Songs like Sigor Ros Bound For Hawaii by Pantomime Horse
Based on a tempo of (+/- 10%) and a similar genre
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Tim Hecker
Not alone
79 bpm • E Maj • 03:10 • -12.91db
12% Popularity • 49% Danceability • 22% Energy • 21% Liveness
59% Instrumentalness • 5% Positiveness
12% Popularity • 49% Danceability • 22% Energy • 21% Liveness
59% Instrumentalness • 5% Positiveness
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Six Organs Of Admittance
Fire on Rain
79 bpm • B Maj • 01:51 • -21.67db
23% Popularity • 31% Danceability • 17% Energy • 8% Liveness
93% Instrumentalness • 3% Positiveness
23% Popularity • 31% Danceability • 17% Energy • 8% Liveness
93% Instrumentalness • 3% Positiveness
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Pierre Schaeffer
Etude Violette
79 bpm • G Maj • 03:20 • -22.48db
12% Popularity • 40% Danceability • 38% Energy • 14% Liveness
92% Instrumentalness • 6% Positiveness
12% Popularity • 40% Danceability • 38% Energy • 14% Liveness
92% Instrumentalness • 6% Positiveness
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Kilgore Trout
Vanity and Conscience
79 bpm • A Maj • 01:55 • -28.19db
10% Popularity • 31% Danceability • 19% Energy • 27% Liveness
47% Instrumentalness • 42% Positiveness
10% Popularity • 31% Danceability • 19% Energy • 27% Liveness
47% Instrumentalness • 42% Positiveness
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Daniel Bachman
Sad The Parting Down The Lane
79 bpm • G Maj • 01:25 • -8.32db
12% Popularity • 10% Danceability • 88% Energy • 32% Liveness
52% Instrumentalness • 4% Positiveness
12% Popularity • 10% Danceability • 88% Energy • 32% Liveness
52% Instrumentalness • 4% Positiveness
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Squid
The Flyover
79 bpm • B min • 01:10 • -20.52db
24% Popularity • 23% Danceability • 10% Energy • 14% Liveness
95% Instrumentalness • 6% Positiveness
24% Popularity • 23% Danceability • 10% Energy • 14% Liveness
95% Instrumentalness • 6% Positiveness
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Pantomime Horse
Sigor Ros Bound For Hawaii
79 bpm • E Maj • 04:27 • -13.47db
0% Popularity • 56% Danceability • 32% Energy • 35% Liveness
96% Instrumentalness • 56% Positiveness
0% Popularity • 56% Danceability • 32% Energy • 35% Liveness
96% Instrumentalness • 56% Positiveness
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Pink Floyd
Interstellar Overdrive - BBC Radio Sessi...
79 bpm • A min • 09:36 • -10.83db
10% Popularity • 22% Danceability • 63% Energy • 15% Liveness
51% Instrumentalness • 19% Positiveness
10% Popularity • 22% Danceability • 63% Energy • 15% Liveness
51% Instrumentalness • 19% Positiveness
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Vanessa Bedoret
Ballad
79 bpm • C Maj • 03:11 • -20.36db
18% Popularity • 28% Danceability • 17% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
18% Popularity • 28% Danceability • 17% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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1782
A Merciful Suffering
79 bpm • C# min • 01:46 • -13.76db
16% Popularity • 14% Danceability • 28% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
16% Popularity • 14% Danceability • 28% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Brad Oberhofer
Shadow Paintings
80 bpm • C# Maj • 01:40 • -25.16db
25% Popularity • 32% Danceability • 5% Energy • 12% Liveness
92% Instrumentalness • 15% Positiveness
25% Popularity • 32% Danceability • 5% Energy • 12% Liveness
92% Instrumentalness • 15% Positiveness
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Lukid
End Melody
80 bpm • E min • 03:08 • -8.86db
18% Popularity • 43% Danceability • 40% Energy • 12% Liveness
88% Instrumentalness • 40% Positiveness
18% Popularity • 43% Danceability • 40% Energy • 12% Liveness
88% Instrumentalness • 40% Positiveness
