Songs like Show Her by The James Hunter Six
Based on a tempo of (+/- 10%) and a similar genre
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PM Warson
(Just) Call My Name
112 bpm • C min • 04:52 • -6.36db
8% Popularity • 78% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
8% Popularity • 78% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Fred Williams
Tell Her
112 bpm • F min • 02:25 • -10db
48% Popularity • 55% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
48% Popularity • 55% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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The James Hunter Six
I Can Change Your Mind
112 bpm • G Maj • 02:35 • -7db
36% Popularity • 84% Danceability • 56% Energy • 33% Liveness
0% Instrumentalness • 97% Positiveness
36% Popularity • 84% Danceability • 56% Energy • 33% Liveness
0% Instrumentalness • 97% Positiveness
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Dyke & The Blazers
Let A Woman Be A Woman - Let A Man Be A ...
112 bpm • A min • 03:13 • -11.01db
46% Popularity • 83% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
46% Popularity • 83% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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LaVern Baker
You'd Better Find Yourself Another Fool
112 bpm • F Maj • 02:01 • -7db
24% Popularity • 75% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
24% Popularity • 75% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Sam & Dave
Don't Turn Your Heater On
112 bpm • G# Maj • 02:15 • -13.94db
35% Popularity • 92% Danceability • 40% Energy • 3% Liveness
0% Instrumentalness • 92% Positiveness
35% Popularity • 92% Danceability • 40% Energy • 3% Liveness
0% Instrumentalness • 92% Positiveness
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Laura Lee
It Ain't What You Do (But How You Do It)
112 bpm • F min • 02:03 • -13db
25% Popularity • 83% Danceability • 46% Energy • 57% Liveness
0% Instrumentalness • 90% Positiveness
25% Popularity • 83% Danceability • 46% Energy • 57% Liveness
0% Instrumentalness • 90% Positiveness
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Michael Kiwanuka
Bones
112 bpm • A# Maj • 03:45 • -9.44db
44% Popularity • 64% Danceability • 48% Energy • 28% Liveness
0% Instrumentalness • 49% Positiveness
44% Popularity • 64% Danceability • 48% Energy • 28% Liveness
0% Instrumentalness • 49% Positiveness
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The James Hunter Six
Show Her
112 bpm • F min • 02:36 • -8.37db
27% Popularity • 92% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
27% Popularity • 92% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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The Tibbs
Soul Of My Life
113 bpm • D Maj • 03:18 • -7.01db
12% Popularity • 69% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
12% Popularity • 69% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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LaVern Baker
You're the Boss
112 bpm • C# Maj • 02:16 • -7db
31% Popularity • 61% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
31% Popularity • 61% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Irma Thomas
Cheater Man - Alternate Mix
111 bpm • C# Maj • 02:32 • -11.34db
29% Popularity • 66% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
29% Popularity • 66% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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Spencer Wiggins
Lonely Man
111 bpm • F# Maj • 02:12 • -7db
27% Popularity • 70% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
27% Popularity • 70% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Marion Black
Who Knows
111 bpm • D min • 02:18 • -8db
66% Popularity • 53% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
66% Popularity • 53% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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The James Hunter Six
Blisters
112 bpm • A Maj • 02:46 • -9.32db
25% Popularity • 70% Danceability • 52% Energy • 10% Liveness
79% Instrumentalness • 87% Positiveness
25% Popularity • 70% Danceability • 52% Energy • 10% Liveness
79% Instrumentalness • 87% Positiveness
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Sam & Dave
Wrap It Up - LP / Single Version
113 bpm • C# Maj • 02:30 • -12db
43% Popularity • 79% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
43% Popularity • 79% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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LaVern Baker
You're the Boss
111 bpm • C# Maj • 02:21 • -10db
29% Popularity • 60% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
29% Popularity • 60% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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The Soul Children
Signed, Sealed And Delivered
111 bpm • A# Maj • 03:22 • -12db
15% Popularity • 64% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
15% Popularity • 64% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Eddie Bo
Check Mr. Popeye - Pt. 1
111 bpm • C Maj • 02:16 • -9db
30% Popularity • 83% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
30% Popularity • 83% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
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James Hunter
Tell Her
113 bpm • G Maj • 03:24 • -9db
27% Popularity • 73% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
27% Popularity • 73% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
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The James Hunter Six
Light of My Life
112 bpm • A# Maj • 03:15 • -8db
39% Popularity • 86% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 87% Positiveness
39% Popularity • 86% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 87% Positiveness
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Candi Staton
I'm Just a Prisoner (Of Your Good Lovin'...
