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Sing You Sinners
Songs like
Sing You Sinners
by
Susan Hayward
Based on a tempo of (+/- 10%) and a similar genre
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Susan Hayward
Sing You Sinners
94 bpm • F Maj • 03:38 • -14.45db
0% Popularity • 51% Danceability • 26% Energy • 42% Liveness
0% Instrumentalness • 55% Positiveness
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Raymond Scott
So Good, So Fresh, So Southern (Mel Torm...
94 bpm • F min • 01:02 • -9.04db
14% Popularity • 83% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
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Dwight Dragoo
Cinderella
94 bpm • B Maj • 02:16 • -11.39db
11% Popularity • 59% Danceability • 32% Energy • 16% Liveness
55% Instrumentalness • 49% Positiveness
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Frankie Carle and His Orchestra
All the Cats Join In
94 bpm • A min • 02:50 • -8.81db
10% Popularity • 76% Danceability • 35% Energy • 10% Liveness
2% Instrumentalness • 76% Positiveness
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Connie Conway
What Happened To Love
94 bpm • F min • 02:17 • -9.72db
13% Popularity • 24% Danceability • 42% Energy • 25% Liveness
0% Instrumentalness • 39% Positiveness
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The Ink Spots
Your Feet's Too Big
94 bpm • A# Maj • 02:15 • -8.37db
8% Popularity • 75% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
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Patty Andrews
The Pussycat Song (Nyow! Nyot! Nyow!)
94 bpm • A# Maj • 02:22 • -19.76db
10% Popularity • 65% Danceability • 7% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
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Billie Holiday
Foolin' Myself
94 bpm • D# Maj • 03:01 • -19.1db
9% Popularity • 74% Danceability • 6% Energy • 9% Liveness
84% Instrumentalness • 40% Positiveness
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Gene Austin
Ramona
95 bpm • D Maj • 02:42 • -27.31db
11% Popularity • 57% Danceability • 1% Energy • 10% Liveness
86% Instrumentalness • 48% Positiveness
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Johnny Brown
Don't Forget 127Th Street
93 bpm • D# Maj • 05:46 • -12.02db
12% Popularity • 52% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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Susan Hayward
Sing You Sinners
93 bpm • D min • 03:30 • -9.02db
0% Popularity • 44% Danceability • 50% Energy • 62% Liveness
0% Instrumentalness • 63% Positiveness
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Sonny Dunham & His Orchestra
Goodnight Wherever You Are
95 bpm • D# Maj • 02:23 • -15db
15% Popularity • 34% Danceability • 15% Energy • 15% Liveness
44% Instrumentalness • 15% Positiveness
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Bob Crosby & The Bob Cats
Take Me Back Again
95 bpm • C# min • 02:55 • -13.32db
17% Popularity • 62% Danceability • 49% Energy • 7% Liveness
40% Instrumentalness • 67% Positiveness
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The Boswell Sisters
I Hate Myself (For Being Mean to You)
95 bpm • A# min • 03:09 • -11.52db
16% Popularity • 64% Danceability • 27% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
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Dale Alderton Orchestra
It's No Sin
95 bpm • B min • 03:08 • -13.14db
7% Popularity • 55% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Lew Stone & His Band
Haunting Me
95 bpm • C# Maj • 03:11 • -21.83db
13% Popularity • 32% Danceability • 10% Energy • 20% Liveness
72% Instrumentalness • 52% Positiveness
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Susan Hayward
The Vagabond King Waltz I'm Sittin' On T...
