Songs like Silver Hollow by Jack DeJohnette New Directions
Based on a tempo of (+/- 10%) and a similar genre
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Yusef Lateef
The Golden Flute
112 bpm • D min • 03:54 • -15.8db
21% Popularity • 40% Danceability • 34% Energy • 14% Liveness
90% Instrumentalness • 26% Positiveness
21% Popularity • 40% Danceability • 34% Energy • 14% Liveness
90% Instrumentalness • 26% Positiveness
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Henry Threadgill
In for a penny, in for a pound (opening)
112 bpm • C# Maj • 04:35 • -12.56db
10% Popularity • 47% Danceability • 48% Energy • 19% Liveness
85% Instrumentalness • 62% Positiveness
10% Popularity • 47% Danceability • 48% Energy • 19% Liveness
85% Instrumentalness • 62% Positiveness
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John Scofield
Portsmouth Figurations
112 bpm • E Maj • 03:31 • -18.75db
12% Popularity • 56% Danceability • 24% Energy • 11% Liveness
67% Instrumentalness • 48% Positiveness
12% Popularity • 56% Danceability • 24% Energy • 11% Liveness
67% Instrumentalness • 48% Positiveness
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Jack DeJohnette New Directions
Where Or Wayne
112 bpm • E min • 12:25 • -18.69db
6% Popularity • 44% Danceability • 33% Energy • 8% Liveness
92% Instrumentalness • 36% Positiveness
6% Popularity • 44% Danceability • 33% Energy • 8% Liveness
92% Instrumentalness • 36% Positiveness
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Bennie Maupin
Song For Tracie Dixon Summers
112 bpm • D Maj • 05:19 • -14.54db
10% Popularity • 31% Danceability • 10% Energy • 10% Liveness
23% Instrumentalness • 4% Positiveness
10% Popularity • 31% Danceability • 10% Energy • 10% Liveness
23% Instrumentalness • 4% Positiveness
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Kenny Wheeler
Part 6 - Consolation
112 bpm • F# min • 09:17 • -19db
16% Popularity • 34% Danceability • 9% Energy • 4% Liveness
20% Instrumentalness • 12% Positiveness
16% Popularity • 34% Danceability • 9% Energy • 4% Liveness
20% Instrumentalness • 12% Positiveness
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Dave Holland Big Band
Triple Dance
112 bpm • D# Maj • 09:50 • -14.47db
8% Popularity • 51% Danceability • 52% Energy • 18% Liveness
42% Instrumentalness • 56% Positiveness
8% Popularity • 51% Danceability • 52% Energy • 18% Liveness
42% Instrumentalness • 56% Positiveness
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Muhal Richard Abrams
Afrisong
112 bpm • G# Maj • 05:09 • -26db
17% Popularity • 34% Danceability • 5% Energy • 7% Liveness
87% Instrumentalness • 34% Positiveness
17% Popularity • 34% Danceability • 5% Energy • 7% Liveness
87% Instrumentalness • 34% Positiveness
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Grant Green
Jean De Fleur - Rudy Van Gelder Edition ...
