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Shit Show
Songs like
Shit Show
by
Peter McPoland
Based on a tempo of (+/- 10%) and a similar genre
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Aidan Bissett
All That I'm Craving
170 bpm • A Maj • 03:12 • -5db
49% Popularity • 48% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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THE DRIVER ERA
A Kiss
170 bpm • F# Maj • 04:31 • -4.65db
62% Popularity • 70% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
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Christian Leave
Days Like Lost Dogs
170 bpm • B Maj • 03:45 • -6.61db
29% Popularity • 41% Danceability • 80% Energy • 59% Liveness
7% Instrumentalness • 47% Positiveness
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Mickey Darling
Big Sad
170 bpm • F min • 02:18 • -5.5db
46% Popularity • 64% Danceability • 78% Energy • 23% Liveness
0% Instrumentalness • 91% Positiveness
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Peter McPoland
Mold
170 bpm • F# min • 03:15 • -4.05db
35% Popularity • 41% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
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Noah Kahan
Homesick
170 bpm • F# Maj • 03:14 • -6db
75% Popularity • 50% Danceability • 64% Energy • 31% Liveness
0% Instrumentalness • 43% Positiveness
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{Parentheses}
It's Always Sunny With You
170 bpm • D Maj • 02:41 • -7.24db
44% Popularity • 64% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Sarah and the Sundays
Ghost
170 bpm • E Maj • 02:41 • -6.4db
31% Popularity • 33% Danceability • 79% Energy • 55% Liveness
3% Instrumentalness • 61% Positiveness
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almost monday
only wanna dance
169 bpm • A Maj • 02:24 • -4.95db
54% Popularity • 51% Danceability • 92% Energy • 23% Liveness
1% Instrumentalness • 94% Positiveness
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Ax and the Hatchetmen
Where tf Did I Park My Car - Extended Ve...
172 bpm • E Maj • 03:21 • -2.6db
20% Popularity • 37% Danceability • 91% Energy • 72% Liveness
0% Instrumentalness • 64% Positiveness
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Peter McPoland
Shit Show
170 bpm • C# Maj • 03:20 • -3.64db
52% Popularity • 55% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 70% Positiveness
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Conan Gray
Jigsaw
168 bpm • A Maj • 03:28 • -5.85db
59% Popularity • 27% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Mickey Darling
Reverse Cowgirl
169 bpm • F# min • 03:39 • -8.93db
47% Popularity • 55% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Noah Floersch
Alone With My Thoughts
172 bpm • A min • 02:57 • -7db
35% Popularity • 35% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Olen
$20
168 bpm • C Maj • 02:35 • -4.28db
36% Popularity • 48% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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ROLE MODEL
forever&more
168 bpm • A Maj • 02:56 • -5.84db
58% Popularity • 64% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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The Moss
Insomnia
168 bpm • B Maj • 03:12 • -5.78db
57% Popularity • 54% Danceability • 75% Energy • 10% Liveness
1% Instrumentalness • 76% Positiveness
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Thomas Headon
UrbanAngel1999
168 bpm • F Maj • 03:10 • -11.71db
42% Popularity • 58% Danceability • 56% Energy • 27% Liveness
0% Instrumentalness • 55% Positiveness
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Peter McPoland
Blue
168 bpm • G# Maj • 03:47 • -3.49db
38% Popularity • 35% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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flipturn
August
172 bpm • F# Maj • 04:21 • -4.3db
64% Popularity • 45% Danceability • 60% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
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Ax and the Hatchetmen
Peach Trees
167 bpm • A Maj • 01:50 • -9.12db
58% Popularity • 50% Danceability • 90% Energy • 35% Liveness
0% Instrumentalness • 60% Positiveness
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Jukebox The Ghost
Girl
172 bpm • G# Maj • 03:33 • -5.62db
51% Popularity • 60% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
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Claire Rosinkranz
i'm too pretty for this
174 bpm • G Maj • 02:46 • -5.18db
53% Popularity • 50% Danceability • 79% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
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Lemon's
Unaware
166 bpm • B min • 03:38 • -7.5db
34% Popularity • 54% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Peter McPoland
Mary Anne
166 bpm • G Maj • 02:23 • -3db
31% Popularity • 55% Danceability • 67% Energy • 29% Liveness
0% Instrumentalness • 88% Positiveness
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Slush Puppy
Juliette
165 bpm • D Maj • 02:50 • -10db
42% Popularity • 46% Danceability • 47% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
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Lovejoy
It's All Futile! It's All Pointless!
