Songs like Silver Drop by Gregor
Based on a tempo of (+/- 10%) and a similar genre
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Jeffrey Silverstein
Bernard
122 bpm • E min • 04:22 • -13.87db
16% Popularity • 67% Danceability • 56% Energy • 13% Liveness
90% Instrumentalness • 78% Positiveness
16% Popularity • 67% Danceability • 56% Energy • 13% Liveness
90% Instrumentalness • 78% Positiveness
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TOPS
Outside
122 bpm • B min • 03:34 • -9.09db
44% Popularity • 57% Danceability • 46% Energy • 9% Liveness
80% Instrumentalness • 5% Positiveness
44% Popularity • 57% Danceability • 46% Energy • 9% Liveness
80% Instrumentalness • 5% Positiveness
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Westerman
The Line
122 bpm • C Maj • 03:16 • -8.66db
25% Popularity • 82% Danceability • 44% Energy • 11% Liveness
1% Instrumentalness • 52% Positiveness
25% Popularity • 82% Danceability • 44% Energy • 11% Liveness
1% Instrumentalness • 52% Positiveness
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Gregor
Silver Drop
122 bpm • D min • 04:07 • -8.75db
6% Popularity • 94% Danceability • 39% Energy • 11% Liveness
70% Instrumentalness • 51% Positiveness
6% Popularity • 94% Danceability • 39% Energy • 11% Liveness
70% Instrumentalness • 51% Positiveness
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Spike Fuck
Body By Crystal
122 bpm • D Maj • 05:03 • -8.93db
28% Popularity • 69% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
28% Popularity • 69% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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The Zenmenn
Fantasy Again
122 bpm • G min • 06:52 • -16.37db
16% Popularity • 45% Danceability • 12% Energy • 19% Liveness
22% Instrumentalness • 5% Positiveness
16% Popularity • 45% Danceability • 12% Energy • 19% Liveness
22% Instrumentalness • 5% Positiveness
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Naima Bock
Giant Palm
121 bpm • G# Maj • 04:36 • -10.58db
28% Popularity • 45% Danceability • 25% Energy • 11% Liveness
1% Instrumentalness • 21% Positiveness
28% Popularity • 45% Danceability • 25% Energy • 11% Liveness
1% Instrumentalness • 21% Positiveness
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Carla dal Forno
No Trace
123 bpm • A min • 04:15 • -13.97db
23% Popularity • 59% Danceability • 56% Energy • 12% Liveness
83% Instrumentalness • 33% Positiveness
23% Popularity • 59% Danceability • 56% Energy • 12% Liveness
83% Instrumentalness • 33% Positiveness
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TONE
Like It Was Yesterday
123 bpm • G Maj • 03:27 • -13.12db
10% Popularity • 78% Danceability • 42% Energy • 11% Liveness
7% Instrumentalness • 39% Positiveness
10% Popularity • 78% Danceability • 42% Energy • 11% Liveness
7% Instrumentalness • 39% Positiveness
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Gregor
The Morning Light
123 bpm • G Maj • 04:22 • -7.44db
3% Popularity • 42% Danceability • 54% Energy • 30% Liveness
0% Instrumentalness • 28% Positiveness
3% Popularity • 42% Danceability • 54% Energy • 30% Liveness
0% Instrumentalness • 28% Positiveness
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Sofie Royer
Asleep
121 bpm • B min • 02:52 • -6.31db
20% Popularity • 94% Danceability • 32% Energy • 10% Liveness
21% Instrumentalness • 82% Positiveness
20% Popularity • 94% Danceability • 32% Energy • 10% Liveness
21% Instrumentalness • 82% Positiveness
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The Clientele
Elm Grove Window
121 bpm • E Maj • 02:01 • -8.34db
13% Popularity • 42% Danceability • 72% Energy • 27% Liveness
0% Instrumentalness • 67% Positiveness
13% Popularity • 42% Danceability • 72% Energy • 27% Liveness
0% Instrumentalness • 67% Positiveness
