Songs like Simple Girl by Bad Cop, Bad Cop
Based on a tempo of (+/- 10%) and a similar genre
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The Last Gang
Secret Sounds
155 bpm • G Maj • 03:24 • -8.07db
12% Popularity • 49% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
12% Popularity • 49% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
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Local Resident Failure
Where The Bloody Hell Are Ya?
155 bpm • A Maj • 01:56 • -3.57db
24% Popularity • 49% Danceability • 96% Energy • 33% Liveness
0% Instrumentalness • 96% Positiveness
24% Popularity • 49% Danceability • 96% Energy • 33% Liveness
0% Instrumentalness • 96% Positiveness
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Bad Cop, Bad Cop
Simple Girl
155 bpm • G Maj • 02:52 • -6.33db
27% Popularity • 47% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 68% Positiveness
27% Popularity • 47% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 68% Positiveness
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Get Dead
Glitch
155 bpm • A Maj • 02:09 • -9db
28% Popularity • 57% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
28% Popularity • 57% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Radkey
Spiders
155 bpm • G# Maj • 01:18 • -4.05db
21% Popularity • 43% Danceability • 97% Energy • 35% Liveness
0% Instrumentalness • 46% Positiveness
21% Popularity • 43% Danceability • 97% Energy • 35% Liveness
0% Instrumentalness • 46% Positiveness
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Mobina Galore
Skeletons
156 bpm • F# min • 02:51 • -3.28db
16% Popularity • 27% Danceability • 93% Energy • 35% Liveness
0% Instrumentalness • 50% Positiveness
16% Popularity • 27% Danceability • 93% Energy • 35% Liveness
0% Instrumentalness • 50% Positiveness
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Good Riddance
A Credit to His Gender
156 bpm • A# min • 02:46 • -6db
31% Popularity • 32% Danceability • 92% Energy • 20% Liveness
0% Instrumentalness • 71% Positiveness
31% Popularity • 32% Danceability • 92% Energy • 20% Liveness
0% Instrumentalness • 71% Positiveness
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PEARS
Naptime
156 bpm • G# Maj • 02:34 • -4.23db
16% Popularity • 42% Danceability • 100% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
16% Popularity • 42% Danceability • 100% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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The Lawrence Arms
Like a Record Player
154 bpm • C Maj • 02:02 • -5db
36% Popularity • 35% Danceability • 93% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
36% Popularity • 35% Danceability • 93% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
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Bad Cop, Bad Cop
I'm Alright
153 bpm • C Maj • 02:29 • -7.53db
13% Popularity • 39% Danceability • 68% Energy • 56% Liveness
21% Instrumentalness • 76% Positiveness
13% Popularity • 39% Danceability • 68% Energy • 56% Liveness
21% Instrumentalness • 76% Positiveness
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Tsunami Bomb
...Not Forever
153 bpm • A min • 03:00 • -4.88db
24% Popularity • 36% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
24% Popularity • 36% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Teen Idols
Midnight Picture Show
153 bpm • D Maj • 02:18 • -5.71db
20% Popularity • 43% Danceability • 92% Energy • 33% Liveness
0% Instrumentalness • 67% Positiveness
20% Popularity • 43% Danceability • 92% Energy • 33% Liveness
0% Instrumentalness • 67% Positiveness
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The Last Gang
Karla
153 bpm • C Maj • 03:26 • -4.18db
12% Popularity • 42% Danceability • 99% Energy • 38% Liveness
0% Instrumentalness • 38% Positiveness
12% Popularity • 42% Danceability • 99% Energy • 38% Liveness
0% Instrumentalness • 38% Positiveness
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The Anti-Queens
Noushi
153 bpm • G Maj • 02:34 • -6.04db
11% Popularity • 58% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
11% Popularity • 58% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
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The Raging Nathans
Not Giving Up
153 bpm • E Maj • 01:26 • -2.59db
19% Popularity • 30% Danceability • 99% Energy • 37% Liveness
8% Instrumentalness • 58% Positiveness
19% Popularity • 30% Danceability • 99% Energy • 37% Liveness
8% Instrumentalness • 58% Positiveness
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Dear Landlord
Three to the Beach
157 bpm • B Maj • 02:26 • -4.59db
24% Popularity • 21% Danceability • 100% Energy • 24% Liveness
0% Instrumentalness • 7% Positiveness
24% Popularity • 21% Danceability • 100% Energy • 24% Liveness
0% Instrumentalness • 7% Positiveness
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Chaser
The Show
152 bpm • D Maj • 01:40 • -3.2db
28% Popularity • 50% Danceability • 99% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
