Songs like Sing (feat. Russell Dickerson, Florida Georgia Line) by Chris Tomlin
Based on a tempo of (+/- 10%) and a similar genre
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Tenth Avenue North
Control (Somehow You Want Me)
120 bpm • B Maj • 04:08 • -5.88db
58% Popularity • 51% Danceability • 75% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
58% Popularity • 51% Danceability • 75% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
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Nelly
Lil Bit
120 bpm • E min • 03:15 • -7.1db
66% Popularity • 71% Danceability • 69% Energy • 38% Liveness
0% Instrumentalness • 41% Positiveness
66% Popularity • 71% Danceability • 69% Energy • 38% Liveness
0% Instrumentalness • 41% Positiveness
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Mandisa
Overcomer
120 bpm • G min • 03:43 • -2.8db
58% Popularity • 70% Danceability • 94% Energy • 32% Liveness
0% Instrumentalness • 85% Positiveness
58% Popularity • 70% Danceability • 94% Energy • 32% Liveness
0% Instrumentalness • 85% Positiveness
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The Maker & The Instrument
We Fall Down / Agnus Dei - Medley
120 bpm • E Maj • 04:32 • -8.37db
46% Popularity • 44% Danceability • 36% Energy • 10% Liveness
73% Instrumentalness • 7% Positiveness
46% Popularity • 44% Danceability • 36% Energy • 10% Liveness
73% Instrumentalness • 7% Positiveness
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Josh Wilson
Dream Small
120 bpm • G Maj • 03:26 • -6db
46% Popularity • 65% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
46% Popularity • 65% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Jordan Davis
Church In A Chevy
120 bpm • G# Maj • 03:43 • -7.37db
49% Popularity • 61% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
49% Popularity • 61% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Tenth Avenue North
Control (Acoustic)
120 bpm • B Maj • 03:48 • -7.76db
45% Popularity • 67% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
45% Popularity • 67% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Nelly
Lil Bit - FGL Remix
120 bpm • E min • 03:17 • -5.58db
41% Popularity • 67% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
41% Popularity • 67% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
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Unspoken
Sleep in The Storm
120 bpm • C Maj • 03:34 • -5db
34% Popularity • 60% Danceability • 75% Energy • 23% Liveness
0% Instrumentalness • 58% Positiveness
34% Popularity • 60% Danceability • 75% Energy • 23% Liveness
0% Instrumentalness • 58% Positiveness
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Chris Tomlin
Sing
120 bpm • A# Maj • 02:46 • -4db
48% Popularity • 64% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
48% Popularity • 64% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Florida Georgia Line
Long Time Comin'
120 bpm • A# Maj • 03:14 • -6.1db
42% Popularity • 40% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
42% Popularity • 40% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Russell Dickerson
Home Sweet
121 bpm • B Maj • 03:25 • -5.65db
49% Popularity • 57% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
49% Popularity • 57% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Jonny Diaz
Live Like He's Alive
119 bpm • A# Maj • 03:19 • -4.84db
25% Popularity • 56% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
25% Popularity • 56% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Gary LeVox
All I See
123 bpm • B Maj • 02:58 • -5.52db
38% Popularity • 55% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
38% Popularity • 55% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Big Daddy Weave
Turn On The Light
117 bpm • C Maj • 03:53 • -4.31db
25% Popularity • 60% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
25% Popularity • 60% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
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Chris Tomlin
O Lord, You’re Beautiful
118 bpm • F Maj • 03:55 • -11.65db
38% Popularity • 41% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
38% Popularity • 41% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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CAIN
Over My Head
124 bpm • C Maj • 02:50 • -5.38db
44% Popularity • 67% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
44% Popularity • 67% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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Russell Dickerson
It's About Time
121 bpm • F# Maj • 02:55 • -4.36db