113 bpm • A Maj • 03:12 • -15db
33% Popularity • 64% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
33% Popularity • 64% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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King Curtis
Memphis Soul Stew
113 bpm • B min • 02:59 • -10.81db
52% Popularity • 72% Danceability • 60% Energy • 11% Liveness
24% Instrumentalness • 89% Positiveness
52% Popularity • 72% Danceability • 60% Energy • 11% Liveness
24% Instrumentalness • 89% Positiveness
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Bill Withers
Ruby Lee
113 bpm • C min • 03:17 • -14.09db
56% Popularity • 84% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
56% Popularity • 84% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Geater Davis
My Love Is so Strong for You
111 bpm • G min • 03:05 • -9db
29% Popularity • 75% Danceability • 58% Energy • 7% Liveness
2% Instrumentalness • 95% Positiveness
29% Popularity • 75% Danceability • 58% Energy • 7% Liveness
2% Instrumentalness • 95% Positiveness
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The Como Mamas
Move Upstairs
111 bpm • G min • 03:33 • -8db
27% Popularity • 65% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
27% Popularity • 65% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
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The James Hunter Six
So They Say
113 bpm • E min • 03:13 • -10.57db
14% Popularity • 84% Danceability • 52% Energy • 9% Liveness
1% Instrumentalness • 89% Positiveness
14% Popularity • 84% Danceability • 52% Energy • 9% Liveness
1% Instrumentalness • 89% Positiveness
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Odetta
Go Down Sunshine
113 bpm • G# Maj • 02:19 • -12.53db
32% Popularity • 76% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
32% Popularity • 76% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Clarence Carter
Slip Away
113 bpm • C# Maj • 02:33 • -9.1db
55% Popularity • 78% Danceability • 43% Energy • 2% Liveness
0% Instrumentalness • 92% Positiveness
55% Popularity • 78% Danceability • 43% Energy • 2% Liveness
0% Instrumentalness • 92% Positiveness
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James Hunter
Carina
114 bpm • F Maj • 04:10 • -9.32db
42% Popularity • 87% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
42% Popularity • 87% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Dixon
I'm Your Hoochie Coochie Man
114 bpm • C Maj • 03:47 • -12.93db
7% Popularity • 78% Danceability • 41% Energy • 44% Liveness
30% Instrumentalness • 96% Positiveness
7% Popularity • 78% Danceability • 41% Energy • 44% Liveness
30% Instrumentalness • 96% Positiveness
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Tony Joe White
Tony Joe White - What Does It Take (To W...
114 bpm • E Maj • 03:43 • -10.75db
26% Popularity • 72% Danceability • 56% Energy • 15% Liveness
16% Instrumentalness • 70% Positiveness
26% Popularity • 72% Danceability • 56% Energy • 15% Liveness
16% Instrumentalness • 70% Positiveness
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The James Hunter Six
Let The Monkey Ride
111 bpm • D Maj • 03:35 • -10db
16% Popularity • 84% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
16% Popularity • 84% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
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Nicole Willis
Together We Climb
114 bpm • E min • 04:33 • -7.39db
14% Popularity • 63% Danceability • 52% Energy • 5% Liveness
1% Instrumentalness • 62% Positiveness
14% Popularity • 63% Danceability • 52% Energy • 5% Liveness
1% Instrumentalness • 62% Positiveness
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Nappy Brown
My Baby
110 bpm • C# Maj • 02:34 • -13.45db
25% Popularity • 76% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
25% Popularity • 76% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Marlena Shaw
Liberation Conversation
114 bpm • A# min • 02:02 • -10db
39% Popularity • 80% Danceability • 82% Energy • 11% Liveness
1% Instrumentalness • 97% Positiveness
39% Popularity • 80% Danceability • 82% Energy • 11% Liveness
1% Instrumentalness • 97% Positiveness
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Jo Ann Hamilton
September
114 bpm • A min • 03:02 • -8.99db
11% Popularity • 84% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
11% Popularity • 84% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
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The Meltdown
Hold On To Hope
110 bpm • D min • 03:57 • -6.62db
36% Popularity • 89% Danceability • 54% Energy • 8% Liveness
1% Instrumentalness • 97% Positiveness
36% Popularity • 89% Danceability • 54% Energy • 8% Liveness
1% Instrumentalness • 97% Positiveness
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The James Hunter Six
Take It As You Find It
114 bpm • C# min • 03:20 • -8.9db
24% Popularity • 80% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
24% Popularity • 80% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Nick Waterhouse
The Spanish Look
114 bpm • E Maj • 02:56 • -7.52db
31% Popularity • 53% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
31% Popularity • 53% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
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The California Honeydrops
When It Was Wrong
114 bpm • G# min • 04:32 • -6db
52% Popularity • 76% Danceability • 81% Energy • 23% Liveness
