Songs like Siempre En Mi Corazón by Los Indios Tabajaras
Based on a tempo of (+/- 10%) and a similar genre
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Los Indios Tabajaras
Siempre en Mi Corazón
81 bpm • A Maj • 02:30 • -19.73db
38% Popularity • 70% Danceability • 8% Energy • 14% Liveness
90% Instrumentalness • 36% Positiveness
38% Popularity • 70% Danceability • 8% Energy • 14% Liveness
90% Instrumentalness • 36% Positiveness
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Tito Puente & His Orchestra
Little Brown Boy
81 bpm • F min • 02:36 • -8.68db
17% Popularity • 50% Danceability • 62% Energy • 24% Liveness
13% Instrumentalness • 62% Positiveness
17% Popularity • 50% Danceability • 62% Energy • 24% Liveness
13% Instrumentalness • 62% Positiveness
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Frank Chacksfield & His Orchestra
Sleepy Lagoon
81 bpm • F Maj • 02:56 • -18.42db
24% Popularity • 28% Danceability • 23% Energy • 15% Liveness
94% Instrumentalness • 14% Positiveness
24% Popularity • 28% Danceability • 23% Energy • 15% Liveness
94% Instrumentalness • 14% Positiveness
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Rubén Ochoa
Penas del Corazón
81 bpm • A# min • 01:59 • -10db
34% Popularity • 49% Danceability • 32% Energy • 14% Liveness
19% Instrumentalness • 40% Positiveness
34% Popularity • 49% Danceability • 32% Energy • 14% Liveness
19% Instrumentalness • 40% Positiveness
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Pepe Jaramillo
Siboney
81 bpm • C Maj • 02:44 • -14db
31% Popularity • 66% Danceability • 37% Energy • 10% Liveness
90% Instrumentalness • 93% Positiveness
31% Popularity • 66% Danceability • 37% Energy • 10% Liveness
90% Instrumentalness • 93% Positiveness
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Jackie Gleason
Lazy Afternoon
81 bpm • F Maj • 02:47 • -20.17db
34% Popularity • 19% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 5% Positiveness
34% Popularity • 19% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 5% Positiveness
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Los Indios Tabajaras
New Orleans
81 bpm • D Maj • 02:27 • -20.47db
18% Popularity • 63% Danceability • 19% Energy • 9% Liveness
82% Instrumentalness • 58% Positiveness
18% Popularity • 63% Danceability • 19% Energy • 9% Liveness
82% Instrumentalness • 58% Positiveness
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Breno Mello
Manha de Carnaval / Scene du Lever du So...
80 bpm • G min • 03:46 • -23.79db
16% Popularity • 43% Danceability • 3% Energy • 12% Liveness
87% Instrumentalness • 13% Positiveness
16% Popularity • 43% Danceability • 3% Energy • 12% Liveness
87% Instrumentalness • 13% Positiveness
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Walter Wanderley
O Barquinho
80 bpm • F min • 03:01 • -19.15db
35% Popularity • 50% Danceability • 45% Energy • 14% Liveness
2% Instrumentalness • 87% Positiveness
35% Popularity • 50% Danceability • 45% Energy • 14% Liveness
2% Instrumentalness • 87% Positiveness
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Maria Augusta Bruni
Serapide
80 bpm • E min • 01:58 • -10.83db
35% Popularity • 61% Danceability • 35% Energy • 12% Liveness
91% Instrumentalness • 33% Positiveness
35% Popularity • 61% Danceability • 35% Energy • 12% Liveness
91% Instrumentalness • 33% Positiveness
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Manuel Olivera Almada
Alma Llanera
80 bpm • G Maj • 02:27 • -11.4db
53% Popularity • 58% Danceability • 52% Energy • 12% Liveness
96% Instrumentalness • 92% Positiveness
53% Popularity • 58% Danceability • 52% Energy • 12% Liveness
96% Instrumentalness • 92% Positiveness
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Percy Faith
Autumn in New York
80 bpm • F Maj • 03:36 • -11db
38% Popularity • 9% Danceability • 27% Energy • 11% Liveness
53% Instrumentalness • 12% Positiveness
38% Popularity • 9% Danceability • 27% Energy • 11% Liveness
53% Instrumentalness • 12% Positiveness
