Songs like Slavonic Dances, Series 1, Op. 46, B. 83: No. 2 in E Minor (arr. F. Kreisler for violin and piano) by Fritz Kreisler
Based on a tempo of (+/- 10%) and a similar genre
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Wolfgang Amadeus Mozart
Divertimento in D Major, K. 136, "Salzbu...
137 bpm • D Maj • 04:10 • -21db
41% Popularity • 43% Danceability • 15% Energy • 11% Liveness
90% Instrumentalness • 46% Positiveness
41% Popularity • 43% Danceability • 15% Energy • 11% Liveness
90% Instrumentalness • 46% Positiveness
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Antonio Vivaldi
Violin Concerto in D Major, RV 211: III....
136 bpm • C# Maj • 04:49 • -14.43db
48% Popularity • 44% Danceability • 31% Energy • 16% Liveness
66% Instrumentalness • 59% Positiveness
48% Popularity • 44% Danceability • 31% Energy • 16% Liveness
66% Instrumentalness • 59% Positiveness
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Fritz Kreisler
Caprice viennois, Op. 2
137 bpm • B Maj • 04:35 • -22.04db
18% Popularity • 29% Danceability • 7% Energy • 9% Liveness
72% Instrumentalness • 5% Positiveness
18% Popularity • 29% Danceability • 7% Energy • 9% Liveness
72% Instrumentalness • 5% Positiveness
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Nikolai Rimsky-Korsakov
Shéhérazade, Op. 35: I. The Sea and Si...
136 bpm • E Maj • 09:55 • -23db
35% Popularity • 16% Danceability • 6% Energy • 11% Liveness
39% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 6% Energy • 11% Liveness
39% Instrumentalness • 4% Positiveness
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Henri Vieuxtemps
Concerto For Violin and Orchestra No. 5 ...
138 bpm • A min • 01:11 • -17db
35% Popularity • 42% Danceability • 37% Energy • 13% Liveness
96% Instrumentalness • 23% Positiveness
35% Popularity • 42% Danceability • 37% Energy • 13% Liveness
96% Instrumentalness • 23% Positiveness
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Gustav Holst
St. Paul's Suite, Op. 29 No. 2, H 118: 3...
136 bpm • E min • 04:10 • -23db
31% Popularity • 24% Danceability • 5% Energy • 10% Liveness
80% Instrumentalness • 15% Positiveness
31% Popularity • 24% Danceability • 5% Energy • 10% Liveness
80% Instrumentalness • 15% Positiveness
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Dmitri Shostakovich
Tahiti Trot, Op. 16 (orchestral transcri...
138 bpm • G# Maj • 04:09 • -23.16db
48% Popularity • 29% Danceability • 10% Energy • 28% Liveness
86% Instrumentalness • 19% Positiveness
48% Popularity • 29% Danceability • 10% Energy • 28% Liveness
86% Instrumentalness • 19% Positiveness
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Isaac Albéniz
España, Op. 165: No. 2, Tango (Arr. for...
136 bpm • D Maj • 02:39 • -14.68db
2% Popularity • 29% Danceability • 12% Energy • 9% Liveness
7% Instrumentalness • 15% Positiveness
2% Popularity • 29% Danceability • 12% Energy • 9% Liveness
7% Instrumentalness • 15% Positiveness
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Fritz Kreisler
Liebeslied
136 bpm • A Maj • 03:55 • -26.92db
40% Popularity • 34% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
40% Popularity • 34% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 7. Träumerei
135 bpm • F Maj • 02:30 • -35.8db
52% Popularity • 40% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
52% Popularity • 40% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
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Francis Poulenc
Piano Concerto in C-Sharp Minor, FP 146:...
135 bpm • G# Maj • 09:40 • -22.85db
25% Popularity • 26% Danceability • 9% Energy • 12% Liveness
83% Instrumentalness • 6% Positiveness
25% Popularity • 26% Danceability • 9% Energy • 12% Liveness
83% Instrumentalness • 6% Positiveness
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Nathan Bello
Ocean Etude in C minor--Chopin
139 bpm • F min • 02:42 • -19.96db
25% Popularity • 19% Danceability • 24% Energy • 14% Liveness
91% Instrumentalness • 8% Positiveness
25% Popularity • 19% Danceability • 24% Energy • 14% Liveness
91% Instrumentalness • 8% Positiveness
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Maurice Ravel
Ravel: Jeux d'eaux, M. 30
140 bpm • F# min • 05:38 • -21.49db
28% Popularity • 31% Danceability • 20% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
28% Popularity • 31% Danceability • 20% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Dmitri Shostakovich
Five pieces for Two Violins and Piano: I...
