Songs like Six in 6 Minutes by RANGE a cappella
Based on a tempo of (+/- 10%) and a similar genre
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Lauren Fairweather
Hufflepuff
106 bpm • C Maj • 03:10 • -7.82db
16% Popularity • 62% Danceability • 53% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
16% Popularity • 62% Danceability • 53% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
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Laureli Amadeus
Camilo's Interlude
106 bpm • G min • 02:13 • -18.61db
18% Popularity • 73% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
18% Popularity • 73% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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K.C.
Discolored (A Non-Binary Song)
106 bpm • D Maj • 01:19 • -20.7db
16% Popularity • 51% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
16% Popularity • 51% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Mandy Moore
Crossing the Line
106 bpm • A# Maj • 02:42 • -6.61db
48% Popularity • 39% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
48% Popularity • 39% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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RANGE a cappella
Cold Water
106 bpm • A Maj • 02:43 • -4.76db
2% Popularity • 34% Danceability • 77% Energy • 32% Liveness
0% Instrumentalness • 40% Positiveness
2% Popularity • 34% Danceability • 77% Energy • 32% Liveness
0% Instrumentalness • 40% Positiveness
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Heidi Blickenstaff
Ammonia
106 bpm • C Maj • 08:01 • -6.43db
11% Popularity • 40% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
11% Popularity • 40% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Calm Down Ace
8 to 10
107 bpm • F# Maj • 02:47 • -6.14db
31% Popularity • 60% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
31% Popularity • 60% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Laureli Amadeus
Camilo's Interlude
106 bpm • C min • 01:47 • -20.34db
28% Popularity • 86% Danceability • 11% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
28% Popularity • 86% Danceability • 11% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
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PEGGY
Falling for the Villain
107 bpm • G Maj • 03:38 • -8.51db
45% Popularity • 58% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
45% Popularity • 58% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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Ariana DeBose
Alyssa Greene
107 bpm • C# Maj • 02:20 • -9db
39% Popularity • 53% Danceability • 37% Energy • 31% Liveness
0% Instrumentalness • 52% Positiveness
39% Popularity • 53% Danceability • 37% Energy • 31% Liveness
0% Instrumentalness • 52% Positiveness
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RANGE a cappella
Six in 6 Minutes
106 bpm • G min • 06:56 • -8.17db
21% Popularity • 32% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
21% Popularity • 32% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Madds Buckley
Hawk In The Night
105 bpm • B Maj • 03:59 • -8.32db
36% Popularity • 48% Danceability • 48% Energy • 26% Liveness
0% Instrumentalness • 35% Positiveness
36% Popularity • 48% Danceability • 48% Energy • 26% Liveness
0% Instrumentalness • 35% Positiveness
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Lynne Shankel
A Million Miles from Heaven
107 bpm • G min • 03:12 • -4.71db
13% Popularity • 56% Danceability • 81% Energy • 17% Liveness
0% Instrumentalness • 50% Positiveness
13% Popularity • 56% Danceability • 81% Energy • 17% Liveness
0% Instrumentalness • 50% Positiveness
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Amina Faye
Oh Well
107 bpm • G# Maj • 05:30 • -8.06db
14% Popularity • 50% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
14% Popularity • 50% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Rochelle Diamante
Queen Bee
105 bpm • C# Maj • 03:09 • -4db
37% Popularity • 74% Danceability • 95% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
37% Popularity • 74% Danceability • 95% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
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Ariana DeBose
Samson
105 bpm • G min • 03:00 • -10.53db
13% Popularity • 51% Danceability • 37% Energy • 64% Liveness
0% Instrumentalness • 53% Positiveness
13% Popularity • 51% Danceability • 37% Energy • 64% Liveness
0% Instrumentalness • 53% Positiveness
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Savannah
Monsters and Fairies
105 bpm • G Maj • 03:52 • -9.28db
24% Popularity • 68% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
24% Popularity • 68% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Madds Buckley
Reach
105 bpm • D Maj • 03:06 • -9.27db
36% Popularity • 54% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
36% Popularity • 54% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Annapantsu
Babooshka
105 bpm • F min • 03:15 • -7.72db
23% Popularity • 60% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
23% Popularity • 60% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Alex Brightman
A Little Bit
105 bpm • C Maj • 04:08 • -9.88db
27% Popularity • 62% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
27% Popularity • 62% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
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Devon Busswood
Crazier Than You
107 bpm • G Maj • 03:06 • -13.39db
19% Popularity • 47% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
19% Popularity • 47% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
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George Salazar
Andy's Song
105 bpm • A Maj • 03:56 • -12.03db
28% Popularity • 65% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
28% Popularity • 65% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Julia Riew
Mischievous (based on Just A Spell by Ar...