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Los Indios Tabajaras
Siempre En Mi Corazón
81 bpm • A Maj • 02:27 • -11.57db
29% Popularity • 60% Danceability • 30% Energy • 30% Liveness
48% Instrumentalness • 36% Positiveness
29% Popularity • 60% Danceability • 30% Energy • 30% Liveness
48% Instrumentalness • 36% Positiveness
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Stelvio Cipriani
Laguna Incantata
80 bpm • F Maj • 02:43 • -9.29db
21% Popularity • 33% Danceability • 41% Energy • 22% Liveness
74% Instrumentalness • 20% Positiveness
21% Popularity • 33% Danceability • 41% Energy • 22% Liveness
74% Instrumentalness • 20% Positiveness
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Hugo Winterhalter And His Orchestra
Fascination - Instrumental
80 bpm • F Maj • 02:44 • -18db
31% Popularity • 22% Danceability • 24% Energy • 20% Liveness
75% Instrumentalness • 21% Positiveness
31% Popularity • 22% Danceability • 24% Energy • 20% Liveness
75% Instrumentalness • 21% Positiveness
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Jackie Gleason
From Russia With Love
82 bpm • D min • 02:55 • -19.86db
16% Popularity • 14% Danceability • 12% Energy • 10% Liveness
91% Instrumentalness • 11% Positiveness
16% Popularity • 14% Danceability • 12% Energy • 10% Liveness
91% Instrumentalness • 11% Positiveness
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Tony Mottola y Su Orquesta
Sorrento
82 bpm • A min • 02:47 • -12.94db
27% Popularity • 32% Danceability • 19% Energy • 12% Liveness
69% Instrumentalness • 49% Positiveness
27% Popularity • 32% Danceability • 19% Energy • 12% Liveness
69% Instrumentalness • 49% Positiveness
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Gato Barbieri
Picture in The Rain
82 bpm • F min • 01:53 • -9.66db
17% Popularity • 26% Danceability • 36% Energy • 17% Liveness
81% Instrumentalness • 15% Positiveness
17% Popularity • 26% Danceability • 36% Energy • 17% Liveness
81% Instrumentalness • 15% Positiveness
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Los Indios Tabajaras
Always in My Heart
80 bpm • A Maj • 02:29 • -20db
38% Popularity • 65% Danceability • 9% Energy • 25% Liveness
89% Instrumentalness • 39% Positiveness
38% Popularity • 65% Danceability • 9% Energy • 25% Liveness
89% Instrumentalness • 39% Positiveness
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Ronald Valentino
Sobre el Arcoiris
80 bpm • D# Maj • 03:50 • -10.9db
42% Popularity • 65% Danceability • 33% Energy • 16% Liveness
89% Instrumentalness • 27% Positiveness
42% Popularity • 65% Danceability • 33% Energy • 16% Liveness
89% Instrumentalness • 27% Positiveness
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Pepe Jaramillo
El Choclo
80 bpm • C min • 02:05 • -11.03db
28% Popularity • 74% Danceability • 52% Energy • 20% Liveness
85% Instrumentalness • 96% Positiveness
28% Popularity • 74% Danceability • 52% Energy • 20% Liveness
85% Instrumentalness • 96% Positiveness
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Bruno Nicolai
Incontro la contessa
80 bpm • E min • 02:07 • -30db
45% Popularity • 14% Danceability • 2% Energy • 8% Liveness
89% Instrumentalness • 15% Positiveness
45% Popularity • 14% Danceability • 2% Energy • 8% Liveness
89% Instrumentalness • 15% Positiveness
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The Strings Of Paris
C'Est Si Bon
82 bpm • A# Maj • 02:32 • -13.91db
33% Popularity • 51% Danceability • 40% Energy • 11% Liveness
76% Instrumentalness • 41% Positiveness
33% Popularity • 51% Danceability • 40% Energy • 11% Liveness
76% Instrumentalness • 41% Positiveness
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Caravelli
Over the Rainbow
80 bpm • A# Maj • 03:28 • -9db
36% Popularity • 36% Danceability • 41% Energy • 15% Liveness
95% Instrumentalness • 11% Positiveness
36% Popularity • 36% Danceability • 41% Energy • 15% Liveness
95% Instrumentalness • 11% Positiveness
