Songs like skinny dipping - Acoustic by Sabrina Carpenter
Based on a tempo of (+/- 10%) and a similar genre
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BLÜ EYES
Just Life
172 bpm • A# Maj • 03:07 • -8db
23% Popularity • 73% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
23% Popularity • 73% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Sophie Holohan
Good Mourning
172 bpm • C Maj • 03:06 • -12db
31% Popularity • 38% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
31% Popularity • 38% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Sabrina Carpenter
skinny dipping - Acoustic
172 bpm • E Maj • 03:12 • -11.18db
38% Popularity • 41% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
38% Popularity • 41% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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FINNEAS
Partners in Crime
173 bpm • G Maj • 03:43 • -12.71db
55% Popularity • 57% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
55% Popularity • 57% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Lexi Jayde
you don't deserve these tears
172 bpm • C# Maj • 02:12 • -8db
45% Popularity • 49% Danceability • 30% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
45% Popularity • 49% Danceability • 30% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
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Holly Humberstone
Haunted House
173 bpm • A Maj • 02:13 • -10.01db
49% Popularity • 28% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
49% Popularity • 28% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Olivia Rodrigo
favorite crime
173 bpm • A Maj • 02:32 • -10.5db
85% Popularity • 37% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
85% Popularity • 37% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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Madison Beer
Emotional Bruises
173 bpm • A# Maj • 03:01 • -6.18db
50% Popularity • 52% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
50% Popularity • 52% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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GRACEY
Empty Love (Ft. Ruel) - Acoustic
173 bpm • D Maj • 03:53 • -8.96db
29% Popularity • 43% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
29% Popularity • 43% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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JP Saxe
I Shouldn't Be Here
170 bpm • D Maj • 01:43 • -13.8db
30% Popularity • 48% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
30% Popularity • 48% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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Sabrina Sterling
Love Me That Way
170 bpm • D Maj • 02:44 • -9.34db
37% Popularity • 53% Danceability • 33% Energy • 21% Liveness
0% Instrumentalness • 13% Positiveness
37% Popularity • 53% Danceability • 33% Energy • 21% Liveness
0% Instrumentalness • 13% Positiveness
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Charlie Puth
That’s Not How This Works - Sabrina�...
170 bpm • A Maj • 02:46 • -3.93db
61% Popularity • 56% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
61% Popularity • 56% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Jenna Raine
Fumbled the Bag
174 bpm • E Maj • 03:09 • -6.84db
45% Popularity • 58% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
45% Popularity • 58% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Daniel Seavey
Can We Pretend That We’re Good? - Cell...
174 bpm • C Maj • 03:03 • -10.61db
30% Popularity • 62% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
30% Popularity • 62% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Jax
Ring Pop - Stripped
170 bpm • F Maj • 02:54 • -8db
30% Popularity • 51% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
30% Popularity • 51% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Gracie Abrams
Better
170 bpm • C# Maj • 02:50 • -8db
56% Popularity • 46% Danceability • 39% Energy • 34% Liveness
0% Instrumentalness • 49% Positiveness
56% Popularity • 46% Danceability • 39% Energy • 34% Liveness
0% Instrumentalness • 49% Positiveness
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Madison Beer
Envy the Leaves
174 bpm • G# Maj • 03:19 • -10.01db
58% Popularity • 32% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 9% Positiveness
58% Popularity • 32% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 9% Positiveness
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emlyn
glimpse of us
169 bpm • G# Maj • 03:42 • -6.68db
41% Popularity • 30% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
41% Popularity • 30% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Leanna Firestone
(redacted)
169 bpm • A# Maj • 05:13 • -11.18db
28% Popularity • 34% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
28% Popularity • 34% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Lana Condor
For Real
169 bpm • C Maj • 02:12 • -9.69db
34% Popularity • 50% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
34% Popularity • 50% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Anson Seabra
We're Not in Kansas Anymore
175 bpm • F# Maj • 02:41 • -9.43db
38% Popularity • 32% Danceability • 38% Energy • 20% Liveness
0% Instrumentalness • 33% Positiveness
38% Popularity • 32% Danceability • 38% Energy • 20% Liveness
0% Instrumentalness • 33% Positiveness
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Charlotte Lawrence
Cowboys - Acoustic
169 bpm • F# min • 03:56 • -10.83db
22% Popularity • 35% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
22% Popularity • 35% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Olivia Rodrigo
1 step forward, 3 steps back
169 bpm • D Maj • 02:43 • -12.63db
80% Popularity • 47% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
80% Popularity • 47% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Greyson Chance
O Violet
176 bpm • G# Maj • 03:36 • -12db