50% Popularity • 76% Danceability • 92% Energy • 62% Liveness
0% Instrumentalness • 80% Positiveness
50% Popularity • 76% Danceability • 92% Energy • 62% Liveness
0% Instrumentalness • 80% Positiveness
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Jonny Diaz
Heaven Someday
117 bpm • B Maj • 03:34 • -7.64db
16% Popularity • 66% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
16% Popularity • 66% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Francesca Battistelli
I'm Letting Go
124 bpm • D Maj • 02:53 • -3.58db
37% Popularity • 58% Danceability • 81% Energy • 37% Liveness
0% Instrumentalness • 62% Positiveness
37% Popularity • 58% Danceability • 81% Energy • 37% Liveness
0% Instrumentalness • 62% Positiveness
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Unspoken
God Help Me
116 bpm • B Maj • 03:22 • -6.32db
42% Popularity • 62% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
42% Popularity • 62% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Chris August
Gave You My Heart
116 bpm • C Maj • 03:07 • -5.74db
40% Popularity • 58% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
40% Popularity • 58% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Big Daddy Weave
The Only Name (Yours Will Be)
116 bpm • B Maj • 04:21 • -4.31db
48% Popularity • 60% Danceability • 83% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
48% Popularity • 60% Danceability • 83% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
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Russell Dickerson
Mgno
121 bpm • C# Maj • 03:21 • -5db
45% Popularity • 59% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
45% Popularity • 59% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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Florida Georgia Line
Ain’t Worried Bout It
125 bpm • F Maj • 02:31 • -4.74db
33% Popularity • 65% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
33% Popularity • 65% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
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Sanctus Real
Won't Let Me Go
125 bpm • C Maj • 03:35 • -4.71db
43% Popularity • 62% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
43% Popularity • 62% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
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Cochren & Co.
For My Good
125 bpm • E Maj • 03:14 • -5.78db
56% Popularity • 78% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
56% Popularity • 78% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Chris August
Never Stop Loving You
126 bpm • A min • 03:10 • -7.2db
8% Popularity • 50% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 67% Positiveness
8% Popularity • 50% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 67% Positiveness
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Chris Tomlin
Amazing Grace (My Chains Are Gone)
125 bpm • G Maj • 04:27 • -10.88db
60% Popularity • 47% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
60% Popularity • 47% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Doug Pinson
God Of Second Chances
114 bpm • D Maj • 04:36 • -5.84db
28% Popularity • 63% Danceability • 68% Energy • 37% Liveness
0% Instrumentalness • 77% Positiveness
28% Popularity • 63% Danceability • 68% Energy • 37% Liveness
0% Instrumentalness • 77% Positiveness
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Meredith Andrews
Make Room
127 bpm • G Maj • 04:02 • -5db
48% Popularity • 45% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
48% Popularity • 45% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Sanctus Real
Won't Let Me Go - Acoustic
125 bpm • C Maj • 03:53 • -7.96db
31% Popularity • 60% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
31% Popularity • 60% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Brandon Heath
Hands of the Healer
127 bpm • C Maj • 03:55 • -8.41db
30% Popularity • 64% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
30% Popularity • 64% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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Big Daddy Weave
Redeemed
127 bpm • B Maj • 04:36 • -6.61db
64% Popularity • 33% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
64% Popularity • 33% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Chris Tomlin
Lay Me Down
128 bpm • C Maj • 04:45 • -3.42db
51% Popularity • 62% Danceability • 88% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
51% Popularity • 62% Danceability • 88% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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Tyler Hubbard