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Tony Mottola y Su Orquesta
Non Dimenticar
80 bpm • F# min • 02:50 • -12.97db
23% Popularity • 47% Danceability • 24% Energy • 22% Liveness
78% Instrumentalness • 34% Positiveness
23% Popularity • 47% Danceability • 24% Energy • 22% Liveness
78% Instrumentalness • 34% Positiveness
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Saxo
Verano Del 42
83 bpm • A Maj • 03:51 • -13.06db
32% Popularity • 12% Danceability • 33% Energy • 15% Liveness
95% Instrumentalness • 24% Positiveness
32% Popularity • 12% Danceability • 33% Energy • 15% Liveness
95% Instrumentalness • 24% Positiveness
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Frank Chacksfield
Shadow Play
79 bpm • C min • 03:24 • -15.16db
20% Popularity • 30% Danceability • 24% Energy • 29% Liveness
90% Instrumentalness • 11% Positiveness
20% Popularity • 30% Danceability • 24% Energy • 29% Liveness
90% Instrumentalness • 11% Positiveness
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Stanley Black
April in Portugal
83 bpm • C Maj • 02:21 • -12.94db
34% Popularity • 56% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
34% Popularity • 56% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Los Indios Tabajaras
Las Hojas Muertas
79 bpm • E min • 02:14 • -13.12db
9% Popularity • 38% Danceability • 26% Energy • 36% Liveness
78% Instrumentalness • 20% Positiveness
9% Popularity • 38% Danceability • 26% Energy • 36% Liveness
78% Instrumentalness • 20% Positiveness
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Peter Thomas Sound Orchester
The World's History
80 bpm • A min • 01:39 • -21db
30% Popularity • 43% Danceability • 11% Energy • 11% Liveness
93% Instrumentalness • 36% Positiveness
30% Popularity • 43% Danceability • 11% Energy • 11% Liveness
93% Instrumentalness • 36% Positiveness
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Al Caiola
Duerme (Time Was)
83 bpm • G Maj • 02:21 • -21.32db
14% Popularity • 32% Danceability • 11% Energy • 11% Liveness
5% Instrumentalness • 17% Positiveness
14% Popularity • 32% Danceability • 11% Energy • 11% Liveness
5% Instrumentalness • 17% Positiveness
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Syd Dale
Solo Theme
79 bpm • D min • 02:33 • -12db
29% Popularity • 15% Danceability • 14% Energy • 11% Liveness
98% Instrumentalness • 15% Positiveness
29% Popularity • 15% Danceability • 14% Energy • 11% Liveness
98% Instrumentalness • 15% Positiveness
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Frank Chacksfield
Ebb Tide
79 bpm • C Maj • 03:40 • -9.7db
28% Popularity • 15% Danceability • 48% Energy • 28% Liveness
2% Instrumentalness • 5% Positiveness
28% Popularity • 15% Danceability • 48% Energy • 28% Liveness
2% Instrumentalness • 5% Positiveness
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Percy Faith
Carolina Moon
79 bpm • G Maj • 02:35 • -12.37db
25% Popularity • 19% Danceability • 38% Energy • 30% Liveness
84% Instrumentalness • 5% Positiveness
25% Popularity • 19% Danceability • 38% Energy • 30% Liveness
84% Instrumentalness • 5% Positiveness
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Gianni Marchetti
Amore in controluce 1
83 bpm • G min • 02:38 • -21db
25% Popularity • 38% Danceability • 7% Energy • 11% Liveness
8% Instrumentalness • 21% Positiveness
25% Popularity • 38% Danceability • 7% Energy • 11% Liveness
8% Instrumentalness • 21% Positiveness
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Los Indios Tabajaras
Maria Elena
84 bpm • B Maj • 03:07 • -19.13db
49% Popularity • 66% Danceability • 10% Energy • 11% Liveness
84% Instrumentalness • 59% Positiveness
49% Popularity • 66% Danceability • 10% Energy • 11% Liveness
84% Instrumentalness • 59% Positiveness
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Jackie Gleason
Melancholy Serenade/Yesterdays
84 bpm • D min • 04:23 • -14.56db
24% Popularity • 16% Danceability • 25% Energy • 21% Liveness
68% Instrumentalness • 6% Positiveness
24% Popularity • 16% Danceability • 25% Energy • 21% Liveness