165 bpm • A Maj • 03:40 • -8.92db
54% Popularity • 54% Danceability • 53% Energy • 9% Liveness
5% Instrumentalness • 45% Positiveness
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Sarah and the Sundays
I'm So Bored
165 bpm • A# Maj • 03:28 • -5db
45% Popularity • 49% Danceability • 75% Energy • 2% Liveness
0% Instrumentalness • 95% Positiveness
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Coastal Club
honey
165 bpm • A Maj • 04:10 • -3.62db
52% Popularity • 49% Danceability • 87% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
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Thomas Headon
How Do I Know?
176 bpm • C# min • 03:18 • -5.12db
31% Popularity • 45% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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Peter McPoland
I Want You
165 bpm • G min • 04:01 • -3.5db
32% Popularity • 39% Danceability • 98% Energy • 21% Liveness
0% Instrumentalness • 10% Positiveness
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Edgehill
Shooting Glances
165 bpm • C# min • 02:58 • -6.98db
41% Popularity • 43% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Briston Maroney
June
164 bpm • D Maj • 04:44 • -7.97db
58% Popularity • 40% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Aidan Bissett
Dumped
176 bpm • B Maj • 02:43 • -5db
43% Popularity • 56% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
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The Moss
Grand Hoodoo
164 bpm • G Maj • 02:35 • -6.45db
50% Popularity • 59% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
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Mother Mother
Life
164 bpm • A Maj • 03:06 • -2.7db
46% Popularity • 48% Danceability • 97% Energy • 37% Liveness
0% Instrumentalness • 62% Positiveness
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Lovejoy
Concrete
177 bpm • C# Maj • 03:16 • -7.35db
55% Popularity • 56% Danceability • 73% Energy • 12% Liveness
1% Instrumentalness • 77% Positiveness
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Matt Maeson
A Memory Away
164 bpm • G Maj • 03:52 • -6.97db
41% Popularity • 59% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Mickey Darling
FIND OUT THE HARD WAY
163 bpm • A Maj • 03:10 • -8.73db
35% Popularity • 46% Danceability • 71% Energy • 26% Liveness
0% Instrumentalness • 84% Positiveness
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Ritt Momney
Young Adult
163 bpm • E Maj • 04:32 • -11db
47% Popularity • 46% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Vampire Weekend
Campus
163 bpm • G Maj • 02:56 • -5.82db
59% Popularity • 64% Danceability • 70% Energy • 8% Liveness
9% Instrumentalness • 64% Positiveness
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Lincoln
Smokey Eyes
177 bpm • F# Maj • 03:15 • -4.2db
51% Popularity • 16% Danceability • 82% Energy • 23% Liveness
0% Instrumentalness • 31% Positiveness
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AJR
I Won't
163 bpm • C Maj • 02:48 • -6.26db
60% Popularity • 31% Danceability • 76% Energy • 39% Liveness
0% Instrumentalness • 48% Positiveness
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Breakup Shoes
How It Goes
163 bpm • E min • 02:02 • -6.64db
44% Popularity • 47% Danceability • 77% Energy • 54% Liveness
0% Instrumentalness • 66% Positiveness
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Marko
Great Race
178 bpm • D Maj • 01:35 • -2.95db
35% Popularity • 58% Danceability • 97% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
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I DONT KNOW HOW BUT THEY FOUND ME
Kiss Goodnight
178 bpm • G Maj • 03:50 • -6.12db
51% Popularity • 49% Danceability • 60% Energy • 28% Liveness
0% Instrumentalness • 44% Positiveness
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Weathers
I'm Not Ok
178 bpm • A Maj • 03:01 • -3.39db
53% Popularity • 40% Danceability • 96% Energy • 24% Liveness
0% Instrumentalness • 54% Positiveness
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The Backseat Lovers
Kilby Girl
162 bpm • C# Maj • 04:42 • -9.97db
75% Popularity • 33% Danceability • 44% Energy • 11% Liveness
4% Instrumentalness • 22% Positiveness
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Madelline
Participation Trophies
178 bpm • C# Maj • 03:22 • -8db
43% Popularity • 64% Danceability • 47% Energy • 10% Liveness
1% Instrumentalness • 27% Positiveness
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Wallows
I Don't Want to Talk
162 bpm • G Maj • 03:43 • -3.22db
56% Popularity • 46% Danceability • 91% Energy • 31% Liveness
0% Instrumentalness • 64% Positiveness
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Thomas Headon
Bored
162 bpm • D Maj • 02:39 • -6.54db
45% Popularity • 66% Danceability • 61% Energy • 36% Liveness
