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Sirenen
Songs like
Sirenen
by
Die Toten Hosen
Based on a tempo of (+/- 10%) and a similar genre
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Die Toten Hosen
Sirenen
192 bpm • C Maj • 01:53 • -2.61db
26% Popularity • 35% Danceability • 98% Energy • 92% Liveness
0% Instrumentalness • 43% Positiveness
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Ampex
Ampex ist zurück
190 bpm • G# Maj • 03:21 • -2.61db
38% Popularity • 35% Danceability • 97% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
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Rantanplan
Kiel
191 bpm • C# Maj • 03:14 • -3.27db
40% Popularity • 26% Danceability • 98% Energy • 37% Liveness
25% Instrumentalness • 66% Positiveness
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KIZZRock
Hurra, hurra, die Schule brennt
190 bpm • A Maj • 02:51 • -7.22db
17% Popularity • 38% Danceability • 89% Energy • 74% Liveness
0% Instrumentalness • 57% Positiveness
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Eizbrand
Wir tanzen nicht, wir pogen!
195 bpm • G Maj • 04:20 • -2db
36% Popularity • 44% Danceability • 99% Energy • 19% Liveness
0% Instrumentalness • 24% Positiveness
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ENGST
Eskalieren
195 bpm • F# min • 03:30 • -2.18db
35% Popularity • 41% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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Madsen
Auf deinem Balkon
196 bpm • G# Maj • 02:13 • -6.96db
38% Popularity • 42% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
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Antilopen Gang
Pizza (mit Bela B)
195 bpm • C Maj • 02:52 • -4db
35% Popularity • 40% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Wizo
Unpoliddisch
188 bpm • A# Maj • 03:50 • -1.49db
34% Popularity • 52% Danceability • 96% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
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Montreal
15 Jahre für die Punchline
196 bpm • G Maj • 03:14 • -2db
29% Popularity • 34% Danceability • 96% Energy • 31% Liveness
0% Instrumentalness • 49% Positiveness
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Sondaschule
Bist du glücklich?
188 bpm • C# Maj • 03:08 • -5.14db
43% Popularity • 38% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Farin Urlaub
Abschiedslied
198 bpm • C Maj • 03:28 • -3db
33% Popularity • 44% Danceability • 95% Energy • 84% Liveness
0% Instrumentalness • 68% Positiveness
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ZSK
Wenn So Viele Schweigen
186 bpm • A# min • 03:28 • -4.76db
24% Popularity • 34% Danceability • 91% Energy • 30% Liveness
0% Instrumentalness • 54% Positiveness
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Willkuer
Wir sind wer wir sind
186 bpm • A Maj • 04:12 • -5.55db
40% Popularity • 38% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Der W
Gewinnen kann jeder
185 bpm • A# Maj • 03:13 • -6db
36% Popularity • 46% Danceability • 97% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Drei Meter Feldweg
Was uns bewegt
185 bpm • C# Maj • 03:45 • -5db
30% Popularity • 40% Danceability • 93% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Sondaschule
Ich verspreche mir selbst
186 bpm • F# min • 03:43 • -2.81db
32% Popularity • 39% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Artefuckt
Endlose Räume
200 bpm • C Maj • 03:08 • -4.96db
35% Popularity • 37% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Dritte Wahl
Brennt alles nieder
200 bpm • E min • 03:30 • -2.72db
28% Popularity • 41% Danceability • 99% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Rockwasser
Segen oder Fluch
200 bpm • F Maj • 03:17 • -2.23db
25% Popularity • 43% Danceability • 97% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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Schmutzki
Backstage
184 bpm • C Maj • 02:27 • -2db
28% Popularity • 53% Danceability • 95% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Drei Meter Feldweg
Lagebericht
200 bpm • A Maj • 01:50 • -4.06db
38% Popularity • 38% Danceability • 99% Energy • 56% Liveness
0% Instrumentalness • 25% Positiveness
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Sondaschule
Neue Welt
200 bpm • F# min • 02:53 • -4.48db
41% Popularity • 40% Danceability • 78% Energy • 42% Liveness
0% Instrumentalness • 87% Positiveness
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Artefuckt
Geh deinen Weg
200 bpm • A Maj • 03:58 • -5db
43% Popularity • 39% Danceability • 90% Energy • 26% Liveness
0% Instrumentalness • 51% Positiveness
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Udo Lindenberg
Reeperbahn
200 bpm • G# Maj • 03:50 • -6.6db
40% Popularity • 42% Danceability • 84% Energy • 6% Liveness
1% Instrumentalness • 62% Positiveness
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Rogers
Mittelfinger für immer
