Songs like Silent Screams by Millie Manders and the Shutup
Based on a tempo of (+/- 10%) and a similar genre
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The Meffs
Look at You
150 bpm • B Maj • 02:30 • -6.67db
12% Popularity • 39% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
12% Popularity • 39% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Millie Manders and the Shutup
Silent Screams
150 bpm • F min • 03:42 • -7.18db
22% Popularity • 53% Danceability • 84% Energy • 36% Liveness
0% Instrumentalness • 80% Positiveness
22% Popularity • 53% Danceability • 84% Energy • 36% Liveness
0% Instrumentalness • 80% Positiveness
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The JB Conspiracy
Starting Again
150 bpm • B min • 03:12 • -5.79db
18% Popularity • 55% Danceability • 89% Energy • 3% Liveness
0% Instrumentalness • 32% Positiveness
18% Popularity • 55% Danceability • 89% Energy • 3% Liveness
0% Instrumentalness • 32% Positiveness
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Melonball
Sicker
150 bpm • F min • 03:14 • -3.82db
15% Popularity • 49% Danceability • 98% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
15% Popularity • 49% Danceability • 98% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
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Bad Cop, Bad Cop
Certain Kind of Monster
150 bpm • D Maj • 02:55 • -4.97db
19% Popularity • 34% Danceability • 95% Energy • 31% Liveness
0% Instrumentalness • 26% Positiveness
19% Popularity • 34% Danceability • 95% Energy • 31% Liveness
0% Instrumentalness • 26% Positiveness
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King Punch
Sit Still
150 bpm • A Maj • 03:59 • -7.47db
14% Popularity • 48% Danceability • 87% Energy • 26% Liveness
0% Instrumentalness • 86% Positiveness
14% Popularity • 48% Danceability • 87% Energy • 26% Liveness
0% Instrumentalness • 86% Positiveness
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Fat Heaven
Tarantula
150 bpm • G# Maj • 01:40 • -4.76db
16% Popularity • 39% Danceability • 98% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
16% Popularity • 39% Danceability • 98% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
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Millie Manders and the Shutup
Glitter Mix
150 bpm • D min • 04:38 • -8.65db
15% Popularity • 44% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 21% Positiveness
15% Popularity • 44% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 21% Positiveness
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The Roughneck Riot
Stay Awake
150 bpm • D Maj • 03:01 • -2.55db
25% Popularity • 51% Danceability • 95% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
25% Popularity • 51% Danceability • 95% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
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Westspring
Mr. Brightside
150 bpm • C# Maj • 03:34 • -6.67db
21% Popularity • 37% Danceability • 85% Energy • 17% Liveness
7% Instrumentalness • 66% Positiveness
21% Popularity • 37% Danceability • 85% Energy • 17% Liveness
7% Instrumentalness • 66% Positiveness
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Faintest Idea
Circling the Drain
149 bpm • C Maj • 02:45 • -4.59db
13% Popularity • 42% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 50% Positiveness
13% Popularity • 42% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 50% Positiveness
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Teenage Bottlerocket
Strung out on Stress
149 bpm • B min • 02:16 • -1.68db
29% Popularity • 36% Danceability • 97% Energy • 73% Liveness
0% Instrumentalness • 48% Positiveness
29% Popularity • 36% Danceability • 97% Energy • 73% Liveness
0% Instrumentalness • 48% Positiveness
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Pale Lady
Never Satisfied
152 bpm • A Maj • 03:24 • -3.27db
11% Popularity • 26% Danceability • 97% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
11% Popularity • 26% Danceability • 97% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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The Speakeasy
Bright Side
148 bpm • G Maj • 03:25 • -2.98db
16% Popularity • 44% Danceability • 99% Energy • 15% Liveness
1% Instrumentalness • 29% Positiveness
16% Popularity • 44% Danceability • 99% Energy • 15% Liveness
1% Instrumentalness • 29% Positiveness
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Not On Tour
Therapy
152 bpm • G# Maj • 01:39 • -1.93db
26% Popularity • 39% Danceability • 98% Energy • 30% Liveness
0% Instrumentalness • 63% Positiveness
26% Popularity • 39% Danceability • 98% Energy • 30% Liveness
0% Instrumentalness • 63% Positiveness
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Codename Colin
Just Can't Get Enough
148 bpm • G Maj • 03:12 • -3.71db
19% Popularity • 59% Danceability • 96% Energy • 26% Liveness
0% Instrumentalness • 96% Positiveness