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Soul Warrior
Seathwaite
80 bpm • D Maj • 02:52 • -14.07db
0% Popularity • 55% Danceability • 13% Energy • 22% Liveness
96% Instrumentalness • 12% Positiveness
0% Popularity • 55% Danceability • 13% Energy • 22% Liveness
96% Instrumentalness • 12% Positiveness
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Bell Kalengar
Hole
80 bpm • G Maj • 02:36 • -18.18db
24% Popularity • 61% Danceability • 21% Energy • 11% Liveness
88% Instrumentalness • 14% Positiveness
24% Popularity • 61% Danceability • 21% Energy • 11% Liveness
88% Instrumentalness • 14% Positiveness
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Devvin Giorgio
Street Chocolate
80 bpm • B Maj • 01:00 • -14.57db
23% Popularity • 50% Danceability • 62% Energy • 24% Liveness
88% Instrumentalness • 52% Positiveness
23% Popularity • 50% Danceability • 62% Energy • 24% Liveness
88% Instrumentalness • 52% Positiveness
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Dirty Beaches
Black Nylon
78 bpm • B min • 02:50 • -8.11db
15% Popularity • 26% Danceability • 85% Energy • 21% Liveness
92% Instrumentalness • 24% Positiveness
15% Popularity • 26% Danceability • 85% Energy • 21% Liveness
92% Instrumentalness • 24% Positiveness
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Chypho
Compound Eye
78 bpm • E Maj • 05:12 • -21.19db
6% Popularity • 47% Danceability • 10% Energy • 35% Liveness
86% Instrumentalness • 4% Positiveness
6% Popularity • 47% Danceability • 10% Energy • 35% Liveness
86% Instrumentalness • 4% Positiveness
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Heldon
In the Wake of King Fripp
80 bpm • D# min • 06:36 • -8.6db
9% Popularity • 16% Danceability • 44% Energy • 11% Liveness
74% Instrumentalness • 19% Positiveness
9% Popularity • 16% Danceability • 44% Energy • 11% Liveness
74% Instrumentalness • 19% Positiveness
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Laurel Halo
Quietude
80 bpm • E Maj • 02:32 • -10.95db
13% Popularity • 35% Danceability • 75% Energy • 11% Liveness
87% Instrumentalness • 20% Positiveness
13% Popularity • 35% Danceability • 75% Energy • 11% Liveness
87% Instrumentalness • 20% Positiveness
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Attilio Mineo
Soaring Science
80 bpm • G# Maj • 03:33 • -13.64db
8% Popularity • 22% Danceability • 35% Energy • 12% Liveness
17% Instrumentalness • 13% Positiveness
8% Popularity • 22% Danceability • 35% Energy • 12% Liveness
17% Instrumentalness • 13% Positiveness
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The War On Drugs
Missiles Reprise
80 bpm • A# Maj • 02:19 • -8.81db
23% Popularity • 23% Danceability • 86% Energy • 28% Liveness
89% Instrumentalness • 22% Positiveness
23% Popularity • 23% Danceability • 86% Energy • 28% Liveness
89% Instrumentalness • 22% Positiveness
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Valium Aggelein
Trial By Fire
81 bpm • A Maj • 01:56 • -15.24db
28% Popularity • 30% Danceability • 32% Energy • 30% Liveness
83% Instrumentalness • 27% Positiveness
28% Popularity • 30% Danceability • 32% Energy • 30% Liveness
83% Instrumentalness • 27% Positiveness
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kraftwitch
Badlands
77 bpm • G Maj • 06:13 • -16.58db
11% Popularity • 20% Danceability • 40% Energy • 6% Liveness
88% Instrumentalness • 6% Positiveness
11% Popularity • 20% Danceability • 40% Energy • 6% Liveness
88% Instrumentalness • 6% Positiveness
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Robert Fripp
A Near Find In Rip Pop
77 bpm • D Maj • 07:20 • -11.82db
8% Popularity • 19% Danceability • 24% Energy • 15% Liveness
56% Instrumentalness • 5% Positiveness
8% Popularity • 19% Danceability • 24% Energy • 15% Liveness
56% Instrumentalness • 5% Positiveness
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Aoife Nessa Frances