28% Popularity • 50% Danceability • 99% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Belvedere
Elephant March
152 bpm • D Maj • 03:25 • -4.94db
27% Popularity • 54% Danceability • 96% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
27% Popularity • 54% Danceability • 96% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Teen Idols
Porno Shop
158 bpm • C Maj • 01:37 • -3.67db
25% Popularity • 40% Danceability • 98% Energy • 76% Liveness
0% Instrumentalness • 87% Positiveness
25% Popularity • 40% Danceability • 98% Energy • 76% Liveness
0% Instrumentalness • 87% Positiveness
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The Lawrence Arms
Quincentuple Your Money
158 bpm • G Maj • 03:01 • -6.97db
32% Popularity • 31% Danceability • 93% Energy • 35% Liveness
0% Instrumentalness • 85% Positiveness
32% Popularity • 31% Danceability • 93% Energy • 35% Liveness
0% Instrumentalness • 85% Positiveness
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The Newports
Punching Bag
151 bpm • D Maj • 02:04 • -4.32db
8% Popularity • 44% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
8% Popularity • 44% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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The Lillingtons
I Don't Think She Cares
151 bpm • D Maj • 02:09 • -4.48db
26% Popularity • 40% Danceability • 98% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
26% Popularity • 40% Danceability • 98% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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The Queers
Punk Rock Girls
150 bpm • G Maj • 02:37 • -4.61db
32% Popularity • 47% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
32% Popularity • 47% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
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Ten Foot Pole
Can We Stop Trying to Win?
160 bpm • C# Maj • 02:51 • -6.85db
19% Popularity • 50% Danceability • 94% Energy • 25% Liveness
0% Instrumentalness • 70% Positiveness
19% Popularity • 50% Danceability • 94% Energy • 25% Liveness
0% Instrumentalness • 70% Positiveness
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Teen Idols
When I Hear Your Name
152 bpm • A Maj • 01:30 • -4.23db
23% Popularity • 42% Danceability • 97% Energy • 32% Liveness
0% Instrumentalness • 83% Positiveness
23% Popularity • 42% Danceability • 97% Energy • 32% Liveness
0% Instrumentalness • 83% Positiveness
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Death By Horse
Werewolf
160 bpm • C Maj • 02:56 • -7.2db
9% Popularity • 54% Danceability • 94% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
9% Popularity • 54% Danceability • 94% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
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Get Dead
Stickup
160 bpm • C Maj • 03:43 • -5.87db
29% Popularity • 49% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
29% Popularity • 49% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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The Raging Nathans
Dayton
160 bpm • A Maj • 02:12 • -3.44db
16% Popularity • 21% Danceability • 96% Energy • 25% Liveness
0% Instrumentalness • 48% Positiveness
16% Popularity • 21% Danceability • 96% Energy • 25% Liveness
0% Instrumentalness • 48% Positiveness
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Tsunami Bomb
Phosphene
160 bpm • A# Maj • 03:04 • -6.46db
12% Popularity • 48% Danceability • 77% Energy • 15% Liveness
47% Instrumentalness • 82% Positiveness
12% Popularity • 48% Danceability • 77% Energy • 15% Liveness
47% Instrumentalness • 82% Positiveness
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Bad Cop, Bad Cop
Certain Kind of Monster
150 bpm • D Maj • 02:55 • -4.97db
19% Popularity • 34% Danceability • 95% Energy • 31% Liveness
0% Instrumentalness • 26% Positiveness
19% Popularity • 34% Danceability • 95% Energy • 31% Liveness
0% Instrumentalness • 26% Positiveness
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Screeching Weasel
Never Been In Love
150 bpm • G Maj • 02:03 • -5.23db
13% Popularity • 46% Danceability • 97% Energy • 32% Liveness
6% Instrumentalness • 89% Positiveness
13% Popularity • 46% Danceability • 97% Energy • 32% Liveness
6% Instrumentalness • 89% Positiveness
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Death By Horse
Summer's Up
160 bpm • A Maj • 02:36 • -4db
8% Popularity • 33% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
8% Popularity • 33% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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The Distillers
The Blackest Years - 2020 Remaster
161 bpm • G Maj • 07:30 • -2db
13% Popularity • 14% Danceability • 75% Energy • 31% Liveness
0% Instrumentalness • 20% Positiveness
13% Popularity • 14% Danceability • 75% Energy • 31% Liveness
0% Instrumentalness • 20% Positiveness
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The Decline
You Call This A Happy Meal?