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Snowy Band
Call It A Day
123 bpm • C Maj • 04:40 • -11db
12% Popularity • 68% Danceability • 52% Energy • 18% Liveness
37% Instrumentalness • 53% Positiveness
12% Popularity • 68% Danceability • 52% Energy • 18% Liveness
37% Instrumentalness • 53% Positiveness
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Art Feynman
The Physical Life of Marilyn
121 bpm • F min • 04:36 • -6.08db
8% Popularity • 46% Danceability • 78% Energy • 23% Liveness
48% Instrumentalness • 27% Positiveness
8% Popularity • 46% Danceability • 78% Energy • 23% Liveness
48% Instrumentalness • 27% Positiveness
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Bobbie Lovesong
Inner Sea
120 bpm • B min • 02:50 • -8db
16% Popularity • 77% Danceability • 88% Energy • 21% Liveness
92% Instrumentalness • 97% Positiveness
16% Popularity • 77% Danceability • 88% Energy • 21% Liveness
92% Instrumentalness • 97% Positiveness
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Eric Copeland
Motor
124 bpm • B min • 02:37 • -10.43db
12% Popularity • 88% Danceability • 81% Energy • 11% Liveness
92% Instrumentalness • 98% Positiveness
12% Popularity • 88% Danceability • 81% Energy • 11% Liveness
92% Instrumentalness • 98% Positiveness
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Laura Groves
Sunset
120 bpm • D Maj • 03:26 • -11.05db
17% Popularity • 67% Danceability • 55% Energy • 10% Liveness
90% Instrumentalness • 88% Positiveness
17% Popularity • 67% Danceability • 55% Energy • 10% Liveness
90% Instrumentalness • 88% Positiveness
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Jon McKiel
Private Eye
120 bpm • C Maj • 04:54 • -9.91db
16% Popularity • 48% Danceability • 64% Energy • 10% Liveness
85% Instrumentalness • 51% Positiveness
16% Popularity • 48% Danceability • 64% Energy • 10% Liveness
85% Instrumentalness • 51% Positiveness
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John Moods
One Morning
120 bpm • C# Maj • 04:24 • -13.71db
14% Popularity • 55% Danceability • 7% Energy • 12% Liveness
42% Instrumentalness • 21% Positiveness
14% Popularity • 55% Danceability • 7% Energy • 12% Liveness
42% Instrumentalness • 21% Positiveness
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Midnight Sister
Shimmy
120 bpm • D min • 02:48 • -8.12db
33% Popularity • 73% Danceability • 46% Energy • 14% Liveness
62% Instrumentalness • 57% Positiveness
33% Popularity • 73% Danceability • 46% Energy • 14% Liveness
62% Instrumentalness • 57% Positiveness
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Lawrence Arabia
Malade
120 bpm • C# min • 02:23 • -9.43db
31% Popularity • 88% Danceability • 40% Energy • 12% Liveness
22% Instrumentalness • 22% Positiveness
31% Popularity • 88% Danceability • 40% Energy • 12% Liveness
22% Instrumentalness • 22% Positiveness
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Decisive Pink
Haffmilch Holiday
124 bpm • E Maj • 04:15 • -7.26db
27% Popularity • 65% Danceability • 68% Energy • 17% Liveness
33% Instrumentalness • 75% Positiveness
27% Popularity • 65% Danceability • 68% Energy • 17% Liveness
33% Instrumentalness • 75% Positiveness
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Gregor
A Shimmering Feeling
120 bpm • F Maj • 04:54 • -8.68db
3% Popularity • 54% Danceability • 53% Energy • 12% Liveness
38% Instrumentalness • 15% Positiveness
3% Popularity • 54% Danceability • 53% Energy • 12% Liveness
38% Instrumentalness • 15% Positiveness
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Spike Fuck
Tomorrow We Get Healthy
120 bpm • C Maj • 05:03 • -10.69db
33% Popularity • 72% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
33% Popularity • 72% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Bullion
Loving Furlong
