toxic - Version Revisited
103 bpm • G# Maj • 04:05 • -4.49db
38% Popularity • 78% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
38% Popularity • 78% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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James Brown
The Boss
97 bpm • C# Maj • 03:14 • -8.31db
40% Popularity • 72% Danceability • 56% Energy • 9% Liveness
5% Instrumentalness • 57% Positiveness
40% Popularity • 72% Danceability • 56% Energy • 9% Liveness
5% Instrumentalness • 57% Positiveness
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Chali 2na
Comin' Thru
97 bpm • C Maj • 03:29 • -5db
53% Popularity • 90% Danceability • 74% Energy • 13% Liveness
11% Instrumentalness • 82% Positiveness
53% Popularity • 90% Danceability • 74% Energy • 13% Liveness
11% Instrumentalness • 82% Positiveness
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Johnny Thunder
I'm Alive
97 bpm • E Maj • 02:56 • -10.62db
49% Popularity • 52% Danceability • 83% Energy • 15% Liveness
1% Instrumentalness • 46% Positiveness
49% Popularity • 52% Danceability • 83% Energy • 15% Liveness
1% Instrumentalness • 46% Positiveness
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A Tribe Called Quest
Can I Kick It?
97 bpm • C Maj • 04:11 • -6.55db
71% Popularity • 85% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
71% Popularity • 85% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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El Michels Affair
C.R.E.A.M.
97 bpm • B min • 02:54 • -8.12db
60% Popularity • 57% Danceability • 51% Energy • 16% Liveness
95% Instrumentalness • 10% Positiveness
60% Popularity • 57% Danceability • 51% Energy • 16% Liveness
95% Instrumentalness • 10% Positiveness
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Nightmares On Wax
You Wish
103 bpm • A min • 03:29 • -10db
68% Popularity • 78% Danceability • 25% Energy • 38% Liveness
91% Instrumentalness • 45% Positiveness
68% Popularity • 78% Danceability • 25% Energy • 38% Liveness
91% Instrumentalness • 45% Positiveness
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The Pharcyde
Oh Shit
104 bpm • D Maj • 04:29 • -7.21db
52% Popularity • 80% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
52% Popularity • 80% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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Robert Jay
Alcohol Part 1
97 bpm • A Maj • 02:45 • -5.6db
10% Popularity • 70% Danceability • 89% Energy • 12% Liveness
1% Instrumentalness • 86% Positiveness
10% Popularity • 70% Danceability • 89% Energy • 12% Liveness
1% Instrumentalness • 86% Positiveness
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Public Enemy
Harder Than You Think
104 bpm • B min • 04:09 • -4.44db
63% Popularity • 48% Danceability • 85% Energy • 5% Liveness
0% Instrumentalness • 77% Positiveness
63% Popularity • 48% Danceability • 85% Energy • 5% Liveness
0% Instrumentalness • 77% Positiveness
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Brothers Voodoo
Keep You Alive
97 bpm • C# min • 04:22 • -6.19db
32% Popularity • 83% Danceability • 72% Energy • 6% Liveness
13% Instrumentalness • 88% Positiveness
32% Popularity • 83% Danceability • 72% Energy • 6% Liveness
13% Instrumentalness • 88% Positiveness
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El Michels Affair
Wu Tang Clan Ain't Nuthing ta F' Wit
103 bpm • G# Maj • 02:35 • -7.32db
30% Popularity • 76% Danceability • 59% Energy • 12% Liveness
90% Instrumentalness • 37% Positiveness
30% Popularity • 76% Danceability • 59% Energy • 12% Liveness
90% Instrumentalness • 37% Positiveness
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DJ Shadow
This Time (I'm Gonna Try It My Way)
97 bpm • F Maj • 03:05 • -5.95db
39% Popularity • 58% Danceability • 91% Energy • 8% Liveness
16% Instrumentalness • 73% Positiveness
39% Popularity • 58% Danceability • 91% Energy • 8% Liveness
16% Instrumentalness • 73% Positiveness
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Lafayette Afro Rock Band
Darkest Light
104 bpm • B Maj • 06:26 • -5db
41% Popularity • 40% Danceability • 80% Energy • 24% Liveness
6% Instrumentalness • 56% Positiveness
41% Popularity • 40% Danceability • 80% Energy • 24% Liveness
6% Instrumentalness • 56% Positiveness
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Bacao Rhythm & Steel Band