104 bpm • C Maj • 03:02 • -6.25db
21% Popularity • 62% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
21% Popularity • 62% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
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Kimiko Glenn
Hootenanny Chorale
105 bpm • E Maj • 01:39 • -7.35db
27% Popularity • 32% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
27% Popularity • 32% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Lewberger
I Wish I Could Be a Disney Princess
104 bpm • C Maj • 03:30 • -9.19db
14% Popularity • 38% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
14% Popularity • 38% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Dove Cameron
Kaput
108 bpm • B Maj • 02:37 • -8.07db
32% Popularity • 55% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
32% Popularity • 55% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Krystina Alabado
Go Tonight
104 bpm • G# Maj • 04:41 • -9.39db
36% Popularity • 64% Danceability • 37% Energy • 23% Liveness
0% Instrumentalness • 25% Positiveness
36% Popularity • 64% Danceability • 37% Energy • 23% Liveness
0% Instrumentalness • 25% Positiveness
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Elise Ecklund
Young Love
108 bpm • G# min • 02:16 • -5.63db
25% Popularity • 76% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
25% Popularity • 76% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
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Joey Contreras
Fork in the Road
104 bpm • G Maj • 04:03 • -7.3db
18% Popularity • 42% Danceability • 64% Energy • 28% Liveness
0% Instrumentalness • 25% Positiveness
18% Popularity • 42% Danceability • 64% Energy • 28% Liveness
0% Instrumentalness • 25% Positiveness
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Alan Cumming
Trouble
108 bpm • C Maj • 02:32 • -6.96db
31% Popularity • 40% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
31% Popularity • 40% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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George Salazar
Broadway, Here I Come!
104 bpm • A Maj • 04:40 • -14db
27% Popularity • 54% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
27% Popularity • 54% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Matt Dahan
Impress Me
104 bpm • A Maj • 05:43 • -7.62db
24% Popularity • 65% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
24% Popularity • 65% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
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SIX
I Don't Need Your Love - Remix
104 bpm • C Maj • 02:11 • -6.33db
45% Popularity • 62% Danceability • 82% Energy • 69% Liveness
0% Instrumentalness • 55% Positiveness
45% Popularity • 62% Danceability • 82% Energy • 69% Liveness
0% Instrumentalness • 55% Positiveness
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Emma Lively
Awake at Midnight
108 bpm • F Maj • 02:56 • -7db
18% Popularity • 67% Danceability • 52% Energy • 30% Liveness
0% Instrumentalness • 40% Positiveness
18% Popularity • 67% Danceability • 52% Energy • 30% Liveness
0% Instrumentalness • 40% Positiveness
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Taraji P. Henson
Little Girls
108 bpm • A# min • 02:10 • -9.68db
14% Popularity • 60% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
14% Popularity • 60% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Amandla Stenberg
The Anonymous Ones
104 bpm • C# Maj • 04:43 • -9.51db
34% Popularity • 51% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
34% Popularity • 51% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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RANGE a cappella
Wild Things / Reflections
109 bpm • C min • 03:26 • -3.66db
2% Popularity • 64% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
2% Popularity • 64% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Matt Dahan
Enlightenment
103 bpm • D Maj • 03:21 • -8.24db
25% Popularity • 38% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
25% Popularity • 38% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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SIX
Get Down
103 bpm • C# Maj • 04:43 • -9.84db
50% Popularity • 84% Danceability • 58% Energy • 97% Liveness
0% Instrumentalness • 52% Positiveness
50% Popularity • 84% Danceability • 58% Energy • 97% Liveness
0% Instrumentalness • 52% Positiveness
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Emma Lively
Break Through the Dark
104 bpm • F# Maj • 02:48 • -5.39db
13% Popularity • 70% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
13% Popularity • 70% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Stage Stars
It Sucks to Be Me - Accompaniment with G...
