Songs like Sleep Alone (feat. Ella Boh) by Ella Boh
Based on a tempo of (+/- 10%) and a similar genre
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Haven Madison
Monster
174 bpm • C# min • 03:19 • -8.01db
48% Popularity • 46% Danceability • 48% Energy • 10% Liveness
1% Instrumentalness • 34% Positiveness
48% Popularity • 46% Danceability • 48% Energy • 10% Liveness
1% Instrumentalness • 34% Positiveness
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Mira Housey
i don't trust the sky
174 bpm • D# Maj • 02:24 • -9.47db
24% Popularity • 53% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
24% Popularity • 53% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Sophie Rose
Natural Disaster
176 bpm • D Maj • 03:02 • -6.11db
9% Popularity • 38% Danceability • 54% Energy • 65% Liveness
0% Instrumentalness • 16% Positiveness
9% Popularity • 38% Danceability • 54% Energy • 65% Liveness
0% Instrumentalness • 16% Positiveness
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Edda Moral
The YouTube Wanderer
174 bpm • G# Maj • 01:17 • -16.21db
18% Popularity • 64% Danceability • 42% Energy • 30% Liveness
0% Instrumentalness • 8% Positiveness
18% Popularity • 64% Danceability • 42% Energy • 30% Liveness
0% Instrumentalness • 8% Positiveness
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Sam DeRosa
Am I The Only One?
176 bpm • F# min • 02:54 • -8.79db
32% Popularity • 36% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
32% Popularity • 36% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Tess Clare
Setback
172 bpm • G Maj • 03:07 • -7.3db
28% Popularity • 62% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
28% Popularity • 62% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Noah Malcolm
January
172 bpm • C Maj • 03:05 • -6.8db
16% Popularity • 69% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
16% Popularity • 69% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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MERÅŒN
Sweet Nothings
176 bpm • G# min • 02:15 • -6.47db
34% Popularity • 63% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 49% Positiveness
34% Popularity • 63% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 49% Positiveness
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Megan & Liz
Narcissist
176 bpm • B min • 02:14 • -9.92db
10% Popularity • 70% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
10% Popularity • 70% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Heather Russell
Say Hello
172 bpm • C# Maj • 03:43 • -5.68db
11% Popularity • 47% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
11% Popularity • 47% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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FLAVIA
Wide Awake
172 bpm • C# Maj • 03:57 • -7.66db
33% Popularity • 47% Danceability • 63% Energy • 69% Liveness
0% Instrumentalness • 36% Positiveness
33% Popularity • 47% Danceability • 63% Energy • 69% Liveness
0% Instrumentalness • 36% Positiveness
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Kristina Rossi
Off Limits
172 bpm • G# min • 02:19 • -10.88db
29% Popularity • 51% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
29% Popularity • 51% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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HEIGHTS
I've Been Dreaming of You
170 bpm • F Maj • 02:28 • -6.97db
22% Popularity • 59% Danceability • 62% Energy • 11% Liveness
62% Instrumentalness • 30% Positiveness
22% Popularity • 59% Danceability • 62% Energy • 11% Liveness
62% Instrumentalness • 30% Positiveness
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KAYKO
FAVORITE SONG
177 bpm • C Maj • 03:15 • -10.37db
22% Popularity • 37% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
22% Popularity • 37% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Talon Majors
Duct Tape
170 bpm • B Maj • 03:12 • -6.99db
26% Popularity • 66% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
26% Popularity • 66% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Joselin
Love You Like I Did
178 bpm • A Maj • 03:26 • -6.55db
18% Popularity • 59% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
18% Popularity • 59% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Abigail Osborn
Copout
170 bpm • F Maj • 02:38 • -5.06db
24% Popularity • 56% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
24% Popularity • 56% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Floozy
Poolhouse
170 bpm • G Maj • 02:43 • -6.74db
32% Popularity • 50% Danceability • 67% Energy • 3% Liveness
0% Instrumentalness • 41% Positiveness
32% Popularity • 50% Danceability • 67% Energy • 3% Liveness