120 bpm • B min • 02:10 • -10.78db
31% Popularity • 88% Danceability • 46% Energy • 11% Liveness
54% Instrumentalness • 79% Positiveness
31% Popularity • 88% Danceability • 46% Energy • 11% Liveness
54% Instrumentalness • 79% Positiveness
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Moon Diagrams
End of Heartache
120 bpm • E min • 05:12 • -8.73db
10% Popularity • 66% Danceability • 91% Energy • 16% Liveness
70% Instrumentalness • 57% Positiveness
10% Popularity • 66% Danceability • 91% Energy • 16% Liveness
70% Instrumentalness • 57% Positiveness
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Tara Clerkin Trio
Marble Walls
120 bpm • C# Maj • 05:33 • -11.89db
28% Popularity • 72% Danceability • 31% Energy • 9% Liveness
74% Instrumentalness • 23% Positiveness
28% Popularity • 72% Danceability • 31% Energy • 9% Liveness
74% Instrumentalness • 23% Positiveness
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Freak Heat Waves
In a Moment Divine
120 bpm • A# Maj • 05:09 • -6.72db
38% Popularity • 78% Danceability • 89% Energy • 11% Liveness
84% Instrumentalness • 77% Positiveness
38% Popularity • 78% Danceability • 89% Energy • 11% Liveness
84% Instrumentalness • 77% Positiveness
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Nabihah Iqbal
Eden Piece
120 bpm • E min • 04:10 • -7db
29% Popularity • 65% Danceability • 87% Energy • 8% Liveness
94% Instrumentalness • 67% Positiveness
29% Popularity • 65% Danceability • 87% Energy • 8% Liveness
94% Instrumentalness • 67% Positiveness
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Ela Orleans
The Season
120 bpm • A Maj • 03:45 • -15.1db
20% Popularity • 61% Danceability • 62% Energy • 17% Liveness
87% Instrumentalness • 12% Positiveness
20% Popularity • 61% Danceability • 62% Energy • 17% Liveness
87% Instrumentalness • 12% Positiveness
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Samana
Harvest
120 bpm • D Maj • 05:04 • -12.87db
12% Popularity • 61% Danceability • 58% Energy • 31% Liveness
44% Instrumentalness • 91% Positiveness
12% Popularity • 61% Danceability • 58% Energy • 31% Liveness
44% Instrumentalness • 91% Positiveness
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Chris Cohen
Yesterday’s On My Mind
124 bpm • D min • 03:17 • -7db
32% Popularity • 72% Danceability • 72% Energy • 12% Liveness
76% Instrumentalness • 74% Positiveness
32% Popularity • 72% Danceability • 72% Energy • 12% Liveness
76% Instrumentalness • 74% Positiveness
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Column
Sensuela
120 bpm • C Maj • 04:24 • -14.93db
29% Popularity • 61% Danceability • 23% Energy • 36% Liveness
87% Instrumentalness • 12% Positiveness
29% Popularity • 61% Danceability • 23% Energy • 36% Liveness
87% Instrumentalness • 12% Positiveness
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Helado Negro
Please Won't Please
120 bpm • B Maj • 03:03 • -12.3db
17% Popularity • 65% Danceability • 30% Energy • 25% Liveness
64% Instrumentalness • 22% Positiveness
17% Popularity • 65% Danceability • 30% Energy • 25% Liveness
64% Instrumentalness • 22% Positiveness
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Nabihah Iqbal
Closer Lover
120 bpm • B min • 04:57 • -6.57db
34% Popularity • 53% Danceability • 64% Energy • 14% Liveness
94% Instrumentalness • 8% Positiveness
34% Popularity • 53% Danceability • 64% Energy • 14% Liveness
94% Instrumentalness • 8% Positiveness
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Purple Pilgrims
Sensing Me
120 bpm • A min • 04:10 • -10db
5% Popularity • 42% Danceability • 49% Energy • 12% Liveness
78% Instrumentalness • 20% Positiveness
5% Popularity • 42% Danceability • 49% Energy • 12% Liveness
78% Instrumentalness • 20% Positiveness
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Yves Jarvis
Bootstrap Jubilee