150 bpm • G# min • 01:56 • -3.53db
31% Popularity • 46% Danceability • 99% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
31% Popularity • 46% Danceability • 99% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Tsunami Bomb
Naysayers
150 bpm • A Maj • 02:34 • -5.61db
14% Popularity • 42% Danceability • 91% Energy • 40% Liveness
0% Instrumentalness • 57% Positiveness
14% Popularity • 42% Danceability • 91% Energy • 40% Liveness
0% Instrumentalness • 57% Positiveness
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The Last Gang
Panic Dreaming
161 bpm • F Maj • 02:15 • -7.1db
14% Popularity • 35% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
14% Popularity • 35% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Bad Cop, Bad Cop
Sing with Me
150 bpm • A Maj • 02:26 • -6.29db
11% Popularity • 46% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
11% Popularity • 46% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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The Briggs
Back to Higher Ground
162 bpm • C# Maj • 02:46 • -2.75db
35% Popularity • 56% Danceability • 96% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
35% Popularity • 56% Danceability • 96% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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The Venomous Pinks
No Rules
162 bpm • C Maj • 02:56 • -6.25db
18% Popularity • 48% Danceability • 95% Energy • 30% Liveness
0% Instrumentalness • 81% Positiveness
18% Popularity • 48% Danceability • 95% Energy • 30% Liveness
0% Instrumentalness • 81% Positiveness
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American Steel
State of Grace
148 bpm • B Maj • 03:24 • -4.58db
14% Popularity • 44% Danceability • 89% Energy • 38% Liveness
0% Instrumentalness • 81% Positiveness
14% Popularity • 44% Danceability • 89% Energy • 38% Liveness
0% Instrumentalness • 81% Positiveness
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Venerea
Summer of '94
148 bpm • C Maj • 02:04 • -6.98db
29% Popularity • 40% Danceability • 98% Energy • 71% Liveness
0% Instrumentalness • 60% Positiveness
29% Popularity • 40% Danceability • 98% Energy • 71% Liveness
0% Instrumentalness • 60% Positiveness
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The Lawrence Arms
Belly of the Whale
163 bpm • C Maj • 01:59 • -5.44db
23% Popularity • 48% Danceability • 95% Energy • 37% Liveness
0% Instrumentalness • 72% Positiveness
23% Popularity • 48% Danceability • 95% Energy • 37% Liveness
0% Instrumentalness • 72% Positiveness
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Bad Cop, Bad Cop
Amputations
163 bpm • G Maj • 02:29 • -5.21db
20% Popularity • 46% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
20% Popularity • 46% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Get Dead
Green's Girl
147 bpm • C# Maj • 02:28 • -5.82db
23% Popularity • 44% Danceability • 95% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
23% Popularity • 44% Danceability • 95% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
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The Falcon
The La-Z-Boy 500
164 bpm • C Maj • 02:53 • -7.33db
30% Popularity • 44% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
30% Popularity • 44% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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The Copyrights
The World Is Such a Drag
164 bpm • G Maj • 02:24 • -5.91db
17% Popularity • 52% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
17% Popularity • 52% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
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The Lippies
302
164 bpm • E Maj • 03:39 • -5.68db
25% Popularity • 44% Danceability • 94% Energy • 35% Liveness
0% Instrumentalness • 81% Positiveness
25% Popularity • 44% Danceability • 94% Energy • 35% Liveness
0% Instrumentalness • 81% Positiveness
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The Bombpops
Ca in July
146 bpm • B min • 02:00 • -5db
39% Popularity • 52% Danceability • 95% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
39% Popularity • 52% Danceability • 95% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
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Bad Cop, Bad Cop
I'm Done
148 bpm • C Maj • 01:48 • -4.12db
25% Popularity • 45% Danceability • 98% Energy • 15% Liveness
6% Instrumentalness • 51% Positiveness
25% Popularity • 45% Danceability • 98% Energy • 15% Liveness
6% Instrumentalness • 51% Positiveness
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The Murderburgers
Unemployment, Here I Come
165 bpm • B Maj • 01:48 • -3.85db
13% Popularity • 28% Danceability • 98% Energy • 42% Liveness
8% Instrumentalness • 30% Positiveness
13% Popularity • 28% Danceability • 98% Energy • 42% Liveness
8% Instrumentalness • 30% Positiveness
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Tilt
War Room
146 bpm • D# min • 02:26 • -5.79db
21% Popularity • 33% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
