Songs like Shubqono (Aramaic) by Abeer Nehme
Based on a tempo of (+/- 10%) and a similar genre
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Julia Boutros
El Bahr El Hadi
128 bpm • A min • 05:58 • -10.61db
20% Popularity • 68% Danceability • 43% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
20% Popularity • 68% Danceability • 43% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
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Jannat
Esmaa Kalamy
128 bpm • G# Maj • 04:04 • -7.57db
43% Popularity • 69% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
43% Popularity • 69% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
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Yuri Mrakadi
Arabiyon Ana
128 bpm • A min • 04:44 • -7.55db
33% Popularity • 74% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
33% Popularity • 74% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Balqees
Khedi El Ghamrat
128 bpm • D min • 04:13 • -8.67db
42% Popularity • 58% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
42% Popularity • 58% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Hiba Tawaji
Herban
128 bpm • C Maj • 05:20 • -5.62db
9% Popularity • 71% Danceability • 68% Energy • 21% Liveness
0% Instrumentalness • 45% Positiveness
9% Popularity • 71% Danceability • 68% Energy • 21% Liveness
0% Instrumentalness • 45% Positiveness
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Nouran AbuTaleb
Fawazeer
128 bpm • D Maj • 03:16 • -13.77db
14% Popularity • 62% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
14% Popularity • 62% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Marwan Khoury
قصر الشوق
128 bpm • D min • 03:47 • -8.32db
28% Popularity • 52% Danceability • 44% Energy • 36% Liveness
1% Instrumentalness • 17% Positiveness
28% Popularity • 52% Danceability • 44% Energy • 36% Liveness
1% Instrumentalness • 17% Positiveness
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Carole Samaha
Hodoudy El Sama
128 bpm • C min • 03:36 • -8db
33% Popularity • 68% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
33% Popularity • 68% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Abeer Nehme
Shubqono (Aramaic)
128 bpm • D min • 07:24 • -6.41db
12% Popularity • 32% Danceability • 44% Energy • 14% Liveness
1% Instrumentalness • 14% Positiveness
12% Popularity • 32% Danceability • 44% Energy • 14% Liveness
1% Instrumentalness • 14% Positiveness
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Elissa
Aayshalak
128 bpm • G min • 04:40 • -8.27db
56% Popularity • 70% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
56% Popularity • 70% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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George Nehme
Yemken Bokra
129 bpm • D Maj • 03:22 • -9.53db
8% Popularity • 30% Danceability • 28% Energy • 12% Liveness
1% Instrumentalness • 20% Positiveness
8% Popularity • 30% Danceability • 28% Energy • 12% Liveness
1% Instrumentalness • 20% Positiveness
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Mike Massy
Ya Nassim Al Rih
129 bpm • F min • 05:28 • -8db
16% Popularity • 59% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
16% Popularity • 59% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Jean-Marie Riachi
Shefto Mn Biid
129 bpm • C min • 04:00 • -4.37db
24% Popularity • 36% Danceability • 54% Energy • 30% Liveness
0% Instrumentalness • 46% Positiveness
24% Popularity • 36% Danceability • 54% Energy • 30% Liveness
0% Instrumentalness • 46% Positiveness
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Mais Harb
Law Fina
126 bpm • D min • 06:11 • -8.35db
33% Popularity • 38% Danceability • 29% Energy • 22% Liveness
0% Instrumentalness • 25% Positiveness
33% Popularity • 38% Danceability • 29% Energy • 22% Liveness
0% Instrumentalness • 25% Positiveness
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Abeer Nehme
Addaysh Bhebak
128 bpm • G# min • 04:07 • -5.19db
35% Popularity • 36% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
35% Popularity • 36% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Ingolv Haaland
Ya Tara (Live)
130 bpm • D min • 06:27 • -10.87db
5% Popularity • 39% Danceability • 52% Energy • 68% Liveness
0% Instrumentalness • 31% Positiveness
5% Popularity • 39% Danceability • 52% Energy • 68% Liveness
0% Instrumentalness • 31% Positiveness