112 bpm • C# min • 06:49 • -10db
32% Popularity • 65% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 65% Positiveness
32% Popularity • 65% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 65% Positiveness
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Jack DeJohnette New Directions
Silver Hollow
112 bpm • B min • 08:26 • -23.11db
9% Popularity • 36% Danceability • 14% Energy • 7% Liveness
78% Instrumentalness • 15% Positiveness
9% Popularity • 36% Danceability • 14% Energy • 7% Liveness
78% Instrumentalness • 15% Positiveness
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Eberhard Weber
Frankfurt
112 bpm • E min • 02:47 • -25.62db
30% Popularity • 33% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 29% Positiveness
30% Popularity • 33% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 29% Positiveness
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Michael White
John Coltrane Was Here
112 bpm • E min • 06:04 • -14.89db
9% Popularity • 47% Danceability • 49% Energy • 11% Liveness
85% Instrumentalness • 47% Positiveness
9% Popularity • 47% Danceability • 49% Energy • 11% Liveness
85% Instrumentalness • 47% Positiveness
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Jan Garbarek Quartet
Skarabée
113 bpm • F Maj • 06:16 • -21.17db
16% Popularity • 53% Danceability • 47% Energy • 10% Liveness
6% Instrumentalness • 29% Positiveness
16% Popularity • 53% Danceability • 47% Energy • 10% Liveness
6% Instrumentalness • 29% Positiveness
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Sam Rivers
Kinda Dukish
111 bpm • A# min • 05:26 • -13.15db
18% Popularity • 45% Danceability • 50% Energy • 11% Liveness
90% Instrumentalness • 60% Positiveness
18% Popularity • 45% Danceability • 50% Energy • 11% Liveness
90% Instrumentalness • 60% Positiveness
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Miroslav Vitous
Mountain in the Clouds
111 bpm • G Maj • 01:51 • -17db
17% Popularity • 34% Danceability • 50% Energy • 12% Liveness
19% Instrumentalness • 77% Positiveness
17% Popularity • 34% Danceability • 50% Energy • 12% Liveness
19% Instrumentalness • 77% Positiveness
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Jack DeJohnette New Directions
Salsa For Eddie G.
111 bpm • C min • 16:05 • -19.4db
4% Popularity • 50% Danceability • 32% Energy • 96% Liveness
53% Instrumentalness • 67% Positiveness
4% Popularity • 50% Danceability • 32% Energy • 96% Liveness
53% Instrumentalness • 67% Positiveness
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Steve Lehman Trio
Interlude
113 bpm • G# Maj • 01:04 • -17db
21% Popularity • 65% Danceability • 29% Energy • 9% Liveness
91% Instrumentalness • 11% Positiveness
21% Popularity • 65% Danceability • 29% Energy • 9% Liveness
91% Instrumentalness • 11% Positiveness
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Jonathan Kreisberg
Twenty One
111 bpm • F min • 07:57 • -10.74db
9% Popularity • 44% Danceability • 53% Energy • 11% Liveness
72% Instrumentalness • 53% Positiveness
9% Popularity • 44% Danceability • 53% Energy • 11% Liveness
72% Instrumentalness • 53% Positiveness
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Marc Copland
Left Behind
113 bpm • F min • 06:06 • -19db
28% Popularity • 48% Danceability • 19% Energy • 9% Liveness
91% Instrumentalness • 12% Positiveness
28% Popularity • 48% Danceability • 19% Energy • 9% Liveness
91% Instrumentalness • 12% Positiveness
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V.S.O.P.The Quintet
One of a Kind - Live
111 bpm • G min • 09:15 • -12db
9% Popularity • 38% Danceability • 75% Energy • 75% Liveness
1% Instrumentalness • 50% Positiveness
9% Popularity • 38% Danceability • 75% Energy • 75% Liveness
1% Instrumentalness • 50% Positiveness
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Dave Holland Quintet
Global Citizen
113 bpm • G# Maj • 11:12 • -19.83db
13% Popularity • 44% Danceability • 35% Energy • 6% Liveness
36% Instrumentalness • 50% Positiveness
13% Popularity • 44% Danceability • 35% Energy • 6% Liveness
36% Instrumentalness • 50% Positiveness
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Mark Turner Quartet
Lathe Of Heaven
111 bpm • F# min • 06:40 • -19db
12% Popularity • 36% Danceability • 34% Energy • 9% Liveness
66% Instrumentalness • 17% Positiveness
12% Popularity • 36% Danceability • 34% Energy • 9% Liveness
66% Instrumentalness • 17% Positiveness
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Ornette Coleman
Beauty Is a Rare Thing
