Songs like Six Feet Apart by Alec Benjamin
Based on a tempo of (+/- 10%) and a similar genre
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Alec Benjamin
Six Feet Apart
111 bpm • F Maj • 02:53 • -7.12db
52% Popularity • 49% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
52% Popularity • 49% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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KiD RAiN
Accidentally in Love
111 bpm • E Maj • 02:08 • -11.98db
48% Popularity • 67% Danceability • 40% Energy • 25% Liveness
0% Instrumentalness • 89% Positiveness
48% Popularity • 67% Danceability • 40% Energy • 25% Liveness
0% Instrumentalness • 89% Positiveness
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Faouzia
Bad Dreams - Stripped
111 bpm • F# min • 02:51 • -9.58db
49% Popularity • 64% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
49% Popularity • 64% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Jacob Whitesides
The Only Exception
111 bpm • F Maj • 02:55 • -11.74db
26% Popularity • 36% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
26% Popularity • 36% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Christian Leave
Please Notice
111 bpm • D Maj • 01:56 • -8.45db
65% Popularity • 55% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
65% Popularity • 55% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Tessa Violet
Words Ain't Enough
110 bpm • D# Maj • 02:04 • -11.85db
37% Popularity • 79% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
37% Popularity • 79% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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We Three
Lifeline
112 bpm • B min • 03:11 • -4.81db
44% Popularity • 57% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
44% Popularity • 57% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
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Sweet Talk Radio
I'm Here
110 bpm • B Maj • 03:45 • -9db
36% Popularity • 57% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
36% Popularity • 57% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Etham
I Wish It Was Me
110 bpm • F# min • 03:31 • -8.4db
45% Popularity • 57% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
45% Popularity • 57% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Harry Styles
Falling
110 bpm • E Maj • 04:00 • -6.5db
83% Popularity • 57% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
83% Popularity • 57% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Mike Waters
I'm Doing Fine
112 bpm • C Maj • 03:25 • -5.81db
42% Popularity • 43% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
42% Popularity • 43% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Ashe
Cold in California
110 bpm • A Maj • 03:27 • -8.05db
35% Popularity • 43% Danceability • 49% Energy • 36% Liveness
0% Instrumentalness • 31% Positiveness
35% Popularity • 43% Danceability • 49% Energy • 36% Liveness
0% Instrumentalness • 31% Positiveness
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Jeremy Shada
Ballerina
110 bpm • D Maj • 02:26 • -8.95db
44% Popularity • 74% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
44% Popularity • 74% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Alec Benjamin
Hipocrite
110 bpm • G Maj • 02:16 • -4.6db
47% Popularity • 81% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
47% Popularity • 81% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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Etham
I Wish It Was Me - Stripped
110 bpm • F# min • 03:33 • -8.48db
33% Popularity • 76% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
33% Popularity • 76% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Sody
Reason To Stay
110 bpm • C Maj • 03:08 • -7.31db
40% Popularity • 49% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
40% Popularity • 49% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Jonah Kagen
Moon
110 bpm • C# min • 03:40 • -8.81db
52% Popularity • 59% Danceability • 52% Energy • 49% Liveness
0% Instrumentalness • 38% Positiveness
52% Popularity • 59% Danceability • 52% Energy • 49% Liveness
0% Instrumentalness • 38% Positiveness
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Munn
Come Home
110 bpm • A# Maj • 02:48 • -12.1db
35% Popularity • 57% Danceability • 35% Energy • 35% Liveness
0% Instrumentalness • 29% Positiveness
35% Popularity • 57% Danceability • 35% Energy • 35% Liveness
0% Instrumentalness • 29% Positiveness
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AJ Mitchell
I Don't Want You Back
110 bpm • F Maj • 03:44 • -6.49db
53% Popularity • 61% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
53% Popularity • 61% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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James Arthur
Safe Inside - Acoustic
110 bpm • G# Maj • 03:52 • -9db
45% Popularity • 39% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
45% Popularity • 39% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Charlotte Lawrence
Everybody Loves You
112 bpm • D Maj • 03:24 • -10.28db
44% Popularity • 48% Danceability • 23% Energy • 37% Liveness
0% Instrumentalness • 33% Positiveness
44% Popularity • 48% Danceability • 23% Energy • 37% Liveness
0% Instrumentalness • 33% Positiveness
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Alec Benjamin
Outrunning Karma
112 bpm • B min • 03:08 • -5.27db
65% Popularity • 42% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
65% Popularity • 42% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Sleeping At Last
Six
109 bpm • B Maj • 04:14 • -10db
43% Popularity • 23% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
43% Popularity • 23% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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eli.