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Tania Saleh
ياباله (Yabalah)
126 bpm • F min • 03:57 • -8.83db
11% Popularity • 71% Danceability • 78% Energy • 9% Liveness
7% Instrumentalness • 76% Positiveness
11% Popularity • 71% Danceability • 78% Energy • 9% Liveness
7% Instrumentalness • 76% Positiveness
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Carmen Soliman
Leena Ra2sa
130 bpm • A min • 03:51 • -5.45db
47% Popularity • 78% Danceability • 91% Energy • 31% Liveness
0% Instrumentalness • 91% Positiveness
47% Popularity • 78% Danceability • 91% Energy • 31% Liveness
0% Instrumentalness • 91% Positiveness
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Adonis
Al Khafif
130 bpm • A min • 03:59 • -4db
36% Popularity • 67% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
36% Popularity • 67% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Julia Boutros
بتنفس حرية
126 bpm • D# min • 04:27 • -11db
30% Popularity • 68% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
30% Popularity • 68% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Abeer Nehme
Talfantelak
127 bpm • C min • 03:52 • -3.34db
30% Popularity • 64% Danceability • 75% Energy • 23% Liveness
0% Instrumentalness • 73% Positiveness
30% Popularity • 64% Danceability • 75% Energy • 23% Liveness
0% Instrumentalness • 73% Positiveness
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Carole Samaha
Habib Alby
130 bpm • F# Maj • 04:30 • -5.2db
16% Popularity • 72% Danceability • 85% Energy • 24% Liveness
0% Instrumentalness • 36% Positiveness
16% Popularity • 72% Danceability • 85% Energy • 24% Liveness
0% Instrumentalness • 36% Positiveness
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Macadi Nahhas
Tiji Nsafer
130 bpm • E min • 03:06 • -10db
15% Popularity • 77% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
15% Popularity • 77% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Myriam Fares
Kifak Enta
126 bpm • A# min • 03:44 • -7.27db
35% Popularity • 70% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
35% Popularity • 70% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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Abdulrahman Mohammed
A Girl Within My Soul
130 bpm • F min • 06:31 • -8.95db
53% Popularity • 59% Danceability • 31% Energy • 12% Liveness
3% Instrumentalness • 24% Positiveness
53% Popularity • 59% Danceability • 31% Energy • 12% Liveness
3% Instrumentalness • 24% Positiveness
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Somaia
Dawet Safa
126 bpm • E min • 01:27 • -5.67db
11% Popularity • 45% Danceability • 55% Energy • 25% Liveness
0% Instrumentalness • 42% Positiveness
11% Popularity • 45% Danceability • 55% Energy • 25% Liveness
0% Instrumentalness • 42% Positiveness
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Abeer Nehme
Jury Dance
126 bpm • C Maj • 03:01 • -5.82db
0% Popularity • 59% Danceability • 95% Energy • 32% Liveness
6% Instrumentalness • 80% Positiveness
0% Popularity • 59% Danceability • 95% Energy • 32% Liveness
6% Instrumentalness • 80% Positiveness
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Carole Samaha
Esma'ny
130 bpm • A# Maj • 03:35 • -5db
50% Popularity • 82% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
50% Popularity • 82% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Melhem Barakat
Hanna Al-Sikran
130 bpm • D min • 03:20 • -10db
39% Popularity • 62% Danceability • 72% Energy • 41% Liveness
0% Instrumentalness • 93% Positiveness
39% Popularity • 62% Danceability • 72% Energy • 41% Liveness
0% Instrumentalness • 93% Positiveness
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Majida El Roumi
Amm Yess'alouni Aleyk
125 bpm • D min • 05:57 • -10.76db
42% Popularity • 46% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
42% Popularity • 46% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Abu
Habiby Ya Liel
131 bpm • D min • 04:32 • -10.22db
46% Popularity • 74% Danceability • 72% Energy • 6% Liveness
15% Instrumentalness • 96% Positiveness
46% Popularity • 74% Danceability • 72% Energy • 6% Liveness
15% Instrumentalness • 96% Positiveness
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Faia Younan
Falaytaka Tahlou
125 bpm • G min • 03:56 • -10.54db
36% Popularity • 60% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
36% Popularity • 60% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Abeer Nehme