Laventille Road March
104 bpm • D min • 03:10 • -4db
34% Popularity • 83% Danceability • 94% Energy • 4% Liveness
91% Instrumentalness • 91% Positiveness
34% Popularity • 83% Danceability • 94% Energy • 4% Liveness
91% Instrumentalness • 91% Positiveness
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El Michels Affair meets Liam Bailey
I Love NY
104 bpm • G min • 02:56 • -11.3db
18% Popularity • 33% Danceability • 39% Energy • 11% Liveness
83% Instrumentalness • 24% Positiveness
18% Popularity • 33% Danceability • 39% Energy • 11% Liveness
83% Instrumentalness • 24% Positiveness
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The Sylvers
Stay Away from Me
96 bpm • D Maj • 03:42 • -6.53db
30% Popularity • 60% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
30% Popularity • 60% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
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Cypress Hill
When the Shit Goes Down
96 bpm • E min • 03:08 • -11.36db
61% Popularity • 86% Danceability • 41% Energy • 22% Liveness
81% Instrumentalness • 54% Positiveness
61% Popularity • 86% Danceability • 41% Energy • 22% Liveness
81% Instrumentalness • 54% Positiveness
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Ol' Dirty Bastard
Shimmy Shimmy Ya
96 bpm • C Maj • 02:41 • -5.18db
67% Popularity • 81% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 19% Positiveness
67% Popularity • 81% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 19% Positiveness
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Sharon Jones & The Dap-Kings
How Long Do I Have to Wait for You?
104 bpm • A# min • 04:03 • -3.37db
65% Popularity • 67% Danceability • 91% Energy • 10% Liveness
1% Instrumentalness • 97% Positiveness
65% Popularity • 67% Danceability • 91% Energy • 10% Liveness
1% Instrumentalness • 97% Positiveness
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Sampa the Great
Final Form
96 bpm • B min • 03:36 • -6.69db
48% Popularity • 69% Danceability • 89% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
48% Popularity • 69% Danceability • 89% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
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The Quantic Soul Orchestra
Pushin On
104 bpm • F# min • 03:19 • -3.61db
45% Popularity • 69% Danceability • 94% Energy • 10% Liveness
19% Instrumentalness • 88% Positiveness
45% Popularity • 69% Danceability • 94% Energy • 10% Liveness
19% Instrumentalness • 88% Positiveness
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Sandy Gaye
Watch the Dog That Bring the Bone
105 bpm • C# Maj • 02:18 • -5.83db
31% Popularity • 46% Danceability • 94% Energy • 35% Liveness
1% Instrumentalness • 85% Positiveness
31% Popularity • 46% Danceability • 94% Energy • 35% Liveness
1% Instrumentalness • 85% Positiveness
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A Tribe Called Quest
Luck of Lucien
105 bpm • A Maj • 04:42 • -6db
52% Popularity • 89% Danceability • 57% Energy • 21% Liveness
0% Instrumentalness • 70% Positiveness
52% Popularity • 89% Danceability • 57% Energy • 21% Liveness
0% Instrumentalness • 70% Positiveness
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The Coup
My Favorite Mutiny
105 bpm • F Maj • 04:35 • -5.77db
46% Popularity • 75% Danceability • 85% Energy • 41% Liveness
0% Instrumentalness • 64% Positiveness
46% Popularity • 75% Danceability • 85% Energy • 41% Liveness
0% Instrumentalness • 64% Positiveness
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El Michels Affair
Detroit Twice
95 bpm • D min • 03:00 • -7db
39% Popularity • 69% Danceability • 59% Energy • 16% Liveness
84% Instrumentalness • 93% Positiveness
39% Popularity • 69% Danceability • 59% Energy • 16% Liveness
84% Instrumentalness • 93% Positiveness
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B.T. Express
Do It ('Til You're Satisfied)
105 bpm • A# Maj • 05:53 • -10.14db
39% Popularity • 70% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
39% Popularity • 70% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Eugene Blacknell
I'm so Thankful
95 bpm • E min • 06:00 • -6.78db
28% Popularity • 80% Danceability • 79% Energy • 23% Liveness
1% Instrumentalness • 52% Positiveness
28% Popularity • 80% Danceability • 79% Energy • 23% Liveness
1% Instrumentalness • 52% Positiveness
