Songs like Slap Happy by Little Charlie & The Nightcats
Based on a tempo of (+/- 10%) and a similar genre
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Little Charlie & The Nightcats
The Booty Song
130 bpm • A# Maj • 03:11 • -16db
22% Popularity • 83% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
22% Popularity • 83% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Big Walter Horton
Have Mercy
130 bpm • C Maj • 03:45 • -14db
37% Popularity • 62% Danceability • 70% Energy • 12% Liveness
70% Instrumentalness • 87% Positiveness
37% Popularity • 62% Danceability • 70% Energy • 12% Liveness
70% Instrumentalness • 87% Positiveness
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Slim Harpo
Buzz Me, Babe
130 bpm • B min • 02:14 • -7.5db
47% Popularity • 61% Danceability • 52% Energy • 37% Liveness
1% Instrumentalness • 48% Positiveness
47% Popularity • 61% Danceability • 52% Energy • 37% Liveness
1% Instrumentalness • 48% Positiveness
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Hound Dog Taylor & The HouseRockers
She's Gone
130 bpm • E Maj • 03:51 • -15.83db
36% Popularity • 70% Danceability • 57% Energy • 28% Liveness
0% Instrumentalness • 81% Positiveness
36% Popularity • 70% Danceability • 57% Energy • 28% Liveness
0% Instrumentalness • 81% Positiveness
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Homesick James
It Seem Like A Dream
130 bpm • C Maj • 02:40 • -6.43db
20% Popularity • 62% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
20% Popularity • 62% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Lil Ed & The Blues Imperials
Tired Of Crying
130 bpm • G Maj • 02:45 • -2.13db
24% Popularity • 58% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
24% Popularity • 58% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Little Charlie & The Nightcats
Slap Happy
130 bpm • E Maj • 03:47 • -4db
10% Popularity • 56% Danceability • 90% Energy • 29% Liveness
86% Instrumentalness • 96% Positiveness
10% Popularity • 56% Danceability • 90% Energy • 29% Liveness
86% Instrumentalness • 96% Positiveness
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William Clarke
Gambling For My Bread
130 bpm • A# Maj • 03:25 • -12.78db
22% Popularity • 70% Danceability • 55% Energy • 28% Liveness
0% Instrumentalness • 83% Positiveness
22% Popularity • 70% Danceability • 55% Energy • 28% Liveness
0% Instrumentalness • 83% Positiveness
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Eddie Burns
Hastings Street Special
129 bpm • F Maj • 03:34 • -7.77db
13% Popularity • 67% Danceability • 84% Energy • 31% Liveness
91% Instrumentalness • 94% Positiveness
13% Popularity • 67% Danceability • 84% Energy • 31% Liveness
91% Instrumentalness • 94% Positiveness
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Son Seals
Mother-In-Law Blues
129 bpm • E Maj • 03:15 • -12.12db
31% Popularity • 59% Danceability • 62% Energy • 69% Liveness
0% Instrumentalness • 84% Positiveness
31% Popularity • 59% Danceability • 62% Energy • 69% Liveness
0% Instrumentalness • 84% Positiveness
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Snooky Pryor
Bottle It Up and Go
131 bpm • G# Maj • 03:02 • -11.63db
24% Popularity • 66% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
24% Popularity • 66% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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Dave Hole
Keep Your Motor Runnin'
132 bpm • E Maj • 03:47 • -11.08db
27% Popularity • 56% Danceability • 84% Energy • 36% Liveness
0% Instrumentalness • 84% Positiveness
27% Popularity • 56% Danceability • 84% Energy • 36% Liveness
0% Instrumentalness • 84% Positiveness
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Little Charlie & The Nightcats
Desperate Man
129 bpm • E min • 03:34 • -6.28db
6% Popularity • 62% Danceability • 50% Energy • 31% Liveness
1% Instrumentalness • 88% Positiveness
6% Popularity • 62% Danceability • 50% Energy • 31% Liveness
1% Instrumentalness • 88% Positiveness
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The Cash Box Kings
Take Anything I Can
131 bpm • G Maj • 03:55 • -2.45db
17% Popularity • 56% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
17% Popularity • 56% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Robert Cray
Hip Tight Onions
132 bpm • D Maj • 02:16 • -5.7db
38% Popularity • 81% Danceability • 71% Energy • 33% Liveness
52% Instrumentalness • 65% Positiveness
38% Popularity • 81% Danceability • 71% Energy • 33% Liveness
52% Instrumentalness • 65% Positiveness
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Johnny Copeland
Catch Up With The Blues