0% Instrumentalness • 90% Positiveness
52% Popularity • 76% Danceability • 81% Energy • 23% Liveness
0% Instrumentalness • 90% Positiveness
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Carla Thomas
I Like What You're Doing (To Me)
114 bpm • E Maj • 02:58 • -17.2db
30% Popularity • 72% Danceability • 29% Energy • 19% Liveness
0% Instrumentalness • 78% Positiveness
30% Popularity • 72% Danceability • 29% Energy • 19% Liveness
0% Instrumentalness • 78% Positiveness
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Mose Allison
I Don't Worry About a Thing
110 bpm • F Maj • 02:17 • -18db
40% Popularity • 76% Danceability • 17% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
40% Popularity • 76% Danceability • 17% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
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Syl Johnson
Take Me to the River
114 bpm • A Maj • 03:05 • -8.37db
25% Popularity • 92% Danceability • 74% Energy • 9% Liveness
72% Instrumentalness • 90% Positiveness
25% Popularity • 92% Danceability • 74% Energy • 9% Liveness
72% Instrumentalness • 90% Positiveness
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The James Hunter Six
Ain't Goin' Up in One of Those Things
110 bpm • D Maj • 02:21 • -5.05db
12% Popularity • 70% Danceability • 86% Energy • 34% Liveness
0% Instrumentalness • 92% Positiveness
12% Popularity • 70% Danceability • 86% Energy • 34% Liveness
0% Instrumentalness • 92% Positiveness
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Wilbert Harrison
Let's Work Together
109 bpm • G Maj • 05:35 • -6db
34% Popularity • 80% Danceability • 82% Energy • 7% Liveness
6% Instrumentalness • 97% Positiveness
34% Popularity • 80% Danceability • 82% Energy • 7% Liveness
6% Instrumentalness • 97% Positiveness
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James Hunter
People Gonna Talk
109 bpm • G Maj • 03:15 • -9.6db
38% Popularity • 92% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
38% Popularity • 92% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Bobby Womack
What Is This - Original Mix
115 bpm • E Maj • 02:32 • -7.88db
32% Popularity • 70% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
32% Popularity • 70% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
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Ella Fitzgerald
Sunshine of Your Love
109 bpm • G# Maj • 03:17 • -8.06db
38% Popularity • 51% Danceability • 46% Energy • 37% Liveness
0% Instrumentalness • 63% Positiveness
38% Popularity • 51% Danceability • 46% Energy • 37% Liveness
0% Instrumentalness • 63% Positiveness
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Brenton Wood
Great Big Bundle Of Love
109 bpm • F min • 02:18 • -5.24db
46% Popularity • 74% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
46% Popularity • 74% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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The James Hunter Six
Baby Don't Do It
110 bpm • A Maj • 03:23 • -6.93db
15% Popularity • 62% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
15% Popularity • 62% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Ernie K-Doe
Back Street Lover - Remastered
109 bpm • A# Maj • 02:27 • -8db
14% Popularity • 72% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
14% Popularity • 72% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Clarence Carter
Looking for a Fox
115 bpm • B min • 02:16 • -14.52db
33% Popularity • 65% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
33% Popularity • 65% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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Diplomats of Solid Sound
Soul Connection
109 bpm • D Maj • 02:29 • -6.14db
44% Popularity • 65% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
44% Popularity • 65% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
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Charles Bradley
Fly Little Girl
115 bpm • C Maj • 03:19 • -6.9db
25% Popularity • 42% Danceability • 58% Energy • 77% Liveness
0% Instrumentalness • 51% Positiveness
25% Popularity • 42% Danceability • 58% Energy • 77% Liveness
0% Instrumentalness • 51% Positiveness
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DeRobert & The Half-Truths
Beg Me
116 bpm • A# min • 02:12 • -9.37db
29% Popularity • 84% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
29% Popularity • 84% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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The James Hunter Six
He's Your Could've Been
115 bpm • D min • 02:39 • -9.87db
42% Popularity • 90% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
42% Popularity • 90% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Nick Waterhouse
Stanyan Street
116 bpm • C Maj • 07:47 • -11db
34% Popularity • 69% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
34% Popularity • 69% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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Mose Allison
Your Mind Is on Vacation
108 bpm • G# Maj • 02:37 • -20.84db
41% Popularity • 78% Danceability • 13% Energy • 13% Liveness
3% Instrumentalness • 73% Positiveness
41% Popularity • 78% Danceability • 13% Energy • 13% Liveness
3% Instrumentalness • 73% Positiveness
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Carlton Jumel Smith
Woman You Made Me