110 bpm • F min • 07:14 • -24.8db
12% Popularity • 46% Danceability • 3% Energy • 13% Liveness
36% Instrumentalness • 14% Positiveness
12% Popularity • 46% Danceability • 3% Energy • 13% Liveness
36% Instrumentalness • 14% Positiveness
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Gil Evans
Proclamation
114 bpm • F# Maj • 03:55 • -27.61db
19% Popularity • 50% Danceability • 7% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
19% Popularity • 50% Danceability • 7% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
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John Abercrombie Quartet
Flipside
110 bpm • A min • 02:50 • -23.08db
14% Popularity • 40% Danceability • 23% Energy • 12% Liveness
88% Instrumentalness • 54% Positiveness
14% Popularity • 40% Danceability • 23% Energy • 12% Liveness
88% Instrumentalness • 54% Positiveness
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Marcin Wasilewski
Free-Bop
114 bpm • C# Maj • 04:29 • -17.46db
9% Popularity • 44% Danceability • 32% Energy • 10% Liveness
89% Instrumentalness • 52% Positiveness
9% Popularity • 44% Danceability • 32% Energy • 10% Liveness
89% Instrumentalness • 52% Positiveness
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Brian Blade Fellowship
Perceptual
110 bpm • D Maj • 06:28 • -15.32db
17% Popularity • 40% Danceability • 22% Energy • 10% Liveness
62% Instrumentalness • 9% Positiveness
17% Popularity • 40% Danceability • 22% Energy • 10% Liveness
62% Instrumentalness • 9% Positiveness
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Dave Holland Quintet
Shifting Sands
114 bpm • G min • 05:20 • -23.78db
11% Popularity • 56% Danceability • 15% Energy • 21% Liveness
71% Instrumentalness • 59% Positiveness
11% Popularity • 56% Danceability • 15% Energy • 21% Liveness
71% Instrumentalness • 59% Positiveness
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Art Blakey & The Jazz Messengers
Sakeena's Vision - Remastered 2005
114 bpm • G Maj • 06:04 • -7.38db
19% Popularity • 49% Danceability • 82% Energy • 32% Liveness
59% Instrumentalness • 31% Positiveness
19% Popularity • 49% Danceability • 82% Energy • 32% Liveness
59% Instrumentalness • 31% Positiveness
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Tony Williams
Geo Rose
114 bpm • C Maj • 07:26 • -12.51db
29% Popularity • 65% Danceability • 68% Energy • 16% Liveness
25% Instrumentalness • 75% Positiveness
29% Popularity • 65% Danceability • 68% Energy • 16% Liveness
25% Instrumentalness • 75% Positiveness
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Aki Takase
A Very Long Letter
110 bpm • G# Maj • 05:44 • -8db
10% Popularity • 52% Danceability • 65% Energy • 9% Liveness
91% Instrumentalness • 58% Positiveness
10% Popularity • 52% Danceability • 65% Energy • 9% Liveness
91% Instrumentalness • 58% Positiveness
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Nat Adderley
You, Baby
110 bpm • D min • 02:49 • -20.47db
13% Popularity • 55% Danceability • 31% Energy • 8% Liveness
89% Instrumentalness • 78% Positiveness
13% Popularity • 55% Danceability • 31% Energy • 8% Liveness
89% Instrumentalness • 78% Positiveness
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Roy Haynes Quartet
Raoul
110 bpm • D min • 06:01 • -12.34db
13% Popularity • 42% Danceability • 60% Energy • 6% Liveness
2% Instrumentalness • 44% Positiveness
13% Popularity • 42% Danceability • 60% Energy • 6% Liveness
2% Instrumentalness • 44% Positiveness
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Dave Holland Quintet
Billows Of Rhythm
114 bpm • G min • 06:45 • -21.53db
8% Popularity • 61% Danceability • 30% Energy • 9% Liveness
72% Instrumentalness • 66% Positiveness
8% Popularity • 61% Danceability • 30% Energy • 9% Liveness
72% Instrumentalness • 66% Positiveness
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Melissa Aldana
Unconscious Whispers
114 bpm • A Maj • 06:49 • -15.27db
36% Popularity • 48% Danceability • 30% Energy • 11% Liveness
90% Instrumentalness • 26% Positiveness
36% Popularity • 48% Danceability • 30% Energy • 11% Liveness
90% Instrumentalness • 26% Positiveness
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Sam Rivers
Downstairs Blues Upstairs
114 bpm • G min • 05:32 • -14db
16% Popularity • 50% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
16% Popularity • 50% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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Andrew Hill
Siete Ocho - Remastered 2003 / Rudy Van ...