A Long Dress
77 bpm • C Maj • 01:35 • -15.63db
10% Popularity • 28% Danceability • 18% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
10% Popularity • 28% Danceability • 18% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
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00110100 01010100
0000 871 0002
77 bpm • C# min • 01:29 • -26.18db
12% Popularity • 46% Danceability • 4% Energy • 22% Liveness
76% Instrumentalness • 14% Positiveness
12% Popularity • 46% Danceability • 4% Energy • 22% Liveness
76% Instrumentalness • 14% Positiveness
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MJ Lenderman
Ghost of Your Guitar Solo 2
77 bpm • C Maj • 02:03 • -24.69db
17% Popularity • 31% Danceability • 2% Energy • 12% Liveness
90% Instrumentalness • 5% Positiveness
17% Popularity • 31% Danceability • 2% Energy • 12% Liveness
90% Instrumentalness • 5% Positiveness
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Klein
Cry Theme
77 bpm • E min • 03:44 • -9.02db
8% Popularity • 13% Danceability • 72% Energy • 19% Liveness
86% Instrumentalness • 12% Positiveness
8% Popularity • 13% Danceability • 72% Energy • 19% Liveness
86% Instrumentalness • 12% Positiveness
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Venom
Mayhem with Mercy
81 bpm • B min • 00:59 • -19.06db
27% Popularity • 33% Danceability • 42% Energy • 9% Liveness
11% Instrumentalness • 7% Positiveness
27% Popularity • 33% Danceability • 42% Energy • 9% Liveness
11% Instrumentalness • 7% Positiveness
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Latin Playboys
Pink Steps
77 bpm • B Maj • 02:06 • -22.75db
12% Popularity • 22% Danceability • 21% Energy • 43% Liveness
98% Instrumentalness • 34% Positiveness
12% Popularity • 22% Danceability • 21% Energy • 43% Liveness
98% Instrumentalness • 34% Positiveness
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Pantomime Horse
Bruce Haack Did My Taxes
77 bpm • B Maj • 03:50 • -14.71db
0% Popularity • 46% Danceability • 52% Energy • 22% Liveness
0% Instrumentalness • 34% Positiveness
0% Popularity • 46% Danceability • 52% Energy • 22% Liveness
0% Instrumentalness • 34% Positiveness
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Stefano Giuseppe
Grinding Gears
76 bpm • E min • 01:09 • -15.79db
19% Popularity • 46% Danceability • 90% Energy • 14% Liveness
97% Instrumentalness • 9% Positiveness
19% Popularity • 46% Danceability • 90% Energy • 14% Liveness
97% Instrumentalness • 9% Positiveness
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Frog Concert
Toad Antigua
76 bpm • C Maj • 01:02 • -6.23db
10% Popularity • 17% Danceability • 70% Energy • 78% Liveness
87% Instrumentalness • 17% Positiveness
10% Popularity • 17% Danceability • 70% Energy • 78% Liveness
87% Instrumentalness • 17% Positiveness
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Keluarga Kesenian Bali Studio Denpasar
Tabuh Telu Buaja Mangap
77 bpm • G Maj • 03:07 • -5.95db
10% Popularity • 17% Danceability • 64% Energy • 12% Liveness
18% Instrumentalness • 31% Positiveness
10% Popularity • 17% Danceability • 64% Energy • 12% Liveness
18% Instrumentalness • 31% Positiveness
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dandelion hands
(Please Don't) Leave Me
76 bpm • E min • 03:20 • -20.34db
23% Popularity • 62% Danceability • 14% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
23% Popularity • 62% Danceability • 14% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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DRINKS
In the Night Kitchen
82 bpm • G Maj • 02:49 • -14db
22% Popularity • 52% Danceability • 17% Energy • 54% Liveness
61% Instrumentalness • 27% Positiveness
22% Popularity • 52% Danceability • 17% Energy • 54% Liveness
61% Instrumentalness • 27% Positiveness
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aspidistrafly
