Songs like Simple Song by The Shins
Based on a tempo of (+/- 10%) and a similar genre
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The Shins
Dead Alive
120 bpm • E min • 03:34 • -6.14db
31% Popularity • 59% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 88% Positiveness
31% Popularity • 59% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 88% Positiveness
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Passion Pit
Carried Away
120 bpm • C Maj • 03:41 • -5.14db
55% Popularity • 77% Danceability • 83% Energy • 38% Liveness
0% Instrumentalness • 87% Positiveness
55% Popularity • 77% Danceability • 83% Energy • 38% Liveness
0% Instrumentalness • 87% Positiveness
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Frightened Rabbit
The Twist
120 bpm • G Maj • 03:32 • -6.88db
19% Popularity • 64% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 59% Positiveness
19% Popularity • 64% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 59% Positiveness
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Noah And The Whale
Lifetime
120 bpm • D# Maj • 03:54 • -6db
31% Popularity • 75% Danceability • 58% Energy • 14% Liveness
2% Instrumentalness • 49% Positiveness
31% Popularity • 75% Danceability • 58% Energy • 14% Liveness
2% Instrumentalness • 49% Positiveness
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Coconut Records
Nighttiming
120 bpm • E min • 02:48 • -6.57db
53% Popularity • 69% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
53% Popularity • 69% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Vampire Weekend
Horchata
120 bpm • C Maj • 03:26 • -7db
45% Popularity • 83% Danceability • 79% Energy • 36% Liveness
0% Instrumentalness • 84% Positiveness
45% Popularity • 83% Danceability • 79% Energy • 36% Liveness
0% Instrumentalness • 84% Positiveness
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The Shins
Simple Song
120 bpm • G Maj • 04:15 • -5.14db
59% Popularity • 55% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
59% Popularity • 55% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Bombay Bicycle Club
How Can You Swallow So Much Sleep
120 bpm • G Maj • 03:30 • -6.64db
52% Popularity • 52% Danceability • 83% Energy • 10% Liveness
5% Instrumentalness • 20% Positiveness
52% Popularity • 52% Danceability • 83% Energy • 10% Liveness
5% Instrumentalness • 20% Positiveness
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Beck
Blue Moon
120 bpm • C Maj • 04:02 • -6.73db
49% Popularity • 68% Danceability • 64% Energy • 14% Liveness
1% Instrumentalness • 46% Positiveness
49% Popularity • 68% Danceability • 64% Energy • 14% Liveness
1% Instrumentalness • 46% Positiveness
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Blind Pilot
We Are the Tide
120 bpm • B Maj • 03:17 • -8db
51% Popularity • 63% Danceability • 77% Energy • 16% Liveness
15% Instrumentalness • 90% Positiveness
51% Popularity • 63% Danceability • 77% Energy • 16% Liveness
15% Instrumentalness • 90% Positiveness
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Yeah Yeah Yeahs
Maps
120 bpm • G Maj • 03:39 • -5.19db
69% Popularity • 50% Danceability • 94% Energy • 55% Liveness
32% Instrumentalness • 12% Positiveness
69% Popularity • 50% Danceability • 94% Energy • 55% Liveness
32% Instrumentalness • 12% Positiveness
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Vampire Weekend
Oxford Comma
120 bpm • C Maj • 03:15 • -4.23db
57% Popularity • 69% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
57% Popularity • 69% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
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The Shins
Phantom Limb
120 bpm • A Maj • 04:47 • -5db
52% Popularity • 52% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
52% Popularity • 52% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Generationals
When They Fight, They Fight
120 bpm • B min • 03:20 • -2db
57% Popularity • 76% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
57% Popularity • 76% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
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Beck
Lost Cause
120 bpm • C Maj • 03:47 • -8.73db
53% Popularity • 61% Danceability • 58% Energy • 47% Liveness
0% Instrumentalness • 21% Positiveness
53% Popularity • 61% Danceability • 58% Energy • 47% Liveness
0% Instrumentalness • 21% Positiveness
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Phoenix
If I Ever Feel Better
120 bpm • F# min • 04:26 • -9.45db
64% Popularity • 76% Danceability • 55% Energy • 6% Liveness
1% Instrumentalness • 84% Positiveness
64% Popularity • 76% Danceability • 55% Energy • 6% Liveness
1% Instrumentalness • 84% Positiveness