110 bpm • F min • 08:58 • -10.43db
16% Popularity • 36% Danceability • 64% Energy • 10% Liveness
4% Instrumentalness • 49% Positiveness
16% Popularity • 36% Danceability • 64% Energy • 10% Liveness
4% Instrumentalness • 49% Positiveness
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Mal Waldron Trio
Boo
110 bpm • C min • 03:26 • -17.79db
10% Popularity • 46% Danceability • 30% Energy • 28% Liveness
0% Instrumentalness • 36% Positiveness
10% Popularity • 46% Danceability • 30% Energy • 28% Liveness
0% Instrumentalness • 36% Positiveness
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Eberhard Weber
An Evening With Vincent Van Ritz
114 bpm • F Maj • 05:50 • -13db
22% Popularity • 32% Danceability • 47% Energy • 11% Liveness
97% Instrumentalness • 18% Positiveness
22% Popularity • 32% Danceability • 47% Energy • 11% Liveness
97% Instrumentalness • 18% Positiveness
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Mal Waldron
Cat Walk
110 bpm • D min • 06:56 • -25.42db
15% Popularity • 55% Danceability • 3% Energy • 10% Liveness
91% Instrumentalness • 24% Positiveness
15% Popularity • 55% Danceability • 3% Energy • 10% Liveness
91% Instrumentalness • 24% Positiveness
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Kenny Wheeler
Part 5 - Know Where You Are
115 bpm • D Maj • 05:36 • -16.78db
14% Popularity • 38% Danceability • 39% Energy • 8% Liveness
60% Instrumentalness • 44% Positiveness
14% Popularity • 38% Danceability • 39% Energy • 8% Liveness
60% Instrumentalness • 44% Positiveness
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John Abercrombie Quartet
Wait Till You See Her
109 bpm • C min • 05:40 • -24.08db
28% Popularity • 29% Danceability • 7% Energy • 9% Liveness
1% Instrumentalness • 8% Positiveness
28% Popularity • 29% Danceability • 7% Energy • 9% Liveness
1% Instrumentalness • 8% Positiveness
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Andrew Hill
Sideways
115 bpm • F Maj • 04:09 • -11.99db
8% Popularity • 46% Danceability • 46% Energy • 25% Liveness
0% Instrumentalness • 52% Positiveness
8% Popularity • 46% Danceability • 46% Energy • 25% Liveness
0% Instrumentalness • 52% Positiveness
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Steve Lacy
Evidence
109 bpm • G# Maj • 04:59 • -18.74db
15% Popularity • 57% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
15% Popularity • 57% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Gary Burton Quartet
B & G (Midwestern Nights Dream)
109 bpm • B min • 08:22 • -22.93db
13% Popularity • 44% Danceability • 15% Energy • 8% Liveness
83% Instrumentalness • 10% Positiveness
13% Popularity • 44% Danceability • 15% Energy • 8% Liveness
83% Instrumentalness • 10% Positiveness
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Charles Lloyd Quartet
Caroline, No
109 bpm • C# Maj • 04:02 • -10.95db
24% Popularity • 48% Danceability • 42% Energy • 8% Liveness
12% Instrumentalness • 34% Positiveness
24% Popularity • 48% Danceability • 42% Energy • 8% Liveness
12% Instrumentalness • 34% Positiveness
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Paul Motian Trio
Conception Vessel
109 bpm • F# Maj • 04:33 • -18db
7% Popularity • 31% Danceability • 9% Energy • 22% Liveness
3% Instrumentalness • 6% Positiveness
7% Popularity • 31% Danceability • 9% Energy • 22% Liveness
3% Instrumentalness • 6% Positiveness
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Rahsaan Roland Kirk
It's A Grand Night For Swinging
109 bpm • F min • 03:09 • -17.98db
0% Popularity • 54% Danceability • 23% Energy • 18% Liveness
82% Instrumentalness • 58% Positiveness
0% Popularity • 54% Danceability • 23% Energy • 18% Liveness
82% Instrumentalness • 58% Positiveness
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John Scofield
The Beatles