Interlude: Chrysalises and Larvae
82 bpm • A min • 01:24 • -19.02db
21% Popularity • 20% Danceability • 40% Energy • 42% Liveness
87% Instrumentalness • 34% Positiveness
21% Popularity • 20% Danceability • 40% Energy • 42% Liveness
87% Instrumentalness • 34% Positiveness
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Jan Jelinek
Planeten In Halbtrauer
82 bpm • E Maj • 05:15 • -16.01db
10% Popularity • 16% Danceability • 28% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
10% Popularity • 16% Danceability • 28% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Brokeback
From the Black Current
83 bpm • F# min • 03:43 • -15.29db
11% Popularity • 30% Danceability • 10% Energy • 20% Liveness
88% Instrumentalness • 10% Positiveness
11% Popularity • 30% Danceability • 10% Energy • 20% Liveness
88% Instrumentalness • 10% Positiveness
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Ney
Trutruka 2
83 bpm • A Maj • 01:22 • -11.92db
7% Popularity • 54% Danceability • 5% Energy • 16% Liveness
15% Instrumentalness • 18% Positiveness
7% Popularity • 54% Danceability • 5% Energy • 16% Liveness
15% Instrumentalness • 18% Positiveness
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Lolabúm
Trópicos
83 bpm • C Maj • 04:10 • -15.82db
11% Popularity • 30% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
11% Popularity • 30% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Siouxsie and the Banshees
Pure
83 bpm • G Maj • 01:51 • -20.13db
27% Popularity • 29% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 5% Positiveness
27% Popularity • 29% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 5% Positiveness
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Ginksor
Optimist
83 bpm • A min • 01:14 • -20.72db
18% Popularity • 22% Danceability • 6% Energy • 12% Liveness
99% Instrumentalness • 56% Positiveness
18% Popularity • 22% Danceability • 6% Energy • 12% Liveness
99% Instrumentalness • 56% Positiveness
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Pink Floyd
The Grand Vizier's Garden Party, Pt. 2 (...
75 bpm • D Maj • 07:05 • -18.39db
25% Popularity • 36% Danceability • 24% Energy • 16% Liveness
49% Instrumentalness • 15% Positiveness
25% Popularity • 36% Danceability • 24% Energy • 16% Liveness
49% Instrumentalness • 15% Positiveness
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L. June
Go out and get her
83 bpm • D# min • 01:28 • -26.29db
11% Popularity • 23% Danceability • 19% Energy • 14% Liveness
96% Instrumentalness • 38% Positiveness
11% Popularity • 23% Danceability • 19% Energy • 14% Liveness
96% Instrumentalness • 38% Positiveness
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Emma Ruth Rundle
Oslo, Pt. 2
75 bpm • F# min • 04:03 • -22db
18% Popularity • 13% Danceability • 14% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
18% Popularity • 13% Danceability • 14% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Annotations Of An Autopsy
Awaiting The Autopsy
75 bpm • D# Maj • 01:34 • -18.49db
8% Popularity • 22% Danceability • 26% Energy • 52% Liveness
89% Instrumentalness • 54% Positiveness
8% Popularity • 22% Danceability • 26% Energy • 52% Liveness
89% Instrumentalness • 54% Positiveness
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Sports
Takin' a Cruise
75 bpm • E Maj • 02:07 • -9.1db
21% Popularity • 20% Danceability • 91% Energy • 15% Liveness
82% Instrumentalness • 4% Positiveness
21% Popularity • 20% Danceability • 91% Energy • 15% Liveness
82% Instrumentalness • 4% Positiveness
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Dean Broad
Sunday LoFi
75 bpm • B min • 03:12 • -13.69db
26% Popularity • 43% Danceability • 35% Energy • 19% Liveness
93% Instrumentalness • 31% Positiveness
26% Popularity • 43% Danceability • 35% Energy • 19% Liveness
93% Instrumentalness • 31% Positiveness
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No. 3