Way Home
113 bpm • D Maj • 03:09 • -6db
42% Popularity • 62% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
42% Popularity • 62% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
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Josh Wilson
I Refuse
128 bpm • D Maj • 03:38 • -4.44db
45% Popularity • 56% Danceability • 81% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
45% Popularity • 56% Danceability • 81% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
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Sanctus Real
Won't Let Me Go
125 bpm • C Maj • 03:35 • -5.77db
61% Popularity • 59% Danceability • 86% Energy • 19% Liveness
0% Instrumentalness • 42% Positiveness
61% Popularity • 59% Danceability • 86% Energy • 19% Liveness
0% Instrumentalness • 42% Positiveness
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Passion
God's Great Dance Floor - Live
128 bpm • A# Maj • 07:11 • -4.71db
34% Popularity • 52% Danceability • 96% Energy • 22% Liveness
0% Instrumentalness • 19% Positiveness
34% Popularity • 52% Danceability • 96% Energy • 22% Liveness
0% Instrumentalness • 19% Positiveness
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Jordan Feliz
Beloved
128 bpm • B min • 03:59 • -4.93db
52% Popularity • 57% Danceability • 82% Energy • 45% Liveness
0% Instrumentalness • 50% Positiveness
52% Popularity • 57% Danceability • 82% Energy • 45% Liveness
0% Instrumentalness • 50% Positiveness
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Riley Clemmons
Jesus Cries
128 bpm • F Maj • 03:23 • -7.18db
46% Popularity • 56% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
46% Popularity • 56% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Tauren Wells
Crazy About You
112 bpm • F Maj • 04:03 • -8.02db
55% Popularity • 59% Danceability • 47% Energy • 23% Liveness
0% Instrumentalness • 16% Positiveness
55% Popularity • 59% Danceability • 47% Energy • 23% Liveness
0% Instrumentalness • 16% Positiveness
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Colton Dixon
Can't Quit You - Single Version
112 bpm • D Maj • 03:20 • -10.36db
29% Popularity • 77% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
29% Popularity • 77% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Chris Tomlin
Forever Young
112 bpm • D Maj • 04:07 • -5.26db
26% Popularity • 26% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
26% Popularity • 26% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Stars Go Dim
Yes He Does
112 bpm • D Maj • 03:26 • -4.97db
32% Popularity • 52% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
32% Popularity • 52% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Morgan Wallen
Up Down
130 bpm • F# Maj • 03:17 • -3.04db
73% Popularity • 59% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 79% Positiveness
73% Popularity • 59% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 79% Positiveness
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Newsboys
We Believe
130 bpm • D Maj • 04:21 • -4.41db
59% Popularity • 52% Danceability • 76% Energy • 24% Liveness
0% Instrumentalness • 15% Positiveness
59% Popularity • 52% Danceability • 76% Energy • 24% Liveness
0% Instrumentalness • 15% Positiveness
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Tauren Wells
Like You Love Me
111 bpm • A# Maj • 03:30 • -4.72db
52% Popularity • 80% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
52% Popularity • 80% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Florida Georgia Line
Long Live
130 bpm • G Maj • 02:33 • -3.55db
61% Popularity • 61% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
61% Popularity • 61% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Chris Tomlin
Thank You Lord (Intro)
112 bpm • A Maj • 00:45 • -8.33db
28% Popularity • 24% Danceability • 32% Energy • 62% Liveness
0% Instrumentalness • 41% Positiveness
28% Popularity • 24% Danceability • 32% Energy • 62% Liveness
0% Instrumentalness • 41% Positiveness
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Riley Clemmons
Fighting For Me
111 bpm • C# min • 03:49 • -4db
55% Popularity • 63% Danceability • 73% Energy • 29% Liveness
0% Instrumentalness • 15% Positiveness
55% Popularity • 63% Danceability • 73% Energy • 29% Liveness
0% Instrumentalness • 15% Positiveness
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Little Big Town
Beat Up Bible
130 bpm • C# Maj • 03:35 • -6.93db
35% Popularity • 48% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
35% Popularity • 48% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Cochren & Co.