115 bpm • F Maj • 04:58 • -13.55db
10% Popularity • 44% Danceability • 33% Energy • 10% Liveness
74% Instrumentalness • 15% Positiveness
10% Popularity • 44% Danceability • 33% Energy • 10% Liveness
74% Instrumentalness • 15% Positiveness
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Charles Lloyd
Forest Flower
115 bpm • B min • 07:51 • -11.53db
14% Popularity • 45% Danceability • 56% Energy • 26% Liveness
35% Instrumentalness • 72% Positiveness
14% Popularity • 45% Danceability • 56% Energy • 26% Liveness
35% Instrumentalness • 72% Positiveness
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Gilad Hekselman
One More Song
115 bpm • G# Maj • 10:32 • -11db
9% Popularity • 46% Danceability • 48% Energy • 10% Liveness
39% Instrumentalness • 47% Positiveness
9% Popularity • 46% Danceability • 48% Energy • 10% Liveness
39% Instrumentalness • 47% Positiveness
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Max Roach
Drums Unlimited
109 bpm • G# min • 04:20 • -25.82db
16% Popularity • 42% Danceability • 48% Energy • 5% Liveness
88% Instrumentalness • 43% Positiveness
16% Popularity • 42% Danceability • 48% Energy • 5% Liveness
88% Instrumentalness • 43% Positiveness
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Miroslav Vitous
Freedom Jazz Dance
109 bpm • B min • 10:51 • -13.22db
11% Popularity • 37% Danceability • 67% Energy • 8% Liveness
41% Instrumentalness • 62% Positiveness
11% Popularity • 37% Danceability • 67% Energy • 8% Liveness
41% Instrumentalness • 62% Positiveness
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Sam Rivers
Cyclic Episode
108 bpm • D Maj • 06:56 • -14.94db
18% Popularity • 46% Danceability • 36% Energy • 33% Liveness
0% Instrumentalness • 38% Positiveness
18% Popularity • 46% Danceability • 36% Energy • 33% Liveness
0% Instrumentalness • 38% Positiveness
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Roland Kirk Quartet
Mystical Dream
116 bpm • A min • 02:36 • -23.57db
26% Popularity • 51% Danceability • 15% Energy • 32% Liveness
0% Instrumentalness • 62% Positiveness
26% Popularity • 51% Danceability • 15% Energy • 32% Liveness
0% Instrumentalness • 62% Positiveness
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The Chick Corea New Trio
Cloud Candy
116 bpm • F# Maj • 07:20 • -19.4db
13% Popularity • 47% Danceability • 25% Energy • 10% Liveness
61% Instrumentalness • 19% Positiveness
13% Popularity • 47% Danceability • 25% Energy • 10% Liveness
61% Instrumentalness • 19% Positiveness
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Hank Mobley
Carolyn - Remastered 2000 / Rudy Van Gel...
116 bpm • F min • 05:30 • -13.74db
27% Popularity • 57% Danceability • 12% Energy • 16% Liveness
77% Instrumentalness • 26% Positiveness
27% Popularity • 57% Danceability • 12% Energy • 16% Liveness
77% Instrumentalness • 26% Positiveness
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John Scofield
Falling Grace
108 bpm • G# Maj • 05:24 • -19.57db
17% Popularity • 49% Danceability • 22% Energy • 12% Liveness
62% Instrumentalness • 39% Positiveness
17% Popularity • 49% Danceability • 22% Energy • 12% Liveness
62% Instrumentalness • 39% Positiveness
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Steve Swallow
Ice Cream
108 bpm • G Maj • 04:15 • -18.42db
7% Popularity • 40% Danceability • 33% Energy • 9% Liveness
6% Instrumentalness • 54% Positiveness
7% Popularity • 40% Danceability • 33% Energy • 9% Liveness
6% Instrumentalness • 54% Positiveness
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Charles Mingus
For Harry Carney
108 bpm • A# min • 08:00 • -16db
7% Popularity • 52% Danceability • 25% Energy • 11% Liveness
74% Instrumentalness • 48% Positiveness
7% Popularity • 52% Danceability • 25% Energy • 11% Liveness
74% Instrumentalness • 48% Positiveness