68% Instrumentalness • 6% Positiveness
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Astor Piazzolla
Milonga for Three
83 bpm • C min • 05:59 • -19.68db
29% Popularity • 11% Danceability • 10% Energy • 11% Liveness
33% Instrumentalness • 8% Positiveness
29% Popularity • 11% Danceability • 10% Energy • 11% Liveness
33% Instrumentalness • 8% Positiveness
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Frank Chacksfield
Stranger on the Shore
79 bpm • D Maj • 03:14 • -14.59db
28% Popularity • 26% Danceability • 15% Energy • 9% Liveness
82% Instrumentalness • 13% Positiveness
28% Popularity • 26% Danceability • 15% Energy • 9% Liveness
82% Instrumentalness • 13% Positiveness
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Percy Faith
Moon over Miami
78 bpm • C Maj • 04:04 • -11.54db
37% Popularity • 8% Danceability • 36% Energy • 14% Liveness
70% Instrumentalness • 8% Positiveness
37% Popularity • 8% Danceability • 36% Energy • 14% Liveness
70% Instrumentalness • 8% Positiveness
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Gustavo Pimentel
Frenesi
84 bpm • F Maj • 03:20 • -18.76db
37% Popularity • 65% Danceability • 47% Energy • 9% Liveness
11% Instrumentalness • 79% Positiveness
37% Popularity • 65% Danceability • 47% Energy • 9% Liveness
11% Instrumentalness • 79% Positiveness
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Pierre Charlon
Charade
78 bpm • A min • 03:12 • -15.21db
43% Popularity • 43% Danceability • 24% Energy • 10% Liveness
37% Instrumentalness • 31% Positiveness
43% Popularity • 43% Danceability • 24% Energy • 10% Liveness
37% Instrumentalness • 31% Positiveness
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Fred Bongusto
Un facile amore
84 bpm • D# Maj • 02:41 • -22db
41% Popularity • 42% Danceability • 18% Energy • 10% Liveness
90% Instrumentalness • 73% Positiveness
41% Popularity • 42% Danceability • 18% Energy • 10% Liveness
90% Instrumentalness • 73% Positiveness
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Alfred Newman
Airport Love Theme
78 bpm • G# min • 03:32 • -23db
25% Popularity • 15% Danceability • 14% Energy • 21% Liveness
96% Instrumentalness • 8% Positiveness
25% Popularity • 15% Danceability • 14% Energy • 21% Liveness
96% Instrumentalness • 8% Positiveness
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Nora Orlandi
Libidine 8
78 bpm • C min • 04:23 • -16db
39% Popularity • 46% Danceability • 55% Energy • 12% Liveness
93% Instrumentalness • 58% Positiveness
39% Popularity • 46% Danceability • 55% Energy • 12% Liveness
93% Instrumentalness • 58% Positiveness
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Paolo Conte
En Bleu Marine
78 bpm • A# Maj • 01:32 • -13db
45% Popularity • 51% Danceability • 27% Energy • 13% Liveness
93% Instrumentalness • 32% Positiveness
45% Popularity • 51% Danceability • 27% Energy • 13% Liveness
93% Instrumentalness • 32% Positiveness
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Ronald Valentino
Serenata a la Luz de la Luna
85 bpm • E min • 03:37 • -11db
48% Popularity • 65% Danceability • 25% Energy • 33% Liveness
58% Instrumentalness • 34% Positiveness
48% Popularity • 65% Danceability • 25% Energy • 33% Liveness
58% Instrumentalness • 34% Positiveness
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Los Indios Tabajaras
Smoke Gets in Your Eyes
77 bpm • E Maj • 02:33 • -24.74db
23% Popularity • 77% Danceability • 7% Energy • 10% Liveness
91% Instrumentalness • 32% Positiveness
23% Popularity • 77% Danceability • 7% Energy • 10% Liveness
91% Instrumentalness • 32% Positiveness
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Gianni Ferrio
Elena Elena
77 bpm • C Maj • 03:16 • -15db
27% Popularity • 66% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
27% Popularity • 66% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
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Stelvio Cipriani
Papaya - Colonna sonora del film "La pol...