116 bpm • A min • 03:43 • -6.03db
18% Popularity • 70% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
18% Popularity • 70% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
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Charles Bradley
You Put the Flame on It
116 bpm • F# min • 03:48 • -6db
36% Popularity • 56% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
36% Popularity • 56% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
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Sugar Pie DeSanto
I Don't Feel Sorry
116 bpm • A# Maj • 02:16 • -6.49db
27% Popularity • 77% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
27% Popularity • 77% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
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The James Hunter Six
Drop On Me
115 bpm • G Maj • 02:52 • -7.17db
17% Popularity • 77% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
17% Popularity • 77% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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The Tibbs
Betty One-Shoe
108 bpm • D Maj • 03:57 • -7.28db
28% Popularity • 60% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
28% Popularity • 60% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Saun & Starr
Blah Blah Blah Blah Blah Blah Blah
117 bpm • D# Maj • 04:29 • -7.48db
26% Popularity • 85% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
26% Popularity • 85% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Rosco Gordon
No More Doggin'
107 bpm • G# Maj • 02:37 • -15db
34% Popularity • 78% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 83% Positiveness
34% Popularity • 78% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 83% Positiveness
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Syl Johnson
Different Strokes
108 bpm • D Maj • 02:19 • -9.61db
39% Popularity • 84% Danceability • 74% Energy • 18% Liveness
1% Instrumentalness • 78% Positiveness
39% Popularity • 84% Danceability • 74% Energy • 18% Liveness
1% Instrumentalness • 78% Positiveness
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Sugar Pie DeSanto
I Don't Wanna Fuss
117 bpm • A Maj • 03:20 • -8.3db
26% Popularity • 80% Danceability • 43% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
26% Popularity • 80% Danceability • 43% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
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Little Willie John
Need Your Love So Bad
107 bpm • C# Maj • 02:16 • -10.66db
46% Popularity • 60% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
46% Popularity • 60% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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The James Hunter Six
Heartbreak
115 bpm • A Maj • 04:23 • -11.47db
30% Popularity • 85% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
30% Popularity • 85% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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Menahan Street Band
Every Day a Dream
117 bpm • A# Maj • 03:53 • -7.16db
53% Popularity • 69% Danceability • 66% Energy • 11% Liveness
66% Instrumentalness • 70% Positiveness
53% Popularity • 69% Danceability • 66% Energy • 11% Liveness
66% Instrumentalness • 70% Positiveness
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Bo Diddley
Ooh Baby
117 bpm • E Maj • 03:49 • -8db
35% Popularity • 75% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 83% Positiveness
35% Popularity • 75% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 83% Positiveness
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Darondo
How I Got Over
118 bpm • G min • 03:42 • -9.44db
34% Popularity • 70% Danceability • 47% Energy • 14% Liveness
13% Instrumentalness • 59% Positiveness
34% Popularity • 70% Danceability • 47% Energy • 14% Liveness
13% Instrumentalness • 59% Positiveness
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Jr. Walker & The All Stars
Cleo's Mood
106 bpm • D# min • 02:41 • -7.52db
43% Popularity • 73% Danceability • 40% Energy • 17% Liveness
32% Instrumentalness • 85% Positiveness
43% Popularity • 73% Danceability • 40% Energy • 17% Liveness
32% Instrumentalness • 85% Positiveness
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Odetta
Movin' It On
118 bpm • C Maj • 02:28 • -9.94db
30% Popularity • 82% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
30% Popularity • 82% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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The James Hunter Six
Missing in Action
116 bpm • A Maj • 02:37 • -7.88db
14% Popularity • 79% Danceability • 46% Energy • 30% Liveness
0% Instrumentalness • 89% Positiveness
14% Popularity • 79% Danceability • 46% Energy • 30% Liveness
0% Instrumentalness • 89% Positiveness
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Don Covay & The Goodtimers
Mercy, Mercy
118 bpm • A Maj • 02:26 • -13.43db
44% Popularity • 86% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
44% Popularity • 86% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Otis Clay
Trying To Live My Life Without You
106 bpm • D# Maj • 02:53 • -7.02db
13% Popularity • 84% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
13% Popularity • 84% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
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Irma Thomas
It's Raining
106 bpm • G Maj • 02:08 • -12db