Parking Lot
110 bpm • C Maj • 02:57 • -6.11db
54% Popularity • 60% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
54% Popularity • 60% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Passion
Glorious Day - Radio Version
110 bpm • D Maj • 04:11 • -4.05db
53% Popularity • 47% Danceability • 85% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
53% Popularity • 47% Danceability • 85% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
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High Valley
Grew up on That
110 bpm • A Maj • 02:52 • -6db
49% Popularity • 65% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
49% Popularity • 65% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
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Chelsea
Walk Away
110 bpm • C Maj • 03:24 • -10.15db
39% Popularity • 61% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
39% Popularity • 61% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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I AM THEY
Make Room
132 bpm • C Maj • 03:23 • -10.86db
42% Popularity • 50% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
42% Popularity • 50% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Florida Georgia Line
Life Rolls On
131 bpm • F# Maj • 03:21 • -5.04db
49% Popularity • 57% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
49% Popularity • 57% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Lauryn Evans
Down to the River to Pray / River
132 bpm • D# Maj • 01:58 • -3.75db
34% Popularity • 63% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
34% Popularity • 63% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
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Passion
You Are My King (Amazing Love) - Live
132 bpm • E Maj • 09:34 • -10.76db
33% Popularity • 34% Danceability • 42% Energy • 40% Liveness
0% Instrumentalness • 30% Positiveness
33% Popularity • 34% Danceability • 42% Energy • 40% Liveness
0% Instrumentalness • 30% Positiveness
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CAIN
Come Forth
132 bpm • D# Maj • 02:36 • -3.95db
53% Popularity • 58% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
53% Popularity • 58% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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City Harbor
Lift It Up
109 bpm • F# Maj • 02:57 • -4.22db
26% Popularity • 61% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
26% Popularity • 61% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Phil Wickham
The Secret Place
132 bpm • C min • 04:43 • -4.84db
40% Popularity • 51% Danceability • 82% Energy • 22% Liveness
0% Instrumentalness • 34% Positiveness
40% Popularity • 51% Danceability • 82% Energy • 22% Liveness
0% Instrumentalness • 34% Positiveness
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Newsong
I Am a Christian
109 bpm • B Maj • 03:31 • -7.15db
43% Popularity • 60% Danceability • 74% Energy • 11% Liveness
1% Instrumentalness • 70% Positiveness
43% Popularity • 60% Danceability • 74% Energy • 11% Liveness
1% Instrumentalness • 70% Positiveness
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Chris Tomlin
Chase Me Down
108 bpm • F# Maj • 03:28 • -5.13db
41% Popularity • 66% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
41% Popularity • 66% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Third Day
Born Again
108 bpm • G Maj • 03:36 • -6db
45% Popularity • 30% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
45% Popularity • 30% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Tenth Avenue North
I Have This Hope
108 bpm • C Maj • 03:24 • -7db
52% Popularity • 42% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 11% Positiveness
52% Popularity • 42% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 11% Positiveness
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David Crowder Band
Because He Lives
134 bpm • A Maj • 04:21 • -10.6db
43% Popularity • 39% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
43% Popularity • 39% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Hollyn
In Awe
134 bpm • B Maj • 03:38 • -7.88db
50% Popularity • 45% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
50% Popularity • 45% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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Russell Dickerson
Yours - Wedding Edition
134 bpm • B Maj • 03:36 • -7.97db
53% Popularity • 61% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
53% Popularity • 61% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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TobyMac
Scars (Come With Livin')
134 bpm • C min • 04:21 • -5.83db
49% Popularity • 65% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
49% Popularity • 65% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Phil Wickham
Heaven Song
134 bpm • G Maj • 04:04 • -9.42db
42% Popularity • 45% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
42% Popularity • 45% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Jonny Diaz
Need You Always
107 bpm • A Maj • 03:15 • -6.56db
29% Popularity • 66% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
29% Popularity • 66% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Francesca Battistelli
If We're Honest
107 bpm • A# Maj • 03:09 • -8.83db
46% Popularity • 60% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
46% Popularity • 60% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Chris Tomlin
How Sweet It Is
135 bpm • F# Maj • 03:39 • -12db
30% Popularity • 47% Danceability • 16% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
30% Popularity • 47% Danceability • 16% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
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Russell Dickerson