128 bpm • F min • 05:01 • -8.9db
16% Popularity • 63% Danceability • 82% Energy • 11% Liveness
6% Instrumentalness • 68% Positiveness
16% Popularity • 63% Danceability • 82% Energy • 11% Liveness
6% Instrumentalness • 68% Positiveness
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Snooky Pryor
Keyhole in Your Door
129 bpm • G# Maj • 03:40 • -11.35db
10% Popularity • 60% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
10% Popularity • 60% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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Hubert Sumlin
I'll Be Home On Tuesday - Take 2
132 bpm • C Maj • 03:25 • -10db
37% Popularity • 69% Danceability • 49% Energy • 7% Liveness
88% Instrumentalness • 84% Positiveness
37% Popularity • 69% Danceability • 49% Energy • 7% Liveness
88% Instrumentalness • 84% Positiveness
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Little Charlie & The Nightcats
It Better Get Better
129 bpm • F Maj • 03:55 • -5.17db
2% Popularity • 91% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
2% Popularity • 91% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
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Paul Butterfield's Better Days
Too Many Drivers
132 bpm • D min • 03:21 • -13db
16% Popularity • 51% Danceability • 55% Energy • 29% Liveness
27% Instrumentalness • 76% Positiveness
16% Popularity • 51% Danceability • 55% Energy • 29% Liveness
27% Instrumentalness • 76% Positiveness
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Byther Smith
I'm A Honey Bee
132 bpm • D Maj • 02:42 • -11db
28% Popularity • 76% Danceability • 48% Energy • 29% Liveness
2% Instrumentalness • 28% Positiveness
28% Popularity • 76% Danceability • 48% Energy • 29% Liveness
2% Instrumentalness • 28% Positiveness
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Jimmy Dawkins
I Wonder Why
128 bpm • D Maj • 03:08 • -6.14db
9% Popularity • 51% Danceability • 68% Energy • 16% Liveness
6% Instrumentalness • 88% Positiveness
9% Popularity • 51% Danceability • 68% Energy • 16% Liveness
6% Instrumentalness • 88% Positiveness
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Zuzu Bollin
Why Don't You Eat Where You Slept Last N...
132 bpm • A# Maj • 02:54 • -16.3db
25% Popularity • 61% Danceability • 40% Energy • 8% Liveness
68% Instrumentalness • 82% Positiveness
25% Popularity • 61% Danceability • 40% Energy • 8% Liveness
68% Instrumentalness • 82% Positiveness
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Slim Harpo
Buzzin'
132 bpm • F Maj • 02:05 • -11.27db
44% Popularity • 61% Danceability • 49% Energy • 19% Liveness
58% Instrumentalness • 96% Positiveness
44% Popularity • 61% Danceability • 49% Energy • 19% Liveness
58% Instrumentalness • 96% Positiveness
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Little Charlie & The Nightcats
She's Talking
128 bpm • B min • 02:25 • -14.12db
6% Popularity • 52% Danceability • 86% Energy • 13% Liveness
11% Instrumentalness • 60% Positiveness
6% Popularity • 52% Danceability • 86% Energy • 13% Liveness
11% Instrumentalness • 60% Positiveness
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Queen Sylvia Embry
Blues This Morning
127 bpm • G Maj • 02:08 • -12db
28% Popularity • 70% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
28% Popularity • 70% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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Jimmy Reed
I Ain't Got You
132 bpm • A Maj • 02:15 • -10db
31% Popularity • 74% Danceability • 40% Energy • 11% Liveness
62% Instrumentalness • 92% Positiveness
31% Popularity • 74% Danceability • 40% Energy • 11% Liveness
62% Instrumentalness • 92% Positiveness
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Eddie Shaw
It's Alright
133 bpm • G Maj • 02:52 • -9.35db
27% Popularity • 68% Danceability • 63% Energy • 36% Liveness
0% Instrumentalness • 80% Positiveness
27% Popularity • 68% Danceability • 63% Energy • 36% Liveness
0% Instrumentalness • 80% Positiveness
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Hubert Sumlin
Easy, Hubert, Easy
127 bpm • B Maj • 03:53 • -11.64db
14% Popularity • 72% Danceability • 46% Energy • 7% Liveness
85% Instrumentalness • 76% Positiveness
14% Popularity • 72% Danceability • 46% Energy • 7% Liveness
85% Instrumentalness • 76% Positiveness
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Johnnie Johnson
Real Good Woman
134 bpm • C Maj • 04:12 • -11db
9% Popularity • 68% Danceability • 62% Energy • 16% Liveness
2% Instrumentalness • 77% Positiveness
9% Popularity • 68% Danceability • 62% Energy • 16% Liveness
2% Instrumentalness • 77% Positiveness