85 bpm • D min • 02:30 • -9db
35% Popularity • 57% Danceability • 63% Energy • 10% Liveness
74% Instrumentalness • 74% Positiveness
35% Popularity • 57% Danceability • 63% Energy • 10% Liveness
74% Instrumentalness • 74% Positiveness
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Jackie Gleason
When Your Lover Has Gone
77 bpm • G min • 02:22 • -18db
38% Popularity • 18% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
38% Popularity • 18% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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Koichi Sugii
Tairyo-Bushi (大漁節)
77 bpm • G min • 03:17 • -13.22db
19% Popularity • 54% Danceability • 38% Energy • 9% Liveness
75% Instrumentalness • 96% Positiveness
19% Popularity • 54% Danceability • 38% Energy • 9% Liveness
75% Instrumentalness • 96% Positiveness
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Ronald Valentino
El Amor Es una Cosa Esplendorosa
85 bpm • C Maj • 02:51 • -8.46db
49% Popularity • 54% Danceability • 40% Energy • 15% Liveness
64% Instrumentalness • 20% Positiveness
49% Popularity • 54% Danceability • 40% Energy • 15% Liveness
64% Instrumentalness • 20% Positiveness
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Alessandro Alessandroni
Landscape
85 bpm • D Maj • 03:14 • -10db
41% Popularity • 49% Danceability • 43% Energy • 9% Liveness
86% Instrumentalness • 75% Positiveness
41% Popularity • 49% Danceability • 43% Energy • 9% Liveness
86% Instrumentalness • 75% Positiveness
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Archie Semple
I'm in the Market for You
86 bpm • C min • 03:46 • -19db
44% Popularity • 49% Danceability • 3% Energy • 12% Liveness
65% Instrumentalness • 34% Positiveness
44% Popularity • 49% Danceability • 3% Energy • 12% Liveness
65% Instrumentalness • 34% Positiveness
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Nino Rota
E Poi (Valzer)
86 bpm • F min • 02:06 • -12db
30% Popularity • 20% Danceability • 29% Energy • 14% Liveness
57% Instrumentalness • 13% Positiveness
30% Popularity • 20% Danceability • 29% Energy • 14% Liveness
57% Instrumentalness • 13% Positiveness
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Los Indios Tabajaras
As Time Goes By
86 bpm • G Maj • 02:27 • -16.1db
17% Popularity • 69% Danceability • 18% Energy • 26% Liveness
0% Instrumentalness • 81% Positiveness
17% Popularity • 69% Danceability • 18% Energy • 26% Liveness
0% Instrumentalness • 81% Positiveness
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Carmen Cavallaro
Shine on Harvest Moon
77 bpm • A Maj • 02:15 • -18.14db
30% Popularity • 52% Danceability • 11% Energy • 12% Liveness
90% Instrumentalness • 37% Positiveness
30% Popularity • 52% Danceability • 11% Energy • 12% Liveness
90% Instrumentalness • 37% Positiveness
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Paul Weston
Autumn in Rome
77 bpm • F min • 03:04 • -13.27db
19% Popularity • 10% Danceability • 27% Energy • 27% Liveness
84% Instrumentalness • 7% Positiveness
19% Popularity • 10% Danceability • 27% Energy • 27% Liveness
84% Instrumentalness • 7% Positiveness
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Alain Romans
Mon oncle
86 bpm • C Maj • 02:37 • -15.63db
33% Popularity • 76% Danceability • 26% Energy • 13% Liveness
46% Instrumentalness • 80% Positiveness
33% Popularity • 76% Danceability • 26% Energy • 13% Liveness
46% Instrumentalness • 80% Positiveness
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Don Costa
Lisboa Antigua - Remastered
86 bpm • C# Maj • 02:52 • -9db
33% Popularity • 46% Danceability • 50% Energy • 31% Liveness
39% Instrumentalness • 96% Positiveness
33% Popularity • 46% Danceability • 50% Energy • 31% Liveness
39% Instrumentalness • 96% Positiveness
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Nilla Pizzi
Eternamente
86 bpm • D# Maj • 03:16 • -18db
25% Popularity • 27% Danceability • 16% Energy • 12% Liveness