0% Instrumentalness • 41% Positiveness
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FRENSHIP
Sad Anymore
170 bpm • C# Maj • 03:43 • -8.38db
33% Popularity • 63% Danceability • 61% Energy • 32% Liveness
0% Instrumentalness • 45% Positiveness
33% Popularity • 63% Danceability • 61% Energy • 32% Liveness
0% Instrumentalness • 45% Positiveness
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Raine St. Frank
Freaking Me Out
170 bpm • B min • 02:18 • -6.83db
9% Popularity • 66% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
9% Popularity • 66% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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Samantha Margret
Remind Myself of You
170 bpm • E min • 02:21 • -7.42db
22% Popularity • 54% Danceability • 59% Energy • 80% Liveness
0% Instrumentalness • 48% Positiveness
22% Popularity • 54% Danceability • 59% Energy • 80% Liveness
0% Instrumentalness • 48% Positiveness
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Laur Elle
August
170 bpm • G min • 02:21 • -12.14db
33% Popularity • 49% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 12% Positiveness
33% Popularity • 49% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 12% Positiveness
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Eloise Talarico
Melbourne
169 bpm • D# Maj • 02:59 • -6.29db
12% Popularity • 45% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
12% Popularity • 45% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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COLE
yours
180 bpm • E Maj • 02:21 • -7.48db
30% Popularity • 57% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
30% Popularity • 57% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Zach Balcomb
Listening to Marling
180 bpm • F# Maj • 03:17 • -6.36db
21% Popularity • 54% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
21% Popularity • 54% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Caleigh
Mean Girls
180 bpm • G Maj • 03:02 • -6.01db
46% Popularity • 71% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
46% Popularity • 71% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Love You Later
Not Done
180 bpm • F# Maj • 02:46 • -8.85db
17% Popularity • 50% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
17% Popularity • 50% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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ZADA
All In Your Mind
180 bpm • F# min • 02:24 • -7.91db
21% Popularity • 67% Danceability • 78% Energy • 18% Liveness
38% Instrumentalness • 46% Positiveness
21% Popularity • 67% Danceability • 78% Energy • 18% Liveness
38% Instrumentalness • 46% Positiveness
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Tess
It's Complicated
180 bpm • F# Maj • 03:17 • -7.83db
10% Popularity • 60% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
10% Popularity • 60% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
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COLE
i don't miss you, i miss the way it felt
180 bpm • B min • 03:33 • -5.77db
14% Popularity • 44% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
14% Popularity • 44% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Sadie Fine
Dead Inside
180 bpm • A# Maj • 03:44 • -7.64db
44% Popularity • 38% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
44% Popularity • 38% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Cecilia Gault
G2FH
168 bpm • G# Maj • 03:19 • -5.08db
11% Popularity • 52% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
11% Popularity • 52% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Annika Wells
Crying Over You
168 bpm • E Maj • 02:43 • -3.8db
26% Popularity • 62% Danceability • 79% Energy • 19% Liveness
0% Instrumentalness • 73% Positiveness
26% Popularity • 62% Danceability • 79% Energy • 19% Liveness
0% Instrumentalness • 73% Positiveness
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Rynn
where does the love go
168 bpm • C# min • 03:35 • -7.64db
9% Popularity • 57% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
9% Popularity • 57% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Laura Zocca
Jigsaw
168 bpm • C# Maj • 03:05 • -9.15db
15% Popularity • 68% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
15% Popularity • 68% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Jessie Kol
Wrapped Around Me
182 bpm • D Maj • 02:55 • -7.26db
19% Popularity • 50% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
19% Popularity • 50% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Jacklyn
No Saint
166 bpm • F min • 03:00 • -6.27db
15% Popularity • 64% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
