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Simple Girl
Songs like
Simple Girl
by
Bad Cop, Bad Cop
Based on a tempo of (+/- 10%) and a similar genre
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Bad Cop, Bad Cop
Simple Girl
155 bpm • G Maj • 02:52 • -6.33db
27% Popularity • 47% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 68% Positiveness
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Against Me!
From Her Lips to God's Ears (The Energiz...
156 bpm • F# min • 02:35 • -5.79db
30% Popularity • 29% Danceability • 96% Energy • 39% Liveness
0% Instrumentalness • 12% Positiveness
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NOFX
Leaving Jesusland
156 bpm • C Maj • 02:54 • -4.89db
44% Popularity • 56% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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PEARS
Naptime
156 bpm • G# Maj • 02:34 • -4.23db
16% Popularity • 42% Danceability • 100% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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The Lawrence Arms
Like a Record Player
154 bpm • C Maj • 02:02 • -5db
38% Popularity • 35% Danceability • 93% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
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The Last Gang
Karla
153 bpm • C Maj • 03:26 • -4.18db
12% Popularity • 42% Danceability • 99% Energy • 38% Liveness
0% Instrumentalness • 38% Positiveness
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Bad Cop, Bad Cop
I'm Alright
153 bpm • C Maj • 02:29 • -7.53db
13% Popularity • 39% Danceability • 68% Energy • 56% Liveness
21% Instrumentalness • 76% Positiveness
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Dear Landlord
Three to the Beach
157 bpm • B Maj • 02:26 • -4.59db
25% Popularity • 21% Danceability • 100% Energy • 24% Liveness
0% Instrumentalness • 7% Positiveness
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Against Me!
Pretty Girls (The Mover)
156 bpm • C Maj • 02:45 • -5.01db
26% Popularity • 27% Danceability • 98% Energy • 34% Liveness
0% Instrumentalness • 27% Positiveness
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Teen Idols
Porno Shop
158 bpm • C Maj • 01:37 • -3.67db
23% Popularity • 40% Danceability • 98% Energy • 76% Liveness
0% Instrumentalness • 87% Positiveness
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The Interrupters
Outrage
158 bpm • A Maj • 01:51 • -3.56db
33% Popularity • 41% Danceability • 97% Energy • 35% Liveness
0% Instrumentalness • 58% Positiveness
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Dog Park Dissidents
Refugees
158 bpm • F# min • 04:47 • -5.45db
14% Popularity • 40% Danceability • 96% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
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Tilt
Hero Marauder
152 bpm • G Maj • 01:47 • -5.81db
18% Popularity • 46% Danceability • 96% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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The Newports
Punching Bag
151 bpm • D Maj • 02:04 • -4.32db
10% Popularity • 44% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Tsunami Bomb
Roundabout
159 bpm • D Maj • 03:03 • -5.73db
20% Popularity • 57% Danceability • 80% Energy • 18% Liveness
2% Instrumentalness • 60% Positiveness
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Chixdiggit!
Gettin' Air
151 bpm • C Maj • 01:33 • -5.33db
27% Popularity • 52% Danceability • 95% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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The Bar Stool Preachers
When This World Ends
160 bpm • G Maj • 03:26 • -7.05db
13% Popularity • 50% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 81% Positiveness
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The Queers
Punk Rock Girls
150 bpm • G Maj • 02:37 • -4.61db
33% Popularity • 47% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
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Screeching Weasel
Crying Shame
160 bpm • C min • 02:05 • -5.25db
12% Popularity • 42% Danceability • 96% Energy • 30% Liveness
5% Instrumentalness • 79% Positiveness
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Death By Horse
Werewolf
160 bpm • C Maj • 02:56 • -7.2db
10% Popularity • 54% Danceability • 94% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
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NOFX
Worse Things Happen at Sea
150 bpm • D Maj • 03:19 • -5.46db
27% Popularity • 34% Danceability • 79% Energy • 5% Liveness
0% Instrumentalness • 52% Positiveness
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The Interrupters
Loyal
150 bpm • G Maj • 02:07 • -3.57db
29% Popularity • 53% Danceability • 99% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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The Raging Nathans
Dayton
160 bpm • A Maj • 02:12 • -3.44db
15% Popularity • 21% Danceability • 96% Energy • 25% Liveness
0% Instrumentalness • 48% Positiveness
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Tsunami Bomb
Phosphene
160 bpm • A# Maj • 03:04 • -6.46db
12% Popularity • 48% Danceability • 77% Energy • 15% Liveness