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Little Charlie & The Nightcats
My Last Meal
128 bpm • D Maj • 03:09 • -15.41db
6% Popularity • 61% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
6% Popularity • 61% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
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Lonnie Mack
Satisfy Suzie
133 bpm • A# Maj • 04:57 • -8db
32% Popularity • 53% Danceability • 92% Energy • 97% Liveness
26% Instrumentalness • 90% Positiveness
32% Popularity • 53% Danceability • 92% Energy • 97% Liveness
26% Instrumentalness • 90% Positiveness
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Fenton Robinson
Just A Little Bit
126 bpm • C Maj • 04:35 • -11db
29% Popularity • 72% Danceability • 74% Energy • 8% Liveness
77% Instrumentalness • 95% Positiveness
29% Popularity • 72% Danceability • 74% Energy • 8% Liveness
77% Instrumentalness • 95% Positiveness
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A.C. Reed
I Can't Go This Way
126 bpm • A min • 04:05 • -9db
29% Popularity • 73% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
29% Popularity • 73% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
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Billy Boy Arnold
I Ain't Got You
126 bpm • A Maj • 03:15 • -9.25db
25% Popularity • 71% Danceability • 79% Energy • 22% Liveness
0% Instrumentalness • 93% Positiveness
25% Popularity • 71% Danceability • 79% Energy • 22% Liveness
0% Instrumentalness • 93% Positiveness
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John Brim
Ice Cream Man
126 bpm • A Maj • 02:44 • -13.7db
34% Popularity • 71% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
34% Popularity • 71% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Little Charlie & The Nightcats
Deep Pockets
132 bpm • B min • 05:03 • -5.72db
3% Popularity • 74% Danceability • 73% Energy • 19% Liveness
0% Instrumentalness • 84% Positiveness
3% Popularity • 74% Danceability • 73% Energy • 19% Liveness
0% Instrumentalness • 84% Positiveness
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Pinetop Perkins
How Much More Long
126 bpm • G Maj • 03:31 • -10.67db
18% Popularity • 73% Danceability • 62% Energy • 8% Liveness
8% Instrumentalness • 87% Positiveness
18% Popularity • 73% Danceability • 62% Energy • 8% Liveness
8% Instrumentalness • 87% Positiveness
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Smokin' Joe Kubek & Bnois King
Better Be Getting It On
126 bpm • E min • 03:44 • -5.6db
15% Popularity • 52% Danceability • 84% Energy • 37% Liveness
0% Instrumentalness • 59% Positiveness
15% Popularity • 52% Danceability • 84% Energy • 37% Liveness
0% Instrumentalness • 59% Positiveness
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Detroit Junior
Some Nerve
134 bpm • D Maj • 03:05 • -14.22db
27% Popularity • 56% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
27% Popularity • 56% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Billy Boy Arnold
Move On Down The Road
134 bpm • G Maj • 03:00 • -11db
31% Popularity • 56% Danceability • 67% Energy • 14% Liveness
3% Instrumentalness • 87% Positiveness
31% Popularity • 56% Danceability • 67% Energy • 14% Liveness
3% Instrumentalness • 87% Positiveness
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Tinsley Ellis
Lucky Lou
125 bpm • F# min • 03:21 • -15.9db
22% Popularity • 67% Danceability • 43% Energy • 30% Liveness
93% Instrumentalness • 67% Positiveness
22% Popularity • 67% Danceability • 43% Energy • 30% Liveness
93% Instrumentalness • 67% Positiveness
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Little Charlie & The Nightcats
Got It Good
134 bpm • F# min • 03:19 • -5.19db
3% Popularity • 60% Danceability • 86% Energy • 31% Liveness
25% Instrumentalness • 82% Positiveness
3% Popularity • 60% Danceability • 86% Energy • 31% Liveness
25% Instrumentalness • 82% Positiveness
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Fenton Robinson
Killing Floor
125 bpm • D Maj • 03:37 • -12.66db
35% Popularity • 80% Danceability • 68% Energy • 12% Liveness
64% Instrumentalness • 78% Positiveness
35% Popularity • 80% Danceability • 68% Energy • 12% Liveness
64% Instrumentalness • 78% Positiveness
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Son Seals
Going Home Tomorrow
125 bpm • E min • 03:39 • -11.75db
26% Popularity • 56% Danceability • 61% Energy • 32% Liveness
0% Instrumentalness • 97% Positiveness
26% Popularity • 56% Danceability • 61% Energy • 32% Liveness
0% Instrumentalness • 97% Positiveness
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Katie Webster
Who's Making Love?