No. 3
75 bpm • A# Maj • 08:19 • -24.76db
11% Popularity • 41% Danceability • 31% Energy • 10% Liveness
84% Instrumentalness • 25% Positiveness
11% Popularity • 41% Danceability • 31% Energy • 10% Liveness
84% Instrumentalness • 25% Positiveness
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Leoni Leoni
A Day Without Headaches
84 bpm • E Maj • 00:59 • -22.47db
24% Popularity • 42% Danceability • 20% Energy • 11% Liveness
93% Instrumentalness • 9% Positiveness
24% Popularity • 42% Danceability • 20% Energy • 11% Liveness
93% Instrumentalness • 9% Positiveness
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Roberto Musci
Lidia After The Snow
84 bpm • D# Maj • 02:22 • -11.41db
23% Popularity • 65% Danceability • 72% Energy • 10% Liveness
90% Instrumentalness • 91% Positiveness
23% Popularity • 65% Danceability • 72% Energy • 10% Liveness
90% Instrumentalness • 91% Positiveness
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Madre Terra
Ventos de Angola
84 bpm • B Maj • 01:48 • -16.96db
8% Popularity • 31% Danceability • 44% Energy • 14% Liveness
2% Instrumentalness • 11% Positiveness
8% Popularity • 31% Danceability • 44% Energy • 14% Liveness
2% Instrumentalness • 11% Positiveness
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Infinity Frequencies
Anomaly
74 bpm • A# Maj • 01:52 • -8.02db
10% Popularity • 56% Danceability • 27% Energy • 10% Liveness
94% Instrumentalness • 17% Positiveness
10% Popularity • 56% Danceability • 27% Energy • 10% Liveness
94% Instrumentalness • 17% Positiveness
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Shari Watson
first take
74 bpm • D min • 01:10 • -21.1db
19% Popularity • 22% Danceability • 29% Energy • 18% Liveness
95% Instrumentalness • 17% Positiveness
19% Popularity • 22% Danceability • 29% Energy • 18% Liveness
95% Instrumentalness • 17% Positiveness
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Giraffes? Giraffes!
Werewolf Grandma With Knives (Part One: ...
74 bpm • B min • 02:24 • -9.86db
9% Popularity • 22% Danceability • 46% Energy • 51% Liveness
76% Instrumentalness • 4% Positiveness
9% Popularity • 22% Danceability • 46% Energy • 51% Liveness
76% Instrumentalness • 4% Positiveness
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Tangerine Dream
Mysterious Semblance At The Strand Of Ni...
84 bpm • G Maj • 09:44 • -16.7db
28% Popularity • 10% Danceability • 54% Energy • 22% Liveness
93% Instrumentalness • 7% Positiveness
28% Popularity • 10% Danceability • 54% Energy • 22% Liveness
93% Instrumentalness • 7% Positiveness
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Keluarga Kesenian Bali Studio Denpasar
Gilak Ponggang
84 bpm • G Maj • 03:05 • -8.71db
10% Popularity • 18% Danceability • 54% Energy • 14% Liveness
18% Instrumentalness • 27% Positiveness
10% Popularity • 18% Danceability • 54% Energy • 14% Liveness
18% Instrumentalness • 27% Positiveness
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Cernunnos Woods
Horned Is the Hunter
74 bpm • A Maj • 03:47 • -12.1db
19% Popularity • 12% Danceability • 37% Energy • 11% Liveness
81% Instrumentalness • 4% Positiveness
19% Popularity • 12% Danceability • 37% Energy • 11% Liveness
81% Instrumentalness • 4% Positiveness
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MEITEI
Sentō - Pt. 1
74 bpm • F# Maj • 04:59 • -13.93db
20% Popularity • 57% Danceability • 43% Energy • 15% Liveness
81% Instrumentalness • 37% Positiveness
20% Popularity • 57% Danceability • 43% Energy • 15% Liveness
81% Instrumentalness • 37% Positiveness
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Clever Austin
A3
74 bpm • C# min • 02:10 • -19.03db
11% Popularity • 47% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 9% Positiveness
11% Popularity • 47% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 9% Positiveness
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Justin McConville