disappear
112 bpm • F min • 03:45 • -7.74db
44% Popularity • 56% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
44% Popularity • 56% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Isak Danielson
Always
113 bpm • B Maj • 03:33 • -8.03db
62% Popularity • 69% Danceability • 45% Energy • 31% Liveness
0% Instrumentalness • 55% Positiveness
62% Popularity • 69% Danceability • 45% Energy • 31% Liveness
0% Instrumentalness • 55% Positiveness
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Jaymes Young
Happiest Year
113 bpm • C# Maj • 03:48 • -14.06db
74% Popularity • 50% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
74% Popularity • 50% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Clinton Kane
forget about us
109 bpm • E Maj • 03:04 • -7.09db
48% Popularity • 53% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
48% Popularity • 53% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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yaeow
The Way I Love You
113 bpm • F# Maj • 02:42 • -18.04db
51% Popularity • 54% Danceability • 21% Energy • 38% Liveness
45% Instrumentalness • 13% Positiveness
51% Popularity • 54% Danceability • 21% Energy • 38% Liveness
45% Instrumentalness • 13% Positiveness
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Marco Tamimi
Different Eyes
113 bpm • D Maj • 03:54 • -11.78db
44% Popularity • 44% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
44% Popularity • 44% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Luz
i'm lonely
109 bpm • F Maj • 03:01 • -11db
41% Popularity • 50% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
41% Popularity • 50% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Jeremy Zucker
scared
108 bpm • F Maj • 03:27 • -15.84db
58% Popularity • 58% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
58% Popularity • 58% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Anson Seabra
It's Raining, It's Pouring
114 bpm • D min • 03:03 • -9db
51% Popularity • 60% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
51% Popularity • 60% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Clinton Kane
hopeless
108 bpm • G Maj • 03:19 • -6.11db
47% Popularity • 46% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
47% Popularity • 46% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Sam Fischer
For Now
108 bpm • C# Maj • 03:31 • -11.11db
40% Popularity • 73% Danceability • 23% Energy • 30% Liveness
0% Instrumentalness • 41% Positiveness
40% Popularity • 73% Danceability • 23% Energy • 30% Liveness
0% Instrumentalness • 41% Positiveness
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John K
if we never met
108 bpm • G# Maj • 02:25 • -7.06db
59% Popularity • 96% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
59% Popularity • 96% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Benson Boone
Cry
108 bpm • A# Maj • 03:06 • -5.25db
68% Popularity • 71% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
68% Popularity • 71% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Tom Walker
Better Half of Me
108 bpm • D# Maj • 03:15 • -4.7db
54% Popularity • 59% Danceability • 45% Energy • 28% Liveness
0% Instrumentalness • 44% Positiveness
54% Popularity • 59% Danceability • 45% Energy • 28% Liveness
0% Instrumentalness • 44% Positiveness
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Alec Benjamin
One Wrong Turn
108 bpm • G min • 02:46 • -5.19db
53% Popularity • 52% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
53% Popularity • 52% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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FINNEAS
Life Moves On
115 bpm • A Maj • 04:11 • -9.93db
42% Popularity • 50% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
42% Popularity • 50% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Andy Grammer
Wish You Pain
115 bpm • D Maj • 03:47 • -7.31db
18% Popularity • 63% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 6% Positiveness
18% Popularity • 63% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 6% Positiveness
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5 Seconds of Summer
Youngblood - Acoustic
115 bpm • E min • 03:40 • -6.07db
49% Popularity • 61% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 40% Positiveness
49% Popularity • 61% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 40% Positiveness
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We Three
Nightlight
115 bpm • C Maj • 03:18 • -8db
41% Popularity • 75% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
41% Popularity • 75% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
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James Arthur
Breathe
115 bpm • F Maj • 03:19 • -8.83db
53% Popularity • 74% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
53% Popularity • 74% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Alessia Cara
October
107 bpm • C Maj • 04:00 • -7.85db
50% Popularity • 74% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
50% Popularity • 74% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Sara Kays
Rich Boy
107 bpm • G Maj • 02:57 • -8.71db
37% Popularity • 50% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
37% Popularity • 50% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Livingston
Superkid
107 bpm • C# Maj • 03:21 • -5.12db
53% Popularity • 70% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
53% Popularity • 70% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
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Caleb Hearn
Always Be 2.0
106 bpm • C Maj • 02:45 • -10.95db
58% Popularity • 48% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
58% Popularity • 48% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Billie Eilish
lovely
115 bpm • E min • 03:20 • -10.11db
88% Popularity • 35% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
88% Popularity • 35% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Dean Lewis
Stay Awake
106 bpm • B min • 03:05 • -7.12db
60% Popularity • 72% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
60% Popularity • 72% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Alec Benjamin
Different Kind Of Beautiful
106 bpm • C Maj • 03:21 • -7.42db
62% Popularity • 52% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
62% Popularity • 52% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Sara Kays
Smaller Than This
106 bpm • C# Maj • 03:28 • -9.18db
51% Popularity • 57% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
51% Popularity • 57% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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We Three
Heaven's Not Too Far
117 bpm • A Maj • 04:02 • -6.58db
53% Popularity • 47% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
53% Popularity • 47% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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vaultboy
aftermath
117 bpm • A Maj • 02:46 • -9.28db
58% Popularity • 62% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
58% Popularity • 62% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Alexander 23
Mars
117 bpm • A# Maj • 02:33 • -7.63db
41% Popularity • 94% Danceability • 40% Energy • 29% Liveness
0% Instrumentalness • 64% Positiveness
41% Popularity • 94% Danceability • 40% Energy • 29% Liveness
0% Instrumentalness • 64% Positiveness
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Ben Lawrence
I'm Not Okay...