22% Popularity • 37% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
22% Popularity • 37% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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BLÜ EYES
never got better
168 bpm • C Maj • 02:58 • -8db
34% Popularity • 58% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 70% Positiveness
34% Popularity • 58% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 70% Positiveness
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Sabrina Carpenter
Diamonds Are Forever
176 bpm • B min • 03:49 • -4.5db
50% Popularity • 42% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
50% Popularity • 42% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Sabrina Sterling
Ride Or Die
168 bpm • B Maj • 03:19 • -11.6db
29% Popularity • 54% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
29% Popularity • 54% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
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Reneé Rapp
Moon
168 bpm • C Maj • 02:59 • -6.58db
58% Popularity • 58% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
58% Popularity • 58% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
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Taylor Mecca
Empty Promises
168 bpm • E Maj • 02:40 • -9db
20% Popularity • 56% Danceability • 48% Energy • 56% Liveness
0% Instrumentalness • 32% Positiveness
20% Popularity • 56% Danceability • 48% Energy • 56% Liveness
0% Instrumentalness • 32% Positiveness
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Lily Kincade
At My Funeral
166 bpm • F# Maj • 02:49 • -10db
21% Popularity • 48% Danceability • 39% Energy • 35% Liveness
0% Instrumentalness • 40% Positiveness
21% Popularity • 48% Danceability • 39% Energy • 35% Liveness
0% Instrumentalness • 40% Positiveness
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BLÜ EYES
never got better - acoustic
168 bpm • C Maj • 02:54 • -8.66db
21% Popularity • 58% Danceability • 42% Energy • 72% Liveness
0% Instrumentalness • 77% Positiveness
21% Popularity • 58% Danceability • 42% Energy • 72% Liveness
0% Instrumentalness • 77% Positiveness
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Sabrina Carpenter
Blueberries
178 bpm • G# Maj • 02:22 • -8.39db
33% Popularity • 60% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
33% Popularity • 60% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Alexander 23
Track 9
167 bpm • G Maj • 02:23 • -13db
30% Popularity • 31% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
30% Popularity • 31% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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John K
ilym
179 bpm • C# min • 03:56 • -8.14db
51% Popularity • 26% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
51% Popularity • 26% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Dylan
You're Not Harry Styles
165 bpm • F# Maj • 02:56 • -4.56db
52% Popularity • 55% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
52% Popularity • 55% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Clara Mae
Missing You Sucks
180 bpm • C Maj • 02:58 • -7db
41% Popularity • 34% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
41% Popularity • 34% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Shawn Mendes
Can’t Imagine
180 bpm • C Maj • 02:29 • -14.36db
41% Popularity • 41% Danceability • 16% Energy • 35% Liveness
0% Instrumentalness • 38% Positiveness
41% Popularity • 41% Danceability • 16% Energy • 35% Liveness
0% Instrumentalness • 38% Positiveness
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Clinton Kane
ONE MORE DAY WITH YOU
164 bpm • C Maj • 03:10 • -7db
42% Popularity • 34% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
42% Popularity • 34% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Dylan Rockoff
Out of Season
164 bpm • A# Maj • 03:14 • -12.81db
21% Popularity • 53% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
21% Popularity • 53% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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kenzie
happy for me
180 bpm • C# Maj • 03:11 • -6.78db
35% Popularity • 42% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
35% Popularity • 42% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
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Olivia Rodrigo
deja vu
181 bpm • D Maj • 03:35 • -7.22db
87% Popularity • 44% Danceability • 61% Energy • 37% Liveness
0% Instrumentalness • 18% Positiveness
87% Popularity • 44% Danceability • 61% Energy • 37% Liveness
0% Instrumentalness • 18% Positiveness
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Haley Joelle
Emergency Contact
163 bpm • G Maj • 02:36 • -8db
41% Popularity • 44% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
41% Popularity • 44% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Reneé Rapp
Bruises
181 bpm • A Maj • 02:41 • -7.89db
63% Popularity • 50% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
63% Popularity • 50% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
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Elena:
laurie
182 bpm • D Maj • 02:38 • -8.04db
16% Popularity • 45% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
16% Popularity • 45% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Abigail Barlow
If I Saw You Today
162 bpm • G# Maj • 03:13 • -9.45db
20% Popularity • 45% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
20% Popularity • 45% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Sabrina Carpenter
How To Go To Confession
162 bpm • C Maj • 03:06 • -6.31db
36% Popularity • 28% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
36% Popularity • 28% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Brynn Cartelli
Jane
160 bpm • G# Maj • 04:29 • -8db
25% Popularity • 56% Danceability • 24% Energy • 35% Liveness
0% Instrumentalness • 12% Positiveness
25% Popularity • 56% Danceability • 24% Energy • 35% Liveness