95 bpm • E Maj • 01:54 • -12.85db
0% Popularity • 58% Danceability • 23% Energy • 34% Liveness
0% Instrumentalness • 27% Positiveness
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Jean Sablon
Falling In the Love Again
93 bpm • A Maj • 02:52 • -12.44db
18% Popularity • 26% Danceability • 26% Energy • 32% Liveness
4% Instrumentalness • 18% Positiveness
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Members Of The Glenn Miller Orchestra
Under the Double Eagle
95 bpm • G# Maj • 03:12 • -10.67db
15% Popularity • 57% Danceability • 61% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
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Carol Channing
Thoroughly Modern Millie
92 bpm • A# Maj • 02:31 • -7.87db
8% Popularity • 62% Danceability • 43% Energy • 40% Liveness
0% Instrumentalness • 75% Positiveness
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Cab Calloway
Swanee Lullaby
92 bpm • F Maj • 02:44 • -11.6db
9% Popularity • 44% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Jimmy Dorsey Orchestra, Vocals by Helen O'Connell
Wonder When My Baby's Coming Home
96 bpm • C min • 02:46 • -7db
10% Popularity • 49% Danceability • 23% Energy • 30% Liveness
1% Instrumentalness • 45% Positiveness
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Susan Hayward
I'm Sittin' on Top of the World
93 bpm • A# Maj • 00:47 • -9.48db
0% Popularity • 66% Danceability • 47% Energy • 21% Liveness
0% Instrumentalness • 94% Positiveness
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Ray Noble & His Orchestra
Can't We Meet Again
96 bpm • F Maj • 02:30 • -18.72db
1% Popularity • 63% Danceability • 12% Energy • 22% Liveness
3% Instrumentalness • 62% Positiveness
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Rodgers & Hammerstein
My Best Love
92 bpm • C Maj • 02:27 • -21.54db
10% Popularity • 32% Danceability • 5% Energy • 10% Liveness
2% Instrumentalness • 10% Positiveness
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Bea Wain
Put Your Arms Arround Me
96 bpm • A# Maj • 01:47 • -7.38db
19% Popularity • 68% Danceability • 48% Energy • 13% Liveness
1% Instrumentalness • 86% Positiveness
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Danny Kaye
Ballin' The Jack
92 bpm • G Maj • 02:21 • -8.25db
11% Popularity • 62% Danceability • 29% Energy • 11% Liveness
17% Instrumentalness • 37% Positiveness
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Tony Bennett
Cold Cold Heart - New Mono to Stereo Mix
96 bpm • G Maj • 02:39 • -6.7db
9% Popularity • 29% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Susan Hayward
Just One of Those Things
93 bpm • D min • 02:45 • -11.49db
0% Popularity • 70% Danceability • 32% Energy • 40% Liveness
1% Instrumentalness • 63% Positiveness
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Dick Powell
Lullaby Of Broadway
96 bpm • D# Maj • 02:32 • -14.03db
13% Popularity • 39% Danceability • 85% Energy • 72% Liveness
0% Instrumentalness • 18% Positiveness
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Lee Morse
Love Letters In The Sand
97 bpm • G# Maj • 03:16 • -17.46db
14% Popularity • 45% Danceability • 7% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
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Xavier Cugat
A Weekend in a Havana (Remasterizado)
97 bpm • F Maj • 02:30 • -4.66db
12% Popularity • 48% Danceability • 73% Energy • 24% Liveness
0% Instrumentalness • 78% Positiveness
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Mabel Mercer
It's Delovely
97 bpm • B min • 03:41 • -12.81db
8% Popularity • 62% Danceability • 21% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
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Victor Sylvester
You're Dancing on My Heart
91 bpm • F min • 02:07 • -21.93db
13% Popularity • 58% Danceability • 12% Energy • 24% Liveness
83% Instrumentalness • 66% Positiveness
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Susan Hayward
Sing You Sinners
96 bpm • D# min • 03:26 • -9.86db
1% Popularity • 51% Danceability • 41% Energy • 39% Liveness
0% Instrumentalness • 57% Positiveness
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Ray Noble & His Orchestra
Why Be so Unkind to Me
97 bpm • D# Maj • 02:56 • -13.31db
9% Popularity • 27% Danceability • 20% Energy • 21% Liveness
2% Instrumentalness • 10% Positiveness
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Con Hammond
In the Dark of the Moon
91 bpm • G# Maj • 03:22 • -11.78db
8% Popularity • 33% Danceability • 19% Energy • 12% Liveness
86% Instrumentalness • 33% Positiveness
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Ann Miller
Shakin' The Blues Away
97 bpm • G# Maj • 03:18 • -18.46db
14% Popularity • 50% Danceability • 25% Energy • 17% Liveness
0% Instrumentalness • 57% Positiveness
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Della Reese
The Story of a Starry Night
97 bpm • D# Maj • 02:48 • -11.06db
10% Popularity • 33% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Jeri Southern
The Gypsy In My Soul
97 bpm • G# Maj • 02:17 • -16.3db
10% Popularity • 70% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Susan Hayward
The Right Kind
91 bpm • G# Maj • 03:00 • -11.97db
0% Popularity • 37% Danceability • 39% Energy • 68% Liveness
20% Instrumentalness • 34% Positiveness
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Cab Calloway
Sweet Rhythm
97 bpm • G# Maj • 02:55 • -14.57db
8% Popularity • 45% Danceability • 27% Energy • 52% Liveness
1% Instrumentalness • 36% Positiveness
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Tony Martin
Kiss Of Fire - Remastered
97 bpm • E min • 02:36 • -9.03db
10% Popularity • 51% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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Honor Blackman
Darling, Je Vous Aime Beaucoup - Remaste...