15% Popularity • 64% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
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YAHYAH
Thoughts From My Bed
166 bpm • A# min • 02:26 • -7.56db
15% Popularity • 57% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
15% Popularity • 57% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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ELPENTHE
What We Got Away With
166 bpm • C Maj • 02:52 • -6.3db
11% Popularity • 59% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
11% Popularity • 59% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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RORY
Secondhand Therapy
165 bpm • C# min • 02:50 • -5.88db
11% Popularity • 61% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
11% Popularity • 61% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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June
Not The Guy Of My Dreams
184 bpm • C Maj • 04:10 • -9.5db
22% Popularity • 53% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 22% Positiveness
22% Popularity • 53% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 22% Positiveness
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MYMA
Who Knew
165 bpm • F min • 03:12 • -6.64db
20% Popularity • 51% Danceability • 57% Energy • 9% Liveness
2% Instrumentalness • 48% Positiveness
20% Popularity • 51% Danceability • 57% Energy • 9% Liveness
2% Instrumentalness • 48% Positiveness
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Sam DeRosa
Family
184 bpm • F Maj • 02:59 • -7.35db
21% Popularity • 60% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
21% Popularity • 60% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Savannah Bleu
Felt Right
164 bpm • C# min • 02:51 • -6.69db
31% Popularity • 63% Danceability • 76% Energy • 12% Liveness
1% Instrumentalness • 60% Positiveness
31% Popularity • 63% Danceability • 76% Energy • 12% Liveness
1% Instrumentalness • 60% Positiveness
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memyself&vi
Without You I'd Die
164 bpm • D Maj • 02:12 • -7.83db
26% Popularity • 58% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
26% Popularity • 58% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Annika Wells
fckboys
163 bpm • C Maj • 02:43 • -5.58db
27% Popularity • 62% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
27% Popularity • 62% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
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Haley Osier
Three
164 bpm • C min • 04:17 • -8.7db
3% Popularity • 57% Danceability • 61% Energy • 9% Liveness
1% Instrumentalness • 58% Positiveness
3% Popularity • 57% Danceability • 61% Energy • 9% Liveness
1% Instrumentalness • 58% Positiveness
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liza
THE ARSONIST & THE SUPERMODEL
186 bpm • F Maj • 02:12 • -10.63db
48% Popularity • 38% Danceability • 66% Energy • 62% Liveness
0% Instrumentalness • 18% Positiveness
48% Popularity • 38% Danceability • 66% Energy • 62% Liveness
0% Instrumentalness • 18% Positiveness
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talker
Easygoing - Anxious Attachment Version
162 bpm • A# Maj • 03:05 • -5.97db
20% Popularity • 60% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
20% Popularity • 60% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Zorro
Better Than That
162 bpm • E Maj • 01:56 • -8.45db
35% Popularity • 67% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
35% Popularity • 67% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
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Jasmine Kamilah
No Hard Feelings
162 bpm • F# Maj • 03:29 • -7db
25% Popularity • 63% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
25% Popularity • 63% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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C'est Karma
Street Signs
161 bpm • C# Maj • 02:24 • -8.81db
21% Popularity • 67% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
21% Popularity • 67% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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crying on camera
never ending tragedy
188 bpm • A# min • 03:31 • -4.88db
24% Popularity • 26% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
24% Popularity • 26% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
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Felicia Lu
Cosmos
160 bpm • B min • 02:18 • -7.66db
18% Popularity • 70% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
18% Popularity • 70% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Maya Malkin
affirmations! affirmations!