124 bpm • G Maj • 02:32 • -5.61db
21% Popularity • 65% Danceability • 83% Energy • 58% Liveness
0% Instrumentalness • 67% Positiveness
21% Popularity • 65% Danceability • 83% Energy • 58% Liveness
0% Instrumentalness • 67% Positiveness
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Gregor
Sketch 3
125 bpm • G Maj • 02:40 • -5.23db
1% Popularity • 85% Danceability • 67% Energy • 7% Liveness
91% Instrumentalness • 86% Positiveness
1% Popularity • 85% Danceability • 67% Energy • 7% Liveness
91% Instrumentalness • 86% Positiveness
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Ora Cogan
High Noon
124 bpm • A min • 04:09 • -11.41db
38% Popularity • 50% Danceability • 47% Energy • 15% Liveness
67% Instrumentalness • 29% Positiveness
38% Popularity • 50% Danceability • 47% Energy • 15% Liveness
67% Instrumentalness • 29% Positiveness
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Dream Sitch
Long Rattle
119 bpm • G# min • 03:25 • -11.33db
34% Popularity • 81% Danceability • 39% Energy • 34% Liveness
88% Instrumentalness • 28% Positiveness
34% Popularity • 81% Danceability • 39% Energy • 34% Liveness
88% Instrumentalness • 28% Positiveness
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Nabihah Iqbal
Saw U Twice
120 bpm • G Maj • 03:38 • -6.6db
28% Popularity • 54% Danceability • 80% Energy • 11% Liveness
87% Instrumentalness • 25% Positiveness
28% Popularity • 54% Danceability • 80% Energy • 11% Liveness
87% Instrumentalness • 25% Positiveness
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The Green Child
Low Desk : High Shelf
125 bpm • B min • 03:12 • -8.12db
13% Popularity • 66% Danceability • 66% Energy • 8% Liveness
83% Instrumentalness • 98% Positiveness
13% Popularity • 66% Danceability • 66% Energy • 8% Liveness
83% Instrumentalness • 98% Positiveness
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Jonnine
I Put a Little Thing in Your Pocket
125 bpm • G Maj • 01:04 • -16.42db
36% Popularity • 66% Danceability • 19% Energy • 15% Liveness
1% Instrumentalness • 38% Positiveness
36% Popularity • 66% Danceability • 19% Energy • 15% Liveness
1% Instrumentalness • 38% Positiveness
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Gregor
Love Echoes Loud
125 bpm • G Maj • 05:02 • -5.92db
4% Popularity • 23% Danceability • 78% Energy • 39% Liveness
1% Instrumentalness • 12% Positiveness
4% Popularity • 23% Danceability • 78% Energy • 39% Liveness
1% Instrumentalness • 12% Positiveness
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Ora Cogan
Holy Hells
119 bpm • D# min • 03:47 • -9.93db
29% Popularity • 54% Danceability • 63% Energy • 16% Liveness
83% Instrumentalness • 64% Positiveness
29% Popularity • 54% Danceability • 63% Energy • 16% Liveness
83% Instrumentalness • 64% Positiveness
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Future Islands
Little Dreamer
125 bpm • A# Maj • 03:55 • -10.35db
50% Popularity • 78% Danceability • 38% Energy • 46% Liveness
0% Instrumentalness • 23% Positiveness
50% Popularity • 78% Danceability • 38% Energy • 46% Liveness
0% Instrumentalness • 23% Positiveness
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Nabihah Iqbal
Feels So Right
120 bpm • G# min • 02:52 • -9.53db
31% Popularity • 42% Danceability • 55% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
31% Popularity • 42% Danceability • 55% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Cate Le Bon
Sad Nudes
125 bpm • C Maj • 03:08 • -8.77db
24% Popularity • 66% Danceability • 40% Energy • 7% Liveness
12% Instrumentalness • 54% Positiveness
24% Popularity • 66% Danceability • 40% Energy • 7% Liveness
12% Instrumentalness • 54% Positiveness
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Bnny
Time Walk
119 bpm • D Maj • 01:33 • -9.05db