91 bpm • G Maj • 02:31 • -12.46db
31% Popularity • 26% Danceability • 35% Energy • 19% Liveness
0% Instrumentalness • 33% Positiveness
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Dorothy Carless
This Is No Laughing Matter
97 bpm • G# min • 03:15 • -15.36db
11% Popularity • 35% Danceability • 12% Energy • 12% Liveness
46% Instrumentalness • 33% Positiveness
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Cleo Brown
You're a Heavenly Thing
98 bpm • A min • 02:36 • -18.13db
6% Popularity • 69% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
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Susan Hayward
Happiness Is a Thing Called Joe
91 bpm • D Maj • 02:11 • -12.18db
0% Popularity • 36% Danceability • 21% Energy • 30% Liveness
4% Instrumentalness • 37% Positiveness
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Bob Crosby & The Bob Cats
Dolores
91 bpm • G# Maj • 03:14 • -14.95db
14% Popularity • 38% Danceability • 12% Energy • 14% Liveness
3% Instrumentalness • 47% Positiveness
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Billie Holiday
Gimme A Pigfoot And A Bottle Of Beer - T...
98 bpm • A min • 02:45 • -11.29db
23% Popularity • 66% Danceability • 20% Energy • 22% Liveness
0% Instrumentalness • 67% Positiveness
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The Lennon Sisters
Try to Remember
90 bpm • F Maj • 02:14 • -11.29db
14% Popularity • 25% Danceability • 33% Energy • 23% Liveness
0% Instrumentalness • 25% Positiveness
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Neoxyt
Sunflower
98 bpm • C Maj • 01:59 • -16.59db
27% Popularity • 62% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Robert Goulet
Stella by Starlight
90 bpm • G# Maj • 02:59 • -12.82db
11% Popularity • 26% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Susan Hayward
The Vagabond King Waltz / I'm Sittin' on...
91 bpm • C min • 02:02 • -13.62db
0% Popularity • 55% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Ivy Benson & Her Girls Band
The Home Coming Waltz
98 bpm • G# Maj • 03:14 • -13.59db
10% Popularity • 28% Danceability • 18% Energy • 21% Liveness
4% Instrumentalness • 20% Positiveness
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Glen Gray
Save Your Sorrow for Tomorrow
90 bpm • A# Maj • 03:03 • -14.38db
6% Popularity • 75% Danceability • 30% Energy • 13% Liveness
2% Instrumentalness • 71% Positiveness
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Jack Cottrell
She's Never Been Seen Since Then
90 bpm • A Maj • 02:37 • -14.89db
17% Popularity • 86% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Patty Andrews
Too Young
90 bpm • F Maj • 02:40 • -13.62db
13% Popularity • 31% Danceability • 15% Energy • 21% Liveness
0% Instrumentalness • 25% Positiveness
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Henry Hall & The BBC Dance Orchestra
I'm Putting All My Eggs In One Basket
90 bpm • C# Maj • 02:56 • -11.75db
22% Popularity • 70% Danceability • 45% Energy • 7% Liveness
50% Instrumentalness • 65% Positiveness
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Danny Williams
Where Or When - Remastered
89 bpm • F Maj • 02:45 • -13.45db
28% Popularity • 26% Danceability • 27% Energy • 15% Liveness
21% Instrumentalness • 28% Positiveness
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Nat King Cole
Lullaby in Rhythm - 1938, Standard trans...
