Songs like Sick by Hayley Gene Penner
Based on a tempo of (+/- 10%) and a similar genre
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Georgia Greene
Deck of Cards
144 bpm • F Maj • 03:17 • -7.81db
11% Popularity • 60% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 21% Positiveness
11% Popularity • 60% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 21% Positiveness
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Hayley Gene Penner
Sick
144 bpm • G# Maj • 04:10 • -10.19db
5% Popularity • 48% Danceability • 55% Energy • 11% Liveness
1% Instrumentalness • 44% Positiveness
5% Popularity • 48% Danceability • 55% Energy • 11% Liveness
1% Instrumentalness • 44% Positiveness
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Birdtalker
Blue Healer
144 bpm • E Maj • 05:18 • -9.5db
41% Popularity • 60% Danceability • 50% Energy • 20% Liveness
25% Instrumentalness • 30% Positiveness
41% Popularity • 60% Danceability • 50% Energy • 20% Liveness
25% Instrumentalness • 30% Positiveness
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Wilderado
Sorrow - Acoustic
144 bpm • C Maj • 03:00 • -10.56db
37% Popularity • 57% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
37% Popularity • 57% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Charli Adams
Cloverland Drive
144 bpm • D Maj • 04:01 • -7.73db
20% Popularity • 48% Danceability • 41% Energy • 25% Liveness
0% Instrumentalness • 20% Positiveness
20% Popularity • 48% Danceability • 41% Energy • 25% Liveness
0% Instrumentalness • 20% Positiveness
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Victoria Canal
Drama
144 bpm • C# Maj • 02:53 • -6.59db
23% Popularity • 64% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
23% Popularity • 64% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
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Joy Williams
When Does a Heart Move On
145 bpm • E Maj • 03:52 • -10.77db
30% Popularity • 46% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
30% Popularity • 46% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Hayley Gene Penner
Love in the Way
144 bpm • A min • 02:57 • -10.63db
3% Popularity • 65% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
3% Popularity • 65% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Caroline Glaser
Leave It Alone
145 bpm • C# Maj • 03:44 • -14.2db
19% Popularity • 49% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
19% Popularity • 49% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Small Million
Young Fools
145 bpm • C Maj • 03:05 • -14db
28% Popularity • 67% Danceability • 31% Energy • 10% Liveness
72% Instrumentalness • 7% Positiveness
28% Popularity • 67% Danceability • 31% Energy • 10% Liveness
72% Instrumentalness • 7% Positiveness
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Charli Adams
Superpowers
143 bpm • B Maj • 03:04 • -14.33db
21% Popularity • 54% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
21% Popularity • 54% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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Wild Rivers
Left Off - Acoustic
143 bpm • D Maj • 03:20 • -11.92db
35% Popularity • 63% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
35% Popularity • 63% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Gatlin
I Think About You All the Time
145 bpm • A# min • 04:10 • -10db
35% Popularity • 38% Danceability • 46% Energy • 16% Liveness
1% Instrumentalness • 20% Positiveness
35% Popularity • 38% Danceability • 46% Energy • 16% Liveness
1% Instrumentalness • 20% Positiveness
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Meadowlark
Disposable
145 bpm • G# Maj • 03:37 • -14.56db
4% Popularity • 67% Danceability • 54% Energy • 9% Liveness
2% Instrumentalness • 76% Positiveness
4% Popularity • 67% Danceability • 54% Energy • 9% Liveness
2% Instrumentalness • 76% Positiveness
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The Sea The Sea
Rainstorm
143 bpm • A Maj • 03:36 • -16.58db
29% Popularity • 36% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
29% Popularity • 36% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Winnetka Bowling League
CVS (Acoustic Version)
145 bpm • A# Maj • 03:34 • -11db
22% Popularity • 33% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
22% Popularity • 33% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Thirdstory
On And On
146 bpm • G Maj • 04:49 • -15db
35% Popularity • 38% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
35% Popularity • 38% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Carol Ades
Unlearn Me
142 bpm • G Maj • 03:12 • -9db
27% Popularity • 57% Danceability • 33% Energy • 34% Liveness
0% Instrumentalness • 22% Positiveness
27% Popularity • 57% Danceability • 33% Energy • 34% Liveness
0% Instrumentalness • 22% Positiveness
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EXES
Timing Is Everything
142 bpm • D Maj • 03:29 • -10db
22% Popularity • 71% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
22% Popularity • 71% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Henry Jamison
I Forget Myself
142 bpm • A Maj • 03:32 • -12.14db