0% Instrumentalness • 12% Positiveness
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Haley Joelle
Jealous of Paris
182 bpm • D# Maj • 02:21 • -9.27db
50% Popularity • 35% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
50% Popularity • 35% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
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Leanna Firestone
Two Week Notice
186 bpm • E Maj • 03:58 • -11.95db
41% Popularity • 46% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
41% Popularity • 46% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Olivia Rodrigo
stranger
186 bpm • C Maj • 03:12 • -4.9db
81% Popularity • 45% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
81% Popularity • 45% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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JP Saxe
Soft Landing
158 bpm • B min • 02:27 • -6.38db
36% Popularity • 49% Danceability • 58% Energy • 45% Liveness
0% Instrumentalness • 60% Positiveness
36% Popularity • 49% Danceability • 58% Energy • 45% Liveness
0% Instrumentalness • 60% Positiveness
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Jenna Raine
a letter to me
158 bpm • C# Maj • 02:55 • -5.56db
27% Popularity • 70% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
27% Popularity • 70% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Greyson Chance
Clothes
157 bpm • A Maj • 03:22 • -12.44db
16% Popularity • 30% Danceability • 24% Energy • 6% Liveness
0% Instrumentalness • 16% Positiveness
16% Popularity • 30% Danceability • 24% Energy • 6% Liveness
0% Instrumentalness • 16% Positiveness
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Jax
Come Home To Me
156 bpm • B min • 03:01 • -7.89db
35% Popularity • 70% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
35% Popularity • 70% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Haley Joelle
Something To Do
157 bpm • E Maj • 03:13 • -9.12db
32% Popularity • 36% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
32% Popularity • 36% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Sabrina Carpenter
Run and Hide
156 bpm • G# Maj • 03:29 • -7.72db
47% Popularity • 52% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
47% Popularity • 52% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
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Taylor Mecca
I Don't Think Ur Sorry
156 bpm • D Maj • 03:07 • -6.85db
22% Popularity • 70% Danceability • 57% Energy • 26% Liveness
0% Instrumentalness • 81% Positiveness
22% Popularity • 70% Danceability • 57% Energy • 26% Liveness
0% Instrumentalness • 81% Positiveness
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Camila Cabello
everyone at this party
155 bpm • G Maj • 02:48 • -14.8db
45% Popularity • 55% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
45% Popularity • 55% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Clinton Kane
i don't want to watch the world end with...
154 bpm • D Maj • 03:04 • -9.34db
65% Popularity • 54% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
65% Popularity • 54% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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BLÜ EYES
getting older
154 bpm • D Maj • 02:46 • -8.24db
36% Popularity • 57% Danceability • 44% Energy • 61% Liveness
0% Instrumentalness • 79% Positiveness
36% Popularity • 57% Danceability • 44% Energy • 61% Liveness
0% Instrumentalness • 79% Positiveness
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Violet Skies
The Internet
154 bpm • G# Maj • 03:02 • -10.11db
11% Popularity • 56% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
11% Popularity • 56% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Jenna Raine
Crickets
154 bpm • D Maj • 02:51 • -7.63db
32% Popularity • 54% Danceability • 62% Energy • 48% Liveness
0% Instrumentalness • 40% Positiveness
32% Popularity • 54% Danceability • 62% Energy • 48% Liveness
0% Instrumentalness • 40% Positiveness
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Zolita
Single In September
153 bpm • G Maj • 03:15 • -5.77db
43% Popularity • 53% Danceability • 83% Energy • 21% Liveness
0% Instrumentalness • 34% Positiveness
43% Popularity • 53% Danceability • 83% Energy • 21% Liveness
0% Instrumentalness • 34% Positiveness
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ROSIE
Sad Sad Sad
193 bpm • D Maj • 03:01 • -8.62db
25% Popularity • 39% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
25% Popularity • 39% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Sabrina Carpenter
Too Young
151 bpm • D Maj • 04:14 • -6.9db
47% Popularity • 32% Danceability • 49% Energy • 25% Liveness
0% Instrumentalness • 16% Positiveness
47% Popularity • 32% Danceability • 49% Energy • 25% Liveness
0% Instrumentalness • 16% Positiveness
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Gracie Abrams
Alright
197 bpm • C min • 02:24 • -12.26db
53% Popularity • 58% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
53% Popularity • 58% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Luz
counting houses
150 bpm • A# Maj • 03:20 • -12.09db
35% Popularity • 57% Danceability • 49% Energy • 33% Liveness
0% Instrumentalness • 42% Positiveness
35% Popularity • 57% Danceability • 49% Energy • 33% Liveness
0% Instrumentalness • 42% Positiveness
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Jenna Raine
rent free
194 bpm • C# min • 02:25 • -7.36db
35% Popularity • 39% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
35% Popularity • 39% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
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Luke Hemmings
Diamonds
150 bpm • C# Maj • 03:58 • -4db
49% Popularity • 24% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
49% Popularity • 24% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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emlyn
right?