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Andrew Bird
Oh No
120 bpm • C min • 04:20 • -10db
23% Popularity • 80% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
23% Popularity • 80% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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The Decemberists
The Crane Wife 3
120 bpm • D Maj • 04:18 • -9.66db
47% Popularity • 59% Danceability • 61% Energy • 11% Liveness
4% Instrumentalness • 18% Positiveness
47% Popularity • 59% Danceability • 61% Energy • 11% Liveness
4% Instrumentalness • 18% Positiveness
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The Shins
Girl Inform Me - 2021 Remaster
120 bpm • A Maj • 02:20 • -5.53db
46% Popularity • 60% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
46% Popularity • 60% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
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The Strokes
You Only Live Once
121 bpm • B Maj • 03:09 • -2.42db
73% Popularity • 63% Danceability • 91% Energy • 12% Liveness
59% Instrumentalness • 97% Positiveness
73% Popularity • 63% Danceability • 91% Energy • 12% Liveness
59% Instrumentalness • 97% Positiveness
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Band of Horses
I Go to the Barn Because I Like The
119 bpm • D Maj • 03:06 • -8db
51% Popularity • 42% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
51% Popularity • 42% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Jake Bugg
Two Fingers
121 bpm • F Maj • 03:15 • -5.23db
59% Popularity • 49% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
59% Popularity • 49% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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Fruit Bats
When U Love Somebody
121 bpm • G Maj • 04:31 • -6.37db
57% Popularity • 72% Danceability • 76% Energy • 34% Liveness
1% Instrumentalness • 59% Positiveness
57% Popularity • 72% Danceability • 76% Energy • 34% Liveness
1% Instrumentalness • 59% Positiveness
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The Decemberists
Make You Better
119 bpm • D Maj • 05:07 • -5db
42% Popularity • 42% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
42% Popularity • 42% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Arcade Fire
We Used to Wait
121 bpm • G# Maj • 05:01 • -7.21db
44% Popularity • 57% Danceability • 66% Energy • 10% Liveness
2% Instrumentalness • 49% Positiveness
44% Popularity • 57% Danceability • 66% Energy • 10% Liveness
2% Instrumentalness • 49% Positiveness
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The Shins
The Past and Pending - 2021 Remaster
120 bpm • A Maj • 05:25 • -11.37db
46% Popularity • 59% Danceability • 34% Energy • 9% Liveness
6% Instrumentalness • 14% Positiveness
46% Popularity • 59% Danceability • 34% Energy • 9% Liveness
6% Instrumentalness • 14% Positiveness
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Spoon
Don't You Evah
121 bpm • F# Maj • 03:36 • -6.27db
33% Popularity • 78% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 95% Positiveness
33% Popularity • 78% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 95% Positiveness
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Passion Pit
Moth's Wings
121 bpm • B Maj • 04:16 • -6.22db
44% Popularity • 51% Danceability • 73% Energy • 8% Liveness
9% Instrumentalness • 14% Positiveness
44% Popularity • 51% Danceability • 73% Energy • 8% Liveness
9% Instrumentalness • 14% Positiveness
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Lord Huron
Ends of the Earth
121 bpm • E Maj • 04:44 • -9db
69% Popularity • 55% Danceability • 58% Energy • 27% Liveness
4% Instrumentalness • 41% Positiveness
69% Popularity • 55% Danceability • 58% Energy • 27% Liveness
4% Instrumentalness • 41% Positiveness
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Of Monsters and Men
Empire
119 bpm • F min • 04:20 • -6.32db
51% Popularity • 50% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
51% Popularity • 50% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Bombay Bicycle Club
Always Like This
121 bpm • C# Maj • 04:05 • -6.71db
60% Popularity • 66% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
60% Popularity • 66% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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The Shins
Port Of Morrow
121 bpm • C Maj • 05:49 • -8.47db
31% Popularity • 58% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
31% Popularity • 58% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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Metric
Help I'm Alive
118 bpm • F min • 04:46 • -4.55db
62% Popularity • 57% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 40% Positiveness