19% Popularity • 59% Danceability • 96% Energy • 26% Liveness
0% Instrumentalness • 96% Positiveness
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Venerea
Summer of '94
148 bpm • C Maj • 02:04 • -6.98db
29% Popularity • 40% Danceability • 98% Energy • 71% Liveness
0% Instrumentalness • 60% Positiveness
29% Popularity • 40% Danceability • 98% Energy • 71% Liveness
0% Instrumentalness • 60% Positiveness
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Bad Cop, Bad Cop
I'm Done
148 bpm • C Maj • 01:48 • -4.12db
25% Popularity • 45% Danceability • 98% Energy • 15% Liveness
6% Instrumentalness • 51% Positiveness
25% Popularity • 45% Danceability • 98% Energy • 15% Liveness
6% Instrumentalness • 51% Positiveness
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The Sewer Rats
Magic Summer
148 bpm • G Maj • 03:17 • -5.13db
14% Popularity • 48% Danceability • 93% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
14% Popularity • 48% Danceability • 93% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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The Roughneck Riot
Parasites
147 bpm • D Maj • 02:46 • -7.02db
17% Popularity • 47% Danceability • 90% Energy • 57% Liveness
0% Instrumentalness • 71% Positiveness
17% Popularity • 47% Danceability • 90% Energy • 57% Liveness
0% Instrumentalness • 71% Positiveness
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CHEWIE
Singing from the Septic Tank
147 bpm • B Maj • 03:01 • -4.51db
18% Popularity • 36% Danceability • 85% Energy • 24% Liveness
0% Instrumentalness • 75% Positiveness
18% Popularity • 36% Danceability • 85% Energy • 24% Liveness
0% Instrumentalness • 75% Positiveness
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Ramona's Tea Party
Empty Pool
153 bpm • E Maj • 03:17 • -6.03db
9% Popularity • 42% Danceability • 93% Energy • 24% Liveness
0% Instrumentalness • 68% Positiveness
9% Popularity • 42% Danceability • 93% Energy • 24% Liveness
0% Instrumentalness • 68% Positiveness
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The Anti-Queens
Noushi
153 bpm • G Maj • 02:34 • -6.04db
11% Popularity • 58% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
11% Popularity • 58% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
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Frenzal Rhomb
Instant Coffee
147 bpm • A# Maj • 01:52 • -3.01db
21% Popularity • 55% Danceability • 98% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
21% Popularity • 55% Danceability • 98% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
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Innocent Tyler
Don't Ever Call Here Again
146 bpm • G Maj • 03:40 • -5.45db
10% Popularity • 54% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
10% Popularity • 54% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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The Bombpops
Ca in July
146 bpm • B min • 02:00 • -5db
39% Popularity • 52% Danceability • 95% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
39% Popularity • 52% Danceability • 95% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
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CHEWIE
Falling For You
153 bpm • G Maj • 03:24 • -4.26db
18% Popularity • 43% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
18% Popularity • 43% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
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The Meffs
Dead in the City
146 bpm • C Maj • 03:34 • -7.24db
17% Popularity • 48% Danceability • 96% Energy • 42% Liveness
0% Instrumentalness • 23% Positiveness
17% Popularity • 48% Danceability • 96% Energy • 42% Liveness
0% Instrumentalness • 23% Positiveness
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Grade 2
Brassic
155 bpm • F# min • 02:12 • -2.29db
22% Popularity • 44% Danceability • 95% Energy • 34% Liveness
0% Instrumentalness • 82% Positiveness
22% Popularity • 44% Danceability • 95% Energy • 34% Liveness
0% Instrumentalness • 82% Positiveness
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Bad Cop, Bad Cop
Simple Girl
155 bpm • G Maj • 02:52 • -6.33db
27% Popularity • 47% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 68% Positiveness
27% Popularity • 47% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 68% Positiveness
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Teenage Bottlerocket
Heart Attack
155 bpm • C Maj • 02:53 • -4.16db
11% Popularity • 52% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 52% Positiveness
11% Popularity • 52% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 52% Positiveness
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Innocent Tyler
Hurts Like Hell
155 bpm • D# Maj • 03:53 • -5.47db
10% Popularity • 52% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
10% Popularity • 52% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Local Resident Failure
Where The Bloody Hell Are Ya?