140 bpm • G min • 01:52 • -28.13db
34% Popularity • 20% Danceability • 4% Energy • 12% Liveness
16% Instrumentalness • 13% Positiveness
34% Popularity • 20% Danceability • 4% Energy • 12% Liveness
16% Instrumentalness • 13% Positiveness
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Fritz Kreisler
Sicilienne and Rigaudon, in the Style of...
138 bpm • B min • 05:07 • -16.34db
3% Popularity • 35% Danceability • 18% Energy • 14% Liveness
3% Instrumentalness • 41% Positiveness
3% Popularity • 35% Danceability • 18% Energy • 14% Liveness
3% Instrumentalness • 41% Positiveness
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Mela Tenenbaum
Drigo Serenade - from Les Millions d'Arl...
139 bpm • D Maj • 04:36 • -23.9db
10% Popularity • 23% Danceability • 8% Energy • 9% Liveness
3% Instrumentalness • 13% Positiveness
10% Popularity • 23% Danceability • 8% Energy • 9% Liveness
3% Instrumentalness • 13% Positiveness
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Carl Maria von Weber
7 Variations on the Air Vien qua, Dorina...
134 bpm • C Maj • 01:17 • -34db
59% Popularity • 22% Danceability • 1% Energy • 7% Liveness
80% Instrumentalness • 22% Positiveness
59% Popularity • 22% Danceability • 1% Energy • 7% Liveness
80% Instrumentalness • 22% Positiveness
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Fanny Mendelssohn
6 Melodies, Op. 4 - 6 melodies, Op. 5: A...
140 bpm • C# min • 01:33 • -30.89db
42% Popularity • 28% Danceability • 4% Energy • 11% Liveness
79% Instrumentalness • 5% Positiveness
42% Popularity • 28% Danceability • 4% Energy • 11% Liveness
79% Instrumentalness • 5% Positiveness
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Friedrich Burgmüller
25 Ètudes Faciles Et Progressives, Op. ...
134 bpm • D Maj • 01:06 • -26db
55% Popularity • 16% Danceability • 14% Energy • 11% Liveness
90% Instrumentalness • 41% Positiveness
55% Popularity • 16% Danceability • 14% Energy • 11% Liveness
90% Instrumentalness • 41% Positiveness
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Sergei Prokofiev
Piano Concerto No. 3 in C, Op. 26: 1. An...
133 bpm • A min • 09:24 • -16db
46% Popularity • 35% Danceability • 25% Energy • 8% Liveness
86% Instrumentalness • 10% Positiveness
46% Popularity • 35% Danceability • 25% Energy • 8% Liveness
86% Instrumentalness • 10% Positiveness
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Fritz Kreisler
La Chasse. Caprice in the Style of Carti...
135 bpm • D# Maj • 02:42 • -16.32db
3% Popularity • 60% Danceability • 36% Energy • 8% Liveness
88% Instrumentalness • 48% Positiveness
3% Popularity • 60% Danceability • 36% Energy • 8% Liveness
88% Instrumentalness • 48% Positiveness
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Jean Sibelius
13 Pieces, Op. 76: No. 1 Esquisse
141 bpm • A Maj • 00:55 • -25.06db
54% Popularity • 29% Danceability • 10% Energy • 10% Liveness
93% Instrumentalness • 54% Positiveness
54% Popularity • 29% Danceability • 10% Energy • 10% Liveness
93% Instrumentalness • 54% Positiveness
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Zdeněk Fibich
Moods, Impressions and Reminiscences, Op...
133 bpm • C# Maj • 01:41 • -26db
43% Popularity • 47% Danceability • 2% Energy • 12% Liveness
87% Instrumentalness • 21% Positiveness
43% Popularity • 47% Danceability • 2% Energy • 12% Liveness
87% Instrumentalness • 21% Positiveness
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Eugène Ysaÿe
Violin Sonata No. 3 in D Minor, Op. 27 "...