45% Popularity • 62% Danceability • 27% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
45% Popularity • 62% Danceability • 27% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
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Jr. Walker & The All Stars
Monkey Jump
118 bpm • C Maj • 02:06 • -7.29db
48% Popularity • 77% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
48% Popularity • 77% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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The Hawkmen
Don't Judge a Book by Its Cover
118 bpm • C Maj • 03:19 • -5.72db
14% Popularity • 89% Danceability • 73% Energy • 22% Liveness
0% Instrumentalness • 80% Positiveness
14% Popularity • 89% Danceability • 73% Energy • 22% Liveness
0% Instrumentalness • 80% Positiveness
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The James Hunter Six
This Is Where We Come In
108 bpm • B min • 04:31 • -9db
35% Popularity • 82% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
35% Popularity • 82% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Olu Dara
Your Lips
118 bpm • D Maj • 04:00 • -11.53db
31% Popularity • 80% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
31% Popularity • 80% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Alvin Robinson
I'm Just a Down Home Girl
106 bpm • F min • 03:02 • -10.13db
26% Popularity • 68% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
26% Popularity • 68% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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Mable John
Sorry About That - Take 1
106 bpm • A min • 02:19 • -11.88db
39% Popularity • 77% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
39% Popularity • 77% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Ural Thomas and the Pain
Vibrations
106 bpm • C Maj • 02:58 • -9.57db
14% Popularity • 71% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 85% Positiveness
14% Popularity • 71% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 85% Positiveness
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Liz McCall
Double Determination
106 bpm • F min • 02:30 • -4.93db
12% Popularity • 65% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
12% Popularity • 65% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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The James Hunter Six
I Don't Wanna Be Without You
118 bpm • A min • 03:25 • -9db
55% Popularity • 69% Danceability • 51% Energy • 27% Liveness
0% Instrumentalness • 80% Positiveness
55% Popularity • 69% Danceability • 51% Energy • 27% Liveness
0% Instrumentalness • 80% Positiveness
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Howard Tate
Keep Cool
119 bpm • G Maj • 02:36 • -7db
19% Popularity • 60% Danceability • 67% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
19% Popularity • 60% Danceability • 67% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
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Nick Waterhouse
Medicine
119 bpm • G min • 03:18 • -10db
48% Popularity • 70% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
48% Popularity • 70% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Amos Milburn
Once Scotch, One Bourbon, One Beer
119 bpm • D Maj • 02:55 • -12.1db
33% Popularity • 90% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
33% Popularity • 90% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Sugar Pie DeSanto
It's Done And Forgotten
106 bpm • A min • 02:33 • -4.66db
32% Popularity • 69% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
32% Popularity • 69% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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Bobby Womack
I'm A Midnight Mover
119 bpm • A Maj • 02:02 • -10.41db
43% Popularity • 77% Danceability • 54% Energy • 9% Liveness
3% Instrumentalness • 93% Positiveness
43% Popularity • 77% Danceability • 54% Energy • 9% Liveness
3% Instrumentalness • 93% Positiveness
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The James Hunter Six
Who's Foolin' Who
106 bpm • F# min • 02:55 • -12.65db
15% Popularity • 73% Danceability • 28% Energy • 29% Liveness
0% Instrumentalness • 66% Positiveness
15% Popularity • 73% Danceability • 28% Energy • 29% Liveness
0% Instrumentalness • 66% Positiveness
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Geater Davis
Don't Marry a Fool
119 bpm • C Maj • 02:31 • -8.73db
15% Popularity • 70% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
15% Popularity • 70% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Syl Johnson
I Want to Take You Home (To See Mama)
119 bpm • C min • 02:38 • -7.92db
18% Popularity • 73% Danceability • 64% Energy • 3% Liveness
0% Instrumentalness • 92% Positiveness
18% Popularity • 73% Danceability • 64% Energy • 3% Liveness
0% Instrumentalness • 92% Positiveness
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Earl King
Mama And Papa
119 bpm • E Maj • 02:14 • -7db
31% Popularity • 73% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
31% Popularity • 73% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
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Darondo
Qualified
105 bpm • G# Maj • 02:52 • -9db
39% Popularity • 80% Danceability • 65% Energy • 2% Liveness
14% Instrumentalness • 94% Positiveness
39% Popularity • 80% Danceability • 65% Energy • 2% Liveness
14% Instrumentalness • 94% Positiveness