155 bpm • A Maj • 01:56 • -3.57db
24% Popularity • 49% Danceability • 96% Energy • 33% Liveness
0% Instrumentalness • 96% Positiveness
24% Popularity • 49% Danceability • 96% Energy • 33% Liveness
0% Instrumentalness • 96% Positiveness
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Handheld
Leaving Candyland
145 bpm • B Maj • 02:40 • -4.33db
14% Popularity • 51% Danceability • 98% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
14% Popularity • 51% Danceability • 98% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Antillectual
The Invisible Hand Meets the Visible Fis...
145 bpm • C# Maj • 02:53 • -6.74db
25% Popularity • 52% Danceability • 91% Energy • 62% Liveness
0% Instrumentalness • 77% Positiveness
25% Popularity • 52% Danceability • 91% Energy • 62% Liveness
0% Instrumentalness • 77% Positiveness
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Black Water County
Who Am I Now?
145 bpm • G Maj • 03:33 • -3.34db
17% Popularity • 54% Danceability • 96% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
17% Popularity • 54% Danceability • 96% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
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This Obsession
Cannibalism
145 bpm • C# Maj • 03:45 • -5.87db
2% Popularity • 63% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
2% Popularity • 63% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Muncie Girls
Pet Sematary
145 bpm • D min • 03:33 • -4.03db
18% Popularity • 51% Danceability • 89% Energy • 29% Liveness
0% Instrumentalness • 52% Positiveness
18% Popularity • 51% Danceability • 89% Energy • 29% Liveness
0% Instrumentalness • 52% Positiveness
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[spunge]
Kicking Pigeons
145 bpm • A Maj • 02:37 • -6.18db
35% Popularity • 63% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
35% Popularity • 63% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
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Lightyear
A Pack of Dogs
155 bpm • F Maj • 03:13 • -9.18db
11% Popularity • 33% Danceability • 70% Energy • 38% Liveness
0% Instrumentalness • 74% Positiveness
11% Popularity • 33% Danceability • 70% Energy • 38% Liveness
0% Instrumentalness • 74% Positiveness
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Antillectual
Hanging on the Telephone
156 bpm • G min • 02:22 • -6.07db
8% Popularity • 52% Danceability • 95% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
8% Popularity • 52% Danceability • 95% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Black Water County
Mistakes
144 bpm • F Maj • 03:08 • -4.5db
16% Popularity • 35% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
16% Popularity • 35% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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The Anti-Queens
Like a Flame
156 bpm • E min • 02:53 • -6.63db
10% Popularity • 67% Danceability • 86% Energy • 10% Liveness
69% Instrumentalness • 78% Positiveness
10% Popularity • 67% Danceability • 86% Energy • 10% Liveness
69% Instrumentalness • 78% Positiveness
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The Bombpops
Blood Pact
144 bpm • B min • 02:08 • -3.93db
20% Popularity • 45% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
20% Popularity • 45% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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[spunge]
Skanking Song
156 bpm • B Maj • 02:17 • -5.21db
20% Popularity • 62% Danceability • 91% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
20% Popularity • 62% Danceability • 91% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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IDestroy
We Are Girls
144 bpm • F# min • 02:53 • -5.27db
8% Popularity • 50% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
8% Popularity • 50% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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Buster Shuffle
See You Next Week
157 bpm • C Maj • 02:34 • -6.76db
21% Popularity • 34% Danceability • 75% Energy • 23% Liveness
7% Instrumentalness • 83% Positiveness
21% Popularity • 34% Danceability • 75% Energy • 23% Liveness
7% Instrumentalness • 83% Positiveness
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Maid of Ace
Nostalgia
157 bpm • B min • 03:52 • -7.02db
23% Popularity • 39% Danceability • 94% Energy • 35% Liveness
2% Instrumentalness • 42% Positiveness
23% Popularity • 39% Danceability • 94% Energy • 35% Liveness
2% Instrumentalness • 42% Positiveness
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F.O.D.