0% Instrumentalness • 79% Positiveness
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Alexander 23
Hate Me If It Helps
162 bpm • D Maj • 03:16 • -8.84db
45% Popularity • 53% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Cavetown
Boys Will Be Bugs
179 bpm • C# Maj • 05:29 • -11.72db
69% Popularity • 49% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Peter McPoland
Romeo & Juliet
161 bpm • C Maj • 02:46 • -7.11db
58% Popularity • 32% Danceability • 48% Energy • 50% Liveness
0% Instrumentalness • 8% Positiveness
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Stephen Dawes
It Could Be Me
179 bpm • E Maj • 02:07 • -9.05db
47% Popularity • 58% Danceability • 55% Energy • 31% Liveness
0% Instrumentalness • 88% Positiveness
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Ricky Montgomery
Talk to You
180 bpm • D Maj • 03:34 • -7.05db
59% Popularity • 51% Danceability • 67% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
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I DONT KNOW HOW BUT THEY FOUND ME
New Invention
180 bpm • C Maj • 03:11 • -3.03db
58% Popularity • 49% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Olen
DOA
160 bpm • D Maj • 02:43 • -5db
42% Popularity • 55% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Ax and the Hatchetmen
Grace
160 bpm • D# min • 02:30 • -5.27db
49% Popularity • 35% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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Peter McPoland
i can't sleep
180 bpm • B Maj • 02:42 • -15db
31% Popularity • 31% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Dayglow
Run the World!!!
160 bpm • C Maj • 02:56 • -7.71db
59% Popularity • 71% Danceability • 63% Energy • 4% Liveness
0% Instrumentalness • 42% Positiveness
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Phoneboy
Nevermind
160 bpm • C# Maj • 03:30 • -4.23db
53% Popularity • 61% Danceability • 77% Energy • 4% Liveness
0% Instrumentalness • 77% Positiveness
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Aidan Bissett
More Than Friends
160 bpm • F# Maj • 03:03 • -6.79db
66% Popularity • 56% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Matt Maeson
Cut Deep
160 bpm • E min • 02:56 • -3.91db
52% Popularity • 58% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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The Crystal Casino Band
Boys & Girls
160 bpm • D min • 03:34 • -7.83db
26% Popularity • 50% Danceability • 66% Energy • 17% Liveness
28% Instrumentalness • 56% Positiveness
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Peter McPoland
Digital Silence
180 bpm • A# min • 03:18 • -1.43db
62% Popularity • 39% Danceability • 97% Energy • 24% Liveness
0% Instrumentalness • 45% Positiveness
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Chad Tepper
I Wanna Be Your High
160 bpm • B Maj • 03:07 • -6db
45% Popularity • 50% Danceability • 89% Energy • 24% Liveness
0% Instrumentalness • 74% Positiveness
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James Marriott
Him
160 bpm • F min • 03:09 • -4.3db
50% Popularity • 61% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Sarah and the Sundays
Sweet Dream
160 bpm • G Maj • 02:36 • -8.61db
38% Popularity • 53% Danceability • 56% Energy • 32% Liveness
0% Instrumentalness • 73% Positiveness
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Ax and the Hatchetmen
Mako
160 bpm • C# Maj • 01:44 • -8.86db
48% Popularity • 47% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
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Grady
kissing girls
181 bpm • C Maj • 01:40 • -7.32db
53% Popularity • 42% Danceability • 46% Energy • 49% Liveness
0% Instrumentalness • 72% Positiveness
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Christian Leave
Your Life Your Time
159 bpm • B Maj • 02:40 • -5.95db
51% Popularity • 53% Danceability • 82% Energy • 20% Liveness
2% Instrumentalness • 87% Positiveness
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Aidan Bissett
Worst Girls of All Time
159 bpm • F# Maj • 02:53 • -5.97db
35% Popularity • 45% Danceability • 45% Energy • 39% Liveness
0% Instrumentalness • 60% Positiveness
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Phoneboy
Ferrari
158 bpm • D Maj • 02:42 • -5db
42% Popularity • 51% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Colony House
You Know It
158 bpm • D# Maj • 03:02 • -2.9db
60% Popularity • 40% Danceability • 96% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
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Sarah and the Sundays
Coward
158 bpm • E Maj • 03:04 • -6.9db
37% Popularity • 52% Danceability • 84% Energy • 23% Liveness
0% Instrumentalness • 84% Positiveness
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Kevin Walkman