125 bpm • A# min • 04:00 • -11.88db
20% Popularity • 73% Danceability • 73% Energy • 35% Liveness
0% Instrumentalness • 86% Positiveness
20% Popularity • 73% Danceability • 73% Energy • 35% Liveness
0% Instrumentalness • 86% Positiveness
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Lil Ed & The Blues Imperials
I Like My Hot Sauce Cold
135 bpm • G Maj • 02:59 • -3.03db
25% Popularity • 58% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
25% Popularity • 58% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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J. B. Hutto
I Feel So Good
135 bpm • B min • 04:52 • -9.37db
10% Popularity • 59% Danceability • 63% Energy • 39% Liveness
9% Instrumentalness • 70% Positiveness
10% Popularity • 59% Danceability • 63% Energy • 39% Liveness
9% Instrumentalness • 70% Positiveness
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Chris Cain
Drinking Straight Tequila
125 bpm • B min • 02:52 • -4.72db
29% Popularity • 55% Danceability • 83% Energy • 36% Liveness
0% Instrumentalness • 86% Positiveness
29% Popularity • 55% Danceability • 83% Energy • 36% Liveness
0% Instrumentalness • 86% Positiveness
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Eddy Clearwater
Blues Hang Out
135 bpm • G Maj • 05:13 • -10.03db
13% Popularity • 69% Danceability • 69% Energy • 36% Liveness
48% Instrumentalness • 84% Positiveness
13% Popularity • 69% Danceability • 69% Energy • 36% Liveness
48% Instrumentalness • 84% Positiveness
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Magic Sam
I Just Want A Little Bit
135 bpm • G# Maj • 03:04 • -11db
21% Popularity • 72% Danceability • 45% Energy • 6% Liveness
1% Instrumentalness • 93% Positiveness
21% Popularity • 72% Danceability • 45% Energy • 6% Liveness
1% Instrumentalness • 93% Positiveness
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Rick Estrin & The Nightcats
The Blues Ain't Going Nowhere
135 bpm • G Maj • 05:08 • -4.85db
17% Popularity • 54% Danceability • 90% Energy • 10% Liveness
1% Instrumentalness • 61% Positiveness
17% Popularity • 54% Danceability • 90% Energy • 10% Liveness
1% Instrumentalness • 61% Positiveness
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Lil Ed & The Blues Imperials
Old Oak Tree
125 bpm • G Maj • 04:31 • -11.09db
19% Popularity • 56% Danceability • 63% Energy • 30% Liveness
2% Instrumentalness • 55% Positiveness
19% Popularity • 56% Danceability • 63% Energy • 30% Liveness
2% Instrumentalness • 55% Positiveness
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Harmonica Shah
Baby, You Have Got to Change
135 bpm • C min • 04:46 • -4.09db
14% Popularity • 62% Danceability • 93% Energy • 16% Liveness
0% Instrumentalness • 87% Positiveness
14% Popularity • 62% Danceability • 93% Energy • 16% Liveness
0% Instrumentalness • 87% Positiveness
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Big Walter Horton
Lovin' My Baby
125 bpm • A Maj • 02:50 • -13.26db
48% Popularity • 61% Danceability • 59% Energy • 9% Liveness
52% Instrumentalness • 79% Positiveness
48% Popularity • 61% Danceability • 59% Energy • 9% Liveness
52% Instrumentalness • 79% Positiveness
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Mississippi Heat
Jean's Jive
125 bpm • G min • 03:08 • -5db
16% Popularity • 76% Danceability • 81% Energy • 8% Liveness