103 bpm • F# min • 05:04 • -8.74db
18% Popularity • 81% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
18% Popularity • 81% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Jay Armstrong Johnson
Leave Luanne
103 bpm • D min • 07:33 • -6.05db
40% Popularity • 47% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
40% Popularity • 47% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Catherine Keithley
Warning Rune (Official Escape the Night ...
110 bpm • F min • 02:00 • -12.89db
14% Popularity • 52% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
14% Popularity • 52% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Shanel Bailey
Think Pink
110 bpm • E Maj • 03:13 • -5.78db
31% Popularity • 76% Danceability • 71% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
31% Popularity • 76% Danceability • 71% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
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SIX
Get Down
103 bpm • E min • 04:13 • -9.91db
62% Popularity • 90% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 39% Positiveness
62% Popularity • 90% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 39% Positiveness
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Jessica Vosk
Help / Being Alive
102 bpm • C Maj • 02:45 • -5db
12% Popularity • 49% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
12% Popularity • 49% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Lilli Cooper
It Feels Good
102 bpm • C# min • 03:18 • -6.13db
8% Popularity • 73% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
8% Popularity • 73% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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RANGE a cappella
Morning In America
102 bpm • F Maj • 04:25 • -4.42db
2% Popularity • 61% Danceability • 67% Energy • 36% Liveness
0% Instrumentalness • 38% Positiveness
2% Popularity • 61% Danceability • 67% Energy • 36% Liveness
0% Instrumentalness • 38% Positiveness
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Madilyn Bailey
I'm Your Biggest Fan
102 bpm • G Maj • 02:39 • -8.57db
24% Popularity • 72% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
24% Popularity • 72% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Miggie Snyder
Legend Lake
102 bpm • D Maj • 02:52 • -15db
30% Popularity • 60% Danceability • 16% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
30% Popularity • 60% Danceability • 16% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
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Braveree
That Girl
102 bpm • C Maj • 05:35 • -8.07db
15% Popularity • 44% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
15% Popularity • 44% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Megan Hilty
Before You Go
101 bpm • C Maj • 01:49 • -9.69db
28% Popularity • 73% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
28% Popularity • 73% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Patrick Stanke
A Story Told
111 bpm • C# Maj • 02:30 • -10.31db
37% Popularity • 51% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 61% Positiveness
37% Popularity • 51% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 61% Positiveness
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Rueby Wood
No One Gets Left Behind
101 bpm • B Maj • 02:59 • -9db
26% Popularity • 56% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
26% Popularity • 56% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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CollegeHumor's Dropout
This Is My Chance
101 bpm • A# Maj • 01:34 • -11.82db
26% Popularity • 54% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
26% Popularity • 54% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Will Reynolds
Getting Closer
112 bpm • A Maj • 02:05 • -8db
25% Popularity • 45% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
25% Popularity • 45% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
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Mandy Moore
I'd Give Anything
112 bpm • G Maj • 01:37 • -11.21db
35% Popularity • 53% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
35% Popularity • 53% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Renée Elise Goldsberry
The Key
111 bpm • B min • 02:07 • -7.04db
34% Popularity • 52% Danceability • 47% Energy • 34% Liveness
0% Instrumentalness • 32% Positiveness
34% Popularity • 52% Danceability • 47% Energy • 34% Liveness
0% Instrumentalness • 32% Positiveness
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George Salazar
Two-Player Game
112 bpm • D Maj • 03:55 • -11.37db
13% Popularity • 64% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
13% Popularity • 64% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Varian
Let Me Make You Proud (Reprise)
112 bpm • C# Maj • 01:02 • -8db
41% Popularity • 45% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
41% Popularity • 45% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Jorge Rivera-Herrans
Open Arms
100 bpm • A Maj • 03:19 • -7.61db
61% Popularity • 51% Danceability • 60% Energy • 28% Liveness
0% Instrumentalness • 38% Positiveness
61% Popularity • 51% Danceability • 60% Energy • 28% Liveness
0% Instrumentalness • 38% Positiveness
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Oliver Boyd and the Remembralls
Just a Hufflepuff
112 bpm • F# Maj • 03:20 • -9.93db
26% Popularity • 60% Danceability • 43% Energy • 30% Liveness
0% Instrumentalness • 54% Positiveness
26% Popularity • 60% Danceability • 43% Energy • 30% Liveness
0% Instrumentalness • 54% Positiveness
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Ryan Scott Oliver
I Go on with You
112 bpm • G# Maj • 03:25 • -8db
17% Popularity • 51% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
17% Popularity • 51% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Caroline Kay
Better Than You
112 bpm • B min • 04:03 • -9db
30% Popularity • 80% Danceability • 55% Energy • 53% Liveness
0% Instrumentalness • 78% Positiveness
30% Popularity • 80% Danceability • 55% Energy • 53% Liveness
0% Instrumentalness • 78% Positiveness
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Krystina Alabado
Babbling Brooke
112 bpm • G# Maj • 04:45 • -9.44db
27% Popularity • 78% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
27% Popularity • 78% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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SIX
"But there's only one you need to hear f...