141 bpm • G min • 05:47 • -23db
30% Popularity • 32% Danceability • 11% Energy • 14% Liveness
8% Instrumentalness • 22% Positiveness
30% Popularity • 32% Danceability • 11% Energy • 14% Liveness
8% Instrumentalness • 22% Positiveness
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Johannes Brahms
Symphony No. 1 in C Minor, Op. 68: III. ...
133 bpm • G# Maj • 04:52 • -24db
37% Popularity • 18% Danceability • 6% Energy • 17% Liveness
93% Instrumentalness • 7% Positiveness
37% Popularity • 18% Danceability • 6% Energy • 17% Liveness
93% Instrumentalness • 7% Positiveness
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AntonÃn Dvořák
Slavonic Dances, Op. 72, B. 145: No. 2 i...
132 bpm • C Maj • 02:01 • -25db
57% Popularity • 34% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
57% Popularity • 34% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
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Fritz Kreisler
Syncopation
133 bpm • G Maj • 02:03 • -18.32db
24% Popularity • 46% Danceability • 13% Energy • 14% Liveness
18% Instrumentalness • 56% Positiveness
24% Popularity • 46% Danceability • 13% Energy • 14% Liveness
18% Instrumentalness • 56% Positiveness
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Franz Liszt
Mephisto Waltz No. 1, S. 514
132 bpm • E Maj • 11:02 • -20.16db
46% Popularity • 36% Danceability • 15% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
46% Popularity • 36% Danceability • 15% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Sonata for 2 Pianos in D Major, K. 448/3...
132 bpm • A Maj • 08:23 • -21db
49% Popularity • 38% Danceability • 18% Energy • 10% Liveness
88% Instrumentalness • 56% Positiveness
49% Popularity • 38% Danceability • 18% Energy • 10% Liveness
88% Instrumentalness • 56% Positiveness
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Alexander Scriabin
8 Études, Op. 42: No. 5 in C-Sharp Mino...
132 bpm • C# min • 03:33 • -23db
32% Popularity • 26% Danceability • 15% Energy • 10% Liveness
86% Instrumentalness • 10% Positiveness
32% Popularity • 26% Danceability • 15% Energy • 10% Liveness
86% Instrumentalness • 10% Positiveness
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Johannes Brahms
21 Hungarian Dances, WoO 1: Hungarian Da...
142 bpm • G min • 02:55 • -18.66db
49% Popularity • 26% Danceability • 24% Energy • 35% Liveness
93% Instrumentalness • 47% Positiveness
49% Popularity • 26% Danceability • 24% Energy • 35% Liveness
93% Instrumentalness • 47% Positiveness
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Tomaso Antonio Vitali
Vitali: Chaconne in G Minor
143 bpm • G min • 10:30 • -17.08db
25% Popularity • 31% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
25% Popularity • 31% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
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Fritz Kreisler
Violin Partita No. 3 in E Major, BWV 100...
142 bpm • E Maj • 03:18 • -17.2db
2% Popularity • 58% Danceability • 14% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
2% Popularity • 58% Danceability • 14% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
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Camille Saint-Saëns
Cello Concerto No. 1 in A Minor, Op. 33:...
131 bpm • F Maj • 05:13 • -20db
36% Popularity • 29% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
36% Popularity • 29% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Fantasia for Piano in D Minor, K...
132 bpm • D Maj • 05:58 • -27db
28% Popularity • 43% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 12% Positiveness
28% Popularity • 43% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 12% Positiveness
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Carl Philipp Emanuel Bach
Bach, CPE: Solfegietto in C Minor, Wq. 1...