its alright :)
158 bpm • D# Maj • 03:22 • -6db
58% Popularity • 60% Danceability • 77% Energy • 21% Liveness
0% Instrumentalness • 85% Positiveness
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The Regrettes
That's What Makes Me Love You
158 bpm • F# Maj • 02:35 • -4.53db
37% Popularity • 73% Danceability • 78% Energy • 51% Liveness
0% Instrumentalness • 76% Positiveness
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COIN
Crash My Car
184 bpm • F Maj • 03:08 • -5.86db
63% Popularity • 24% Danceability • 65% Energy • 30% Liveness
0% Instrumentalness • 53% Positiveness
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Lovejoy
One Day
183 bpm • A# min • 02:24 • -8.57db
63% Popularity • 34% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
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Koko Love
I Wasn't Made to Fall in Love
184 bpm • B min • 02:41 • -6.75db
41% Popularity • 46% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 70% Positiveness
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Friday Pilots Club
I Don't Care
184 bpm • G# Maj • 03:53 • -5.42db
42% Popularity • 58% Danceability • 57% Energy • 28% Liveness
0% Instrumentalness • 78% Positiveness
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Peter McPoland
Tonight
157 bpm • G Maj • 03:30 • -3.05db
39% Popularity • 48% Danceability • 94% Energy • 36% Liveness
0% Instrumentalness • 45% Positiveness
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Rec Hall
She Doesn't Get It
156 bpm • E Maj • 03:31 • -5.15db
55% Popularity • 59% Danceability • 95% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
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Jukebox The Ghost
Brass Band
156 bpm • B min • 03:06 • -7.75db
35% Popularity • 68% Danceability • 65% Energy • 6% Liveness
1% Instrumentalness • 69% Positiveness
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flipturn
Nickel
156 bpm • F# Maj • 03:57 • -5db
48% Popularity • 65% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
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Mickey Darling
MOVE ON TOO
155 bpm • G# Maj • 03:43 • -8.34db
36% Popularity • 52% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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I DONT KNOW HOW BUT THEY FOUND ME
Razzmatazz
155 bpm • A min • 04:18 • -4.79db
50% Popularity • 40% Danceability • 68% Energy • 30% Liveness
0% Instrumentalness • 47% Positiveness
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Peter McPoland
Come Around
155 bpm • G Maj • 02:53 • -3db
38% Popularity • 50% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Krooked Kings
Bird Scooter
155 bpm • B Maj • 03:18 • -5.75db
46% Popularity • 59% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Del Water Gap
Hurting Kind
155 bpm • A Maj • 03:40 • -8db
45% Popularity • 59% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
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Thomas Headon
Nobody Has To Know
154 bpm • A Maj • 03:06 • -4.23db
34% Popularity • 61% Danceability • 85% Energy • 32% Liveness
0% Instrumentalness • 86% Positiveness
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Little Hurt
Good As It Gets
154 bpm • F Maj • 02:33 • -4.42db
44% Popularity • 66% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Mickey Darling
VROOM VROOM
153 bpm • G Maj • 03:06 • -6.57db
46% Popularity • 55% Danceability • 72% Energy • 82% Liveness
0% Instrumentalness • 69% Positiveness
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MyKey
Mazda5
154 bpm • G# Maj • 02:12 • -5db
36% Popularity • 44% Danceability • 85% Energy • 65% Liveness
0% Instrumentalness • 57% Positiveness
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Saint Motel
For Elise
153 bpm • A# Maj • 03:23 • -6.32db
57% Popularity • 49% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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The Backseat Lovers
Maple Syrup
153 bpm • D Maj • 04:03 • -9.7db
71% Popularity • 54% Danceability • 53% Energy • 8% Liveness
5% Instrumentalness • 38% Positiveness
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Noah Floersch
Girl from the Sidewalk
152 bpm • G Maj • 06:44 • -8.39db
39% Popularity • 64% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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spill tab
Grade A
152 bpm • A Maj • 01:46 • -8.6db
50% Popularity • 72% Danceability • 67% Energy • 12% Liveness
1% Instrumentalness • 74% Positiveness
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Mickey Darling
Wallows Song
152 bpm • B min • 03:55 • -4.44db
36% Popularity • 58% Danceability • 92% Energy • 53% Liveness
0% Instrumentalness • 67% Positiveness
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Shit Show