Haydashi Manno Shi
130 bpm • F min • 02:27 • -8.53db
2% Popularity • 69% Danceability • 76% Energy • 28% Liveness
0% Instrumentalness • 96% Positiveness
2% Popularity • 69% Danceability • 76% Energy • 28% Liveness
0% Instrumentalness • 96% Positiveness
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Kadim Al Sahir
عيد العشاق
125 bpm • A min • 07:04 • -8db
42% Popularity • 63% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
42% Popularity • 63% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Marwan Khoury
Akbar Anani
125 bpm • E min • 03:06 • -10db
46% Popularity • 40% Danceability • 31% Energy • 19% Liveness
0% Instrumentalness • 19% Positiveness
46% Popularity • 40% Danceability • 31% Energy • 19% Liveness
0% Instrumentalness • 19% Positiveness
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Rim Banna
Stranger in the Gulf
125 bpm • A min • 05:25 • -13.24db
12% Popularity • 78% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
12% Popularity • 78% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Zaman
Batalti Eli
125 bpm • A min • 03:37 • -10.04db
19% Popularity • 85% Danceability • 44% Energy • 11% Liveness
1% Instrumentalness • 70% Positiveness
19% Popularity • 85% Danceability • 44% Energy • 11% Liveness
1% Instrumentalness • 70% Positiveness
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Adam
Habib El Roah
125 bpm • A# min • 05:35 • -5.23db
14% Popularity • 58% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 60% Positiveness
14% Popularity • 58% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 60% Positiveness
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Abeer Nehme
Bala Ma Nhess
130 bpm • G min • 03:06 • -8.05db
55% Popularity • 69% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
55% Popularity • 69% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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فرقة زمن
بطلتي الي
125 bpm • A min • 03:43 • -13.36db
33% Popularity • 85% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
33% Popularity • 85% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Carole Samaha
Ragalak
125 bpm • F Maj • 03:58 • -6.88db
34% Popularity • 68% Danceability • 77% Energy • 34% Liveness
0% Instrumentalness • 76% Positiveness
34% Popularity • 68% Danceability • 77% Energy • 34% Liveness
0% Instrumentalness • 76% Positiveness
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Faia Younan
Ya Laytahou Yaalam
125 bpm • A min • 03:33 • -6.55db
39% Popularity • 61% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
39% Popularity • 61% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
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Tania Saleh
Every Time You Go: Toda Vez Que Você Va...
125 bpm • C min • 04:10 • -15.9db
14% Popularity • 45% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
14% Popularity • 45% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Melhem Barakat
Bayn El Byout
125 bpm • E min • 03:31 • -11.55db
39% Popularity • 64% Danceability • 49% Energy • 45% Liveness
0% Instrumentalness • 70% Positiveness
39% Popularity • 64% Danceability • 49% Energy • 45% Liveness
0% Instrumentalness • 70% Positiveness
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Oumeima El Khalil
Al Kamanjat
132 bpm • C min • 04:46 • -7.03db
9% Popularity • 61% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
9% Popularity • 61% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Joseph Saker
Aataba, Pt. 3
124 bpm • F Maj • 01:12 • -11.12db
39% Popularity • 53% Danceability • 64% Energy • 33% Liveness
0% Instrumentalness • 8% Positiveness
39% Popularity • 53% Danceability • 64% Energy • 33% Liveness
0% Instrumentalness • 8% Positiveness
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Adam
Lamma Bheb
132 bpm • C min • 03:50 • -9.14db
36% Popularity • 52% Danceability • 60% Energy • 19% Liveness
0% Instrumentalness • 49% Positiveness
36% Popularity • 52% Danceability • 60% Energy • 19% Liveness
0% Instrumentalness • 49% Positiveness
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Faia Younan
Nefrah Barsha
125 bpm • F min • 03:50 • -8.71db
21% Popularity • 75% Danceability • 47% Energy • 20% Liveness
0% Instrumentalness • 43% Positiveness
21% Popularity • 75% Danceability • 47% Energy • 20% Liveness
0% Instrumentalness • 43% Positiveness
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Jean-Marie Riachi