112 bpm • C# Maj • 01:27 • -15db
48% Popularity • 72% Danceability • 58% Energy • 72% Liveness
0% Instrumentalness • 55% Positiveness
48% Popularity • 72% Danceability • 58% Energy • 72% Liveness
0% Instrumentalness • 55% Positiveness
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Matt Dahan
The Starry Night
100 bpm • A Maj • 03:07 • -9.45db
30% Popularity • 56% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
30% Popularity • 56% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Elise Ecklund
Fake
100 bpm • A min • 03:09 • -4.9db
29% Popularity • 79% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
29% Popularity • 79% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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MathematicPony
Just This Once
100 bpm • G# Maj • 03:19 • -12.43db
32% Popularity • 80% Danceability • 31% Energy • 12% Liveness
2% Instrumentalness • 83% Positiveness
32% Popularity • 80% Danceability • 31% Energy • 12% Liveness
2% Instrumentalness • 83% Positiveness
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Katherine Lynn-Rose
Eye of the Storm
100 bpm • A Maj • 03:36 • -11.38db
29% Popularity • 47% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
29% Popularity • 47% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Lizard Boy Original Cast
Recess
100 bpm • G Maj • 03:01 • -6.32db
15% Popularity • 50% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
15% Popularity • 50% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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SIX
The One You've Been Waiting For
100 bpm • F min • 01:06 • -10.32db
50% Popularity • 63% Danceability • 59% Energy • 74% Liveness
0% Instrumentalness • 57% Positiveness
50% Popularity • 63% Danceability • 59% Energy • 74% Liveness
0% Instrumentalness • 57% Positiveness
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Katie Thompson
Miles To Go
113 bpm • C# Maj • 04:58 • -7.85db
19% Popularity • 43% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
19% Popularity • 43% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
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George Salazar
The Bro Duet
100 bpm • F# Maj • 03:11 • -16.54db
39% Popularity • 65% Danceability • 22% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
39% Popularity • 65% Danceability • 22% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
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Rapunzel
I've Got This
113 bpm • C Maj • 02:33 • -6.31db
25% Popularity • 77% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
25% Popularity • 77% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
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Katherine Lynn-Rose
Balance
100 bpm • A# min • 07:45 • -14.31db
30% Popularity • 36% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
30% Popularity • 36% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Oh Geeez Not Again
Mess With Mine
113 bpm • F# min • 03:10 • -8.64db
25% Popularity • 70% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
25% Popularity • 70% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Lexi Walker
Don't Rain on My Parade
113 bpm • C Maj • 02:44 • -5.58db
16% Popularity • 51% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
16% Popularity • 51% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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Jorge Rivera-Herrans
Full Speed Ahead
113 bpm • D# Maj • 03:00 • -6.26db
61% Popularity • 58% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
61% Popularity • 58% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Cheyenne Isabel Wells
I'm In Love
99 bpm • C Maj • 02:49 • -6.9db
27% Popularity • 69% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
27% Popularity • 69% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Crazy Ex-Girlfriend Cast
Friendtopia
114 bpm • G Maj • 01:53 • -5db
30% Popularity • 69% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
30% Popularity • 69% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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Lewberger
Disney Princess
99 bpm • C Maj • 03:37 • -6db
28% Popularity • 35% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
28% Popularity • 35% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Avbyte