117 bpm • D# Maj • 03:06 • -8.79db
27% Popularity • 73% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
27% Popularity • 73% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Jeremy Zucker
always, i'll care
105 bpm • F# Maj • 02:26 • -12.62db
67% Popularity • 73% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
67% Popularity • 73% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Dean Lewis
7 Minutes
105 bpm • A# Maj • 03:31 • -6.48db
61% Popularity • 61% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
61% Popularity • 61% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
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Jordan Suaste
Hookup Culture - Acoustic Version
105 bpm • F# min • 03:29 • -10.63db
34% Popularity • 61% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
34% Popularity • 61% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Matthew Mole
Running After You
105 bpm • E Maj • 03:57 • -12.08db
40% Popularity • 60% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
40% Popularity • 60% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Alexander 23
Come Here and Leave Me Alone
117 bpm • C# min • 03:06 • -12.4db
40% Popularity • 69% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
40% Popularity • 69% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Suriel Hess
Parts of You
105 bpm • G Maj • 03:23 • -9.99db
30% Popularity • 68% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
30% Popularity • 68% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Robert Grace
The Good Place
118 bpm • F Maj • 03:29 • -12.44db
24% Popularity • 56% Danceability • 27% Energy • 36% Liveness
0% Instrumentalness • 31% Positiveness
24% Popularity • 56% Danceability • 27% Energy • 36% Liveness
0% Instrumentalness • 31% Positiveness
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Alessia Cara
Out Of Love
118 bpm • G Maj • 03:47 • -9.25db
68% Popularity • 48% Danceability • 27% Energy • 25% Liveness
0% Instrumentalness • 14% Positiveness
68% Popularity • 48% Danceability • 27% Energy • 25% Liveness
0% Instrumentalness • 14% Positiveness
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Bazzi
Renee's Song
118 bpm • A Maj • 02:10 • -8.89db
52% Popularity • 59% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
52% Popularity • 59% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
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Nico Collins
Our Way Out
118 bpm • E min • 04:03 • -4.92db
47% Popularity • 56% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
47% Popularity • 56% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
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Alexander 23
Cry Over Boys
118 bpm • G Maj • 02:50 • -13.55db
53% Popularity • 86% Danceability • 25% Energy • 53% Liveness
0% Instrumentalness • 38% Positiveness
53% Popularity • 86% Danceability • 25% Energy • 53% Liveness
0% Instrumentalness • 38% Positiveness
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AJ Mitchell
Used to Be
118 bpm • F Maj • 02:54 • -6.55db
52% Popularity • 47% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
52% Popularity • 47% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Alec Benjamin
Pick Me
104 bpm • A Maj • 02:58 • -8.54db
63% Popularity • 71% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
63% Popularity • 71% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Sara Kays
Backseat Rider
104 bpm • D Maj • 03:28 • -9db
45% Popularity • 57% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 55% Positiveness
45% Popularity • 57% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 55% Positiveness
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OneRepublic
Somebody To Love
118 bpm • D Maj • 03:01 • -8.08db
46% Popularity • 40% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
46% Popularity • 40% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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NF
Trauma
104 bpm • F Maj • 04:07 • -15.33db
60% Popularity • 53% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
60% Popularity • 53% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Jeremy Zucker
all the kids are depressed
104 bpm • A Maj • 02:49 • -8.28db
69% Popularity • 77% Danceability • 44% Energy • 54% Liveness
0% Instrumentalness • 71% Positiveness
69% Popularity • 77% Danceability • 44% Energy • 54% Liveness
0% Instrumentalness • 71% Positiveness
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The Nebulous
I'll Follow You into the Dark
103 bpm • D# Maj • 03:20 • -15.3db
29% Popularity • 40% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
29% Popularity • 40% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Alec Benjamin
Nancy Got A Haircut
104 bpm • C# min • 01:58 • -4db
43% Popularity • 81% Danceability • 76% Energy • 31% Liveness
0% Instrumentalness • 75% Positiveness
43% Popularity • 81% Danceability • 76% Energy • 31% Liveness
0% Instrumentalness • 75% Positiveness
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FINNEAS
Die Alone
103 bpm • C Maj • 04:21 • -11.83db
52% Popularity • 44% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
52% Popularity • 44% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Ray Lorraine
Love Story
120 bpm • C Maj • 03:52 • -17.72db
45% Popularity • 61% Danceability • 12% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
45% Popularity • 61% Danceability • 12% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