L'hymne à l'amour - French
132 bpm • G Maj • 04:21 • -9.11db
5% Popularity • 66% Danceability • 45% Energy • 20% Liveness
0% Instrumentalness • 39% Positiveness
5% Popularity • 66% Danceability • 45% Energy • 20% Liveness
0% Instrumentalness • 39% Positiveness
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Joseph Attieh
Omer Aasal
132 bpm • A# min • 03:41 • -8db
37% Popularity • 72% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
37% Popularity • 72% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Yara
Hases
124 bpm • A min • 04:14 • -5.59db
13% Popularity • 66% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
13% Popularity • 66% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Abeer Nehme
Warak El Makatib
124 bpm • C Maj • 03:56 • -9.03db
2% Popularity • 70% Danceability • 55% Energy • 38% Liveness
0% Instrumentalness • 78% Positiveness
2% Popularity • 70% Danceability • 55% Energy • 38% Liveness
0% Instrumentalness • 78% Positiveness
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Macadi Nahhas
Ya Aama
123 bpm • C# Maj • 05:01 • -10.75db
9% Popularity • 51% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 61% Positiveness
9% Popularity • 51% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 61% Positiveness
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Marwan Khoury
Al Hob Rajaei
122 bpm • C# min • 03:55 • -6.85db
33% Popularity • 60% Danceability • 60% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
33% Popularity • 60% Danceability • 60% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
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Jean-Marie Riachi
Belaaks
122 bpm • C Maj • 03:40 • -6.23db
34% Popularity • 77% Danceability • 55% Energy • 80% Liveness
0% Instrumentalness • 79% Positiveness
34% Popularity • 77% Danceability • 55% Energy • 80% Liveness
0% Instrumentalness • 79% Positiveness
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Salim Tarabay
Afkarik
122 bpm • C min • 03:42 • -10.86db
41% Popularity • 80% Danceability • 53% Energy • 24% Liveness
0% Instrumentalness • 90% Positiveness
41% Popularity • 80% Danceability • 53% Energy • 24% Liveness
0% Instrumentalness • 90% Positiveness
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Julia Boutros
Ya Ossas
122 bpm • F# min • 04:25 • -14.11db
38% Popularity • 80% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
38% Popularity • 80% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Lina Sleibi
3am Bet3alla2 Feek / Dernière Danse
122 bpm • D# min • 03:34 • -13.1db
15% Popularity • 58% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
15% Popularity • 58% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Azar Habib
Agbeeen Alel
135 bpm • C min • 07:28 • -8.91db
24% Popularity • 38% Danceability • 58% Energy • 26% Liveness
3% Instrumentalness • 44% Positiveness
24% Popularity • 38% Danceability • 58% Energy • 26% Liveness
3% Instrumentalness • 44% Positiveness
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Bishoy Safwat
قلبي و مفتاحة
135 bpm • A# min • 02:00 • -14.96db
15% Popularity • 73% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
15% Popularity • 73% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Shaimaa ElShayeb
Alf Leyla We Leyla
135 bpm • A min • 08:32 • -6.36db
32% Popularity • 50% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
32% Popularity • 50% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
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Majida El Roumi
Nashid Al Zafaf
135 bpm • C Maj • 04:37 • -7.87db
25% Popularity • 49% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
25% Popularity • 49% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Aziz
Nater
135 bpm • G# Maj • 03:24 • -5.93db
32% Popularity • 65% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
32% Popularity • 65% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Najah Salam
Andak Bahariya
135 bpm • F min • 08:15 • -10.54db
32% Popularity • 41% Danceability • 62% Energy • 77% Liveness
0% Instrumentalness • 50% Positiveness
32% Popularity • 41% Danceability • 62% Energy • 77% Liveness
0% Instrumentalness • 50% Positiveness
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Marilyne Naaman
metel el ghaymi - cover
136 bpm • A Maj • 01:29 • -8.87db
35% Popularity • 61% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