50% Popularity • 58% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
50% Popularity • 58% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Madi Diaz
Dream Goes On Repeat
142 bpm • F min • 03:58 • -11.63db
10% Popularity • 55% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
10% Popularity • 55% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
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Charli Adams
Seventeen Again
141 bpm • D# Maj • 03:24 • -10.9db
39% Popularity • 34% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
39% Popularity • 34% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Corey Kilgannon
California Skin
142 bpm • G Maj • 02:45 • -16db
26% Popularity • 47% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
26% Popularity • 47% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Amy Allen
Queen of Silver Linings
141 bpm • C Maj • 03:32 • -6.27db
42% Popularity • 47% Danceability • 25% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
42% Popularity • 47% Danceability • 25% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
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Alice Kristiansen
The Moon's a Harsh Mistress
147 bpm • C Maj • 03:30 • -12.28db
15% Popularity • 27% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
15% Popularity • 27% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
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Rett Madison
Pin-Up Daddy
141 bpm • D Maj • 04:11 • -8.91db
30% Popularity • 57% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
30% Popularity • 57% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Taylor Janzen
Shouting Matches
148 bpm • C# min • 04:24 • -8.33db
9% Popularity • 42% Danceability • 50% Energy • 51% Liveness
1% Instrumentalness • 16% Positiveness
9% Popularity • 42% Danceability • 50% Energy • 51% Liveness
1% Instrumentalness • 16% Positiveness
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Tyson Motsenbocker
Talk All Night for Nothing
148 bpm • A Maj • 03:53 • -12db
24% Popularity • 68% Danceability • 36% Energy • 13% Liveness
3% Instrumentalness • 56% Positiveness
24% Popularity • 68% Danceability • 36% Energy • 13% Liveness
3% Instrumentalness • 56% Positiveness
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Isabel Pless
More to Give
148 bpm • G# Maj • 02:26 • -10.25db
37% Popularity • 68% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
37% Popularity • 68% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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James Spaite
Maple Whisky
140 bpm • C Maj • 03:52 • -16db
26% Popularity • 67% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
26% Popularity • 67% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Arms Akimbo
Rearrange
140 bpm • D Maj • 04:31 • -12.58db
33% Popularity • 49% Danceability • 33% Energy • 68% Liveness
9% Instrumentalness • 16% Positiveness
33% Popularity • 49% Danceability • 33% Energy • 68% Liveness
9% Instrumentalness • 16% Positiveness
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Bre Kennedy
Progress
140 bpm • G# Maj • 03:55 • -11.23db
30% Popularity • 66% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
30% Popularity • 66% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Jill Andrews
River Swimming
140 bpm • B Maj • 03:26 • -13.05db
35% Popularity • 49% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
35% Popularity • 49% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Katie Pruitt
Searching For The Truth
148 bpm • F Maj • 04:31 • -9.02db
29% Popularity • 52% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
29% Popularity • 52% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Beulahbelle
Being You
140 bpm • A# Maj • 02:35 • -12.93db
22% Popularity • 60% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
22% Popularity • 60% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Black Match
Poison & Wine
140 bpm • A# Maj • 03:56 • -9.82db
15% Popularity • 44% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
15% Popularity • 44% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Hayley Gene Penner
Know u Then
140 bpm • C Maj • 03:30 • -10.83db
4% Popularity • 61% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
4% Popularity • 61% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
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Charli Adams
Passenger Seat
140 bpm • C# Maj • 04:05 • -10.02db
16% Popularity • 42% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
16% Popularity • 42% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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Jill Andrews
Forces
140 bpm • G# min • 03:51 • -7.47db
16% Popularity • 56% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
16% Popularity • 56% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Abby Cates
Roadtripsong
140 bpm • D Maj • 03:41 • -17.69db
47% Popularity • 53% Danceability • 8% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
47% Popularity • 53% Danceability • 8% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
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Katie Pruitt
This Isn't A Love Song (OurVinyl Live EP...