182 bpm • C Maj • 04:02 • -3db
41% Popularity • 46% Danceability • 97% Energy • 5% Liveness
0% Instrumentalness • 52% Positiveness
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Schmutzki
Was immer auch kommt
202 bpm • D# Maj • 03:46 • -4.79db
25% Popularity • 39% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Ampex
Wieder vor der Theke
182 bpm • F Maj • 04:02 • -2.75db
34% Popularity • 37% Danceability • 96% Energy • 35% Liveness
0% Instrumentalness • 68% Positiveness
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Sportfreunde Stiller
Applaus, Applaus - Radio Edit
182 bpm • G Maj • 03:07 • -5db
51% Popularity • 42% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Sondaschule
Gute Zeiten
182 bpm • D min • 03:24 • -2.67db
35% Popularity • 39% Danceability • 98% Energy • 33% Liveness
4% Instrumentalness • 20% Positiveness
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Deine Cousine
Küss mich
182 bpm • E Maj • 03:00 • -3.1db
34% Popularity • 42% Danceability • 94% Energy • 60% Liveness
0% Instrumentalness • 75% Positiveness
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Elfmorgen
Nur für dich
182 bpm • F min • 03:15 • -6.01db
39% Popularity • 43% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Feine Sahne Fischfilet
Alles auf Rausch
181 bpm • C Maj • 03:16 • -3db
52% Popularity • 48% Danceability • 98% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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Jennifer Rostock
Mein Mikrofon
180 bpm • E min • 03:07 • -3.02db
33% Popularity • 52% Danceability • 94% Energy • 35% Liveness
0% Instrumentalness • 59% Positiveness
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Abstürzende Brieftauben
Nie wieder Pegida
180 bpm • A Maj • 02:20 • -4.76db
31% Popularity • 51% Danceability • 91% Energy • 71% Liveness
0% Instrumentalness • 54% Positiveness
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Der W
Mein bester Feind
180 bpm • G Maj • 03:25 • -3.23db
35% Popularity • 40% Danceability • 98% Energy • 46% Liveness
2% Instrumentalness • 34% Positiveness
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Jack Pott
Besuchen Sie Europa
180 bpm • B Maj • 02:19 • -7.65db
29% Popularity • 51% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Alex Mofa Gang
Wie lang ist schon für immer?
180 bpm • G min • 03:00 • -6.26db
31% Popularity • 52% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Eizbrand
Phoenix aus der Asche
180 bpm • F# min • 03:43 • -3.42db
31% Popularity • 46% Danceability • 97% Energy • 33% Liveness
0% Instrumentalness • 61% Positiveness
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Feine Sahne Fischfilet
Geschichten aus Jarmen
180 bpm • C Maj • 02:47 • -4db
47% Popularity • 44% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
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Die Prinzen
Mein Fahrrad
180 bpm • F Maj • 02:26 • -11.38db
42% Popularity • 44% Danceability • 57% Energy • 35% Liveness
0% Instrumentalness • 96% Positiveness
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Der W
Was ist denn hier nicht los
180 bpm • D Maj • 02:56 • -5.8db
19% Popularity • 51% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Sondaschule
Dumm aber glücklich
180 bpm • C Maj • 03:27 • -4.78db
35% Popularity • 48% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
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Slime
Patrioten
206 bpm • D Maj • 04:20 • -5.26db
27% Popularity • 32% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Die Roten Rosen
Standort Deutschland
207 bpm • C Maj • 03:26 • -7.26db
15% Popularity • 36% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Die Toten Hosen
Traurig einen Sommer lang
178 bpm • D Maj • 03:03 • -2.65db
37% Popularity • 35% Danceability • 98% Energy • 21% Liveness
0% Instrumentalness • 42% Positiveness
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Wilde Jungs
Vorwärts über Gräber
178 bpm • D Maj • 03:44 • -2.43db
33% Popularity • 40% Danceability • 91% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Der W
Stille Tage im Klischee
180 bpm • G Maj • 03:30 • -5db
29% Popularity • 44% Danceability • 94% Energy • 9% Liveness
27% Instrumentalness • 67% Positiveness
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Sondaschule
Beverly Hills
180 bpm • C Maj • 03:20 • -2.72db
33% Popularity • 44% Danceability • 95% Energy • 29% Liveness
0% Instrumentalness • 44% Positiveness
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Feine Sahne Fischfilet
Komm mit aufs Boot
178 bpm • D min • 03:16 • -2.89db
42% Popularity • 46% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Jack Pott
Alle meine Freunde - Version 2022
178 bpm • C# Maj • 03:46 • -4.95db
37% Popularity • 49% Danceability • 81% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
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Die Toten Hosen