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Hayd
October Snow
120 bpm • E Maj • 03:38 • -20.38db
41% Popularity • 74% Danceability • 10% Energy • 34% Liveness
0% Instrumentalness • 8% Positiveness
41% Popularity • 74% Danceability • 10% Energy • 34% Liveness
0% Instrumentalness • 8% Positiveness
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Ashe
Moral of the Story - Bonus Track
120 bpm • A# Maj • 03:18 • -8.9db
70% Popularity • 58% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 22% Positiveness
70% Popularity • 58% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 22% Positiveness
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Ruel
Say
120 bpm • D# Maj • 03:47 • -8db
53% Popularity • 62% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
53% Popularity • 62% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Alec Benjamin
The Book of You & I
103 bpm • A# Maj • 03:27 • -6.24db
57% Popularity • 51% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
57% Popularity • 51% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Selena Gomez
Lose You To Love Me
103 bpm • E Maj • 03:26 • -8.99db
80% Popularity • 49% Danceability • 34% Energy • 21% Liveness
0% Instrumentalness • 10% Positiveness
80% Popularity • 49% Danceability • 34% Energy • 21% Liveness
0% Instrumentalness • 10% Positiveness
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Ruth B.
If By Chance
120 bpm • A# Maj • 05:03 • -8.1db
64% Popularity • 40% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
64% Popularity • 40% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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FINNEAS
I'm in Love Without You
120 bpm • G Maj • 03:21 • -7.58db
44% Popularity • 61% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
44% Popularity • 61% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Ashe
Moral of the Story
120 bpm • A# Maj • 03:21 • -8.62db
77% Popularity • 57% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
77% Popularity • 57% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Jillian Rossi
Fever Dream
120 bpm • D Maj • 02:51 • -8.47db
50% Popularity • 56% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
50% Popularity • 56% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
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Hayd
Superhero
120 bpm • A Maj • 04:01 • -19db
51% Popularity • 64% Danceability • 12% Energy • 35% Liveness
0% Instrumentalness • 14% Positiveness
51% Popularity • 64% Danceability • 12% Energy • 35% Liveness
0% Instrumentalness • 14% Positiveness
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Mokita
London
120 bpm • B Maj • 02:40 • -8.72db
57% Popularity • 68% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
57% Popularity • 68% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Chord Overstreet
Hold On
120 bpm • D Maj • 03:18 • -9.68db
78% Popularity • 62% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
78% Popularity • 62% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Charlotte Lawrence
Why Do You Love Me - Acoustic
120 bpm • G# min • 02:51 • -4.12db
37% Popularity • 58% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
37% Popularity • 58% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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FINNEAS
Shelter
120 bpm • D# min • 03:07 • -10.04db
48% Popularity • 89% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
48% Popularity • 89% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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GOLDHOUSE
i don't wanna know - acoustic
120 bpm • A# Maj • 03:06 • -8.74db
48% Popularity • 64% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
48% Popularity • 64% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Hayd
Safe & Sound
120 bpm • D Maj • 03:24 • -21db
42% Popularity • 71% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
42% Popularity • 71% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
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We Three
Secrets
120 bpm • C# Maj • 03:20 • -8db
36% Popularity • 40% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
36% Popularity • 40% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Michael Schulte
Someone
120 bpm • A# Maj • 03:37 • -4.36db
38% Popularity • 66% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
38% Popularity • 66% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Alec Benjamin
Match In The Rain
120 bpm • A# min • 02:39 • -7.34db
57% Popularity • 78% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
57% Popularity • 78% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
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Clara Mae
Sorry for Writing All the Songs About Yo...
120 bpm • G Maj • 03:26 • -7.03db
36% Popularity • 75% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
36% Popularity • 75% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Alexander 23
High School
120 bpm • F# Maj • 03:08 • -7.04db
37% Popularity • 54% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
37% Popularity • 54% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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Hayd
Changes
120 bpm • F# Maj • 03:34 • -17.14db
62% Popularity • 62% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
62% Popularity • 62% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