143 bpm • F min • 01:04 • -28.06db
51% Popularity • 21% Danceability • 14% Energy • 15% Liveness
90% Instrumentalness • 56% Positiveness
51% Popularity • 21% Danceability • 14% Energy • 15% Liveness
90% Instrumentalness • 56% Positiveness
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Pablo de Sarasate
Spanish Dances, Op. 21: No. 1. Malaguena
130 bpm • D Maj • 05:02 • -20.12db
14% Popularity • 31% Danceability • 8% Energy • 8% Liveness
3% Instrumentalness • 27% Positiveness
14% Popularity • 31% Danceability • 8% Energy • 8% Liveness
3% Instrumentalness • 27% Positiveness
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Bedřich Smetana
3 Polkas de salon, Op. 7, JB 1:60: No. 3...
131 bpm • E Maj • 01:54 • -30db
49% Popularity • 36% Danceability • 3% Energy • 8% Liveness
82% Instrumentalness • 4% Positiveness
49% Popularity • 36% Danceability • 3% Energy • 8% Liveness
82% Instrumentalness • 4% Positiveness
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Fritz Kreisler
Praeludium and Allegro
130 bpm • E min • 05:18 • -22.16db
6% Popularity • 44% Danceability • 18% Energy • 25% Liveness
54% Instrumentalness • 28% Positiveness
6% Popularity • 44% Danceability • 18% Energy • 25% Liveness
54% Instrumentalness • 28% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 7. Träumerei
130 bpm • F Maj • 02:55 • -42.24db
56% Popularity • 41% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 32% Positiveness
56% Popularity • 41% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 32% Positiveness
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Wolfgang Amadeus Mozart
Fantasia in D Minor, K. 397
130 bpm • D Maj • 05:36 • -23.22db
24% Popularity • 37% Danceability • 8% Energy • 7% Liveness
90% Instrumentalness • 12% Positiveness
24% Popularity • 37% Danceability • 8% Energy • 7% Liveness
90% Instrumentalness • 12% Positiveness
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Johann Sebastian Bach
Partita for Violin Solo No. 1 in B Minor...
144 bpm • B min • 03:30 • -16db
30% Popularity • 46% Danceability • 46% Energy • 19% Liveness
35% Instrumentalness • 97% Positiveness
30% Popularity • 46% Danceability • 46% Energy • 19% Liveness
35% Instrumentalness • 97% Positiveness
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Nathan Milstein
Paganiniana
129 bpm • A min • 08:47 • -17db
14% Popularity • 41% Danceability • 14% Energy • 7% Liveness
59% Instrumentalness • 12% Positiveness
14% Popularity • 41% Danceability • 14% Energy • 7% Liveness
59% Instrumentalness • 12% Positiveness
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Charles-Auguste de Bériot
9 Studies: No. 1. Allegro agitato
129 bpm • G Maj • 01:38 • -22db
38% Popularity • 44% Danceability • 13% Energy • 9% Liveness
89% Instrumentalness • 68% Positiveness
38% Popularity • 44% Danceability • 13% Energy • 9% Liveness
89% Instrumentalness • 68% Positiveness
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Fritz Kreisler
Aubade Provencale, in the Style of Coupe...
146 bpm • A# Maj • 02:22 • -17.96db
3% Popularity • 30% Danceability • 11% Energy • 23% Liveness
11% Instrumentalness • 36% Positiveness
3% Popularity • 30% Danceability • 11% Energy • 23% Liveness
11% Instrumentalness • 36% Positiveness
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Camille Saint-Saëns
Introduction et Rondo capriccioso in A M...
129 bpm • C Maj • 09:02 • -26db
26% Popularity • 39% Danceability • 7% Energy • 9% Liveness
12% Instrumentalness • 19% Positiveness
26% Popularity • 39% Danceability • 7% Energy • 9% Liveness
12% Instrumentalness • 19% Positiveness
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Wolfgang Amadeus Mozart
Rondo in A Minor, K. 511
130 bpm • D min • 10:02 • -22.47db
33% Popularity • 35% Danceability • 11% Energy • 8% Liveness
92% Instrumentalness • 16% Positiveness
33% Popularity • 35% Danceability • 11% Energy • 8% Liveness
92% Instrumentalness • 16% Positiveness
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Robert Schumann
Spanish Romance, Op. 74: The Smuggler (T...
147 bpm • G min • 02:00 • -26db
37% Popularity • 30% Danceability • 13% Energy • 11% Liveness
93% Instrumentalness • 59% Positiveness
37% Popularity • 30% Danceability • 13% Energy • 11% Liveness
93% Instrumentalness • 59% Positiveness
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Lang Lang
6 Moments musicaux, Op. 94, D. 780: No. ...
128 bpm • F min • 02:02 • -23db
43% Popularity • 42% Danceability • 5% Energy • 9% Liveness
95% Instrumentalness • 13% Positiveness
43% Popularity • 42% Danceability • 5% Energy • 9% Liveness
95% Instrumentalness • 13% Positiveness
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Maurice Ravel
Tzigane, M. 76
128 bpm • D Maj • 09:29 • -20db
25% Popularity • 39% Danceability • 13% Energy • 10% Liveness
46% Instrumentalness • 11% Positiveness
25% Popularity • 39% Danceability • 13% Energy • 10% Liveness
46% Instrumentalness • 11% Positiveness
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Fritz Kreisler
Toy Soldier's March
147 bpm • F Maj • 01:58 • -15.5db
3% Popularity • 45% Danceability • 12% Energy • 9% Liveness
26% Instrumentalness • 73% Positiveness
3% Popularity • 45% Danceability • 12% Energy • 9% Liveness
26% Instrumentalness • 73% Positiveness
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Antonio Vivaldi
The Four Seasons: Concerto No. 2 in G Mi...