35% Popularity • 61% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Mayada Basseliss
Kezbak Helow
136 bpm • A min • 04:30 • -12db
22% Popularity • 33% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
22% Popularity • 33% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
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Abeer Nehme
Wada't El Layl
136 bpm • A min • 04:32 • -5.61db
25% Popularity • 60% Danceability • 81% Energy • 24% Liveness
0% Instrumentalness • 41% Positiveness
25% Popularity • 60% Danceability • 81% Energy • 24% Liveness
0% Instrumentalness • 41% Positiveness
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Noel Kharman
Ann Alawan
136 bpm • E min • 03:45 • -12.91db
36% Popularity • 55% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
36% Popularity • 55% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Carole Samaha
Ghali Aliya
136 bpm • F min • 03:32 • -5.46db
38% Popularity • 71% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 83% Positiveness
38% Popularity • 71% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 83% Positiveness
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Majida El Roumi
Kon Sadiki
136 bpm • B min • 10:05 • -11db
32% Popularity • 35% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
32% Popularity • 35% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Samira Tawfik
Ya Hala Bel Def
120 bpm • C Maj • 01:50 • -8db
17% Popularity • 80% Danceability • 65% Energy • 4% Liveness
1% Instrumentalness • 82% Positiveness
17% Popularity • 80% Danceability • 65% Energy • 4% Liveness
1% Instrumentalness • 82% Positiveness
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Salim Tarabay
Ana min
120 bpm • G min • 03:17 • -10.75db
22% Popularity • 76% Danceability • 51% Energy • 24% Liveness
0% Instrumentalness • 62% Positiveness
22% Popularity • 76% Danceability • 51% Energy • 24% Liveness
0% Instrumentalness • 62% Positiveness
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Abeer Nehme
Shou Bheb
136 bpm • C min • 03:05 • -9.96db
15% Popularity • 54% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
15% Popularity • 54% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Jannat
Kheet Daa'eef
120 bpm • A min • 03:35 • -9.77db
25% Popularity • 76% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
25% Popularity • 76% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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Kadim Al Sahir
Ya Wafiya
120 bpm • G min • 05:41 • -8.54db
38% Popularity • 50% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
38% Popularity • 50% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Massar Egbari
Raghm El Masafa
120 bpm • A# min • 04:13 • -9.78db
50% Popularity • 78% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
50% Popularity • 78% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
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Ayman Zbib
Bahebak Walah
120 bpm • A# min • 03:44 • -6.8db
39% Popularity • 70% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
39% Popularity • 70% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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Ziad Bourji
Shou Helou
120 bpm • B min • 03:31 • -4.65db
57% Popularity • 83% Danceability • 72% Energy • 11% Liveness
1% Instrumentalness • 94% Positiveness
57% Popularity • 83% Danceability • 72% Energy • 11% Liveness
1% Instrumentalness • 94% Positiveness
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Rima Khcheich
Atamanna
120 bpm • G min • 03:55 • -9.09db
18% Popularity • 61% Danceability • 33% Energy • 18% Liveness
1% Instrumentalness • 39% Positiveness
18% Popularity • 61% Danceability • 33% Energy • 18% Liveness
1% Instrumentalness • 39% Positiveness
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Marwan Khoury
كل القصايد
120 bpm • A# min • 04:01 • -8db
46% Popularity • 59% Danceability • 54% Energy • 19% Liveness
0% Instrumentalness • 51% Positiveness
46% Popularity • 59% Danceability • 54% Energy • 19% Liveness
0% Instrumentalness • 51% Positiveness
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Rim Banna
Astonished by You and Me
120 bpm • F min • 05:59 • -16.9db
15% Popularity • 66% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
15% Popularity • 66% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Julia Boutros
Moukawem
120 bpm • B min • 03:25 • -4.45db