Happy Ever After
99 bpm • C min • 02:43 • -5.33db
17% Popularity • 53% Danceability • 46% Energy • 32% Liveness
0% Instrumentalness • 83% Positiveness
17% Popularity • 53% Danceability • 46% Energy • 32% Liveness
0% Instrumentalness • 83% Positiveness
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Matt Bloyd
Be Prepared / One of Us
114 bpm • A min • 02:50 • -6db
22% Popularity • 37% Danceability • 67% Energy • 23% Liveness
0% Instrumentalness • 48% Positiveness
22% Popularity • 37% Danceability • 67% Energy • 23% Liveness
0% Instrumentalness • 48% Positiveness
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Jon Cozart
After Ever After 3
99 bpm • A Maj • 05:21 • -7db
36% Popularity • 42% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
36% Popularity • 42% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Michaela Laws
I'll Only Love You More
114 bpm • E min • 03:23 • -8.52db
8% Popularity • 47% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
8% Popularity • 47% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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SIX
Heart of Stone
114 bpm • C# min • 05:38 • -9.54db
48% Popularity • 37% Danceability • 41% Energy • 72% Liveness
0% Instrumentalness • 9% Positiveness
48% Popularity • 37% Danceability • 41% Energy • 72% Liveness
0% Instrumentalness • 9% Positiveness
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Rebecca Levy
2/10 Would Not Recommend
114 bpm • F# Maj • 03:42 • -8.81db
26% Popularity • 78% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
26% Popularity • 78% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Kate Shindle
The Mad Hatter
98 bpm • E min • 03:02 • -10.23db
39% Popularity • 52% Danceability • 50% Energy • 24% Liveness
0% Instrumentalness • 39% Positiveness
39% Popularity • 52% Danceability • 50% Energy • 24% Liveness
0% Instrumentalness • 39% Positiveness
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Andrew Barth Feldman
Me and Mr. Popularity
114 bpm • F Maj • 04:02 • -8db
30% Popularity • 48% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
30% Popularity • 48% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Brian D'Arcy James
Once Shattered, Now Whole
98 bpm • D Maj • 01:46 • -12db
30% Popularity • 26% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
30% Popularity • 26% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Patti Murin
What Do You Know About Love?
114 bpm • A# Maj • 04:26 • -6.79db
18% Popularity • 71% Danceability • 49% Energy • 30% Liveness
0% Instrumentalness • 57% Positiveness
18% Popularity • 71% Danceability • 49% Energy • 30% Liveness
0% Instrumentalness • 57% Positiveness
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SIX
Heart of Stone - Alternates Version
114 bpm • E Maj • 05:22 • -10db
41% Popularity • 47% Danceability • 26% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
41% Popularity • 47% Danceability • 26% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
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ARCANA
Fictional
98 bpm • D# Maj • 02:51 • -2.86db
27% Popularity • 61% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
27% Popularity • 61% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
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Annapantsu
How Bad Can I Be
98 bpm • G Maj • 02:50 • -5.13db
23% Popularity • 72% Danceability • 77% Energy • 64% Liveness
0% Instrumentalness • 92% Positiveness
23% Popularity • 72% Danceability • 77% Energy • 64% Liveness
0% Instrumentalness • 92% Positiveness
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Lea Salonga
Nothing Good
98 bpm • D Maj • 01:40 • -7db
38% Popularity • 44% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
38% Popularity • 44% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Colton Ryan
Sincerely Me
98 bpm • C Maj • 03:37 • -5.8db
33% Popularity • 63% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
33% Popularity • 63% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
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Kestin Howard
Brains!
98 bpm • C# Maj • 04:58 • -12.88db
16% Popularity • 79% Danceability • 37% Energy • 68% Liveness
0% Instrumentalness • 73% Positiveness
16% Popularity • 79% Danceability • 37% Energy • 68% Liveness
0% Instrumentalness • 73% Positiveness