99 bpm • F Maj • 02:48 • -19.38db
8% Popularity • 69% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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Tommy Edwards
Baby Baby Baby
89 bpm • C Maj • 02:50 • -20db
12% Popularity • 22% Danceability • 6% Energy • 23% Liveness
17% Instrumentalness • 14% Positiveness
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徐慶復
港口春宵
99 bpm • D# Maj • 02:57 • -19.16db
9% Popularity • 25% Danceability • 10% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Jimmy Durante
Somebody's Keeping Score
99 bpm • F Maj • 02:51 • -12.41db
9% Popularity • 70% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Elaine Stritch
The Object Of My Affection
99 bpm • C Maj • 02:29 • -10.88db
8% Popularity • 60% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Billie Holiday
Easy Living
89 bpm • G# Maj • 03:06 • -21.32db
8% Popularity • 64% Danceability • 4% Energy • 14% Liveness
59% Instrumentalness • 46% Positiveness
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Andy Kirk
Until The Real Thing Comes Along
99 bpm • G# Maj • 02:57 • -17.36db
10% Popularity • 68% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
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Pedro Concepcion
Nagmamahal Ako
89 bpm • G Maj • 03:09 • -16.92db
10% Popularity • 32% Danceability • 9% Energy • 15% Liveness
4% Instrumentalness • 19% Positiveness
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Del Courtney
Mississippi Dreamboat
89 bpm • A min • 02:20 • -17.46db
7% Popularity • 68% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Betty Grable
You're MY Little Pin-Up Girl
89 bpm • F# Maj • 02:41 • -9db
9% Popularity • 37% Danceability • 36% Energy • 24% Liveness
0% Instrumentalness • 57% Positiveness
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Younity Deya
Perturber
100 bpm • C# min • 03:03 • -8.96db
10% Popularity • 79% Danceability • 59% Energy • 27% Liveness
0% Instrumentalness • 67% Positiveness
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Susan Hayward
With a Song in My Heart
88 bpm • G min • 05:52 • -10.93db
0% Popularity • 14% Danceability • 42% Energy • 66% Liveness
80% Instrumentalness • 14% Positiveness
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Sophie Tucker
I'm the Last of the Red Hot Mammas
88 bpm • C Maj • 01:51 • -10.97db
10% Popularity • 61% Danceability • 33% Energy • 68% Liveness
0% Instrumentalness • 84% Positiveness
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雪村泉
Bye Bye Blues
100 bpm • A# min • 01:08 • -11.62db
9% Popularity • 52% Danceability • 33% Energy • 60% Liveness
0% Instrumentalness • 55% Positiveness
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Raymond Scott
Blues My Girl Friend Taught Me - 1941
88 bpm • G# Maj • 03:02 • -10.91db
10% Popularity • 46% Danceability • 14% Energy • 13% Liveness
81% Instrumentalness • 27% Positiveness
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George Olsen and His Music
The Best Things in Life Are Free
100 bpm • D# Maj • 03:24 • -9.09db
13% Popularity • 63% Danceability • 34% Energy • 10% Liveness
56% Instrumentalness • 71% Positiveness
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Shirley Temple
But Definitely
100 bpm • D Maj • 01:30 • -20.9db
8% Popularity • 58% Danceability • 9% Energy • 14% Liveness
84% Instrumentalness • 69% Positiveness
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Winifred Shaw
Lullaby of Broadway
100 bpm • D# Maj • 04:00 • -7.01db
11% Popularity • 52% Danceability • 68% Energy • 46% Liveness
0% Instrumentalness • 57% Positiveness
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Frederick Dvonch
March of the Siamese Children
88 bpm • F Maj • 03:16 • -12.35db
8% Popularity • 56% Danceability • 11% Energy • 7% Liveness
92% Instrumentalness • 16% Positiveness
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The Four Aces
When My Sugar Walks - Live On The Ed Sul...
88 bpm • G min • 01:25 • -11.85db
8% Popularity • 39% Danceability • 76% Energy • 83% Liveness
27% Instrumentalness • 78% Positiveness
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Martha Tilton
I'll Always Love You
100 bpm • G Maj • 03:01 • -12.04db
0% Popularity • 38% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
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Patti Page
Hey Liberace - Live On The Ed Sullivan S...