150 bpm • G# Maj • 04:36 • -8.18db
33% Popularity • 61% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
33% Popularity • 61% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Baby Queen
Colours Of You - Nick And Charlie Versio...
150 bpm • G# Maj • 02:43 • -11.82db
35% Popularity • 57% Danceability • 19% Energy • 22% Liveness
0% Instrumentalness • 45% Positiveness
35% Popularity • 57% Danceability • 19% Energy • 22% Liveness
0% Instrumentalness • 45% Positiveness
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Sophie Holohan
Codependent
198 bpm • G# Maj • 03:19 • -8.76db
39% Popularity • 34% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
39% Popularity • 34% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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James Smith
District Line
149 bpm • F# Maj • 03:28 • -15db
29% Popularity • 53% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
29% Popularity • 53% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Jenna Raine
Bad Hearts
150 bpm • C Maj • 03:16 • -6.8db
29% Popularity • 44% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 32% Positiveness
29% Popularity • 44% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 32% Positiveness
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Katherine Li
Happening Again
149 bpm • C Maj • 02:53 • -6db
49% Popularity • 65% Danceability • 70% Energy • 55% Liveness
0% Instrumentalness • 85% Positiveness
49% Popularity • 65% Danceability • 70% Energy • 55% Liveness
0% Instrumentalness • 85% Positiveness
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Lily Kincade
Wish You Would've
148 bpm • C Maj • 03:08 • -6.39db
18% Popularity • 70% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
18% Popularity • 70% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
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Caroline Dare
Bad Again
148 bpm • C Maj • 02:44 • -7db
29% Popularity • 64% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
29% Popularity • 64% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Sabrina Carpenter
Take You Back
200 bpm • C Maj • 02:49 • -3.8db
43% Popularity • 62% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
43% Popularity • 62% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Reneé Rapp
Messy
148 bpm • D Maj • 03:09 • -6.39db
52% Popularity • 70% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
52% Popularity • 70% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Jenna Raine
Fade Away
150 bpm • A Maj • 02:58 • -8.71db
30% Popularity • 38% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
30% Popularity • 38% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Ashley Kutcher
Sleepy
200 bpm • D# Maj • 03:08 • -13.84db
43% Popularity • 35% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
43% Popularity • 35% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Mckenna Grace
Post Party Trauma
148 bpm • F Maj • 03:11 • -4.13db
37% Popularity • 49% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
37% Popularity • 49% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Rachel Bochner
Drunk Crier
147 bpm • F# Maj • 03:03 • -10db
22% Popularity • 64% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
22% Popularity • 64% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Riley Biederer
proud
201 bpm • B Maj • 03:55 • -8.45db
33% Popularity • 38% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
33% Popularity • 38% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Reneé Rapp
The Wedding Song
148 bpm • F Maj • 03:03 • -7.23db
60% Popularity • 29% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
60% Popularity • 29% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Carol Ades
I Can't Wait to Be British
147 bpm • G# Maj • 03:25 • -4.99db
21% Popularity • 68% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
21% Popularity • 68% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Sabrina Carpenter
because i liked a boy
147 bpm • B Maj • 03:16 • -7.3db
78% Popularity • 39% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
78% Popularity • 39% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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GAYLE
sleeping with my friends
146 bpm • F# Maj • 02:48 • -6.68db
25% Popularity • 62% Danceability • 50% Energy • 38% Liveness
0% Instrumentalness • 59% Positiveness
25% Popularity • 62% Danceability • 50% Energy • 38% Liveness
0% Instrumentalness • 59% Positiveness
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Haley Joelle
The Boy From Class
146 bpm • A# Maj • 02:07 • -14.06db
38% Popularity • 52% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
38% Popularity • 52% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