47% Instrumentalness • 82% Positiveness
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Bad Cop, Bad Cop
Certain Kind of Monster
150 bpm • D Maj • 02:55 • -4.97db
19% Popularity • 34% Danceability • 95% Energy • 31% Liveness
0% Instrumentalness • 26% Positiveness
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Death By Horse
Summer's Up
160 bpm • A Maj • 02:36 • -4db
9% Popularity • 33% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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The Soviettes
Middle Of The Night
150 bpm • B min • 02:14 • -4.72db
19% Popularity • 52% Danceability • 98% Energy • 36% Liveness
7% Instrumentalness • 73% Positiveness
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Millie Manders and the Shutup
Silent Screams
150 bpm • F min • 03:42 • -7.18db
22% Popularity • 53% Danceability • 84% Energy • 36% Liveness
0% Instrumentalness • 80% Positiveness
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MxPx
Franco Un-American
150 bpm • F# Maj • 02:25 • -4.96db
28% Popularity • 59% Danceability • 89% Energy • 23% Liveness
0% Instrumentalness • 82% Positiveness
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Screeching Weasel
Never Been In Love
150 bpm • G Maj • 02:03 • -5.23db
12% Popularity • 46% Danceability • 97% Energy • 32% Liveness
6% Instrumentalness • 89% Positiveness
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Bad Cop, Bad Cop
Sing with Me
150 bpm • A Maj • 02:26 • -6.29db
11% Popularity • 46% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Death By Horse
Dear Jim
160 bpm • A min • 04:12 • -3.57db
12% Popularity • 35% Danceability • 97% Energy • 22% Liveness
0% Instrumentalness • 57% Positiveness
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Tsunami Bomb
Naysayers
150 bpm • A Maj • 02:34 • -5.61db
14% Popularity • 42% Danceability • 91% Energy • 40% Liveness
0% Instrumentalness • 57% Positiveness
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The Distillers
The Blackest Years - 2020 Remaster
161 bpm • G Maj • 07:30 • -2db
13% Popularity • 14% Danceability • 75% Energy • 31% Liveness
0% Instrumentalness • 20% Positiveness
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Teenage Bottlerocket
Strung out on Stress
149 bpm • B min • 02:16 • -1.68db
30% Popularity • 36% Danceability • 97% Energy • 73% Liveness
0% Instrumentalness • 48% Positiveness
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The Last Gang
Panic Dreaming
161 bpm • F Maj • 02:15 • -7.1db
14% Popularity • 35% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Ten Foot Pole
Everything Dies
162 bpm • G Maj • 02:09 • -5.68db
16% Popularity • 56% Danceability • 92% Energy • 10% Liveness
1% Instrumentalness • 56% Positiveness
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The Venomous Pinks
No Rules
162 bpm • C Maj • 02:56 • -6.25db
18% Popularity • 48% Danceability • 95% Energy • 30% Liveness
0% Instrumentalness • 81% Positiveness
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Laura Jane Grace
Reality Bites
162 bpm • C# Maj • 02:11 • -4.14db
29% Popularity • 58% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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The Flatliners
Count Your Bruises
162 bpm • E Maj • 03:06 • -2.78db
33% Popularity • 41% Danceability • 97% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Teenage Bottlerocket
Everything to Me
162 bpm • E Maj • 02:56 • -3.84db
20% Popularity • 38% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
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American Steel
State of Grace
148 bpm • B Maj • 03:24 • -4.58db
15% Popularity • 44% Danceability • 89% Energy • 38% Liveness
0% Instrumentalness • 81% Positiveness
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Bad Cop, Bad Cop
Amputations
163 bpm • G Maj • 02:29 • -5.21db
20% Popularity • 46% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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CHEWIE
Singing from the Septic Tank
147 bpm • B Maj • 03:01 • -4.51db
17% Popularity • 36% Danceability • 85% Energy • 24% Liveness
0% Instrumentalness • 75% Positiveness
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PEARS
Killing Me
163 bpm • F# min • 02:53 • -4.19db
18% Popularity • 25% Danceability • 99% Energy • 40% Liveness
0% Instrumentalness • 41% Positiveness
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Russian Girlfriends
Bones of a Saint
163 bpm • C Maj • 03:39 • -5.69db
14% Popularity • 54% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Teenage Bottlerocket
Don't Go
162 bpm • B Maj • 02:30 • -3.24db
31% Popularity • 47% Danceability • 96% Energy • 17% Liveness
0% Instrumentalness • 83% Positiveness
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The Interrupters
Room With a View
163 bpm • G# Maj • 02:34 • -4.77db
32% Popularity • 48% Danceability • 90% Energy • 35% Liveness
0% Instrumentalness • 21% Positiveness
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Bad Cop, Bad Cop
I'm Done
148 bpm • C Maj • 01:48 • -4.12db
26% Popularity • 45% Danceability • 98% Energy • 15% Liveness
6% Instrumentalness • 51% Positiveness