44% Popularity • 74% Danceability • 80% Energy • 26% Liveness
0% Instrumentalness • 72% Positiveness
44% Popularity • 74% Danceability • 80% Energy • 26% Liveness
0% Instrumentalness • 72% Positiveness
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Kadim Al Sahir
فرشة رمل البحر
120 bpm • D min • 04:53 • -11.57db
25% Popularity • 59% Danceability • 44% Energy • 35% Liveness
3% Instrumentalness • 36% Positiveness
25% Popularity • 59% Danceability • 44% Energy • 35% Liveness
3% Instrumentalness • 36% Positiveness
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Adam
Fi Hada
120 bpm • B min • 03:39 • -10db
45% Popularity • 59% Danceability • 53% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
45% Popularity • 59% Danceability • 53% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
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Carole Samaha
Habbet Delwaat
120 bpm • E min • 03:48 • -6.98db
33% Popularity • 58% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
33% Popularity • 58% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Assala Nasri
حياتي
120 bpm • C min • 03:44 • -10.59db
14% Popularity • 67% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
14% Popularity • 67% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Majida El Roumi
Ahabak Gadan
120 bpm • A min • 05:18 • -5.62db
28% Popularity • 56% Danceability • 84% Energy • 27% Liveness
0% Instrumentalness • 64% Positiveness
28% Popularity • 56% Danceability • 84% Energy • 27% Liveness
0% Instrumentalness • 64% Positiveness
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Faia Younan
Fi Al Tariki Ilaik
120 bpm • C Maj • 03:57 • -5.43db
38% Popularity • 67% Danceability • 48% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
38% Popularity • 67% Danceability • 48% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
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Abeer Nehme
Hikayi
120 bpm • F# min • 03:29 • -6.08db
26% Popularity • 58% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
26% Popularity • 58% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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George Wassouf
El Hawa Sultan
137 bpm • A min • 07:02 • -7.4db
47% Popularity • 50% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 69% Positiveness
47% Popularity • 50% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 69% Positiveness
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Rim Banna
The Absent One
120 bpm • G min • 07:04 • -11.53db
23% Popularity • 62% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
23% Popularity • 62% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Hiba Tawaji
Eli W Elak El Sama
120 bpm • E min • 04:10 • -5.33db
8% Popularity • 62% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
8% Popularity • 62% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
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Marilyne Naaman
baadni aal shatt
120 bpm • C# min • 02:14 • -14.84db
31% Popularity • 55% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
31% Popularity • 55% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Toni Qattan
Bent Elgiran & Haga Mestikhabya
120 bpm • B min • 02:53 • -8.08db
37% Popularity • 59% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
37% Popularity • 59% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Abeer Nehme
W Nehna Sawa
120 bpm • F# min • 03:31 • -9.12db
17% Popularity • 52% Danceability • 48% Energy • 26% Liveness
0% Instrumentalness • 33% Positiveness
17% Popularity • 52% Danceability • 48% Energy • 26% Liveness
0% Instrumentalness • 33% Positiveness
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Assala Nasri
Hekaya
120 bpm • F Maj • 03:48 • -21.6db
13% Popularity • 64% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
13% Popularity • 64% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Pascale Sakr
Ya Sarek Makatibi
119 bpm • C min • 06:32 • -9.46db
32% Popularity • 70% Danceability • 45% Energy • 20% Liveness
0% Instrumentalness • 82% Positiveness
32% Popularity • 70% Danceability • 45% Energy • 20% Liveness
0% Instrumentalness • 82% Positiveness
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Yara
مليت
137 bpm • D min • 03:33 • -8.15db
21% Popularity • 65% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
21% Popularity • 65% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