Wie viele Jahre (Hasta La Muerte)
178 bpm • A# Maj • 03:14 • -2.97db
44% Popularity • 45% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Das Lumpenpack
Warm im Altenheim
177 bpm • G Maj • 02:52 • -4.36db
40% Popularity • 49% Danceability • 92% Energy • 34% Liveness
0% Instrumentalness • 32% Positiveness
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Rogers
Einen letzten Abend
177 bpm • D Maj • 04:04 • -3db
31% Popularity • 43% Danceability • 94% Energy • 34% Liveness
0% Instrumentalness • 70% Positiveness
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Sondaschule
Palermo
180 bpm • G# Maj • 02:53 • -3.56db
31% Popularity • 36% Danceability • 97% Energy • 34% Liveness
0% Instrumentalness • 65% Positiveness
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Feine Sahne Fischfilet
Mit Dir
176 bpm • C# min • 02:59 • -3.67db
43% Popularity • 48% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 76% Positiveness
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Wizo
Verwesung
176 bpm • C Maj • 03:13 • -1.72db
30% Popularity • 52% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Die Toten Hosen
Pessimist
178 bpm • C Maj • 02:46 • -1.51db
23% Popularity • 40% Danceability • 98% Energy • 19% Liveness
0% Instrumentalness • 47% Positiveness
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Der W
An die, die wartet
176 bpm • G min • 02:59 • -5.28db
25% Popularity • 41% Danceability • 94% Energy • 17% Liveness
0% Instrumentalness • 44% Positiveness
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Montreal
Idioten der Saison
175 bpm • A Maj • 01:53 • -2.15db
35% Popularity • 45% Danceability • 95% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
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Artefuckt
Stigma
175 bpm • C# min • 03:29 • -2.7db
35% Popularity • 43% Danceability • 96% Energy • 64% Liveness
0% Instrumentalness • 28% Positiveness
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TURBOBIER
Fassl
175 bpm • G Maj • 03:17 • -6.44db
21% Popularity • 47% Danceability • 90% Energy • 20% Liveness
0% Instrumentalness • 47% Positiveness
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Wizo
Adagio
176 bpm • G# Maj • 03:03 • 0.11db
41% Popularity • 33% Danceability • 98% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Bad Jokers
Mein stolzes Lebenswerk
175 bpm • F# min • 03:28 • -2.21db
21% Popularity • 37% Danceability • 97% Energy • 21% Liveness
0% Instrumentalness • 37% Positiveness
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Rogers
Die Nachbarn von Oben
174 bpm • A min • 03:09 • -2.86db
27% Popularity • 50% Danceability • 92% Energy • 63% Liveness
0% Instrumentalness • 55% Positiveness
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Montreal
Tag zur Nacht
175 bpm • G# Maj • 02:51 • -2.82db
40% Popularity • 48% Danceability • 96% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
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Sondaschule
Merkst Du nicht…
174 bpm • C# Maj • 03:14 • -2.31db
37% Popularity • 50% Danceability • 96% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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Maggers United
Tüdelband
174 bpm • G Maj • 02:49 • -3.22db
26% Popularity • 48% Danceability • 91% Energy • 34% Liveness
0% Instrumentalness • 61% Positiveness
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BRDigung
Freundschaft & Bier
174 bpm • D Maj • 03:35 • -1.75db
26% Popularity • 49% Danceability • 97% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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Slime
Sie wollen wieder schießen (dürfen)
174 bpm • C Maj • 03:37 • -0.94db
36% Popularity • 28% Danceability • 98% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
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Dritte Wahl
Der Himmel über uns
173 bpm • G Maj • 03:49 • -2.36db
38% Popularity • 47% Danceability • 94% Energy • 5% Liveness
0% Instrumentalness • 54% Positiveness
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Deine Cousine
St. Pauli
173 bpm • F Maj • 04:16 • -3db
42% Popularity • 40% Danceability • 89% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
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Der W
Justitia
172 bpm • C min • 05:37 • -5.16db
21% Popularity • 42% Danceability • 92% Energy • 9% Liveness
3% Instrumentalness • 36% Positiveness
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Die Toten Hosen
1000 gute Gründe
172 bpm • G Maj • 03:17 • -3.13db
37% Popularity • 35% Danceability • 86% Energy • 46% Liveness
0% Instrumentalness • 36% Positiveness
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Sondaschule
Schöne Grüße vom Meer
172 bpm • D Maj • 03:57 • -3.93db
35% Popularity • 45% Danceability • 91% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
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Störte.Priester
Unsere Schuld?