147 bpm • G min • 05:22 • -18.46db
44% Popularity • 28% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
44% Popularity • 28% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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Gustav Holst
Brook Green Suite: II. Air
127 bpm • F Maj • 02:05 • -22.64db
53% Popularity • 18% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
53% Popularity • 18% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
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Leopold Godowsky
12 Schubert Songs: Heidenroslein (Hedge ...
127 bpm • G Maj • 02:02 • -27db
44% Popularity • 46% Danceability • 3% Energy • 10% Liveness
74% Instrumentalness • 33% Positiveness
44% Popularity • 46% Danceability • 3% Energy • 10% Liveness
74% Instrumentalness • 33% Positiveness
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Jean Sibelius
Sibelius: 13 Pieces, Op. 76: No. 2, Étu...
127 bpm • A min • 01:14 • -27db
43% Popularity • 41% Danceability • 8% Energy • 11% Liveness
88% Instrumentalness • 88% Positiveness
43% Popularity • 41% Danceability • 8% Energy • 11% Liveness
88% Instrumentalness • 88% Positiveness
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Clara Schumann
3 Romances, Op. 11: No. 1, Andante
127 bpm • D# min • 03:02 • -29db
54% Popularity • 31% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
54% Popularity • 31% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Vladimir Horowitz
Carmen Variations
148 bpm • E Maj • 03:33 • -20db
41% Popularity • 36% Danceability • 24% Energy • 10% Liveness
92% Instrumentalness • 24% Positiveness
41% Popularity • 36% Danceability • 24% Energy • 10% Liveness
92% Instrumentalness • 24% Positiveness
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AntonÃn Dvořák
Symphony No. 9 in E minor, Op. 95 "From ...
127 bpm • E min • 07:52 • -16.82db
36% Popularity • 32% Danceability • 14% Energy • 9% Liveness
78% Instrumentalness • 20% Positiveness
36% Popularity • 32% Danceability • 14% Energy • 9% Liveness
78% Instrumentalness • 20% Positiveness
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Camille Saint-Saëns
Allegro Appassionato Op. 43
127 bpm • E min • 03:54 • -25db
21% Popularity • 29% Danceability • 7% Energy • 9% Liveness
92% Instrumentalness • 25% Positiveness
21% Popularity • 29% Danceability • 7% Energy • 9% Liveness
92% Instrumentalness • 25% Positiveness
► Preview
Hector Berlioz
Symphonie fantastique, Op. 14: Marche au...
148 bpm • A# Maj • 07:11 • -17.76db
44% Popularity • 35% Danceability • 21% Energy • 8% Liveness
92% Instrumentalness • 33% Positiveness
44% Popularity • 35% Danceability • 21% Energy • 8% Liveness
92% Instrumentalness • 33% Positiveness
► Preview
Franz Liszt
Mendelssohns Lieder, S. 547: Auf Flugeln...
149 bpm • G# Maj • 03:19 • -30.75db
53% Popularity • 30% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 13% Positiveness
53% Popularity • 30% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 13% Positiveness
► Preview
Henri Vieuxtemps
Capriccio for Solo Viola, Op. 55
126 bpm • C min • 03:25 • -24db
15% Popularity • 28% Danceability • 4% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
15% Popularity • 28% Danceability • 4% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
► Preview
Johann Sebastian Bach
Violin Partita No. 3 in E Major, BWV 100...
126 bpm • A Maj • 03:34 • -17db
47% Popularity • 46% Danceability • 32% Energy • 6% Liveness
60% Instrumentalness • 95% Positiveness
47% Popularity • 46% Danceability • 32% Energy • 6% Liveness
60% Instrumentalness • 95% Positiveness
► Preview
AntonÃn Dvořák
Symphony No. 9 in E Minor, Op. 95 "From ...