Yours
134 bpm • B Maj • 03:36 • -6db
64% Popularity • 55% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
64% Popularity • 55% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Andrew Ripp
Roses
136 bpm • C Maj • 04:02 • -8.9db
52% Popularity • 58% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
52% Popularity • 58% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Cody Johnson
By Your Grace
136 bpm • F# Maj • 03:58 • -5.36db
59% Popularity • 56% Danceability • 55% Energy • 23% Liveness
0% Instrumentalness • 40% Positiveness
59% Popularity • 56% Danceability • 55% Energy • 23% Liveness
0% Instrumentalness • 40% Positiveness
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Mandisa
Way Maker
136 bpm • A Maj • 04:02 • -6db
53% Popularity • 48% Danceability • 77% Energy • 34% Liveness
0% Instrumentalness • 22% Positiveness
53% Popularity • 48% Danceability • 77% Energy • 34% Liveness
0% Instrumentalness • 22% Positiveness
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Passion
I Stand Amazed (How Marvelous)
136 bpm • G# Maj • 06:36 • -8.25db
38% Popularity • 25% Danceability • 48% Energy • 48% Liveness
0% Instrumentalness • 19% Positiveness
38% Popularity • 25% Danceability • 48% Energy • 48% Liveness
0% Instrumentalness • 19% Positiveness
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Chris Tomlin
Come Thou Fount (I Will Sing)
136 bpm • D Maj • 04:59 • -8db
44% Popularity • 44% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
44% Popularity • 44% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Gary LeVox
Working On Sunday
136 bpm • A Maj • 03:20 • -6.61db
28% Popularity • 49% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
28% Popularity • 49% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Hillary Scott
You Can Rest
136 bpm • C# Maj • 04:48 • -6db
43% Popularity • 57% Danceability • 34% Energy • 22% Liveness
0% Instrumentalness • 19% Positiveness
43% Popularity • 57% Danceability • 34% Energy • 22% Liveness
0% Instrumentalness • 19% Positiveness
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Cade Thompson
Provider
137 bpm • C Maj • 03:14 • -8db
46% Popularity • 65% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
46% Popularity • 65% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Big Daddy Weave
I Know
105 bpm • D Maj • 05:19 • -6.74db
47% Popularity • 50% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
47% Popularity • 50% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
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Vertical Worship
Not Done Yet
105 bpm • D Maj • 04:08 • -6.17db
39% Popularity • 45% Danceability • 89% Energy • 42% Liveness
0% Instrumentalness • 15% Positiveness
39% Popularity • 45% Danceability • 89% Energy • 42% Liveness
0% Instrumentalness • 15% Positiveness
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Chris Tomlin
YAHWEH (No One)
137 bpm • A# Maj • 04:50 • -7db
41% Popularity • 54% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
41% Popularity • 54% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Florida Georgia Line
Second Guessing
138 bpm • G# Maj • 03:07 • -5db
43% Popularity • 56% Danceability • 52% Energy • 25% Liveness
0% Instrumentalness • 29% Positiveness
43% Popularity • 56% Danceability • 52% Energy • 25% Liveness
0% Instrumentalness • 29% Positiveness
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We Are Messengers
Maybe It's Ok
138 bpm • C# Maj • 03:31 • -6.1db
66% Popularity • 51% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
66% Popularity • 51% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Colton Dixon
Made to Fly
138 bpm • F Maj • 03:44 • -8.32db
49% Popularity • 54% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
49% Popularity • 54% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Life.Church Worship
Heaven’s All Around
138 bpm • G Maj • 04:41 • -7.75db
44% Popularity • 50% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
44% Popularity • 50% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Matt Redman
Never Once
138 bpm • G# min • 04:00 • -6db
44% Popularity • 48% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
44% Popularity • 48% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
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Chris Tomlin
Thank You Lord
105 bpm • A Maj • 02:48 • -3.32db
58% Popularity • 67% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
58% Popularity • 67% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Scotty McCreery
You Time
104 bpm • A Maj • 03:12 • -6db
50% Popularity • 55% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
50% Popularity • 55% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Josh Baldwin
Into the Wild
104 bpm • C Maj • 03:57 • -4.62db
34% Popularity • 60% Danceability • 90% Energy • 31% Liveness
0% Instrumentalness • 52% Positiveness
34% Popularity • 60% Danceability • 90% Energy • 31% Liveness
0% Instrumentalness • 52% Positiveness
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Francesca Battistelli
This Is the Stuff
104 bpm • D Maj • 03:03 • -5.62db
44% Popularity • 66% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
44% Popularity • 66% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Third Day
Soul On Fire
104 bpm • C# Maj • 03:17 • -6.32db
60% Popularity • 50% Danceability • 88% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
60% Popularity • 50% Danceability • 88% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
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I AM THEY
My Feet Are on the Rock
104 bpm • C Maj • 03:03 • -4.36db
53% Popularity • 61% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
53% Popularity • 61% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