80% Instrumentalness • 18% Positiveness
25% Popularity • 27% Danceability • 16% Energy • 12% Liveness
80% Instrumentalness • 18% Positiveness
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Kenny Sasaki & The Tiki Boys
Fly Me to the Island (Remaster)
86 bpm • E min • 01:16 • -13db
41% Popularity • 67% Danceability • 27% Energy • 12% Liveness
54% Instrumentalness • 6% Positiveness
41% Popularity • 67% Danceability • 27% Energy • 12% Liveness
54% Instrumentalness • 6% Positiveness
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Frank Chacksfield
Limelight
86 bpm • F Maj • 02:49 • -11.57db
40% Popularity • 24% Danceability • 27% Energy • 14% Liveness
84% Instrumentalness • 16% Positiveness
40% Popularity • 24% Danceability • 27% Energy • 14% Liveness
84% Instrumentalness • 16% Positiveness
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Percy Faith
How Insensitive
86 bpm • C Maj • 02:38 • -12db
37% Popularity • 16% Danceability • 35% Energy • 12% Liveness
78% Instrumentalness • 16% Positiveness
37% Popularity • 16% Danceability • 35% Energy • 12% Liveness
78% Instrumentalness • 16% Positiveness
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Los Indios Tabajaras
Stardust
76 bpm • E Maj • 02:37 • -17.24db
21% Popularity • 78% Danceability • 9% Energy • 12% Liveness
49% Instrumentalness • 41% Positiveness
21% Popularity • 78% Danceability • 9% Energy • 12% Liveness
49% Instrumentalness • 41% Positiveness
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Stelvio Cipriani
Vento Caldo
86 bpm • A Maj • 01:31 • -7db
22% Popularity • 28% Danceability • 35% Energy • 12% Liveness
6% Instrumentalness • 13% Positiveness
22% Popularity • 28% Danceability • 35% Energy • 12% Liveness
6% Instrumentalness • 13% Positiveness
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Billy Vaughn
A Swingin' Safari
76 bpm • D# min • 02:15 • -11.57db
37% Popularity • 54% Danceability • 53% Energy • 7% Liveness
97% Instrumentalness • 72% Positiveness
37% Popularity • 54% Danceability • 53% Energy • 7% Liveness
97% Instrumentalness • 72% Positiveness
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Jerry Byrd
Serenade To Nalani
76 bpm • A# Maj • 02:53 • -20.52db
27% Popularity • 56% Danceability • 3% Energy • 14% Liveness
86% Instrumentalness • 27% Positiveness
27% Popularity • 56% Danceability • 3% Energy • 14% Liveness
86% Instrumentalness • 27% Positiveness
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Ennio Morricone
Metti una sera a cena
86 bpm • F# min • 04:33 • -16db
33% Popularity • 42% Danceability • 31% Energy • 6% Liveness
4% Instrumentalness • 55% Positiveness
33% Popularity • 42% Danceability • 31% Energy • 6% Liveness
4% Instrumentalness • 55% Positiveness
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Billy May & His Orchestra
Naked Isle
76 bpm • B min • 03:12 • -14.59db
14% Popularity • 24% Danceability • 32% Energy • 9% Liveness
32% Instrumentalness • 6% Positiveness
14% Popularity • 24% Danceability • 32% Energy • 9% Liveness
32% Instrumentalness • 6% Positiveness
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Los Indios Tabajaras
Polvo De Estrellas
76 bpm • C# min • 02:37 • -10.97db
24% Popularity • 76% Danceability • 20% Energy • 10% Liveness
28% Instrumentalness • 38% Positiveness
24% Popularity • 76% Danceability • 20% Energy • 10% Liveness
28% Instrumentalness • 38% Positiveness
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Luis Bacalov
Samba
87 bpm • C Maj • 02:58 • -20.91db
11% Popularity • 61% Danceability • 31% Energy • 14% Liveness
3% Instrumentalness • 70% Positiveness
11% Popularity • 61% Danceability • 31% Energy • 14% Liveness
3% Instrumentalness • 70% Positiveness
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Hikaru Hayashi
L'Ile neu
76 bpm • F min • 03:26 • -20db
33% Popularity • 26% Danceability • 19% Energy • 42% Liveness
95% Instrumentalness • 19% Positiveness