62% Popularity • 57% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 40% Positiveness
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Band of Horses
The General Specific
118 bpm • F Maj • 03:07 • -6db
47% Popularity • 75% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
47% Popularity • 75% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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The Killers
All These Things That I've Done
118 bpm • F# Maj • 05:01 • -7.29db
73% Popularity • 54% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
73% Popularity • 54% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Cold War Kids
All This Could Be Yours
118 bpm • E min • 03:08 • -2db
49% Popularity • 63% Danceability • 89% Energy • 34% Liveness
0% Instrumentalness • 51% Positiveness
49% Popularity • 63% Danceability • 89% Energy • 34% Liveness
0% Instrumentalness • 51% Positiveness
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Miike Snow
Animal
118 bpm • F# min • 04:23 • -6.66db
59% Popularity • 77% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
59% Popularity • 77% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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The Shins
Nothing at All
118 bpm • G Maj • 04:09 • -4.9db
27% Popularity • 67% Danceability • 59% Energy • 8% Liveness
3% Instrumentalness • 73% Positiveness
27% Popularity • 67% Danceability • 59% Energy • 8% Liveness
3% Instrumentalness • 73% Positiveness
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Bombay Bicycle Club
Luna
122 bpm • F Maj • 03:10 • -5db
54% Popularity • 58% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
54% Popularity • 58% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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Arcade Fire
The Suburbs
118 bpm • F# min • 05:15 • -6db
66% Popularity • 62% Danceability • 69% Energy • 14% Liveness
2% Instrumentalness • 54% Positiveness
66% Popularity • 62% Danceability • 69% Energy • 14% Liveness
2% Instrumentalness • 54% Positiveness
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Andrew Bird
tenuousness
122 bpm • C Maj • 03:51 • -11db
27% Popularity • 66% Danceability • 42% Energy • 12% Liveness
10% Instrumentalness • 44% Positiveness
27% Popularity • 66% Danceability • 42% Energy • 12% Liveness
10% Instrumentalness • 44% Positiveness
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Band of Horses
The Funeral
122 bpm • C min • 05:22 • -6.12db
71% Popularity • 32% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
71% Popularity • 32% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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MGMT
Kids
123 bpm • A Maj • 05:02 • -3.87db
79% Popularity • 45% Danceability • 93% Energy • 36% Liveness
0% Instrumentalness • 17% Positiveness
79% Popularity • 45% Danceability • 93% Energy • 36% Liveness
0% Instrumentalness • 17% Positiveness
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The Shins
Turn On Me
122 bpm • C Maj • 03:41 • -5db
46% Popularity • 56% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
46% Popularity • 56% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Rilo Kiley
Silver Lining
117 bpm • G Maj • 03:36 • -4.99db
50% Popularity • 71% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
50% Popularity • 71% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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TV On The Radio
Trouble
123 bpm • G Maj • 04:34 • -3.71db
41% Popularity • 66% Danceability • 69% Energy • 26% Liveness
0% Instrumentalness • 21% Positiveness
41% Popularity • 66% Danceability • 69% Energy • 26% Liveness
0% Instrumentalness • 21% Positiveness
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Local Natives
Wide Eyes
123 bpm • B min • 04:26 • -8.02db
47% Popularity • 53% Danceability • 84% Energy • 22% Liveness
46% Instrumentalness • 48% Positiveness
47% Popularity • 53% Danceability • 84% Energy • 22% Liveness
46% Instrumentalness • 48% Positiveness
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Band of Horses
Laredo
123 bpm • A# Maj • 03:12 • -5.15db
48% Popularity • 50% Danceability • 83% Energy • 21% Liveness
0% Instrumentalness • 60% Positiveness
48% Popularity • 50% Danceability • 83% Energy • 21% Liveness
0% Instrumentalness • 60% Positiveness
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The Decemberists
Down By The Water
123 bpm • E min • 03:41 • -4db
47% Popularity • 49% Danceability • 81% Energy • 35% Liveness
0% Instrumentalness • 70% Positiveness
47% Popularity • 49% Danceability • 81% Energy • 35% Liveness
0% Instrumentalness • 70% Positiveness
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The Shins