140 bpm • E Maj • 03:57 • -14.37db
27% Popularity • 55% Danceability • 34% Energy • 66% Liveness
0% Instrumentalness • 25% Positiveness
27% Popularity • 55% Danceability • 34% Energy • 66% Liveness
0% Instrumentalness • 25% Positiveness
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Molly Parden
Feel Alive Again
149 bpm • D Maj • 04:14 • -13.82db
41% Popularity • 47% Danceability • 39% Energy • 12% Liveness
3% Instrumentalness • 26% Positiveness
41% Popularity • 47% Danceability • 39% Energy • 12% Liveness
3% Instrumentalness • 26% Positiveness
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Sophie Holohan
in loving
149 bpm • E Maj • 01:39 • -13.97db
0% Popularity • 45% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
0% Popularity • 45% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Charli Adams
Black Tee Shirt
140 bpm • G min • 03:44 • -6.93db
15% Popularity • 38% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
15% Popularity • 38% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Children of Indigo
Daisies
139 bpm • C# Maj • 03:10 • -15db
21% Popularity • 67% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
21% Popularity • 67% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
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Lydia Luce
Sausalito
150 bpm • D Maj • 03:42 • -11db
44% Popularity • 35% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
44% Popularity • 35% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Oliver Daldry
Bookcase
139 bpm • C# Maj • 04:21 • -4.77db
12% Popularity • 41% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
12% Popularity • 41% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Kevin Garrett
Faith You Might
150 bpm • D Maj • 04:12 • -12db
39% Popularity • 52% Danceability • 46% Energy • 9% Liveness
26% Instrumentalness • 62% Positiveness
39% Popularity • 52% Danceability • 46% Energy • 9% Liveness
26% Instrumentalness • 62% Positiveness
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Axel Flóvent
How Can I
150 bpm • G# Maj • 04:16 • -14db
36% Popularity • 43% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
36% Popularity • 43% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Hayley Gene Penner
fetishizing struggle
150 bpm • C# min • 02:55 • -11.85db
1% Popularity • 57% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
1% Popularity • 57% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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tiides
Someone Else's Mind
150 bpm • D# Maj • 03:59 • -12.4db
13% Popularity • 76% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
13% Popularity • 76% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Jensen McRae
Immune
150 bpm • F# Maj • 03:30 • -9db
43% Popularity • 55% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 23% Positiveness
43% Popularity • 55% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 23% Positiveness
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Trent Dabbs
The One Who Stays
138 bpm • A# Maj • 03:56 • -11.01db
27% Popularity • 67% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
27% Popularity • 67% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
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The Careful Ones
Pineapple
150 bpm • D Maj • 02:59 • -16.93db
24% Popularity • 54% Danceability • 22% Energy • 36% Liveness
0% Instrumentalness • 38% Positiveness
24% Popularity • 54% Danceability • 22% Energy • 36% Liveness
0% Instrumentalness • 38% Positiveness
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Rosie Carney
Anthems For A Seventeen Year Old Girl
138 bpm • E Maj • 03:20 • -12.6db
24% Popularity • 57% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
24% Popularity • 57% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Oshima Brothers
Hearts as Full as the Moon
138 bpm • F Maj • 02:38 • -13.78db
13% Popularity • 55% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
13% Popularity • 55% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Ella Vos
White Noise - Recorded at Spotify Studio...