93% Instrumentalness • 98% Positiveness
16% Popularity • 76% Danceability • 81% Energy • 8% Liveness
93% Instrumentalness • 98% Positiveness
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Earl Hooker
Two Bugs and a Roach
135 bpm • A Maj • 04:19 • -13db
43% Popularity • 52% Danceability • 57% Energy • 10% Liveness
1% Instrumentalness • 81% Positiveness
43% Popularity • 52% Danceability • 57% Energy • 10% Liveness
1% Instrumentalness • 81% Positiveness
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Lazy Lester
Rooster Blues
135 bpm • A Maj • 03:02 • -7db
19% Popularity • 44% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
19% Popularity • 44% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
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Lil Ed & The Blues Imperials
If You Were Mine
135 bpm • D Maj • 02:44 • -5db
27% Popularity • 47% Danceability • 81% Energy • 11% Liveness
1% Instrumentalness • 83% Positiveness
27% Popularity • 47% Danceability • 81% Energy • 11% Liveness
1% Instrumentalness • 83% Positiveness
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Magic Sam
I Don't Want No Woman
125 bpm • E Maj • 03:38 • -10.23db
12% Popularity • 50% Danceability • 62% Energy • 28% Liveness
0% Instrumentalness • 95% Positiveness
12% Popularity • 50% Danceability • 62% Energy • 28% Liveness
0% Instrumentalness • 95% Positiveness
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Zuzu Bollin
Hey Little Girl
125 bpm • C Maj • 03:38 • -14.35db
6% Popularity • 51% Danceability • 48% Energy • 27% Liveness
0% Instrumentalness • 79% Positiveness
6% Popularity • 51% Danceability • 48% Energy • 27% Liveness
0% Instrumentalness • 79% Positiveness
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Little Charlie & The Nightcats
My Next Ex-Wife
125 bpm • G Maj • 04:31 • -9.43db
20% Popularity • 80% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
20% Popularity • 80% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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Elmore James
Madison Blues
136 bpm • D Maj • 02:22 • -8db
36% Popularity • 55% Danceability • 82% Energy • 25% Liveness
1% Instrumentalness • 78% Positiveness
36% Popularity • 55% Danceability • 82% Energy • 25% Liveness
1% Instrumentalness • 78% Positiveness
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Jimmy Dawkins
Ruff Times
124 bpm • G Maj • 05:32 • -16.7db
23% Popularity • 72% Danceability • 44% Energy • 14% Liveness
30% Instrumentalness • 80% Positiveness
23% Popularity • 72% Danceability • 44% Energy • 14% Liveness
30% Instrumentalness • 80% Positiveness
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Lil Ed & The Blues Imperials
Deep In My Soul
125 bpm • A# Maj • 04:33 • -5db
18% Popularity • 60% Danceability • 57% Energy • 23% Liveness
1% Instrumentalness • 65% Positiveness
18% Popularity • 60% Danceability • 57% Energy • 23% Liveness
1% Instrumentalness • 65% Positiveness
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Guitar Shorty
Blues In My Blood
136 bpm • D Maj • 03:12 • -5.62db
37% Popularity • 61% Danceability • 66% Energy • 58% Liveness
0% Instrumentalness • 89% Positiveness
37% Popularity • 61% Danceability • 66% Energy • 58% Liveness
0% Instrumentalness • 89% Positiveness
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Rick Estrin & The Nightcats
So Long (for Jay P.)