49% Popularity • 62% Danceability • 52% Energy • 8% Liveness
78% Instrumentalness • 92% Positiveness
49% Popularity • 62% Danceability • 52% Energy • 8% Liveness
78% Instrumentalness • 92% Positiveness
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Gregor
That's the Sky
119 bpm • C Maj • 06:40 • -9.45db
6% Popularity • 53% Danceability • 49% Energy • 32% Liveness
57% Instrumentalness • 35% Positiveness
6% Popularity • 53% Danceability • 49% Energy • 32% Liveness
57% Instrumentalness • 35% Positiveness
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Arthur Russell
Get Around To It
125 bpm • F min • 04:58 • -12db
31% Popularity • 80% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
31% Popularity • 80% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
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EXEK
It's Just a Flesh Wound, Darling
125 bpm • C Maj • 04:16 • -7.52db
29% Popularity • 49% Danceability • 71% Energy • 32% Liveness
68% Instrumentalness • 45% Positiveness
29% Popularity • 49% Danceability • 71% Energy • 32% Liveness
68% Instrumentalness • 45% Positiveness
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Absent Music
Le Rêve De CJ
119 bpm • A min • 02:31 • -14.51db
34% Popularity • 52% Danceability • 40% Energy • 16% Liveness
84% Instrumentalness • 63% Positiveness
34% Popularity • 52% Danceability • 40% Energy • 16% Liveness
84% Instrumentalness • 63% Positiveness
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John Moods
Where In The World
126 bpm • A min • 04:37 • -13.74db
12% Popularity • 47% Danceability • 40% Energy • 15% Liveness
94% Instrumentalness • 42% Positiveness
12% Popularity • 47% Danceability • 40% Energy • 15% Liveness
94% Instrumentalness • 42% Positiveness
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Shabason & Krgovich
I Am So Happy With My Little Dog
126 bpm • C# Maj • 04:14 • -11db
34% Popularity • 86% Danceability • 41% Energy • 10% Liveness
60% Instrumentalness • 32% Positiveness
34% Popularity • 86% Danceability • 41% Energy • 10% Liveness
60% Instrumentalness • 32% Positiveness
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Gregor
Something Irrelevant
126 bpm • E min • 03:22 • -9.84db
6% Popularity • 84% Danceability • 46% Energy • 16% Liveness
3% Instrumentalness • 90% Positiveness
6% Popularity • 84% Danceability • 46% Energy • 16% Liveness
3% Instrumentalness • 90% Positiveness
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Sofie Royer
99 Glimpses
126 bpm • E min • 03:18 • -7.26db
20% Popularity • 65% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
20% Popularity • 65% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Alex Izenberg
Disraeli Woman
118 bpm • E min • 02:42 • -9.35db
22% Popularity • 79% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 85% Positiveness
22% Popularity • 79% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 85% Positiveness
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Baba Stiltz
Stockholm
118 bpm • D# min • 06:08 • -17.08db
35% Popularity • 60% Danceability • 24% Energy • 11% Liveness
86% Instrumentalness • 35% Positiveness
35% Popularity • 60% Danceability • 24% Energy • 11% Liveness
86% Instrumentalness • 35% Positiveness
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Luke Temple
Stand Up Charlie
118 bpm • C Maj • 05:22 • -15.02db
19% Popularity • 74% Danceability • 22% Energy • 10% Liveness
61% Instrumentalness • 31% Positiveness
19% Popularity • 74% Danceability • 22% Energy • 10% Liveness
61% Instrumentalness • 31% Positiveness
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Better Person
Something to Lose
118 bpm • B Maj • 03:38 • -6.55db
23% Popularity • 67% Danceability • 80% Energy • 36% Liveness
79% Instrumentalness • 85% Positiveness
23% Popularity • 67% Danceability • 80% Energy • 36% Liveness