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The Lawrence Arms
Belly of the Whale
163 bpm • C Maj • 01:59 • -5.44db
24% Popularity • 48% Danceability • 95% Energy • 37% Liveness
0% Instrumentalness • 72% Positiveness
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Guttermouth
She's Got The Look
164 bpm • E Maj • 02:41 • -4db
47% Popularity • 55% Danceability • 97% Energy • 40% Liveness
0% Instrumentalness • 84% Positiveness
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The Falcon
The La-Z-Boy 500
164 bpm • C Maj • 02:53 • -7.33db
30% Popularity • 44% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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The Lippies
302
164 bpm • E Maj • 03:39 • -5.68db
26% Popularity • 44% Danceability • 94% Energy • 35% Liveness
0% Instrumentalness • 81% Positiveness
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Red City Radio
Baby of the Year
146 bpm • F# Maj • 02:58 • -3.64db
26% Popularity • 49% Danceability • 96% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Bad Cop, Bad Cop
Support
147 bpm • C# min • 02:40 • -6.28db
11% Popularity • 27% Danceability • 97% Energy • 40% Liveness
0% Instrumentalness • 25% Positiveness
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The Bombpops
Ca in July
146 bpm • B min • 02:00 • -5db
40% Popularity • 52% Danceability • 95% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
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The Homeless Gospel Choir
Don't Compare
165 bpm • C Maj • 03:00 • -5.95db
13% Popularity • 29% Danceability • 96% Energy • 25% Liveness
0% Instrumentalness • 15% Positiveness
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Tilt
War Room
146 bpm • D# min • 02:26 • -5.79db
22% Popularity • 33% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Screeching Weasel
Follow Your Leaders
145 bpm • C# min • 02:06 • -4db
32% Popularity • 59% Danceability • 96% Energy • 17% Liveness
0% Instrumentalness • 78% Positiveness
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Swingin' Utters
Tell Them Told You So
165 bpm • G Maj • 02:32 • -4.39db
28% Popularity • 45% Danceability • 98% Energy • 30% Liveness
0% Instrumentalness • 81% Positiveness
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Bad Cop, Bad Cop
Yeah, Yeah, Yeah
146 bpm • C Maj • 02:21 • -2.67db
17% Popularity • 35% Danceability • 96% Energy • 16% Liveness
40% Instrumentalness • 43% Positiveness
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Bigwig
A War Inside
165 bpm • B min • 02:10 • -5db
36% Popularity • 42% Danceability • 100% Energy • 30% Liveness
0% Instrumentalness • 38% Positiveness
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The Lillingtons
Black Hole In My Mind
165 bpm • A# Maj • 03:16 • -5.58db
40% Popularity • 32% Danceability • 93% Energy • 44% Liveness
3% Instrumentalness • 72% Positiveness
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The Holy Mess
Within the Range of a Raven
166 bpm • C# min • 02:53 • -6.98db
26% Popularity • 30% Danceability • 94% Energy • 11% Liveness
3% Instrumentalness • 53% Positiveness
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Dead Bars
Freaks
165 bpm • A# Maj • 01:39 • -5.92db
17% Popularity • 23% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Petrol Girls
Big Mouth
166 bpm • C Maj • 03:21 • -4.73db
17% Popularity • 45% Danceability • 98% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Bad Cop, Bad Cop
The Mirage
166 bpm • E min • 02:30 • -6.94db
13% Popularity • 41% Danceability • 96% Energy • 53% Liveness
0% Instrumentalness • 12% Positiveness
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Pkew Pkew Pkew
Stop Calling Us Chief
166 bpm • D Maj • 01:57 • -3.53db
17% Popularity • 36% Danceability • 96% Energy • 44% Liveness
0% Instrumentalness • 28% Positiveness
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The Bombpops
Blood Pact
144 bpm • B min • 02:08 • -3.93db
20% Popularity • 45% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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The Dopamines
Ire
144 bpm • E Maj • 03:06 • -4db
18% Popularity • 23% Danceability • 100% Energy • 46% Liveness
0% Instrumentalness • 7% Positiveness
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Dead To Me
Fear Is the New Bliss
168 bpm • A Maj • 03:38 • -4.28db
22% Popularity • 28% Danceability • 99% Energy • 36% Liveness
4% Instrumentalness • 16% Positiveness
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Tsunami Bomb
El Diablo
143 bpm • D min • 03:04 • -5db
19% Popularity • 47% Danceability • 90% Energy • 22% Liveness
10% Instrumentalness • 16% Positiveness
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Bad Cop, Bad Cop
Sugarcane
144 bpm • D Maj • 02:49 • -6.98db
18% Popularity • 46% Danceability • 90% Energy • 22% Liveness
0% Instrumentalness • 57% Positiveness
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The Lippies
Hot Air Balloon
168 bpm • D Maj • 03:12 • -4.45db
10% Popularity • 44% Danceability • 97% Energy • 34% Liveness
0% Instrumentalness • 51% Positiveness
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Against Me!