125 bpm • E min • 09:41 • -19.15db
44% Popularity • 25% Danceability • 11% Energy • 9% Liveness
91% Instrumentalness • 9% Positiveness
44% Popularity • 25% Danceability • 11% Energy • 9% Liveness
91% Instrumentalness • 9% Positiveness
► Preview
Fanny Mendelssohn
Notturno in G Minor
125 bpm • G min • 04:40 • -27db
34% Popularity • 40% Danceability • 5% Energy • 7% Liveness
87% Instrumentalness • 7% Positiveness
34% Popularity • 40% Danceability • 5% Energy • 7% Liveness
87% Instrumentalness • 7% Positiveness
► Preview
Niccolò Paganini
Paganini: 24 Caprices, Op. 1: No. 5 in A...
150 bpm • A min • 03:09 • -23.45db
44% Popularity • 36% Danceability • 20% Energy • 6% Liveness
93% Instrumentalness • 63% Positiveness
44% Popularity • 36% Danceability • 20% Energy • 6% Liveness
93% Instrumentalness • 63% Positiveness
► Preview
Sergei Prokofiev
Violin Concerto No. 1 in D Major, Op. 19...
150 bpm • C Maj • 03:54 • -23.25db
21% Popularity • 47% Danceability • 27% Energy • 6% Liveness
79% Instrumentalness • 47% Positiveness
21% Popularity • 47% Danceability • 27% Energy • 6% Liveness
79% Instrumentalness • 47% Positiveness
► Preview
Mikhail Glinka
Viola Sonata in D Minor: I. Allegro mode...
125 bpm • D min • 09:02 • -20db
13% Popularity • 30% Danceability • 13% Energy • 8% Liveness
89% Instrumentalness • 13% Positiveness
13% Popularity • 30% Danceability • 13% Energy • 8% Liveness
89% Instrumentalness • 13% Positiveness
► Preview
Johann Sebastian Bach
Violin Partita No. 1 in B Minor, BWV 100...
124 bpm • B min • 04:14 • -20.98db
31% Popularity • 41% Danceability • 23% Energy • 14% Liveness
91% Instrumentalness • 97% Positiveness
31% Popularity • 41% Danceability • 23% Energy • 14% Liveness
91% Instrumentalness • 97% Positiveness
► Preview
AntonÃn Dvořák
Gypsy Melodies, Op. 55, B. 104: IV. Song...
125 bpm • D Maj • 02:31 • -25.5db
44% Popularity • 24% Danceability • 5% Energy • 13% Liveness
82% Instrumentalness • 6% Positiveness
44% Popularity • 24% Danceability • 5% Energy • 13% Liveness
82% Instrumentalness • 6% Positiveness
► Preview
Arcadi Volodos
Turkish March (After W.A. Mozart)
124 bpm • A Maj • 02:56 • -21db
30% Popularity • 45% Danceability • 29% Energy • 15% Liveness
76% Instrumentalness • 71% Positiveness
30% Popularity • 45% Danceability • 29% Energy • 15% Liveness
76% Instrumentalness • 71% Positiveness
► Preview
Wolfgang Amadeus Mozart
Sonata for Piano and Violin in E Minor, ...
124 bpm • E min • 05:37 • -21.19db
52% Popularity • 35% Danceability • 12% Energy • 12% Liveness
6% Instrumentalness • 26% Positiveness
52% Popularity • 35% Danceability • 12% Energy • 12% Liveness
6% Instrumentalness • 26% Positiveness
► Preview
Fritz Kreisler
Rondino on a Theme by Beethoven
152 bpm • D# Maj • 02:44 • -23.42db
13% Popularity • 26% Danceability • 7% Energy • 15% Liveness
76% Instrumentalness • 39% Positiveness
13% Popularity • 26% Danceability • 7% Energy • 15% Liveness
76% Instrumentalness • 39% Positiveness
► Preview
Carl Maria von Weber
Variations on a Theme from the Opera Sil...
123 bpm • A# Maj • 01:10 • -17.02db
45% Popularity • 41% Danceability • 31% Energy • 10% Liveness
96% Instrumentalness • 72% Positiveness
45% Popularity • 41% Danceability • 31% Energy • 10% Liveness
96% Instrumentalness • 72% Positiveness
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Charles-Auguste de Bériot
Violin Concerto No. 9 in A Minor, Op. 10...