138 bpm • D# Maj • 02:48 • -13db
26% Popularity • 56% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
26% Popularity • 56% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Ryann
JFK
151 bpm • D Maj • 02:29 • -6.31db
13% Popularity • 45% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
13% Popularity • 45% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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sol williams
Carry On
137 bpm • D min • 02:44 • -16.71db
18% Popularity • 48% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
18% Popularity • 48% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Beulahbelle
Raleigh
151 bpm • C Maj • 03:50 • -12db
22% Popularity • 52% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
22% Popularity • 52% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Lily Kershaw
The Sea
137 bpm • A# Maj • 03:46 • -13.36db
37% Popularity • 59% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
37% Popularity • 59% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
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Tiz McNamara
Nothing's Easy
152 bpm • G Maj • 03:06 • -10.75db
21% Popularity • 41% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
21% Popularity • 41% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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The Good Years
Juliana
152 bpm • C Maj • 04:50 • -10db
20% Popularity • 50% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
20% Popularity • 50% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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LULLANAS
Pennsylvania Skies
152 bpm • B Maj • 03:39 • -8.16db
39% Popularity • 57% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
39% Popularity • 57% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Phillip LaRue
Let My Love Pull You In
152 bpm • A min • 03:27 • -9.64db
10% Popularity • 63% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
10% Popularity • 63% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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VACAY
She's a Feeling
152 bpm • G# Maj • 02:33 • -10db
9% Popularity • 49% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
9% Popularity • 49% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Sierra Eagleson
Darcy's Song
152 bpm • A min • 02:38 • -20.23db
33% Popularity • 44% Danceability • 32% Energy • 12% Liveness
4% Instrumentalness • 63% Positiveness
33% Popularity • 44% Danceability • 32% Energy • 12% Liveness
4% Instrumentalness • 63% Positiveness
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James Spaite
Killowen
136 bpm • E Maj • 03:47 • -12.11db
22% Popularity • 60% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
22% Popularity • 60% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Evergreen
Steady Love
136 bpm • B min • 04:39 • -12.46db
33% Popularity • 60% Danceability • 46% Energy • 8% Liveness
2% Instrumentalness • 21% Positiveness
33% Popularity • 60% Danceability • 46% Energy • 8% Liveness
2% Instrumentalness • 21% Positiveness
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Madi Diaz
One Less Question
136 bpm • D Maj • 03:10 • -12.16db
54% Popularity • 61% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
54% Popularity • 61% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Henry Jamison
Orchardist
136 bpm • A Maj • 03:01 • -11.08db
17% Popularity • 47% Danceability • 33% Energy • 11% Liveness
24% Instrumentalness • 16% Positiveness
17% Popularity • 47% Danceability • 33% Energy • 11% Liveness
24% Instrumentalness • 16% Positiveness
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Emma Charles
Scorpio
136 bpm • C# min • 03:53 • -8.34db
19% Popularity • 66% Danceability • 56% Energy • 12% Liveness
9% Instrumentalness • 35% Positiveness
19% Popularity • 66% Danceability • 56% Energy • 12% Liveness
9% Instrumentalness • 35% Positiveness
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Firewoodisland
One with the Mountain
136 bpm • A Maj • 03:19 • -9.24db
17% Popularity • 60% Danceability • 52% Energy • 7% Liveness
2% Instrumentalness • 43% Positiveness
17% Popularity • 60% Danceability • 52% Energy • 7% Liveness
2% Instrumentalness • 43% Positiveness
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Hotel Fiction
Steady
153 bpm • A Maj • 04:19 • -7.63db
12% Popularity • 27% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
12% Popularity • 27% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
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Katie Pruitt
Normal
136 bpm • A Maj • 05:11 • -12.56db
34% Popularity • 49% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
34% Popularity • 49% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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LÉON
Cruel to Care (Voice Memo)
153 bpm • D Maj • 03:24 • -8.29db
31% Popularity • 48% Danceability • 30% Energy • 36% Liveness
0% Instrumentalness • 38% Positiveness
31% Popularity • 48% Danceability • 30% Energy • 36% Liveness
0% Instrumentalness • 38% Positiveness
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Jill Andrews
Call It Even
136 bpm • A# Maj • 03:24 • -11.83db
27% Popularity • 50% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
27% Popularity • 50% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Moira & Claire
Again