21% Popularity • 33% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Screeching Weasel
Follow Your Leaders
145 bpm • C# min • 02:06 • -4db
31% Popularity • 59% Danceability • 96% Energy • 17% Liveness
0% Instrumentalness • 78% Positiveness
31% Popularity • 59% Danceability • 96% Energy • 17% Liveness
0% Instrumentalness • 78% Positiveness
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Bigwig
A War Inside
165 bpm • B min • 02:10 • -5db
36% Popularity • 42% Danceability • 100% Energy • 30% Liveness
0% Instrumentalness • 38% Positiveness
36% Popularity • 42% Danceability • 100% Energy • 30% Liveness
0% Instrumentalness • 38% Positiveness
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Hightime
The Next Move
145 bpm • B min • 02:42 • -3.73db
18% Popularity • 31% Danceability • 93% Energy • 33% Liveness
0% Instrumentalness • 64% Positiveness
18% Popularity • 31% Danceability • 93% Energy • 33% Liveness
0% Instrumentalness • 64% Positiveness
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Bad Cop, Bad Cop
Support
147 bpm • C# min • 02:40 • -6.28db
11% Popularity • 27% Danceability • 97% Energy • 40% Liveness
0% Instrumentalness • 25% Positiveness
11% Popularity • 27% Danceability • 97% Energy • 40% Liveness
0% Instrumentalness • 25% Positiveness
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The Lillingtons
Black Hole In My Mind
165 bpm • A# Maj • 03:16 • -5.58db
40% Popularity • 32% Danceability • 93% Energy • 44% Liveness
3% Instrumentalness • 72% Positiveness
40% Popularity • 32% Danceability • 93% Energy • 44% Liveness
3% Instrumentalness • 72% Positiveness
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Direct Hit!
Bad Answer
166 bpm • G# Maj • 03:50 • -4.72db
11% Popularity • 43% Danceability • 93% Energy • 17% Liveness
29% Instrumentalness • 43% Positiveness
11% Popularity • 43% Danceability • 93% Energy • 17% Liveness
29% Instrumentalness • 43% Positiveness
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Pkew Pkew Pkew
Stop Calling Us Chief
166 bpm • D Maj • 01:57 • -3.53db
17% Popularity • 36% Danceability • 96% Energy • 44% Liveness
0% Instrumentalness • 28% Positiveness
17% Popularity • 36% Danceability • 96% Energy • 44% Liveness
0% Instrumentalness • 28% Positiveness
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Bracket
My Boyfriend's Back
144 bpm • E Maj • 02:26 • -8.03db
17% Popularity • 48% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
17% Popularity • 48% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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The Bombpops
Blood Pact
144 bpm • B min • 02:08 • -3.93db
20% Popularity • 45% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
20% Popularity • 45% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Bad Cop, Bad Cop
Yeah, Yeah, Yeah
146 bpm • C Maj • 02:21 • -2.67db
18% Popularity • 35% Danceability • 96% Energy • 16% Liveness
40% Instrumentalness • 43% Positiveness
18% Popularity • 35% Danceability • 96% Energy • 16% Liveness
40% Instrumentalness • 43% Positiveness
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The Suicide Machines
Permanent Holiday
167 bpm • B Maj • 02:07 • -3.26db
36% Popularity • 41% Danceability • 97% Energy • 41% Liveness
0% Instrumentalness • 93% Positiveness
36% Popularity • 41% Danceability • 97% Energy • 41% Liveness
0% Instrumentalness • 93% Positiveness
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Get Dead
Hard Times
144 bpm • F min • 02:45 • -5.06db
33% Popularity • 50% Danceability • 98% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
33% Popularity • 50% Danceability • 98% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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Tsunami Bomb
El Diablo
143 bpm • D min • 03:04 • -5db
19% Popularity • 47% Danceability • 90% Energy • 22% Liveness
10% Instrumentalness • 16% Positiveness
19% Popularity • 47% Danceability • 90% Energy • 22% Liveness
10% Instrumentalness • 16% Positiveness
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The Lippies
Hot Air Balloon
168 bpm • D Maj • 03:12 • -4.45db
9% Popularity • 44% Danceability • 97% Energy • 34% Liveness
0% Instrumentalness • 51% Positiveness
9% Popularity • 44% Danceability • 97% Energy • 34% Liveness
0% Instrumentalness • 51% Positiveness
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Urethane
Gravity
168 bpm • A Maj • 03:34 • -6.46db
15% Popularity • 38% Danceability • 97% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
15% Popularity • 38% Danceability • 97% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
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Bad Cop, Bad Cop
The Mirage
166 bpm • E min • 02:30 • -6.94db
13% Popularity • 41% Danceability • 96% Energy • 53% Liveness
0% Instrumentalness • 12% Positiveness
13% Popularity • 41% Danceability • 96% Energy • 53% Liveness
0% Instrumentalness • 12% Positiveness
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F.O.D.