33% Popularity • 26% Danceability • 19% Energy • 42% Liveness
95% Instrumentalness • 19% Positiveness
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Golden Strings Orchestra
Zorba El Griego
75 bpm • G Maj • 02:55 • -16.8db
41% Popularity • 34% Danceability • 36% Energy • 5% Liveness
1% Instrumentalness • 70% Positiveness
41% Popularity • 34% Danceability • 36% Energy • 5% Liveness
1% Instrumentalness • 70% Positiveness
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Alessandro Alessandroni
Tribute To Morricone
87 bpm • C Maj • 02:37 • -11db
33% Popularity • 39% Danceability • 36% Energy • 22% Liveness
86% Instrumentalness • 12% Positiveness
33% Popularity • 39% Danceability • 36% Energy • 22% Liveness
86% Instrumentalness • 12% Positiveness
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Giovanni Fusco
Passeggiata
87 bpm • F min • 01:42 • -21.07db
28% Popularity • 40% Danceability • 14% Energy • 18% Liveness
82% Instrumentalness • 51% Positiveness
28% Popularity • 40% Danceability • 14% Energy • 18% Liveness
82% Instrumentalness • 51% Positiveness
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Los Indios Tabajaras
Star Dust
76 bpm • E Maj • 02:37 • -15.98db
36% Popularity • 74% Danceability • 13% Energy • 11% Liveness
56% Instrumentalness • 46% Positiveness
36% Popularity • 74% Danceability • 13% Energy • 11% Liveness
56% Instrumentalness • 46% Positiveness
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Dave Grusin
The Singleman Party Foxtrot
75 bpm • F min • 02:51 • -10.47db
30% Popularity • 20% Danceability • 46% Energy • 24% Liveness
3% Instrumentalness • 42% Positiveness
30% Popularity • 20% Danceability • 46% Energy • 24% Liveness
3% Instrumentalness • 42% Positiveness
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Percy Faith
Our Love
75 bpm • D Maj • 02:28 • -12.86db
39% Popularity • 26% Danceability • 35% Energy • 28% Liveness
3% Instrumentalness • 19% Positiveness
39% Popularity • 26% Danceability • 35% Energy • 28% Liveness
3% Instrumentalness • 19% Positiveness
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Cal Tjader
Que Tristeza
75 bpm • G# Maj • 02:50 • -24.5db
28% Popularity • 64% Danceability • 8% Energy • 13% Liveness
34% Instrumentalness • 24% Positiveness
28% Popularity • 64% Danceability • 8% Energy • 13% Liveness
34% Instrumentalness • 24% Positiveness
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Ronald Valentino
Dejé Mi Corazón en San Francisco
88 bpm • D min • 03:47 • -10.48db
38% Popularity • 68% Danceability • 28% Energy • 15% Liveness
4% Instrumentalness • 29% Positiveness
38% Popularity • 68% Danceability • 28% Energy • 15% Liveness
4% Instrumentalness • 29% Positiveness
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Armando Trovajoli
A Lonely Man
88 bpm • G min • 03:36 • -16.13db
18% Popularity • 29% Danceability • 20% Energy • 12% Liveness
36% Instrumentalness • 16% Positiveness
18% Popularity • 29% Danceability • 20% Energy • 12% Liveness
36% Instrumentalness • 16% Positiveness
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Piero Umiliani
Alba Sul Mare
75 bpm • G Maj • 03:12 • -8db
26% Popularity • 21% Danceability • 41% Energy • 9% Liveness
86% Instrumentalness • 19% Positiveness
26% Popularity • 21% Danceability • 41% Energy • 9% Liveness
86% Instrumentalness • 19% Positiveness
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Los Indios Tabajaras
El Padrino
88 bpm • F# min • 01:44 • -20.72db
31% Popularity • 73% Danceability • 13% Energy • 23% Liveness
66% Instrumentalness • 77% Positiveness
31% Popularity • 73% Danceability • 13% Energy • 23% Liveness
66% Instrumentalness • 77% Positiveness
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Ennio Morricone
Sospetti E Tenerezze
74 bpm • G Maj • 04:26 • -26.35db
29% Popularity • 25% Danceability • 4% Energy • 8% Liveness
18% Instrumentalness • 8% Positiveness
29% Popularity • 25% Danceability • 4% Energy • 8% Liveness