136 bpm • F Maj • 03:23 • -6.05db
23% Popularity • 50% Danceability • 61% Energy • 7% Liveness
16% Instrumentalness • 91% Positiveness
23% Popularity • 50% Danceability • 61% Energy • 7% Liveness
16% Instrumentalness • 91% Positiveness
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Little Charlie & The Nightcats
Kansas City Woman
136 bpm • C Maj • 03:27 • -13.99db
5% Popularity • 63% Danceability • 68% Energy • 8% Liveness
3% Instrumentalness • 94% Positiveness
5% Popularity • 63% Danceability • 68% Energy • 8% Liveness
3% Instrumentalness • 94% Positiveness
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King Solomon Hicks
421 South Main
136 bpm • A Maj • 02:44 • -4.14db
30% Popularity • 46% Danceability • 91% Energy • 32% Liveness
78% Instrumentalness • 78% Positiveness
30% Popularity • 46% Danceability • 91% Energy • 32% Liveness
78% Instrumentalness • 78% Positiveness
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Booker T. & the M.G.'s
Jelly Bread
136 bpm • A# Maj • 02:32 • -12.07db
34% Popularity • 64% Danceability • 51% Energy • 12% Liveness
84% Instrumentalness • 79% Positiveness
34% Popularity • 64% Danceability • 51% Energy • 12% Liveness
84% Instrumentalness • 79% Positiveness
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Lil Ed & The Blues Imperials
You Don't Exist Any More
124 bpm • A Maj • 04:03 • -10.96db
23% Popularity • 72% Danceability • 58% Energy • 42% Liveness
1% Instrumentalness • 64% Positiveness
23% Popularity • 72% Danceability • 58% Energy • 42% Liveness
1% Instrumentalness • 64% Positiveness
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Katie Webster
Love Deluxe
136 bpm • G Maj • 03:22 • -11db
21% Popularity • 69% Danceability • 53% Energy • 23% Liveness
1% Instrumentalness • 87% Positiveness
21% Popularity • 69% Danceability • 53% Energy • 23% Liveness
1% Instrumentalness • 87% Positiveness
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Diunna Greenleaf
Sunny Day Friends
124 bpm • C Maj • 03:40 • -4.66db
29% Popularity • 60% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
29% Popularity • 60% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
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Joe "Guitar" Hughes
A Blue Song
124 bpm • G Maj • 05:14 • -12db
27% Popularity • 78% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
27% Popularity • 78% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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King Biscuit Boy
Done Everything I Can
124 bpm • A Maj • 03:15 • -6db
8% Popularity • 58% Danceability • 81% Energy • 32% Liveness
1% Instrumentalness • 71% Positiveness
8% Popularity • 58% Danceability • 81% Energy • 32% Liveness
1% Instrumentalness • 71% Positiveness
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William Clarke
Sweet Angel's Gone
124 bpm • G Maj • 04:44 • -15db
20% Popularity • 58% Danceability • 49% Energy • 21% Liveness
1% Instrumentalness • 84% Positiveness
20% Popularity • 58% Danceability • 49% Energy • 21% Liveness
1% Instrumentalness • 84% Positiveness
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Slim Harpo
My Little Queen Bee (Got A Brand New Kin...
137 bpm • F Maj • 02:36 • -6.03db
32% Popularity • 48% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
32% Popularity • 48% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
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Little Charlie & The Nightcats
Gerontology
124 bpm • F min • 03:42 • -7.78db
2% Popularity • 63% Danceability • 69% Energy • 26% Liveness
9% Instrumentalness • 82% Positiveness
2% Popularity • 63% Danceability • 69% Energy • 26% Liveness
9% Instrumentalness • 82% Positiveness
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J.B. Lenoir
Mama Talk To Your Daughter
137 bpm • A min • 02:21 • -9db
40% Popularity • 61% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
40% Popularity • 61% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Lazy Lester
I'm Gonna Leave You Baby
137 bpm • A# Maj • 02:12 • -7.49db
26% Popularity • 62% Danceability • 60% Energy • 24% Liveness
0% Instrumentalness • 90% Positiveness
26% Popularity • 62% Danceability • 60% Energy • 24% Liveness
0% Instrumentalness • 90% Positiveness
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Fenton Robinson
You Say You're Leaving - Remastered
123 bpm • F# min • 03:16 • -3.67db
39% Popularity • 62% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
39% Popularity • 62% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
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Roomful Of Blues
It All Went Down The Drain
123 bpm • C Maj • 05:28 • -4.04db
21% Popularity • 65% Danceability • 83% Energy • 97% Liveness
0% Instrumentalness • 88% Positiveness
21% Popularity • 65% Danceability • 83% Energy • 97% Liveness
0% Instrumentalness • 88% Positiveness
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Luther "Guitar Junior" Johnson