36
158 bpm • F# Maj • 01:22 • -4.1db
34% Popularity • 51% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
34% Popularity • 51% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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Bite Me Bambi
Red Flags
158 bpm • G Maj • 02:54 • -4.97db
13% Popularity • 49% Danceability • 92% Energy • 32% Liveness
0% Instrumentalness • 58% Positiveness
13% Popularity • 49% Danceability • 92% Energy • 32% Liveness
0% Instrumentalness • 58% Positiveness
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Bad Cop, Bad Cop
Pursuit of Liberty
143 bpm • C# min • 03:23 • -5.19db
27% Popularity • 47% Danceability • 96% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
27% Popularity • 47% Danceability • 96% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Wonk Unit
Traditional Punk Song
158 bpm • A Maj • 02:09 • -0.89db
12% Popularity • 48% Danceability • 98% Energy • 40% Liveness
0% Instrumentalness • 79% Positiveness
12% Popularity • 48% Danceability • 98% Energy • 40% Liveness
0% Instrumentalness • 79% Positiveness
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Sonic Boom Six
My Philosophy
158 bpm • C Maj • 02:16 • -7.26db
16% Popularity • 71% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
16% Popularity • 71% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
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Aerial Salad
Romance?
142 bpm • B Maj • 02:45 • -8db
11% Popularity • 50% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 30% Positiveness
11% Popularity • 50% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 30% Positiveness
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F.O.D.
Out of Hand
158 bpm • B Maj • 01:11 • -6.06db
18% Popularity • 42% Danceability • 93% Energy • 79% Liveness
0% Instrumentalness • 88% Positiveness
18% Popularity • 42% Danceability • 93% Energy • 79% Liveness
0% Instrumentalness • 88% Positiveness
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Randells
Seven Inch
159 bpm • E Maj • 02:26 • -8.58db
17% Popularity • 62% Danceability • 85% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
17% Popularity • 62% Danceability • 85% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
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Rat Face Lewey
Replaced
159 bpm • D min • 04:00 • -4.15db
11% Popularity • 39% Danceability • 92% Energy • 11% Liveness
1% Instrumentalness • 29% Positiveness
11% Popularity • 39% Danceability • 92% Energy • 11% Liveness
1% Instrumentalness • 29% Positiveness
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Maid of Ace
Live Fast or Die
160 bpm • C Maj • 02:59 • -4.93db
20% Popularity • 34% Danceability • 98% Energy • 15% Liveness
46% Instrumentalness • 17% Positiveness
20% Popularity • 34% Danceability • 98% Energy • 15% Liveness
46% Instrumentalness • 17% Positiveness
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Ten Foot Pole
Can We Stop Trying to Win?
160 bpm • C# Maj • 02:51 • -6.85db
19% Popularity • 50% Danceability • 94% Energy • 25% Liveness
0% Instrumentalness • 70% Positiveness
19% Popularity • 50% Danceability • 94% Energy • 25% Liveness
0% Instrumentalness • 70% Positiveness
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Black Water County
Start Something New
160 bpm • G Maj • 02:59 • -2.85db
22% Popularity • 43% Danceability • 99% Energy • 38% Liveness
1% Instrumentalness • 64% Positiveness
22% Popularity • 43% Danceability • 99% Energy • 38% Liveness
1% Instrumentalness • 64% Positiveness
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The Decline
Hillsong of the Damned
160 bpm • G# min • 02:03 • -6.89db
20% Popularity • 58% Danceability • 91% Energy • 27% Liveness
25% Instrumentalness • 97% Positiveness
20% Popularity • 58% Danceability • 91% Energy • 27% Liveness
25% Instrumentalness • 97% Positiveness
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Melonball
FastForward
160 bpm • E min • 01:54 • -3.43db
11% Popularity • 43% Danceability • 98% Energy • 18% Liveness
0% Instrumentalness • 40% Positiveness
11% Popularity • 43% Danceability • 98% Energy • 18% Liveness
0% Instrumentalness • 40% Positiveness
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Lush City Ferals
Loveless Mantis
160 bpm • D Maj • 03:45 • -4.96db
12% Popularity • 48% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
12% Popularity • 48% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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The Roughneck Riot
Fuck's Sake
160 bpm • C Maj • 02:23 • -2.31db
30% Popularity • 45% Danceability • 99% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
30% Popularity • 45% Danceability • 99% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
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Codefendants
Abscessed - Baz Mix
160 bpm • C# Maj • 03:02 • -14.82db
21% Popularity • 60% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