You Look Like I Need a Drink
143 bpm • B min • 02:14 • -5.79db
32% Popularity • 36% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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The Interrupters
Haven't Seen The Last Of Me
168 bpm • C# min • 02:15 • -0.38db
40% Popularity • 56% Danceability • 99% Energy • 36% Liveness
0% Instrumentalness • 91% Positiveness
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The Venomous Pinks
We Do It Better
168 bpm • A Maj • 02:53 • -6.18db
21% Popularity • 25% Danceability • 94% Energy • 46% Liveness
24% Instrumentalness • 61% Positiveness
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Rehasher
Every Little War
168 bpm • D Maj • 03:30 • -5db
12% Popularity • 47% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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The Skacore Cartel
Horizonal Aggression
168 bpm • E min • 01:34 • -4.41db
12% Popularity • 61% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Bad Cop, Bad Cop
Pursuit of Liberty
143 bpm • C# min • 03:23 • -5.19db
27% Popularity • 47% Danceability • 96% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Anti-Flag
Don't Let The Bastards Get You Down
169 bpm • D Maj • 02:49 • -7.26db
24% Popularity • 50% Danceability • 95% Energy • 30% Liveness
0% Instrumentalness • 37% Positiveness
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Teenage Bottlerocket
They Call Me Steve
169 bpm • D Maj • 02:20 • -3.14db
43% Popularity • 42% Danceability • 94% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
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The Lillingtons
Zodiac
170 bpm • G min • 02:37 • -3.33db
24% Popularity • 38% Danceability • 97% Energy • 11% Liveness
3% Instrumentalness • 55% Positiveness
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Belvedere
Chromatic
170 bpm • D Maj • 01:18 • -4db
37% Popularity • 44% Danceability • 96% Energy • 38% Liveness
0% Instrumentalness • 48% Positiveness
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Ramona
Getting There
170 bpm • F Maj • 03:40 • -4.58db
8% Popularity • 54% Danceability • 81% Energy • 41% Liveness
0% Instrumentalness • 53% Positiveness
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Pkew Pkew Pkew
Asshole Pandemic
170 bpm • B Maj • 02:34 • -3.23db
26% Popularity • 41% Danceability • 98% Energy • 35% Liveness
0% Instrumentalness • 52% Positiveness
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Anti-Flag
Christian Nationalist
170 bpm • C Maj • 02:44 • -7.95db
36% Popularity • 46% Danceability • 91% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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[spunge]
Just Sayings
170 bpm • F# min • 03:23 • -6db
22% Popularity • 54% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
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The Last Gang
Believe in the Poet
170 bpm • D# Maj • 03:18 • -4.33db
15% Popularity • 37% Danceability • 99% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
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Bad Cop, Bad Cop
Asshole
141 bpm • D Maj • 01:16 • -4.41db
21% Popularity • 43% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Ten Foot Pole
Unbroken
141 bpm • F# min • 03:13 • -6.48db
16% Popularity • 53% Danceability • 95% Energy • 12% Liveness
12% Instrumentalness • 62% Positiveness
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Kill Lincoln
Get Fucked Four Eyes
140 bpm • A Maj • 03:44 • -4db
33% Popularity • 54% Danceability • 95% Energy • 63% Liveness
4% Instrumentalness • 65% Positiveness
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The Vandals
The New You
171 bpm • E min • 02:41 • -5.4db
32% Popularity • 36% Danceability • 93% Energy • 16% Liveness
1% Instrumentalness • 50% Positiveness
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The Copyrights
Keep the Change
140 bpm • C Maj • 01:00 • -4db
25% Popularity • 42% Danceability • 92% Energy • 66% Liveness
0% Instrumentalness • 65% Positiveness
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The Briggs
Control Alt-Right Delete
140 bpm • E Maj • 03:23 • -7.19db
30% Popularity • 61% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Worriers
Yes All Cops
140 bpm • E Maj • 01:46 • -3.99db
33% Popularity • 44% Danceability • 96% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
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Ten Foot Pole
Forever Road
140 bpm • A# min • 03:21 • -6.02db
18% Popularity • 45% Danceability • 98% Energy • 10% Liveness
12% Instrumentalness • 54% Positiveness
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The Homeless Gospel Choir
Normal
140 bpm • A# min • 03:36 • -6.64db
25% Popularity • 52% Danceability • 89% Energy • 33% Liveness
0% Instrumentalness • 38% Positiveness
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Chixdiggit!
You're Pretty Good
172 bpm • C# Maj • 01:48 • -4.41db
19% Popularity • 42% Danceability • 95% Energy • 3% Liveness
0% Instrumentalness • 88% Positiveness
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Snuff
Dippy Egg
140 bpm • E min • 02:32 • -12.3db
30% Popularity • 49% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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