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Charles Lloyd
Georgia
108 bpm • C min • 06:37 • -16.95db
16% Popularity • 54% Danceability • 18% Energy • 14% Liveness
72% Instrumentalness • 26% Positiveness
16% Popularity • 54% Danceability • 18% Energy • 14% Liveness
72% Instrumentalness • 26% Positiveness
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Joe Farrell
Moon Germs
116 bpm • B Maj • 07:24 • -10.94db
8% Popularity • 44% Danceability • 72% Energy • 17% Liveness
16% Instrumentalness • 38% Positiveness
8% Popularity • 44% Danceability • 72% Energy • 17% Liveness
16% Instrumentalness • 38% Positiveness
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Gary Burton Quartet
Ladies In Mercedes
116 bpm • D Maj • 06:21 • -18db
9% Popularity • 48% Danceability • 42% Energy • 9% Liveness
66% Instrumentalness • 53% Positiveness
9% Popularity • 48% Danceability • 42% Energy • 9% Liveness
66% Instrumentalness • 53% Positiveness
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Dave Holland Quintet
For All You Are
116 bpm • A# Maj • 08:19 • -24db
10% Popularity • 37% Danceability • 8% Energy • 12% Liveness
79% Instrumentalness • 10% Positiveness
10% Popularity • 37% Danceability • 8% Energy • 12% Liveness
79% Instrumentalness • 10% Positiveness
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Bill Bruford
Never the Same Way Once
117 bpm • D Maj • 05:05 • -19.62db
7% Popularity • 41% Danceability • 31% Energy • 19% Liveness
52% Instrumentalness • 35% Positiveness
7% Popularity • 41% Danceability • 31% Energy • 19% Liveness
52% Instrumentalness • 35% Positiveness
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Charles Mingus
Hora Decubitus
117 bpm • C# Maj • 04:43 • -8db
29% Popularity • 39% Danceability • 73% Energy • 10% Liveness
18% Instrumentalness • 75% Positiveness
29% Popularity • 39% Danceability • 73% Energy • 10% Liveness
18% Instrumentalness • 75% Positiveness
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Alice Coltrane
Lord Help Me To Be
117 bpm • D Maj • 07:34 • -14db
20% Popularity • 37% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
20% Popularity • 37% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Oliver Nelson
Yearnin'
107 bpm • F Maj • 06:23 • -12db
33% Popularity • 60% Danceability • 27% Energy • 14% Liveness
90% Instrumentalness • 44% Positiveness
33% Popularity • 60% Danceability • 27% Energy • 14% Liveness
90% Instrumentalness • 44% Positiveness
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Larry Goldings
United
117 bpm • C Maj • 06:08 • -10.94db
14% Popularity • 44% Danceability • 57% Energy • 11% Liveness
87% Instrumentalness • 52% Positiveness
14% Popularity • 44% Danceability • 57% Energy • 11% Liveness
87% Instrumentalness • 52% Positiveness
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Paul Motian Trio
It Should've Happened A Long Time Ago
117 bpm • F# min • 06:06 • -16db
15% Popularity • 34% Danceability • 15% Energy • 38% Liveness
3% Instrumentalness • 28% Positiveness
15% Popularity • 34% Danceability • 15% Energy • 38% Liveness
3% Instrumentalness • 28% Positiveness
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Lee Morgan
Our Man Higgins
117 bpm • F min • 08:54 • -12.14db
23% Popularity • 59% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
23% Popularity • 59% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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Charles Mingus
Remember Rockefeller at Attica
107 bpm • F min • 05:56 • -12.84db
14% Popularity • 57% Danceability • 52% Energy • 11% Liveness
35% Instrumentalness • 64% Positiveness
14% Popularity • 57% Danceability • 52% Energy • 11% Liveness
35% Instrumentalness • 64% Positiveness
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Anthony Williams
Echo - Remastered 2009/Rudy Van Gelder E...