21% Popularity • 60% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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The Meffs
Your English is Great
160 bpm • B min • 01:54 • -6.28db
17% Popularity • 31% Danceability • 94% Energy • 6% Liveness
0% Instrumentalness • 46% Positiveness
17% Popularity • 31% Danceability • 94% Energy • 6% Liveness
0% Instrumentalness • 46% Positiveness
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The Corps
Dog of War
160 bpm • B min • 02:04 • -5.83db
13% Popularity • 45% Danceability • 97% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
13% Popularity • 45% Danceability • 97% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
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Death By Horse
Summer's Up
160 bpm • A Maj • 02:36 • -4db
8% Popularity • 33% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
8% Popularity • 33% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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[spunge]
Lyrical Content
160 bpm • D Maj • 03:02 • -5.25db
19% Popularity • 55% Danceability • 96% Energy • 15% Liveness
75% Instrumentalness • 53% Positiveness
19% Popularity • 55% Danceability • 96% Energy • 15% Liveness
75% Instrumentalness • 53% Positiveness
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Melonball
Your Love
160 bpm • C# min • 03:02 • -3.85db
15% Popularity • 35% Danceability • 91% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
15% Popularity • 35% Danceability • 91% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Maid of Ace
Hollywood Rain
160 bpm • A Maj • 02:48 • -2.67db
12% Popularity • 26% Danceability • 98% Energy • 22% Liveness
0% Instrumentalness • 28% Positiveness
12% Popularity • 26% Danceability • 98% Energy • 22% Liveness
0% Instrumentalness • 28% Positiveness
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Millie Manders and the Shutup
Poor Man's Show
140 bpm • A min • 03:22 • -10.76db
15% Popularity • 76% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
15% Popularity • 76% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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The Dismal Tide
Little Doomsday
140 bpm • F# Maj • 03:34 • -6.33db
8% Popularity • 56% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
8% Popularity • 56% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Death By Horse
Dear Jim
160 bpm • A min • 04:12 • -3.57db
12% Popularity • 35% Danceability • 97% Energy • 22% Liveness
0% Instrumentalness • 57% Positiveness
12% Popularity • 35% Danceability • 97% Energy • 22% Liveness
0% Instrumentalness • 57% Positiveness
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Tyrannosaurus Alan
Bombard The B.B.C.
140 bpm • A min • 03:42 • -4.73db
16% Popularity • 56% Danceability • 84% Energy • 27% Liveness
0% Instrumentalness • 67% Positiveness
16% Popularity • 56% Danceability • 84% Energy • 27% Liveness
0% Instrumentalness • 67% Positiveness
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The Decline
Can't Have Both
140 bpm • D Maj • 02:21 • -5.94db
22% Popularity • 54% Danceability • 90% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
22% Popularity • 54% Danceability • 90% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
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The Last Gang
Panic Dreaming
161 bpm • F Maj • 02:15 • -7.1db
14% Popularity • 35% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
14% Popularity • 35% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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PET NEEDS
Scratch Card
140 bpm • A# Maj • 03:38 • -4.72db
12% Popularity • 47% Danceability • 85% Energy • 44% Liveness
0% Instrumentalness • 50% Positiveness
12% Popularity • 47% Danceability • 85% Energy • 44% Liveness
0% Instrumentalness • 50% Positiveness
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Stefan-Eno
This Is Great
162 bpm • B Maj • 02:13 • -3.27db
19% Popularity • 36% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
19% Popularity • 36% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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[spunge]
Some Suck Some Rock
162 bpm • D Maj • 03:05 • -4.55db
24% Popularity • 52% Danceability • 96% Energy • 15% Liveness
0% Instrumentalness • 81% Positiveness
24% Popularity • 52% Danceability • 96% Energy • 15% Liveness
0% Instrumentalness • 81% Positiveness
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Winfred Houston
Illusion
139 bpm • F min • 03:22 • -10.75db
23% Popularity • 30% Danceability • 74% Energy • 11% Liveness
3% Instrumentalness • 68% Positiveness
23% Popularity • 30% Danceability • 74% Energy • 11% Liveness
3% Instrumentalness • 68% Positiveness
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The Venomous Pinks
No Rules
162 bpm • C Maj • 02:56 • -6.25db
18% Popularity • 48% Danceability • 95% Energy • 30% Liveness
0% Instrumentalness • 81% Positiveness