123 bpm • E Maj • 03:41 • -26.7db
18% Popularity • 22% Danceability • 5% Energy • 26% Liveness
0% Instrumentalness • 12% Positiveness
18% Popularity • 22% Danceability • 5% Energy • 26% Liveness
0% Instrumentalness • 12% Positiveness
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Gabriel Fauré
Sicilienne, Op. 78
123 bpm • D# Maj • 03:31 • -25db
52% Popularity • 29% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 10% Positiveness
52% Popularity • 29% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 10% Positiveness
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Johann Sebastian Bach
Violin Concerto No. 1 in A minor, BWV 10...
123 bpm • A min • 03:47 • -11.1db
31% Popularity • 47% Danceability • 41% Energy • 16% Liveness
4% Instrumentalness • 64% Positiveness
31% Popularity • 47% Danceability • 41% Energy • 16% Liveness
4% Instrumentalness • 64% Positiveness
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Wolfgang Amadeus Mozart
Violin Sonata No. 22 in A Major, K. 305:...
153 bpm • E Maj • 05:10 • -23.74db
44% Popularity • 43% Danceability • 10% Energy • 14% Liveness
67% Instrumentalness • 63% Positiveness
44% Popularity • 43% Danceability • 10% Energy • 14% Liveness
67% Instrumentalness • 63% Positiveness
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Jenő Hubay
Carmen, fantasie brillante, Op. 3, No. 3...
122 bpm • B min • 03:26 • -15.53db
19% Popularity • 33% Danceability • 16% Energy • 13% Liveness
3% Instrumentalness • 14% Positiveness
19% Popularity • 33% Danceability • 16% Energy • 13% Liveness
3% Instrumentalness • 14% Positiveness
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Carl Philipp Emanuel Bach
Solfeggietto in C minor, Wq. 117/2
122 bpm • F min • 01:16 • -26.68db
58% Popularity • 34% Danceability • 20% Energy • 9% Liveness
92% Instrumentalness • 59% Positiveness
58% Popularity • 34% Danceability • 20% Energy • 9% Liveness
92% Instrumentalness • 59% Positiveness
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Niccolò Paganini
Sonata concertata in A Major, Op. 61, MS...
122 bpm • E Maj • 01:56 • -25db
47% Popularity • 50% Danceability • 12% Energy • 10% Liveness
46% Instrumentalness • 39% Positiveness
47% Popularity • 50% Danceability • 12% Energy • 10% Liveness
46% Instrumentalness • 39% Positiveness
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Georges Bizet
Carmen Suite No. 1 (Arr. E. Guiraud): I....
122 bpm • C min • 01:28 • -25.02db
54% Popularity • 17% Danceability • 12% Energy • 7% Liveness
84% Instrumentalness • 4% Positiveness
54% Popularity • 17% Danceability • 12% Energy • 7% Liveness
84% Instrumentalness • 4% Positiveness
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Carl Maria von Weber
7 Variations on an original theme, Op. 9...
121 bpm • F Maj • 00:57 • -35db
60% Popularity • 36% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 38% Positiveness
60% Popularity • 36% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 38% Positiveness
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Fritz Kreisler
Syncopation
156 bpm • G Maj • 02:03 • -13.18db
3% Popularity • 40% Danceability • 21% Energy • 6% Liveness
13% Instrumentalness • 52% Positiveness
3% Popularity • 40% Danceability • 21% Energy • 6% Liveness
13% Instrumentalness • 52% Positiveness
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Wolfgang Amadeus Mozart
Violin Concerto No. 3 in G Major, K. 216...
119 bpm • G Maj • 09:20 • -19.93db
32% Popularity • 46% Danceability • 10% Energy • 25% Liveness
67% Instrumentalness • 39% Positiveness
32% Popularity • 46% Danceability • 10% Energy • 25% Liveness
67% Instrumentalness • 39% Positiveness
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Lazar Berman
Chaconne in sol maggiore : Variazione 10
120 bpm • G min • 01:01 • -37.28db
52% Popularity • 53% Danceability • 0% Energy • 10% Liveness
93% Instrumentalness • 36% Positiveness
52% Popularity • 53% Danceability • 0% Energy • 10% Liveness
93% Instrumentalness • 36% Positiveness
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Edvard Grieg
Piano Concerto in A Minor, Op. 16: III. ...