The Naked Ballerina
85 bpm • C# min • 01:01 • -14.93db
8% Popularity • 16% Danceability • 48% Energy • 88% Liveness
68% Instrumentalness • 4% Positiveness
8% Popularity • 16% Danceability • 48% Energy • 88% Liveness
68% Instrumentalness • 4% Positiveness
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I and Others
Fish Is a Very Good Thing To Eat
85 bpm • G# Maj • 01:21 • -14.96db
9% Popularity • 34% Danceability • 41% Energy • 34% Liveness
56% Instrumentalness • 23% Positiveness
9% Popularity • 34% Danceability • 41% Energy • 34% Liveness
56% Instrumentalness • 23% Positiveness
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The Natural Yogurt Band
Unknown Landscapes
73 bpm • G min • 05:44 • -19.68db
11% Popularity • 30% Danceability • 33% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
11% Popularity • 30% Danceability • 33% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Melvin Reed
Capital
85 bpm • D# Maj • 02:24 • -11.67db
31% Popularity • 51% Danceability • 30% Energy • 14% Liveness
56% Instrumentalness • 13% Positiveness
31% Popularity • 51% Danceability • 30% Energy • 14% Liveness
56% Instrumentalness • 13% Positiveness
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Fabix
Lago
73 bpm • G min • 02:02 • -12.35db
9% Popularity • 36% Danceability • 36% Energy • 11% Liveness
71% Instrumentalness • 7% Positiveness
9% Popularity • 36% Danceability • 36% Energy • 11% Liveness
71% Instrumentalness • 7% Positiveness
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Exploded View
Lullaby
85 bpm • A Maj • 02:12 • -16.21db
17% Popularity • 48% Danceability • 27% Energy • 11% Liveness
88% Instrumentalness • 9% Positiveness
17% Popularity • 48% Danceability • 27% Energy • 11% Liveness
88% Instrumentalness • 9% Positiveness
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Hype Williams
iceprincess
73 bpm • D min • 04:08 • -18.53db
14% Popularity • 46% Danceability • 9% Energy • 10% Liveness
89% Instrumentalness • 25% Positiveness
14% Popularity • 46% Danceability • 9% Energy • 10% Liveness
89% Instrumentalness • 25% Positiveness
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American Football
Untitled #2 - Boombox Practice Session, ...
86 bpm • G Maj • 02:13 • -16.85db
29% Popularity • 44% Danceability • 28% Energy • 11% Liveness
95% Instrumentalness • 10% Positiveness
29% Popularity • 44% Danceability • 28% Energy • 11% Liveness
95% Instrumentalness • 10% Positiveness
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Wax Machine
Transmission
72 bpm • A min • 04:36 • -10.65db
18% Popularity • 13% Danceability • 54% Energy • 32% Liveness
17% Instrumentalness • 6% Positiveness
18% Popularity • 13% Danceability • 54% Energy • 32% Liveness
17% Instrumentalness • 6% Positiveness
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Tony Skye
Save Me
86 bpm • F# Maj • 02:55 • -19.93db
21% Popularity • 65% Danceability • 25% Energy • 16% Liveness
82% Instrumentalness • 48% Positiveness
21% Popularity • 65% Danceability • 25% Energy • 16% Liveness
82% Instrumentalness • 48% Positiveness
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Michael Small
The Tape (Main Title)
87 bpm • D# min • 02:02 • -16.56db
24% Popularity • 36% Danceability • 54% Energy • 18% Liveness
94% Instrumentalness • 7% Positiveness
24% Popularity • 36% Danceability • 54% Energy • 18% Liveness
94% Instrumentalness • 7% Positiveness
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Luca Bocci
Intro
87 bpm • A Maj • 01:28 • -24.62db
21% Popularity • 33% Danceability • 9% Energy • 14% Liveness
93% Instrumentalness • 12% Positiveness
21% Popularity • 33% Danceability • 9% Energy • 14% Liveness
93% Instrumentalness • 12% Positiveness
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Vegyn
Waitin on an Ambulance 002 (205.367 BPM)
87 bpm • C# min • 01:17 • -16.18db