172 bpm • F min • 03:55 • -2.67db
45% Popularity • 44% Danceability • 98% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Schmutzki
Sauflied
171 bpm • A Maj • 02:00 • -3db
38% Popularity • 55% Danceability • 93% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
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Hämatom
Alte Liebe rostet nicht
170 bpm • G# Maj • 03:54 • -2.72db
40% Popularity • 46% Danceability • 98% Energy • 32% Liveness
0% Instrumentalness • 57% Positiveness
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Artefuckt
Diese Tage
170 bpm • G# min • 03:32 • -2.24db
40% Popularity • 49% Danceability • 99% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Die Toten Hosen
Vogelfrei
172 bpm • A min • 03:37 • -5.45db
31% Popularity • 38% Danceability • 92% Energy • 15% Liveness
9% Instrumentalness • 11% Positiveness
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Drunken Swallows
Wo stehst Du?
170 bpm • A# min • 03:33 • -4.18db
32% Popularity • 50% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
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Rockwasser
Viva Barca!
170 bpm • B Maj • 02:41 • -2db
43% Popularity • 50% Danceability • 96% Energy • 23% Liveness
0% Instrumentalness • 80% Positiveness
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Drei Meter Feldweg
Und sie tanzt
170 bpm • F Maj • 03:42 • -5db
39% Popularity • 41% Danceability • 92% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Der W
Nein, nein, nein
170 bpm • G Maj • 03:29 • -3.54db
21% Popularity • 33% Danceability • 97% Energy • 6% Liveness
1% Instrumentalness • 35% Positiveness
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Artefuckt
Egal!
170 bpm • B Maj • 03:42 • -2.64db
36% Popularity • 46% Danceability • 98% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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ENGST
Mit Raketen auf Spatzen
170 bpm • C Maj • 03:05 • -2db
30% Popularity • 41% Danceability • 98% Energy • 35% Liveness
0% Instrumentalness • 66% Positiveness
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Ampex
Schmerz vergeht
170 bpm • C Maj • 03:28 • -3db
38% Popularity • 44% Danceability • 97% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Wizo
Antifa
168 bpm • A Maj • 03:13 • -1.55db
36% Popularity • 43% Danceability • 96% Energy • 28% Liveness
0% Instrumentalness • 56% Positiveness
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Die Toten Hosen
Europa
168 bpm • F Maj • 02:49 • -4.57db
36% Popularity • 56% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Das Sinfonieorchester der Robert Schumann Schule
Europa
169 bpm • G# min • 03:57 • -8.8db
15% Popularity • 36% Danceability • 82% Energy • 33% Liveness
0% Instrumentalness • 34% Positiveness
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Ferris MC
Hass macht hässlich
167 bpm • G# Maj • 03:21 • -5db
36% Popularity • 44% Danceability • 90% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
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Störte.Priester
Feuer, Schnaps, Benzin
168 bpm • B Maj • 03:27 • -2.51db
41% Popularity • 39% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Feine Sahne Fischfilet
Wenn's morgen vorbei ist
167 bpm • E min • 03:33 • -2.6db
47% Popularity • 50% Danceability • 89% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
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Jennifer Rostock
Du nimmst mir die Angst
167 bpm • A min • 04:04 • -2.68db
33% Popularity • 51% Danceability • 96% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Die Toten Hosen
Alles hat seinen Grund
168 bpm • B min • 03:38 • -5.16db
31% Popularity • 52% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
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Montreal
Sommer 96
166 bpm • E min • 02:04 • -2.97db
34% Popularity • 40% Danceability • 95% Energy • 23% Liveness
0% Instrumentalness • 63% Positiveness
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Deine Cousine
Aufhören wenns am Schönsten ist
166 bpm • D Maj • 03:31 • -2.65db
36% Popularity • 53% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Elfmorgen
Oberlippenbart
165 bpm • B Maj • 02:27 • -7.11db
39% Popularity • 44% Danceability • 88% Energy • 68% Liveness
0% Instrumentalness • 47% Positiveness
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Feine Sahne Fischfilet
Für diese eine Nacht
166 bpm • F Maj • 03:23 • -5db
40% Popularity • 25% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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ENGST
Der König
165 bpm • C# min • 03:45 • -3.03db
37% Popularity • 47% Danceability • 91% Energy • 30% Liveness
0% Instrumentalness • 74% Positiveness
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Sirenen