79% Instrumentalness • 85% Positiveness
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Gregor
A Night In Neptune
126 bpm • B min • 06:25 • -7.29db
2% Popularity • 61% Danceability • 64% Energy • 40% Liveness
1% Instrumentalness • 34% Positiveness
2% Popularity • 61% Danceability • 64% Energy • 40% Liveness
1% Instrumentalness • 34% Positiveness
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Nicholas Krgovich
Rosemary
118 bpm • C Maj • 03:38 • -7.68db
9% Popularity • 59% Danceability • 65% Energy • 12% Liveness
1% Instrumentalness • 38% Positiveness
9% Popularity • 59% Danceability • 65% Energy • 12% Liveness
1% Instrumentalness • 38% Positiveness
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Carla dal Forno
Slumber
118 bpm • C# Maj • 03:58 • -11.2db
13% Popularity • 64% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
13% Popularity • 64% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Rexy
Running Out Of Time
118 bpm • D min • 04:16 • -11.39db
32% Popularity • 67% Danceability • 53% Energy • 7% Liveness
51% Instrumentalness • 37% Positiveness
32% Popularity • 67% Danceability • 53% Energy • 7% Liveness
51% Instrumentalness • 37% Positiveness
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Sandro Perri
In Another Life - Edit
118 bpm • F# Maj • 05:51 • -13.42db
23% Popularity • 48% Danceability • 45% Energy • 11% Liveness
30% Instrumentalness • 37% Positiveness
23% Popularity • 48% Danceability • 45% Energy • 11% Liveness
30% Instrumentalness • 37% Positiveness
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Weekend
Nostalgia - Version 1
127 bpm • B min • 03:52 • -17.98db
13% Popularity • 42% Danceability • 12% Energy • 8% Liveness
1% Instrumentalness • 15% Positiveness
13% Popularity • 42% Danceability • 12% Energy • 8% Liveness
1% Instrumentalness • 15% Positiveness
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Gregor
Bugs
126 bpm • C# min • 04:54 • -10.34db
7% Popularity • 60% Danceability • 50% Energy • 23% Liveness
50% Instrumentalness • 30% Positiveness
7% Popularity • 60% Danceability • 50% Energy • 23% Liveness
50% Instrumentalness • 30% Positiveness
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Klaus Johann Grobe
Ein guter Tag
117 bpm • G Maj • 04:55 • -7.87db
21% Popularity • 56% Danceability • 58% Energy • 17% Liveness
89% Instrumentalness • 94% Positiveness
21% Popularity • 56% Danceability • 58% Energy • 17% Liveness
89% Instrumentalness • 94% Positiveness
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Mega Bog
Station to Station
127 bpm • F# min • 04:25 • -12db
26% Popularity • 55% Danceability • 40% Energy • 8% Liveness
28% Instrumentalness • 26% Positiveness
26% Popularity • 55% Danceability • 40% Energy • 8% Liveness
28% Instrumentalness • 26% Positiveness
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Snowy Band
The Rest Of Your Life
127 bpm • G# Maj • 02:54 • -8.94db
16% Popularity • 67% Danceability • 63% Energy • 9% Liveness
77% Instrumentalness • 75% Positiveness
16% Popularity • 67% Danceability • 63% Energy • 9% Liveness
77% Instrumentalness • 75% Positiveness
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Carla dal Forno
Blue Morning
127 bpm • G# Maj • 02:38 • -13db
20% Popularity • 68% Danceability • 22% Energy • 38% Liveness
69% Instrumentalness • 30% Positiveness
20% Popularity • 68% Danceability • 22% Energy • 38% Liveness
69% Instrumentalness • 30% Positiveness
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Alle
Trist til tider
117 bpm • F Maj • 04:20 • -10.45db
14% Popularity • 70% Danceability • 46% Energy • 12% Liveness
51% Instrumentalness • 64% Positiveness
14% Popularity • 70% Danceability • 46% Energy • 12% Liveness
51% Instrumentalness • 64% Positiveness
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Gregor