14% Popularity • 30% Danceability • 14% Energy • 13% Liveness
4% Instrumentalness • 19% Positiveness
14% Popularity • 30% Danceability • 14% Energy • 13% Liveness
4% Instrumentalness • 19% Positiveness
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Ambie Nature
Bit Lighter
87 bpm • B Maj • 01:04 • -16.36db
8% Popularity • 39% Danceability • 44% Energy • 47% Liveness
78% Instrumentalness • 22% Positiveness
8% Popularity • 39% Danceability • 44% Energy • 47% Liveness
78% Instrumentalness • 22% Positiveness
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Deerhunter
Weird Era
72 bpm • F Maj • 02:42 • -7.15db
5% Popularity • 15% Danceability • 47% Energy • 15% Liveness
89% Instrumentalness • 3% Positiveness
5% Popularity • 15% Danceability • 47% Energy • 15% Liveness
89% Instrumentalness • 3% Positiveness
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Pantomime Horse
Richard Wright, Private Eye
72 bpm • D min • 04:21 • -10.4db
0% Popularity • 30% Danceability • 69% Energy • 42% Liveness
80% Instrumentalness • 20% Positiveness
0% Popularity • 30% Danceability • 69% Energy • 42% Liveness
80% Instrumentalness • 20% Positiveness
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Interior Soundscapes
Floating Barrel
87 bpm • B Maj • 01:22 • -30.12db
12% Popularity • 47% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 28% Positiveness
12% Popularity • 47% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 28% Positiveness
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V1 Blobs
Blandbient-One
71 bpm • C# Maj • 01:53 • -16.22db
10% Popularity • 26% Danceability • 30% Energy • 13% Liveness
93% Instrumentalness • 17% Positiveness
10% Popularity • 26% Danceability • 30% Energy • 13% Liveness
93% Instrumentalness • 17% Positiveness
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Ruto
Refrain Lavender
71 bpm • D min • 01:42 • -6.58db
16% Popularity • 32% Danceability • 60% Energy • 14% Liveness
23% Instrumentalness • 19% Positiveness
16% Popularity • 32% Danceability • 60% Energy • 14% Liveness
23% Instrumentalness • 19% Positiveness
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Jean-Michel Jarre
Une morte dans la neige
71 bpm • F# Maj • 01:43 • -8.36db
8% Popularity • 48% Danceability • 96% Energy • 34% Liveness
90% Instrumentalness • 12% Positiveness
8% Popularity • 48% Danceability • 96% Energy • 34% Liveness
90% Instrumentalness • 12% Positiveness
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Clint Mansell
Fear
88 bpm • F Maj • 02:26 • -14.82db
20% Popularity • 85% Danceability • 21% Energy • 9% Liveness
84% Instrumentalness • 15% Positiveness
20% Popularity • 85% Danceability • 21% Energy • 9% Liveness
84% Instrumentalness • 15% Positiveness
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Daphne Oram
Four Aspects
88 bpm • C# Maj • 08:14 • -21.91db
10% Popularity • 22% Danceability • 30% Energy • 19% Liveness
94% Instrumentalness • 6% Positiveness
10% Popularity • 22% Danceability • 30% Energy • 19% Liveness
94% Instrumentalness • 6% Positiveness
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Tan Dun
At Emperor's Palace
88 bpm • G min • 03:58 • -15.07db
19% Popularity • 50% Danceability • 28% Energy • 25% Liveness
91% Instrumentalness • 6% Positiveness
19% Popularity • 50% Danceability • 28% Energy • 25% Liveness
91% Instrumentalness • 6% Positiveness
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Klaus Nomi
Intermezzzo
88 bpm • A# Maj • 01:16 • -13.78db
14% Popularity • 29% Danceability • 48% Energy • 21% Liveness
83% Instrumentalness • 30% Positiveness
14% Popularity • 29% Danceability • 48% Energy • 21% Liveness
83% Instrumentalness • 30% Positiveness
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Pantomime Horse
Wish You Were Paranoid
89 bpm • A Maj • 08:53 • -9.36db
0% Popularity • 38% Danceability • 57% Energy • 11% Liveness