18% Popularity • 48% Danceability • 95% Energy • 30% Liveness
0% Instrumentalness • 81% Positiveness
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Legends & Deeds
New Revolution
163 bpm • E Maj • 02:53 • -4.43db
17% Popularity • 40% Danceability • 96% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
17% Popularity • 40% Danceability • 96% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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Mercy Music
Love You/Need You
162 bpm • G# Maj • 03:14 • -2.92db
13% Popularity • 51% Danceability • 95% Energy • 26% Liveness
0% Instrumentalness • 52% Positiveness
13% Popularity • 51% Danceability • 95% Energy • 26% Liveness
0% Instrumentalness • 52% Positiveness
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Black Water County
Dead End Road
163 bpm • E min • 02:49 • -2.6db
9% Popularity • 41% Danceability • 99% Energy • 7% Liveness
12% Instrumentalness • 61% Positiveness
9% Popularity • 41% Danceability • 99% Energy • 7% Liveness
12% Instrumentalness • 61% Positiveness
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Hollywood Pops & the Data
Creeping Jesus
163 bpm • B min • 03:45 • -4.04db
10% Popularity • 48% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
10% Popularity • 48% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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[spunge]
Centerfold
138 bpm • C Maj • 03:09 • -5.98db
28% Popularity • 55% Danceability • 84% Energy • 35% Liveness
0% Instrumentalness • 78% Positiveness
28% Popularity • 55% Danceability • 84% Energy • 35% Liveness
0% Instrumentalness • 78% Positiveness
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Nosebleed
Short Sharp Pain In The Neck
164 bpm • A# min • 01:56 • -7.35db
12% Popularity • 45% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
12% Popularity • 45% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
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Millie Manders and the Shutup
Can I Get Off?
137 bpm • C# Maj • 03:45 • -3.68db
23% Popularity • 66% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
23% Popularity • 66% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
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PET NEEDS
Toothpaste
137 bpm • F# min • 03:25 • -4.11db
19% Popularity • 52% Danceability • 86% Energy • 36% Liveness
16% Instrumentalness • 62% Positiveness
19% Popularity • 52% Danceability • 86% Energy • 36% Liveness
16% Instrumentalness • 62% Positiveness
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Maid of Ace
Hooligan Heart
165 bpm • G Maj • 03:29 • -4.54db
10% Popularity • 38% Danceability • 85% Energy • 26% Liveness
0% Instrumentalness • 39% Positiveness
10% Popularity • 38% Danceability • 85% Energy • 26% Liveness
0% Instrumentalness • 39% Positiveness
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The Last Gang
Affairs to Remember
165 bpm • A min • 03:21 • -5.57db
11% Popularity • 45% Danceability • 95% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
11% Popularity • 45% Danceability • 95% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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P.O. Box
Dancing in Your Shoes
165 bpm • C# min • 02:25 • -3.99db
11% Popularity • 58% Danceability • 95% Energy • 29% Liveness
0% Instrumentalness • 92% Positiveness
11% Popularity • 58% Danceability • 95% Energy • 29% Liveness
0% Instrumentalness • 92% Positiveness
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Ten Foot Pole
Take Back Your Voice
165 bpm • B min • 03:58 • -5.35db
15% Popularity • 40% Danceability • 97% Energy • 20% Liveness
1% Instrumentalness • 56% Positiveness
15% Popularity • 40% Danceability • 97% Energy • 20% Liveness
1% Instrumentalness • 56% Positiveness
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Millie Manders and the Shutup
Bacchus
165 bpm • C# min • 03:26 • -9.65db
16% Popularity • 43% Danceability • 79% Energy • 10% Liveness
1% Instrumentalness • 93% Positiveness
16% Popularity • 43% Danceability • 79% Energy • 10% Liveness
1% Instrumentalness • 93% Positiveness
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Wonk Unit
Je M'Appelle Alex
166 bpm • A Maj • 02:11 • -4.8db
17% Popularity • 41% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
17% Popularity • 41% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Primetime Failure
Watch It Burn
136 bpm • C Maj • 02:28 • -3.79db
32% Popularity • 53% Danceability • 95% Energy • 51% Liveness
0% Instrumentalness • 88% Positiveness
32% Popularity • 53% Danceability • 95% Energy • 51% Liveness
0% Instrumentalness • 88% Positiveness
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Karl Phillips & The Rejects
Breaking Point
166 bpm • A Maj • 05:05 • -5.52db
7% Popularity • 45% Danceability • 91% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
7% Popularity • 45% Danceability • 91% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