Anger
118 bpm • E min • 02:24 • -10.63db
4% Popularity • 88% Danceability • 23% Energy • 18% Liveness
48% Instrumentalness • 40% Positiveness
4% Popularity • 88% Danceability • 23% Energy • 18% Liveness
48% Instrumentalness • 40% Positiveness
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DRINKS
Blue From the Dark
116 bpm • A Maj • 03:02 • -10.59db
31% Popularity • 51% Danceability • 30% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
31% Popularity • 51% Danceability • 30% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
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Swimwear
It Must Be Love
127 bpm • E Maj • 04:36 • -12.89db
9% Popularity • 69% Danceability • 56% Energy • 11% Liveness
20% Instrumentalness • 22% Positiveness
9% Popularity • 69% Danceability • 56% Energy • 11% Liveness
20% Instrumentalness • 22% Positiveness
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The Cleaners From Venus
Corridor of Dreams
128 bpm • C Maj • 05:10 • -7.69db
39% Popularity • 65% Danceability • 64% Energy • 63% Liveness
3% Instrumentalness • 43% Positiveness
39% Popularity • 65% Danceability • 64% Energy • 63% Liveness
3% Instrumentalness • 43% Positiveness
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Carla dal Forno
Took a Long Time
128 bpm • D min • 05:36 • -11.29db
14% Popularity • 55% Danceability • 57% Energy • 9% Liveness
12% Instrumentalness • 36% Positiveness
14% Popularity • 55% Danceability • 57% Energy • 9% Liveness
12% Instrumentalness • 36% Positiveness
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Laetitia Sadier
Then I Will Love You Again
128 bpm • B min • 02:51 • -6.62db
18% Popularity • 58% Danceability • 82% Energy • 22% Liveness
15% Instrumentalness • 70% Positiveness
18% Popularity • 58% Danceability • 82% Energy • 22% Liveness
15% Instrumentalness • 70% Positiveness
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Earth Girl Helen Brown
Feed Me
116 bpm • E min • 06:55 • -10.46db
21% Popularity • 75% Danceability • 57% Energy • 16% Liveness
55% Instrumentalness • 91% Positiveness
21% Popularity • 75% Danceability • 57% Energy • 16% Liveness
55% Instrumentalness • 91% Positiveness
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Cate Le Bon
Miami
128 bpm • A min • 05:17 • -9db
23% Popularity • 61% Danceability • 23% Energy • 11% Liveness
46% Instrumentalness • 12% Positiveness
23% Popularity • 61% Danceability • 23% Energy • 11% Liveness
46% Instrumentalness • 12% Positiveness
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Girl Ray
Beautiful
116 bpm • D Maj • 01:45 • -7.58db
30% Popularity • 73% Danceability • 51% Energy • 9% Liveness
94% Instrumentalness • 74% Positiveness
30% Popularity • 73% Danceability • 51% Energy • 9% Liveness
94% Instrumentalness • 74% Positiveness
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Meditations on Crime
Steal This Mug
128 bpm • A min • 03:07 • -4db
30% Popularity • 63% Danceability • 89% Energy • 24% Liveness
77% Instrumentalness • 81% Positiveness
30% Popularity • 63% Danceability • 89% Energy • 24% Liveness
77% Instrumentalness • 81% Positiveness
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Angelo De Augustine
I Could Be Wrong
116 bpm • A Maj • 04:09 • -15db
27% Popularity • 86% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
27% Popularity • 86% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Spike Fuck
Junkie Logic
116 bpm • A Maj • 04:56 • -7.62db
29% Popularity • 71% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
29% Popularity • 71% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Dawn to Dawn
A Colour Named by You
116 bpm • D Maj • 04:35 • -17.13db
8% Popularity • 50% Danceability • 16% Energy • 10% Liveness
10% Instrumentalness • 9% Positiveness