107 bpm • D Maj • 05:00 • -16db
15% Popularity • 40% Danceability • 76% Energy • 36% Liveness
78% Instrumentalness • 20% Positiveness
15% Popularity • 40% Danceability • 76% Energy • 36% Liveness
78% Instrumentalness • 20% Positiveness
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John Scofield
After The Fact
117 bpm • C min • 05:26 • -15.37db
14% Popularity • 46% Danceability • 26% Energy • 13% Liveness
94% Instrumentalness • 18% Positiveness
14% Popularity • 46% Danceability • 26% Energy • 13% Liveness
94% Instrumentalness • 18% Positiveness
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Gary Burton Quintet
Vox Humana
107 bpm • C Maj • 07:00 • -17db
7% Popularity • 38% Danceability • 27% Energy • 10% Liveness
26% Instrumentalness • 9% Positiveness
7% Popularity • 38% Danceability • 27% Energy • 10% Liveness
26% Instrumentalness • 9% Positiveness
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Chico Hamilton
Thoughts
107 bpm • B min • 09:20 • -14.5db
10% Popularity • 37% Danceability • 25% Energy • 10% Liveness
33% Instrumentalness • 7% Positiveness
10% Popularity • 37% Danceability • 25% Energy • 10% Liveness
33% Instrumentalness • 7% Positiveness
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Joe Zawinul
Arrival in New York
118 bpm • F Maj • 01:57 • -20.55db
17% Popularity • 36% Danceability • 25% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
17% Popularity • 36% Danceability • 25% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
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Joe Harriott
Spring Low, Sweet Harriott
118 bpm • G min • 01:57 • -16.69db
19% Popularity • 48% Danceability • 26% Energy • 11% Liveness
7% Instrumentalness • 23% Positiveness
19% Popularity • 48% Danceability • 26% Energy • 11% Liveness
7% Instrumentalness • 23% Positiveness
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Henry Franklin
Outbreak
118 bpm • C min • 10:03 • -15.97db
7% Popularity • 33% Danceability • 41% Energy • 16% Liveness
20% Instrumentalness • 60% Positiveness
7% Popularity • 33% Danceability • 41% Energy • 16% Liveness
20% Instrumentalness • 60% Positiveness
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Grant Green
It Ain't Necessarily So
118 bpm • A# min • 10:22 • -14.94db
21% Popularity • 65% Danceability • 33% Energy • 12% Liveness
14% Instrumentalness • 40% Positiveness
21% Popularity • 65% Danceability • 33% Energy • 12% Liveness
14% Instrumentalness • 40% Positiveness
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Jack DeJohnette New Directions
Bayou Fever
106 bpm • F min • 18:24 • -21.07db
2% Popularity • 39% Danceability • 24% Energy • 69% Liveness
56% Instrumentalness • 9% Positiveness
2% Popularity • 39% Danceability • 24% Energy • 69% Liveness
56% Instrumentalness • 9% Positiveness
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Dave Holland Quintet
Lost And Found
106 bpm • E Maj • 09:27 • -20db
13% Popularity • 53% Danceability • 37% Energy • 10% Liveness
47% Instrumentalness • 42% Positiveness
13% Popularity • 53% Danceability • 37% Energy • 10% Liveness
47% Instrumentalness • 42% Positiveness
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Ornette Coleman
Una Muy Bonita
106 bpm • F# Maj • 06:02 • -16.02db
13% Popularity • 71% Danceability • 28% Energy • 10% Liveness
30% Instrumentalness • 70% Positiveness
13% Popularity • 71% Danceability • 28% Energy • 10% Liveness
30% Instrumentalness • 70% Positiveness
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Emily Remler
Daahound
118 bpm • F# Maj • 05:15 • -19.29db
26% Popularity • 43% Danceability • 33% Energy • 14% Liveness
6% Instrumentalness • 69% Positiveness
26% Popularity • 43% Danceability • 33% Energy • 14% Liveness
6% Instrumentalness • 69% Positiveness
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Charles Lloyd
Mood Indigo
118 bpm • D min • 05:13 • -12.73db
7% Popularity • 56% Danceability • 20% Energy • 14% Liveness
79% Instrumentalness • 20% Positiveness
7% Popularity • 56% Danceability • 20% Energy • 14% Liveness
79% Instrumentalness • 20% Positiveness