Feeling Gay
168 bpm • D# Maj • 02:22 • -8.39db
9% Popularity • 52% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
9% Popularity • 52% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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The Venomous Pinks
We Do It Better
168 bpm • A Maj • 02:53 • -6.18db
20% Popularity • 25% Danceability • 94% Energy • 46% Liveness
24% Instrumentalness • 61% Positiveness
20% Popularity • 25% Danceability • 94% Energy • 46% Liveness
24% Instrumentalness • 61% Positiveness
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Tsunami Bomb
Dawn On A Funeral Day
168 bpm • E min • 03:08 • -2.64db
30% Popularity • 46% Danceability • 95% Energy • 9% Liveness
1% Instrumentalness • 43% Positiveness
30% Popularity • 46% Danceability • 95% Energy • 9% Liveness
1% Instrumentalness • 43% Positiveness
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Pulley
Hooray For Me
143 bpm • A# Maj • 02:19 • -4.13db
33% Popularity • 44% Danceability • 98% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
33% Popularity • 44% Danceability • 98% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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The Methadones
Bored of Television
168 bpm • F Maj • 03:19 • -5db
13% Popularity • 30% Danceability • 92% Energy • 72% Liveness
2% Instrumentalness • 49% Positiveness
13% Popularity • 30% Danceability • 92% Energy • 72% Liveness
2% Instrumentalness • 49% Positiveness
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Bad Cop, Bad Cop
Sugarcane
144 bpm • D Maj • 02:49 • -6.98db
17% Popularity • 46% Danceability • 90% Energy • 22% Liveness
0% Instrumentalness • 57% Positiveness
17% Popularity • 46% Danceability • 90% Energy • 22% Liveness
0% Instrumentalness • 57% Positiveness
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Banner Pilot
Modern Shakes
169 bpm • E Maj • 02:28 • -3.34db
32% Popularity • 41% Danceability • 99% Energy • 15% Liveness
85% Instrumentalness • 37% Positiveness
32% Popularity • 41% Danceability • 99% Energy • 15% Liveness
85% Instrumentalness • 37% Positiveness
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Anti-Flag
Don't Let The Bastards Get You Down
169 bpm • D Maj • 02:49 • -7.26db
23% Popularity • 50% Danceability • 95% Energy • 30% Liveness
0% Instrumentalness • 37% Positiveness
23% Popularity • 50% Danceability • 95% Energy • 30% Liveness
0% Instrumentalness • 37% Positiveness
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The Decline
Showertime In The Slammer
142 bpm • A# min • 02:47 • -3.77db
40% Popularity • 42% Danceability • 98% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
40% Popularity • 42% Danceability • 98% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Get Dead
Pepperspray
142 bpm • D Maj • 02:16 • -6.99db
32% Popularity • 54% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
32% Popularity • 54% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
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The Lillingtons
Zodiac
170 bpm • G min • 02:37 • -3.33db
23% Popularity • 38% Danceability • 97% Energy • 11% Liveness
3% Instrumentalness • 55% Positiveness
23% Popularity • 38% Danceability • 97% Energy • 11% Liveness
3% Instrumentalness • 55% Positiveness
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Bad Cop, Bad Cop
Pursuit of Liberty
143 bpm • C# min • 03:23 • -5.19db
27% Popularity • 47% Danceability • 96% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
27% Popularity • 47% Danceability • 96% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Belvedere
Chromatic
170 bpm • D Maj • 01:18 • -4db
35% Popularity • 44% Danceability • 96% Energy • 38% Liveness
0% Instrumentalness • 48% Positiveness
35% Popularity • 44% Danceability • 96% Energy • 38% Liveness
0% Instrumentalness • 48% Positiveness
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Cobra Skulls
Never Be a Machine
141 bpm • C min • 01:45 • -4.19db
14% Popularity • 45% Danceability • 96% Energy • 37% Liveness
2% Instrumentalness • 81% Positiveness
14% Popularity • 45% Danceability • 96% Energy • 37% Liveness
2% Instrumentalness • 81% Positiveness
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Pkew Pkew Pkew
Asshole Pandemic
170 bpm • B Maj • 02:34 • -3.23db
25% Popularity • 41% Danceability • 98% Energy • 35% Liveness
0% Instrumentalness • 52% Positiveness
25% Popularity • 41% Danceability • 98% Energy • 35% Liveness
0% Instrumentalness • 52% Positiveness
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Enemy You
Adios (To You)
170 bpm • G Maj • 02:33 • -6db