18% Instrumentalness • 8% Positiveness
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Gus Viseur
Paris je t'aime
88 bpm • G# Maj • 01:32 • -16db
39% Popularity • 51% Danceability • 10% Energy • 11% Liveness
88% Instrumentalness • 54% Positiveness
39% Popularity • 51% Danceability • 10% Energy • 11% Liveness
88% Instrumentalness • 54% Positiveness
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Ronald Valentino
Nocturno en Mi Bemol
88 bpm • D# Maj • 04:47 • -7db
41% Popularity • 51% Danceability • 53% Energy • 10% Liveness
86% Instrumentalness • 45% Positiveness
41% Popularity • 51% Danceability • 53% Energy • 10% Liveness
86% Instrumentalness • 45% Positiveness
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Alessandro Alessandroni
Autumn Song
89 bpm • A min • 02:46 • -11.88db
38% Popularity • 53% Danceability • 29% Energy • 8% Liveness
92% Instrumentalness • 63% Positiveness
38% Popularity • 53% Danceability • 29% Energy • 8% Liveness
92% Instrumentalness • 63% Positiveness
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Piero Umiliani
La Signora Cameriera
74 bpm • D min • 02:37 • -11.43db
19% Popularity • 73% Danceability • 36% Energy • 6% Liveness
4% Instrumentalness • 58% Positiveness
19% Popularity • 73% Danceability • 36% Energy • 6% Liveness
4% Instrumentalness • 58% Positiveness
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The Surfmen
Hawaiian Wedding Song
89 bpm • G Maj • 01:43 • -19.73db
28% Popularity • 48% Danceability • 14% Energy • 22% Liveness
86% Instrumentalness • 52% Positiveness
28% Popularity • 48% Danceability • 14% Energy • 22% Liveness
86% Instrumentalness • 52% Positiveness
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Billy Vaughn
Estrellita
89 bpm • D# Maj • 01:43 • -11.79db
34% Popularity • 22% Danceability • 24% Energy • 9% Liveness
70% Instrumentalness • 50% Positiveness
34% Popularity • 22% Danceability • 24% Energy • 9% Liveness
70% Instrumentalness • 50% Positiveness
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Santo & Johnny
Ebb Tide
89 bpm • C Maj • 02:15 • -10.56db
23% Popularity • 38% Danceability • 33% Energy • 21% Liveness
95% Instrumentalness • 20% Positiveness
23% Popularity • 38% Danceability • 33% Energy • 21% Liveness
95% Instrumentalness • 20% Positiveness
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Jack Nitzsche
Song for a Summer Night
73 bpm • F# Maj • 02:25 • -12db
36% Popularity • 34% Danceability • 29% Energy • 18% Liveness
11% Instrumentalness • 34% Positiveness
36% Popularity • 34% Danceability • 29% Energy • 18% Liveness
11% Instrumentalness • 34% Positiveness
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Ronald Valentino
A Través de los Años
90 bpm • D# Maj • 02:53 • -10db
51% Popularity • 37% Danceability • 35% Energy • 8% Liveness
72% Instrumentalness • 43% Positiveness
51% Popularity • 37% Danceability • 35% Energy • 8% Liveness
72% Instrumentalness • 43% Positiveness
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Los Indios Tabajaras
La Mer
90 bpm • D Maj • 02:14 • -24.25db
26% Popularity • 79% Danceability • 3% Energy • 11% Liveness
76% Instrumentalness • 55% Positiveness
26% Popularity • 79% Danceability • 3% Energy • 11% Liveness
76% Instrumentalness • 55% Positiveness
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Atahualpa Yupanqui
Regreso del Pastor
73 bpm • C Maj • 03:16 • -18.25db
31% Popularity • 39% Danceability • 20% Energy • 10% Liveness
96% Instrumentalness • 49% Positiveness
31% Popularity • 39% Danceability • 20% Energy • 10% Liveness
96% Instrumentalness • 49% Positiveness
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Al Hirt
Strangers In the Night
90 bpm • G Maj • 02:41 • -13.41db
27% Popularity • 28% Danceability • 28% Energy • 10% Liveness
86% Instrumentalness • 47% Positiveness
27% Popularity • 28% Danceability • 28% Energy • 10% Liveness
86% Instrumentalness • 47% Positiveness