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Gary Burton Quartet
Portsmouth Figurations
119 bpm • E min • 03:05 • -11db
12% Popularity • 40% Danceability • 66% Energy • 33% Liveness
66% Instrumentalness • 25% Positiveness
12% Popularity • 40% Danceability • 66% Energy • 33% Liveness
66% Instrumentalness • 25% Positiveness
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Brian Blade Fellowship
Evinrude-Fifty (Trembling)
119 bpm • E min • 07:56 • -13.51db
17% Popularity • 34% Danceability • 37% Energy • 38% Liveness
88% Instrumentalness • 15% Positiveness
17% Popularity • 34% Danceability • 37% Energy • 38% Liveness
88% Instrumentalness • 15% Positiveness
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Steph Richards
Canopy
106 bpm • C# Maj • 03:41 • -15.44db
11% Popularity • 46% Danceability • 43% Energy • 39% Liveness
77% Instrumentalness • 42% Positiveness
11% Popularity • 46% Danceability • 43% Energy • 39% Liveness
77% Instrumentalness • 42% Positiveness
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Ornette Coleman
Broken Shadows
106 bpm • D min • 06:40 • -10db
9% Popularity • 31% Danceability • 54% Energy • 33% Liveness
39% Instrumentalness • 26% Positiveness
9% Popularity • 31% Danceability • 54% Energy • 33% Liveness
39% Instrumentalness • 26% Positiveness
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Art Ensemble Of Chicago
Dreaming Of The Master
119 bpm • G# Maj • 11:40 • -16.16db
8% Popularity • 43% Danceability • 31% Energy • 6% Liveness
46% Instrumentalness • 53% Positiveness
8% Popularity • 43% Danceability • 31% Energy • 6% Liveness
46% Instrumentalness • 53% Positiveness
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Dave Holland Quartet
Nemesis
106 bpm • F min • 11:31 • -16db
10% Popularity • 48% Danceability • 45% Energy • 11% Liveness
48% Instrumentalness • 52% Positiveness
10% Popularity • 48% Danceability • 45% Energy • 11% Liveness
48% Instrumentalness • 52% Positiveness
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John Abercrombie Quartet
Arcade
119 bpm • F min • 09:37 • -18db
9% Popularity • 43% Danceability • 38% Energy • 31% Liveness
94% Instrumentalness • 39% Positiveness
9% Popularity • 43% Danceability • 38% Energy • 31% Liveness
94% Instrumentalness • 39% Positiveness
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Walter Smith III
freefive
119 bpm • D min • 01:14 • -11.7db
24% Popularity • 52% Danceability • 20% Energy • 11% Liveness
76% Instrumentalness • 38% Positiveness
24% Popularity • 52% Danceability • 20% Energy • 11% Liveness
76% Instrumentalness • 38% Positiveness
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Melissa Aldana
Los Ojos de Chile
119 bpm • F Maj • 05:41 • -12.85db
11% Popularity • 46% Danceability • 37% Energy • 10% Liveness
50% Instrumentalness • 37% Positiveness
11% Popularity • 46% Danceability • 37% Energy • 10% Liveness
50% Instrumentalness • 37% Positiveness
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Art Blakey & The Jazz Messengers
Ping Pong
119 bpm • F min • 07:06 • -10.92db
21% Popularity • 50% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
21% Popularity • 50% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Art Ensemble Of Chicago
Prayer For Jimbo Kwesi
105 bpm • D Maj • 09:47 • -21.07db
9% Popularity • 22% Danceability • 12% Energy • 12% Liveness
72% Instrumentalness • 5% Positiveness
9% Popularity • 22% Danceability • 12% Energy • 12% Liveness
72% Instrumentalness • 5% Positiveness
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Miroslav Vitous
Infinite Search
119 bpm • A# Maj • 06:44 • -20db
11% Popularity • 37% Danceability • 24% Energy • 11% Liveness
69% Instrumentalness • 18% Positiveness
11% Popularity • 37% Danceability • 24% Energy • 11% Liveness
69% Instrumentalness • 18% Positiveness
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Thelonious Monk
Brilliant Corners
105 bpm • F# Maj • 07:47 • -13.97db
21% Popularity • 57% Danceability • 29% Energy • 5% Liveness
4% Instrumentalness • 40% Positiveness
21% Popularity • 57% Danceability • 29% Energy • 5% Liveness
4% Instrumentalness • 40% Positiveness