8% Popularity • 50% Danceability • 16% Energy • 10% Liveness
10% Instrumentalness • 9% Positiveness
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Frank Harris
Loveroom
116 bpm • B min • 03:59 • -7.77db
32% Popularity • 78% Danceability • 51% Energy • 57% Liveness
0% Instrumentalness • 73% Positiveness
32% Popularity • 78% Danceability • 51% Energy • 57% Liveness
0% Instrumentalness • 73% Positiveness
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Laura Jean
A Funny Thing Happened
116 bpm • D Maj • 03:39 • -8.16db
19% Popularity • 58% Danceability • 58% Energy • 14% Liveness
8% Instrumentalness • 51% Positiveness
19% Popularity • 58% Danceability • 58% Energy • 14% Liveness
8% Instrumentalness • 51% Positiveness
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Vanishing Twin
Wise Children
115 bpm • E Maj • 02:33 • -10.76db
26% Popularity • 32% Danceability • 53% Energy • 28% Liveness
12% Instrumentalness • 26% Positiveness
26% Popularity • 32% Danceability • 53% Energy • 28% Liveness
12% Instrumentalness • 26% Positiveness
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Gregor
Revise Me
129 bpm • C Maj • 08:38 • -8.54db
7% Popularity • 69% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 27% Positiveness
7% Popularity • 69% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 27% Positiveness
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Laura Groves
Infinite Wisdom
129 bpm • D min • 03:27 • -11.27db
22% Popularity • 65% Danceability • 47% Energy • 9% Liveness
8% Instrumentalness • 58% Positiveness
22% Popularity • 65% Danceability • 47% Energy • 9% Liveness
8% Instrumentalness • 58% Positiveness
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Bullion
Heaven Is Over
115 bpm • C Maj • 03:44 • -9.98db
26% Popularity • 83% Danceability • 38% Energy • 13% Liveness
94% Instrumentalness • 90% Positiveness
26% Popularity • 83% Danceability • 38% Energy • 13% Liveness
94% Instrumentalness • 90% Positiveness
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Absent Music
Akahito
129 bpm • A min • 03:20 • -9.91db
33% Popularity • 80% Danceability • 57% Energy • 10% Liveness
72% Instrumentalness • 50% Positiveness
33% Popularity • 80% Danceability • 57% Energy • 10% Liveness
72% Instrumentalness • 50% Positiveness
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Sam Evian
IDGAF
115 bpm • D# Maj • 03:16 • -8.11db
42% Popularity • 64% Danceability • 89% Energy • 13% Liveness
86% Instrumentalness • 96% Positiveness
42% Popularity • 64% Danceability • 89% Energy • 13% Liveness
86% Instrumentalness • 96% Positiveness
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Connan Mockasin
The Wolf
129 bpm • B Maj • 04:43 • -8.5db
17% Popularity • 72% Danceability • 43% Energy • 18% Liveness
12% Instrumentalness • 21% Positiveness
17% Popularity • 72% Danceability • 43% Energy • 18% Liveness
12% Instrumentalness • 21% Positiveness
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Suzanne Kraft
Red Flag
115 bpm • F min • 03:18 • -8.18db
12% Popularity • 76% Danceability • 58% Energy • 4% Liveness
40% Instrumentalness • 96% Positiveness
12% Popularity • 76% Danceability • 58% Energy • 4% Liveness
40% Instrumentalness • 96% Positiveness
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Lawrence Arabia
Everything's Minimal
115 bpm • C Maj • 03:03 • -9.14db
21% Popularity • 66% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
21% Popularity • 66% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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The Zenmenn
Salad Bar
115 bpm • E Maj • 04:21 • -10.73db
29% Popularity • 70% Danceability • 51% Energy • 10% Liveness
21% Instrumentalness • 71% Positiveness
29% Popularity • 70% Danceability • 51% Energy • 10% Liveness
21% Instrumentalness • 71% Positiveness