13% Popularity • 52% Danceability • 96% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
13% Popularity • 52% Danceability • 96% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
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Anti-Flag
Christian Nationalist
170 bpm • C Maj • 02:44 • -7.95db
36% Popularity • 46% Danceability • 91% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
36% Popularity • 46% Danceability • 91% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Doll Skin
Puncha Nazi
170 bpm • B min • 01:53 • -3.64db
21% Popularity • 33% Danceability • 97% Energy • 41% Liveness
17% Instrumentalness • 47% Positiveness
21% Popularity • 33% Danceability • 97% Energy • 41% Liveness
17% Instrumentalness • 47% Positiveness
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Authority Zero
Don't Tear Me Down
170 bpm • C# Maj • 02:12 • -6db
33% Popularity • 40% Danceability • 96% Energy • 20% Liveness
3% Instrumentalness • 67% Positiveness
33% Popularity • 40% Danceability • 96% Energy • 20% Liveness
3% Instrumentalness • 67% Positiveness
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The Last Gang
Believe in the Poet
170 bpm • D# Maj • 03:18 • -4.33db
15% Popularity • 37% Danceability • 99% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
15% Popularity • 37% Danceability • 99% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
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[spunge]
Just Sayings
170 bpm • F# min • 03:23 • -6db
22% Popularity • 54% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
22% Popularity • 54% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
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Bad Cop, Bad Cop
Asshole
141 bpm • D Maj • 01:16 • -4.41db
21% Popularity • 43% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
21% Popularity • 43% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Ten Foot Pole
Unbroken
141 bpm • F# min • 03:13 • -6.48db
15% Popularity • 53% Danceability • 95% Energy • 12% Liveness
12% Instrumentalness • 62% Positiveness
15% Popularity • 53% Danceability • 95% Energy • 12% Liveness
12% Instrumentalness • 62% Positiveness
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Kill Lincoln
Get Fucked Four Eyes
140 bpm • A Maj • 03:44 • -4db
32% Popularity • 54% Danceability • 95% Energy • 63% Liveness
4% Instrumentalness • 65% Positiveness
32% Popularity • 54% Danceability • 95% Energy • 63% Liveness
4% Instrumentalness • 65% Positiveness
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The Copyrights
Keep the Change
140 bpm • C Maj • 01:00 • -4db
24% Popularity • 42% Danceability • 92% Energy • 66% Liveness
0% Instrumentalness • 65% Positiveness
24% Popularity • 42% Danceability • 92% Energy • 66% Liveness
0% Instrumentalness • 65% Positiveness
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Worriers
Yes All Cops
140 bpm • E Maj • 01:46 • -3.99db
32% Popularity • 44% Danceability • 96% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
32% Popularity • 44% Danceability • 96% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
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Left Alone
Into the Sun
140 bpm • A Maj • 01:58 • -3.67db
10% Popularity • 50% Danceability • 100% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
10% Popularity • 50% Danceability • 100% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
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Screeching Weasel
Bleed Through Me
172 bpm • C Maj • 04:18 • -5.56db
11% Popularity • 39% Danceability • 92% Energy • 42% Liveness
24% Instrumentalness • 56% Positiveness
11% Popularity • 39% Danceability • 92% Energy • 42% Liveness
24% Instrumentalness • 56% Positiveness
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Ten Foot Pole
Forever Road
140 bpm • A# min • 03:21 • -6.02db
19% Popularity • 45% Danceability • 98% Energy • 10% Liveness
12% Instrumentalness • 54% Positiveness
19% Popularity • 45% Danceability • 98% Energy • 10% Liveness
12% Instrumentalness • 54% Positiveness
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The Briggs
Don't Care
172 bpm • E Maj • 02:54 • -4.47db
33% Popularity • 54% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 44% Positiveness
33% Popularity • 54% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 44% Positiveness
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Snuff
Dippy Egg
140 bpm • E min • 02:32 • -12.3db
31% Popularity • 49% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
31% Popularity • 49% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