135 bpm • A# Maj • 03:06 • -11.72db
10% Popularity • 54% Danceability • 21% Energy • 38% Liveness
0% Instrumentalness • 21% Positiveness
10% Popularity • 54% Danceability • 21% Energy • 38% Liveness
0% Instrumentalness • 21% Positiveness
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Madi Diaz
New Person, Old Place
135 bpm • C Maj • 04:06 • -8db
36% Popularity • 60% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
36% Popularity • 60% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Isobel Knight
Copenhagen
135 bpm • A# Maj • 02:56 • -13.21db
10% Popularity • 49% Danceability • 10% Energy • 8% Liveness
17% Instrumentalness • 32% Positiveness
10% Popularity • 49% Danceability • 10% Energy • 8% Liveness
17% Instrumentalness • 32% Positiveness
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LULLANAS
Memphis
154 bpm • A# Maj • 03:35 • -7.62db
18% Popularity • 53% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
18% Popularity • 53% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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William Hinson
Sex
135 bpm • F Maj • 03:40 • -10db
28% Popularity • 50% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
28% Popularity • 50% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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Moonrise Nation
Common Fear
154 bpm • C Maj • 03:25 • -7.3db
14% Popularity • 53% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
14% Popularity • 53% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Andrew & Veda
About Your Eyes
134 bpm • E Maj • 02:54 • -20db
13% Popularity • 63% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
13% Popularity • 63% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Lowen
Morning, Mourning
134 bpm • D# Maj • 04:18 • -9.93db
20% Popularity • 66% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
20% Popularity • 66% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Mary Moore
Redwoods
134 bpm • E Maj • 05:10 • -6.53db
9% Popularity • 55% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
9% Popularity • 55% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
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Oshima Brothers
Lost at Sea
156 bpm • F Maj • 03:18 • -11.34db
31% Popularity • 45% Danceability • 20% Energy • 71% Liveness
0% Instrumentalness • 23% Positiveness
31% Popularity • 45% Danceability • 20% Energy • 71% Liveness
0% Instrumentalness • 23% Positiveness
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Grace Lee
Won't You Hold Me
133 bpm • F# min • 03:38 • -9.28db
11% Popularity • 64% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
11% Popularity • 64% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Georgia Greene
Oh Gawd
156 bpm • E Maj • 03:09 • -9db
9% Popularity • 72% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
9% Popularity • 72% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Ethan Gruska
Teenage Drug
156 bpm • G Maj • 03:40 • -10db
36% Popularity • 65% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
36% Popularity • 65% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Donovan Woods
While All The While
156 bpm • G Maj • 02:49 • -11.94db
23% Popularity • 56% Danceability • 41% Energy • 12% Liveness
6% Instrumentalness • 41% Positiveness
23% Popularity • 56% Danceability • 41% Energy • 12% Liveness
6% Instrumentalness • 41% Positiveness
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Billy Stonecipher
Sun and the Stars
156 bpm • C Maj • 03:37 • -11.02db
10% Popularity • 67% Danceability • 43% Energy • 12% Liveness
1% Instrumentalness • 43% Positiveness
10% Popularity • 67% Danceability • 43% Energy • 12% Liveness
1% Instrumentalness • 43% Positiveness
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Hank Compton
Call It What It Is
156 bpm • E Maj • 04:06 • -19.97db
13% Popularity • 36% Danceability • 10% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
13% Popularity • 36% Danceability • 10% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
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MUNA
I Know A Place - Acoustic
133 bpm • D# Maj • 04:51 • -4.1db
39% Popularity • 55% Danceability • 35% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
39% Popularity • 55% Danceability • 35% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
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Hayley Gene Penner
Talking to Myself
156 bpm • G Maj • 03:32 • -4.63db
4% Popularity • 62% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
4% Popularity • 62% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
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Kathleen
Asking the Aspens
132 bpm • D# Maj • 02:49 • -10db
31% Popularity • 62% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
31% Popularity • 62% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
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Local Natives
When Am I Gonna Lose You - Acoustic
132 bpm • B Maj • 04:11 • -6.38db
31% Popularity • 45% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
31% Popularity • 45% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Gretta Ray
Heal You in Time
132 bpm • G min • 03:56 • -12.81db
18% Popularity • 59% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
18% Popularity • 59% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