119 bpm • F Maj • 09:32 • -19db
30% Popularity • 44% Danceability • 15% Energy • 29% Liveness
88% Instrumentalness • 10% Positiveness
30% Popularity • 44% Danceability • 15% Energy • 29% Liveness
88% Instrumentalness • 10% Positiveness
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Cologne Chamber Orchestra
Concerto For 4 Violins in B Minor, Op. 3...
118 bpm • B min • 03:37 • -17db
47% Popularity • 49% Danceability • 30% Energy • 8% Liveness
19% Instrumentalness • 63% Positiveness
47% Popularity • 49% Danceability • 30% Energy • 8% Liveness
19% Instrumentalness • 63% Positiveness
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Carl Maria von Weber
Divertimento No. 6 in G Major, Op. 38: D...
119 bpm • G Maj • 01:12 • -27db
47% Popularity • 46% Danceability • 2% Energy • 13% Liveness
86% Instrumentalness • 26% Positiveness
47% Popularity • 46% Danceability • 2% Energy • 13% Liveness
86% Instrumentalness • 26% Positiveness
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Fritz Kreisler
Tambourin chinois, Op. 3
158 bpm • A# Maj • 03:51 • -19.88db
7% Popularity • 44% Danceability • 27% Energy • 9% Liveness
26% Instrumentalness • 17% Positiveness
7% Popularity • 44% Danceability • 27% Energy • 9% Liveness
26% Instrumentalness • 17% Positiveness
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Dmitri Shostakovich
Piano Concerto No. 2 in F Major, Op. 102...
160 bpm • A# Maj • 06:53 • -16db
30% Popularity • 42% Danceability • 30% Energy • 9% Liveness
90% Instrumentalness • 33% Positiveness
30% Popularity • 42% Danceability • 30% Energy • 9% Liveness
90% Instrumentalness • 33% Positiveness
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Wolfgang Amadeus Mozart
Symphony No. 40 in G Minor, K. 550: I. M...
119 bpm • G min • 07:15 • -12.97db
47% Popularity • 33% Danceability • 33% Energy • 13% Liveness
75% Instrumentalness • 28% Positiveness
47% Popularity • 33% Danceability • 33% Energy • 13% Liveness
75% Instrumentalness • 28% Positiveness
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Felix Mendelssohn
Mendelssohn: Violin Concerto in E Minor,...
161 bpm • E Maj • 06:39 • -18.15db
36% Popularity • 33% Danceability • 22% Energy • 36% Liveness
18% Instrumentalness • 46% Positiveness
36% Popularity • 33% Danceability • 22% Energy • 36% Liveness
18% Instrumentalness • 46% Positiveness
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Alexander Borodin
Borodin - String Quartet No.2 in D major...
164 bpm • D Maj • 08:45 • -17db
24% Popularity • 19% Danceability • 15% Energy • 22% Liveness
56% Instrumentalness • 21% Positiveness
24% Popularity • 19% Danceability • 15% Energy • 22% Liveness
56% Instrumentalness • 21% Positiveness
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Edward Elgar
Cello Concerto in E Minor, Op. 85: II. L...
165 bpm • G Maj • 04:20 • -22.4db
25% Popularity • 27% Danceability • 21% Energy • 13% Liveness
78% Instrumentalness • 9% Positiveness
25% Popularity • 27% Danceability • 21% Energy • 13% Liveness
78% Instrumentalness • 9% Positiveness
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Fritz Kreisler
Tambourin chinois, Op. 3 (Arr. for Violi...
157 bpm • G min • 03:45 • -24.82db
30% Popularity • 40% Danceability • 14% Energy • 7% Liveness
33% Instrumentalness • 15% Positiveness
30% Popularity • 40% Danceability • 14% Energy • 7% Liveness
33% Instrumentalness • 15% Positiveness
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Camille Saint-Saëns
Clarinet Sonata in E-Flat Major, Op. 167...
165 bpm • D# Maj • 04:25 • -29db
29% Popularity • 15% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
29% Popularity • 15% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
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Arts Music Recording, Rotterdam
Serenade Espagnole
167 bpm • A Maj • 03:22 • -23.89db
11% Popularity • 22% Danceability • 7% Energy • 13% Liveness
13% Instrumentalness • 47% Positiveness
11% Popularity • 22% Danceability • 7% Energy • 13% Liveness
13% Instrumentalness • 47% Positiveness