Back At the Chiken Shack
123 bpm • G Maj • 05:35 • -11db
8% Popularity • 64% Danceability • 63% Energy • 27% Liveness
90% Instrumentalness • 69% Positiveness
8% Popularity • 64% Danceability • 63% Energy • 27% Liveness
90% Instrumentalness • 69% Positiveness
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The Cash Box Kings
The Wine Talkin'
123 bpm • A Maj • 03:49 • -3db
27% Popularity • 63% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 81% Positiveness
27% Popularity • 63% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 81% Positiveness
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Earl Hooker
Off the Hook
123 bpm • G# Maj • 04:04 • -14db
21% Popularity • 64% Danceability • 41% Energy • 7% Liveness
76% Instrumentalness • 74% Positiveness
21% Popularity • 64% Danceability • 41% Energy • 7% Liveness
76% Instrumentalness • 74% Positiveness
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Lonnie Mack
Camp Washington Chili
137 bpm • F Maj • 02:26 • -10.36db
35% Popularity • 39% Danceability • 79% Energy • 28% Liveness
87% Instrumentalness • 83% Positiveness
35% Popularity • 39% Danceability • 79% Energy • 28% Liveness
87% Instrumentalness • 83% Positiveness
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Son Seals
Look Now, Baby
123 bpm • C Maj • 03:27 • -10.72db
33% Popularity • 68% Danceability • 59% Energy • 27% Liveness
0% Instrumentalness • 94% Positiveness
33% Popularity • 68% Danceability • 59% Energy • 27% Liveness
0% Instrumentalness • 94% Positiveness
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Hound Dog Taylor & The HouseRockers
Wild About You, Baby
123 bpm • G# min • 03:39 • -15.93db
37% Popularity • 51% Danceability • 53% Energy • 32% Liveness
0% Instrumentalness • 97% Positiveness
37% Popularity • 51% Danceability • 53% Energy • 32% Liveness
0% Instrumentalness • 97% Positiveness
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Lazy Lester
I'm A Man
123 bpm • A# Maj • 04:00 • -12db
34% Popularity • 52% Danceability • 65% Energy • 8% Liveness
21% Instrumentalness • 78% Positiveness
34% Popularity • 52% Danceability • 65% Energy • 8% Liveness
21% Instrumentalness • 78% Positiveness
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Matt "Guitar" Murphy
Big Six
123 bpm • A Maj • 04:52 • -13.34db
20% Popularity • 67% Danceability • 51% Energy • 13% Liveness
77% Instrumentalness • 62% Positiveness
20% Popularity • 67% Danceability • 51% Energy • 13% Liveness
77% Instrumentalness • 62% Positiveness
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Katie Webster
A Little Meat On The Side
123 bpm • D Maj • 03:07 • -10db
33% Popularity • 62% Danceability • 64% Energy • 9% Liveness
3% Instrumentalness • 75% Positiveness
33% Popularity • 62% Danceability • 64% Energy • 9% Liveness
3% Instrumentalness • 75% Positiveness
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Little Charlie & The Nightcats
Keep Your Big Mouth Shut
138 bpm • G min • 04:35 • -4.48db
3% Popularity • 76% Danceability • 81% Energy • 4% Liveness
3% Instrumentalness • 93% Positiveness
3% Popularity • 76% Danceability • 81% Energy • 4% Liveness
3% Instrumentalness • 93% Positiveness
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Lacy Gibson
Wish Me Well
138 bpm • C Maj • 02:57 • -15.22db
28% Popularity • 63% Danceability • 76% Energy • 7% Liveness
9% Instrumentalness • 61% Positiveness
28% Popularity • 63% Danceability • 76% Energy • 7% Liveness
9% Instrumentalness • 61% Positiveness
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Luther "Snake Boy" Johnson
They call me the snake
138 bpm • E Maj • 05:37 • -13db
32% Popularity • 60% Danceability • 32% Energy • 29% Liveness
10% Instrumentalness • 41% Positiveness
32% Popularity • 60% Danceability • 32% Energy • 29% Liveness
10% Instrumentalness • 41% Positiveness
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Lazy Lester
Alligator Shuffle
137 bpm • A Maj • 02:45 • -10.1db
29% Popularity • 46% Danceability • 88% Energy • 10% Liveness
89% Instrumentalness • 77% Positiveness
29% Popularity • 46% Danceability • 88% Energy • 10% Liveness
89% Instrumentalness • 77% Positiveness
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Lonnie Mack
If You Have To Know
138 bpm • A Maj • 04:34 • -9db
36% Popularity • 69% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
36% Popularity • 69% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Katie Webster
Hard Lovin' Mama
123 bpm • C Maj • 04:12 • -15db
23% Popularity • 59% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
23% Popularity • 59% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Little Charlie & The Nightcats
I Ain't Lyin'
122 bpm • F min • 03:53 • -14.51db
5% Popularity • 69% Danceability • 51% Energy • 28% Liveness
0% Instrumentalness • 67% Positiveness
5% Popularity • 69% Danceability • 51% Energy • 28% Liveness
0% Instrumentalness • 67% Positiveness