Girl Sailor
118 bpm • D Maj • 03:44 • -7.43db
37% Popularity • 67% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
37% Popularity • 67% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Of Monsters and Men
Your Bones
117 bpm • D min • 04:09 • -6db
48% Popularity • 41% Danceability • 73% Energy • 25% Liveness
0% Instrumentalness • 33% Positiveness
48% Popularity • 41% Danceability • 73% Energy • 25% Liveness
0% Instrumentalness • 33% Positiveness
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The Raconteurs
Steady, As She Goes
124 bpm • A Maj • 03:35 • -4.56db
67% Popularity • 52% Danceability • 58% Energy • 11% Liveness
1% Instrumentalness • 54% Positiveness
67% Popularity • 52% Danceability • 58% Energy • 11% Liveness
1% Instrumentalness • 54% Positiveness
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My Morning Jacket
Wordless Chorus
116 bpm • D Maj • 04:12 • -9.22db
53% Popularity • 82% Danceability • 38% Energy • 11% Liveness
60% Instrumentalness • 78% Positiveness
53% Popularity • 82% Danceability • 38% Energy • 11% Liveness
60% Instrumentalness • 78% Positiveness
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Band of Horses
The Great Salt Lake
123 bpm • G# Maj • 04:45 • -6db
53% Popularity • 32% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 38% Positiveness
53% Popularity • 32% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 38% Positiveness
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The xx
Islands
124 bpm • E Maj • 02:40 • -11.08db
65% Popularity • 87% Danceability • 47% Energy • 14% Liveness
27% Instrumentalness • 71% Positiveness
65% Popularity • 87% Danceability • 47% Energy • 14% Liveness
27% Instrumentalness • 71% Positiveness
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The Shins
Spilt Needles
123 bpm • F Maj • 03:44 • -6db
36% Popularity • 57% Danceability • 78% Energy • 38% Liveness
0% Instrumentalness • 55% Positiveness
36% Popularity • 57% Danceability • 78% Energy • 38% Liveness
0% Instrumentalness • 55% Positiveness
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Arcade Fire
Everything Now
116 bpm • C Maj • 05:03 • -5.33db
61% Popularity • 55% Danceability • 86% Energy • 46% Liveness
0% Instrumentalness • 61% Positiveness
61% Popularity • 55% Danceability • 86% Energy • 46% Liveness
0% Instrumentalness • 61% Positiveness
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Broken Bells
After the Disco
116 bpm • A Maj • 03:39 • -5.44db
51% Popularity • 73% Danceability • 74% Energy • 13% Liveness
3% Instrumentalness • 97% Positiveness
51% Popularity • 73% Danceability • 74% Energy • 13% Liveness
3% Instrumentalness • 97% Positiveness
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The War On Drugs
Pain
116 bpm • G min • 05:30 • -4.37db
58% Popularity • 52% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
58% Popularity • 52% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Phoenix
Love Like a Sunset, Pt. 2
116 bpm • D# Maj • 01:56 • -9.32db
52% Popularity • 56% Danceability • 42% Energy • 10% Liveness
30% Instrumentalness • 5% Positiveness
52% Popularity • 56% Danceability • 42% Energy • 10% Liveness
30% Instrumentalness • 5% Positiveness
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Death Cab for Cutie
Title and Registration
116 bpm • A Maj • 03:39 • -10.37db
56% Popularity • 75% Danceability • 55% Energy • 11% Liveness
8% Instrumentalness • 72% Positiveness
56% Popularity • 75% Danceability • 55% Energy • 11% Liveness
8% Instrumentalness • 72% Positiveness
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The Shins
Name For You
123 bpm • C Maj • 03:09 • -5.4db
38% Popularity • 64% Danceability • 76% Energy • 67% Liveness
0% Instrumentalness • 88% Positiveness
38% Popularity • 64% Danceability • 76% Energy • 67% Liveness
0% Instrumentalness • 88% Positiveness
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Arcade Fire
Afterlife
116 bpm • B Maj • 05:53 • -5.53db
56% Popularity • 64% Danceability • 87% Energy • 24% Liveness
5% Instrumentalness • 80% Positiveness
56% Popularity • 64% Danceability • 87% Energy • 24% Liveness
5% Instrumentalness • 80% Positiveness
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The Decemberists
Sons & Daughters
115 bpm • D Maj • 05:13 • -8.26db
48% Popularity • 33% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 24% Positiveness
48% Popularity • 33% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 24% Positiveness
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Sufjan Stevens
Chicago
125 bpm • G Maj • 06:04 • -9.66db
62% Popularity • 58% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