72% Instrumentalness • 44% Positiveness
0% Popularity • 38% Danceability • 57% Energy • 11% Liveness
72% Instrumentalness • 44% Positiveness
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Maebi
A Jester's Cry
70 bpm • E min • 01:11 • -12.47db
43% Popularity • 15% Danceability • 48% Energy • 93% Liveness
95% Instrumentalness • 55% Positiveness
43% Popularity • 15% Danceability • 48% Energy • 93% Liveness
95% Instrumentalness • 55% Positiveness
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Mike Cooper
Return to Chagos
89 bpm • F# min • 09:57 • -14.3db
8% Popularity • 39% Danceability • 64% Energy • 10% Liveness
13% Instrumentalness • 27% Positiveness
8% Popularity • 39% Danceability • 64% Energy • 10% Liveness
13% Instrumentalness • 27% Positiveness
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Goblin
Sighs - Originale
90 bpm • F Maj • 05:18 • -8.94db
15% Popularity • 14% Danceability • 92% Energy • 10% Liveness
19% Instrumentalness • 4% Positiveness
15% Popularity • 14% Danceability • 92% Energy • 10% Liveness
19% Instrumentalness • 4% Positiveness
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Golden Temaki
Asterism
90 bpm • C min • 03:06 • -12.77db
1% Popularity • 41% Danceability • 39% Energy • 9% Liveness
12% Instrumentalness • 4% Positiveness
1% Popularity • 41% Danceability • 39% Energy • 9% Liveness
12% Instrumentalness • 4% Positiveness
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Electric Wizard
Ivixor B/Phase Inducer
90 bpm • F Maj • 08:48 • -9.24db
21% Popularity • 22% Danceability • 63% Energy • 70% Liveness
96% Instrumentalness • 4% Positiveness
21% Popularity • 22% Danceability • 63% Energy • 70% Liveness
96% Instrumentalness • 4% Positiveness
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Oscar Jerome
The Dark Slide
90 bpm • B min • 01:11 • -21.52db
23% Popularity • 34% Danceability • 15% Energy • 15% Liveness
48% Instrumentalness • 29% Positiveness
23% Popularity • 34% Danceability • 15% Energy • 15% Liveness
48% Instrumentalness • 29% Positiveness
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HEALTH
IN VIOLET
90 bpm • G Maj • 06:14 • -8.82db
16% Popularity • 46% Danceability • 94% Energy • 9% Liveness
94% Instrumentalness • 8% Positiveness
16% Popularity • 46% Danceability • 94% Energy • 9% Liveness
94% Instrumentalness • 8% Positiveness
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Xploding Plastix
Relieved Beyond Repair
69 bpm • A# Maj • 01:45 • -24.05db
16% Popularity • 39% Danceability • 2% Energy • 12% Liveness
92% Instrumentalness • 9% Positiveness
16% Popularity • 39% Danceability • 2% Energy • 12% Liveness
92% Instrumentalness • 9% Positiveness
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Eluvium
False Readings On
69 bpm • C Maj • 01:22 • -19.96db
15% Popularity • 37% Danceability • 21% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
15% Popularity • 37% Danceability • 21% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Satyricon
Transcendental Requiem of Slaves
91 bpm • A Maj • 04:49 • -8.48db
19% Popularity • 20% Danceability • 52% Energy • 6% Liveness
92% Instrumentalness • 5% Positiveness
19% Popularity • 20% Danceability • 52% Energy • 6% Liveness
92% Instrumentalness • 5% Positiveness
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light motiv
KOY
69 bpm • C# min • 02:27 • -10.8db
10% Popularity • 14% Danceability • 57% Energy • 88% Liveness
76% Instrumentalness • 18% Positiveness
10% Popularity • 14% Danceability • 57% Energy • 88% Liveness
76% Instrumentalness • 18% Positiveness
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The Caretaker
D4 - Denial unravelling
91 bpm • A min • 04:16 • -9.4db
31% Popularity • 23% Danceability • 74% Energy • 42% Liveness
87% Instrumentalness • 24% Positiveness
31% Popularity • 23% Danceability • 74% Energy • 42% Liveness
87% Instrumentalness • 24% Positiveness