101 bpm • G# Maj • 02:40 • -19.3db
20% Popularity • 60% Danceability • 32% Energy • 21% Liveness
42% Instrumentalness • 77% Positiveness
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Mahalia Jackson
Keep Me Everyday
101 bpm • D Maj • 02:53 • -13.72db
9% Popularity • 25% Danceability • 13% Energy • 16% Liveness
1% Instrumentalness • 23% Positiveness
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Rita Moreno
My Lord and Master
88 bpm • G Maj • 02:13 • -13.72db
8% Popularity • 26% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Al Martino
I Cried Myself To Sleep
101 bpm • E Maj • 03:27 • -15.03db
11% Popularity • 18% Danceability • 23% Energy • 10% Liveness
27% Instrumentalness • 7% Positiveness
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Cab Calloway
Exactly Like You - Live
102 bpm • C Maj • 03:13 • -8.49db
9% Popularity • 60% Danceability • 46% Energy • 34% Liveness
1% Instrumentalness • 81% Positiveness
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Victor Silvester
The Merry Widow Waltz
87 bpm • G Maj • 02:15 • -17.61db
8% Popularity • 44% Danceability • 25% Energy • 11% Liveness
93% Instrumentalness • 50% Positiveness
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Martha Tilton
I'll Remember April
102 bpm • F# Maj • 03:03 • -12.52db
16% Popularity • 38% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Tony Martin
I Get Ideas
102 bpm • C Maj • 02:41 • -18.49db
15% Popularity • 47% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Gene Autry
You're The Only Star In My Blue Heaven
102 bpm • C Maj • 01:40 • -10.6db
11% Popularity • 40% Danceability • 30% Energy • 71% Liveness
0% Instrumentalness • 52% Positiveness
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Rudy Vallee
If I Had a Girl Like You
102 bpm • F# min • 03:08 • -13.54db
13% Popularity • 53% Danceability • 14% Energy • 23% Liveness
7% Instrumentalness • 33% Positiveness
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Lew Stone & His Band
The Continental
102 bpm • G# Maj • 02:58 • -21db
15% Popularity • 64% Danceability • 20% Energy • 9% Liveness
85% Instrumentalness • 53% Positiveness
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Piero Piccioni
Per Noi Due Soli (Alternate Choir Versio...
87 bpm • E min • 02:08 • -13.24db
8% Popularity • 11% Danceability • 34% Energy • 24% Liveness
1% Instrumentalness • 27% Positiveness
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Susan Hayward
Main Title / With a Song in My Heart
87 bpm • A Maj • 01:31 • -8.88db
0% Popularity • 19% Danceability • 44% Energy • 63% Liveness
91% Instrumentalness • 29% Positiveness
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Joe Williams
As I Love You
87 bpm • A# Maj • 02:40 • -11.15db
11% Popularity • 27% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Shannon Quartet
My Wild Irish Rose
102 bpm • C Maj • 02:57 • -9.6db
10% Popularity • 37% Danceability • 25% Energy • 35% Liveness
0% Instrumentalness • 32% Positiveness
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The Beau Hunks
Candy, Candy
102 bpm • C# Maj • 01:20 • -18.16db
12% Popularity • 69% Danceability • 11% Energy • 16% Liveness
28% Instrumentalness • 97% Positiveness
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Gene Autry
My Adobe Hacienda
102 bpm • A# Maj • 01:33 • -15.04db
12% Popularity • 66% Danceability • 17% Energy • 40% Liveness
0% Instrumentalness • 86% Positiveness
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Piero Piccioni
Meant to Be - Long Strings Take
102 bpm • A# Maj • 03:18 • -12.2db
23% Popularity • 30% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Andrea Litkei
Closer Than Kisses
103 bpm • A Maj • 02:05 • -7.44db
9% Popularity • 52% Danceability • 42% Energy • 38% Liveness
0% Instrumentalness • 28% Positiveness
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Betty Johnson
California Here I Come
86 bpm • D min • 01:01 • -12.78db
21% Popularity • 72% Danceability • 32% Energy • 12% Liveness
44% Instrumentalness • 76% Positiveness
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Sing You Sinners