62% Popularity • 58% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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MGMT
Congratulations
125 bpm • G Maj • 03:55 • -8.17db
59% Popularity • 76% Danceability • 64% Energy • 10% Liveness
1% Instrumentalness • 66% Positiveness
59% Popularity • 76% Danceability • 64% Energy • 10% Liveness
1% Instrumentalness • 66% Positiveness
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The Lumineers
Stubborn Love
115 bpm • C Maj • 04:39 • -11.68db
72% Popularity • 60% Danceability • 56% Energy • 20% Liveness
4% Instrumentalness • 22% Positiveness
72% Popularity • 60% Danceability • 56% Energy • 20% Liveness
4% Instrumentalness • 22% Positiveness
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The Shins
Gone For Good - Alternate Version
117 bpm • B Maj • 03:07 • -6.61db
26% Popularity • 65% Danceability • 59% Energy • 13% Liveness
65% Instrumentalness • 35% Positiveness
26% Popularity • 65% Danceability • 59% Energy • 13% Liveness
65% Instrumentalness • 35% Positiveness
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Mumford & Sons
Believe
115 bpm • D Maj • 03:40 • -5.99db
48% Popularity • 33% Danceability • 67% Energy • 22% Liveness
4% Instrumentalness • 38% Positiveness
48% Popularity • 33% Danceability • 67% Energy • 22% Liveness
4% Instrumentalness • 38% Positiveness
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Real Estate
Had To Hear
126 bpm • G Maj • 04:50 • -7db
44% Popularity • 56% Danceability • 76% Energy • 15% Liveness
73% Instrumentalness • 50% Positiveness
44% Popularity • 56% Danceability • 76% Energy • 15% Liveness
73% Instrumentalness • 50% Positiveness
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The Airborne Toxic Event
Sometime Around Midnight
126 bpm • G# Maj • 05:03 • -5.17db
53% Popularity • 47% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
53% Popularity • 47% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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The National
I Need My Girl
126 bpm • C min • 04:05 • -11.51db
64% Popularity • 52% Danceability • 44% Energy • 12% Liveness
7% Instrumentalness • 11% Positiveness
64% Popularity • 52% Danceability • 44% Energy • 12% Liveness
7% Instrumentalness • 11% Positiveness
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Phoenix
Rome
126 bpm • D Maj • 04:38 • -7.06db
48% Popularity • 63% Danceability • 68% Energy • 10% Liveness
9% Instrumentalness • 39% Positiveness
48% Popularity • 63% Danceability • 68% Energy • 10% Liveness
9% Instrumentalness • 39% Positiveness
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The Shins
Young Pilgrims - 2023 Remaster
124 bpm • D Maj • 02:47 • -8.79db
45% Popularity • 75% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
45% Popularity • 75% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Beck
Dreams
114 bpm • C# min • 05:14 • -5.73db
54% Popularity • 58% Danceability • 94% Energy • 8% Liveness
2% Instrumentalness • 80% Positiveness
54% Popularity • 58% Danceability • 94% Energy • 8% Liveness
2% Instrumentalness • 80% Positiveness
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Bad Books
Forest Whitaker
114 bpm • B Maj • 03:43 • -5.48db
50% Popularity • 72% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
50% Popularity • 72% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
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Of Monsters and Men
King And Lionheart
127 bpm • D# Maj • 04:33 • -6.52db
62% Popularity • 52% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
62% Popularity • 52% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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HAIM
The Wire
114 bpm • D Maj • 04:05 • -5.57db
58% Popularity • 55% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
58% Popularity • 55% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Phoenix
Trying To Be Cool
114 bpm • A min • 03:48 • -4.9db
49% Popularity • 48% Danceability • 76% Energy • 31% Liveness
2% Instrumentalness • 49% Positiveness
49% Popularity • 48% Danceability • 76% Energy • 31% Liveness
2% Instrumentalness • 49% Positiveness
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Nada Surf
Always Love
127 bpm • D Maj • 03:17 • -4.91db
20% Popularity • 32% Danceability • 76% Energy • 25% Liveness
0% Instrumentalness • 38% Positiveness
20% Popularity • 32% Danceability • 76% Energy • 25% Liveness
0% Instrumentalness • 38% Positiveness
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The Shins
A Comet Appears
125 bpm • D Maj • 03:49 • -13db
43% Popularity • 46% Danceability • 21% Energy • 5% Liveness
0% Instrumentalness • 24% Positiveness
43% Popularity • 46% Danceability • 21% Energy • 5% Liveness
0% Instrumentalness • 24% Positiveness
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Arcade Fire
Neighborhood #1 (Tunnels)
127 bpm • C Maj • 04:48 • -5.57db
55% Popularity • 28% Danceability • 74% Energy • 29% Liveness
1% Instrumentalness • 21% Positiveness
55% Popularity • 28% Danceability • 74% Energy • 29% Liveness
1% Instrumentalness • 21% Positiveness
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Band of Horses
Detlef Schrempf
127 bpm • B Maj • 04:28 • -8db
51% Popularity • 43% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 7% Positiveness
51% Popularity • 43% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 7% Positiveness
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Foster The People
Helena Beat
127 bpm • F min • 04:36 • -4.91db
64% Popularity • 67% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
64% Popularity • 67% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Bahamas
All The Time
127 bpm • E min • 03:54 • -4.82db
59% Popularity • 71% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
59% Popularity • 71% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Death Cab for Cutie
Transatlanticism
127 bpm • A Maj • 07:55 • -10db
55% Popularity • 44% Danceability • 45% Energy • 18% Liveness
59% Instrumentalness • 20% Positiveness
55% Popularity • 44% Danceability • 45% Energy • 18% Liveness
59% Instrumentalness • 20% Positiveness
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The Shins
Sleeping Lessons
115 bpm • E Maj • 03:57 • -8.99db
54% Popularity • 51% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
54% Popularity • 51% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Arcade Fire
Rebellion (Lies)
127 bpm • G# Maj • 05:10 • -5.68db
63% Popularity • 40% Danceability • 93% Energy • 32% Liveness
63% Instrumentalness • 73% Positiveness
63% Popularity • 40% Danceability • 93% Energy • 32% Liveness
63% Instrumentalness • 73% Positiveness
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Phoenix
Fences
113 bpm • D min • 03:44 • -7.12db
52% Popularity • 59% Danceability • 74% Energy • 38% Liveness
0% Instrumentalness • 52% Positiveness
52% Popularity • 59% Danceability • 74% Energy • 38% Liveness
0% Instrumentalness • 52% Positiveness
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The Lumineers
Flowers in Your Hair
127 bpm • G Maj • 01:49 • -10.09db
74% Popularity • 67% Danceability • 61% Energy • 23% Liveness
0% Instrumentalness • 57% Positiveness
74% Popularity • 67% Danceability • 61% Energy • 23% Liveness
0% Instrumentalness • 57% Positiveness
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GROUPLOVE
Tongue Tied
113 bpm • D# Maj • 03:38 • -5.84db
81% Popularity • 56% Danceability • 94% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
81% Popularity • 56% Danceability • 94% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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The Black Keys
Fever
128 bpm • A min • 04:06 • -6.51db
67% Popularity • 61% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
67% Popularity • 61% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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The Shins
Gone for Good - 2023 Remaster
114 bpm • C Maj • 03:12 • -4.47db
50% Popularity • 61% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
50% Popularity • 61% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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George Ezra
Budapest
128 bpm • F Maj • 03:20 • -8.3db
81% Popularity • 72% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
81% Popularity • 72% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Modest Mouse
The Ground Walks, with Time in a Box
128 bpm • A min • 06:10 • -3.4db
44% Popularity • 65% Danceability • 96% Energy • 19% Liveness
1% Instrumentalness • 88% Positiveness
44% Popularity • 65% Danceability • 96% Energy • 19% Liveness
1% Instrumentalness • 88% Positiveness
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Foals
My Number
128 bpm • F# min • 03:58 • -8.95db
67% Popularity • 64% Danceability • 72% Energy • 62% Liveness
0% Instrumentalness • 81% Positiveness
67% Popularity • 64% Danceability • 72% Energy • 62% Liveness
0% Instrumentalness • 81% Positiveness
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GROUPLOVE
Let Me In
128 bpm • F# Maj • 03:59 • -6.6db
44% Popularity • 48% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
44% Popularity • 48% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Spoon
I Summon You
128 bpm • E min • 03:55 • -6db
47% Popularity • 81% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
47% Popularity • 81% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