160 bpm • D Maj • 02:12 • -5.95db
36% Popularity • 61% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
36% Popularity • 61% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Abby Ports
Bad for me
160 bpm • B Maj • 03:33 • -9.94db
21% Popularity • 59% Danceability • 56% Energy • 39% Liveness
0% Instrumentalness • 65% Positiveness
21% Popularity • 59% Danceability • 56% Energy • 39% Liveness
0% Instrumentalness • 65% Positiveness
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Lauren Dejey
Drowning Me
160 bpm • C Maj • 02:42 • -5.91db
28% Popularity • 59% Danceability • 74% Energy • 41% Liveness
0% Instrumentalness • 28% Positiveness
28% Popularity • 59% Danceability • 74% Energy • 41% Liveness
0% Instrumentalness • 28% Positiveness
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fukkenawesome
Femboy Hoe in a Christian School
160 bpm • D Maj • 02:32 • -19.46db
9% Popularity • 73% Danceability • 18% Energy • 35% Liveness
0% Instrumentalness • 41% Positiveness
9% Popularity • 73% Danceability • 18% Energy • 35% Liveness
0% Instrumentalness • 41% Positiveness
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Grey Zeigler
Licorice
160 bpm • C Maj • 02:21 • -8.66db
30% Popularity • 77% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
30% Popularity • 77% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Maddie Regent
ruining
160 bpm • C Maj • 03:31 • -8.53db
13% Popularity • 51% Danceability • 51% Energy • 23% Liveness
0% Instrumentalness • 27% Positiveness
13% Popularity • 51% Danceability • 51% Energy • 23% Liveness
0% Instrumentalness • 27% Positiveness
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ÊMIA
Super Fun Party Girl
160 bpm • A min • 02:43 • -4.64db
16% Popularity • 65% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
16% Popularity • 65% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Miette Hope
Bubblewrap
160 bpm • A# Maj • 03:32 • -6.4db
14% Popularity • 54% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
14% Popularity • 54% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
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Stella Smyth
Pterodactyl
160 bpm • B Maj • 02:35 • -11.62db
17% Popularity • 48% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
17% Popularity • 48% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Vicki Vox
Easily Attached
160 bpm • B min • 03:08 • -7.06db
33% Popularity • 66% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
33% Popularity • 66% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Karissa Bone
It Might Mean Something
160 bpm • D Maj • 02:33 • -10.58db
10% Popularity • 70% Danceability • 39% Energy • 13% Liveness
1% Instrumentalness • 17% Positiveness
10% Popularity • 70% Danceability • 39% Energy • 13% Liveness
1% Instrumentalness • 17% Positiveness
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Heleina Zara
Far Away
160 bpm • A Maj • 02:24 • -6.5db
1% Popularity • 58% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
1% Popularity • 58% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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sad alex
swimming pools
160 bpm • F# Maj • 02:32 • -6.91db
37% Popularity • 62% Danceability • 76% Energy • 37% Liveness
0% Instrumentalness • 64% Positiveness
37% Popularity • 62% Danceability • 76% Energy • 37% Liveness
0% Instrumentalness • 64% Positiveness
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Kyra Fields
Cherry Tree
160 bpm • G Maj • 02:44 • -10.24db
23% Popularity • 31% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
23% Popularity • 31% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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crying on camera
anything - slowed down
190 bpm • C Maj • 03:04 • -7.81db
16% Popularity • 38% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
16% Popularity • 38% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Kallie Rock
Say it Back
190 bpm • E Maj • 03:05 • -6.88db
21% Popularity • 55% Danceability • 70% Energy • 34% Liveness
0% Instrumentalness • 21% Positiveness
21% Popularity • 55% Danceability • 70% Energy • 34% Liveness
0% Instrumentalness • 21% Positiveness
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Dia
Let You In My Sight
190 bpm • G# Maj • 02:43 • -7.13db
22% Popularity • 44% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
22% Popularity • 44% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Serena Sun
On the Surface
159 bpm • B Maj • 02:31 • -6.53db
21% Popularity • 60% Danceability • 76% Energy • 18% Liveness
23% Instrumentalness • 61% Positiveness
21% Popularity • 60% Danceability • 76% Energy • 18% Liveness
23% Instrumentalness • 61% Positiveness
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Dan Aura
Rewritten
158 bpm • F# Maj • 02:38 • -4.83db
26% Popularity • 67% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
26% Popularity • 67% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Celia
Dumber
158 bpm • E Maj • 03:28 • -5.44db
8% Popularity • 58% Danceability • 66% Energy • 18% Liveness
0% Instrumentalness • 47% Positiveness
8% Popularity • 58% Danceability • 66% Energy • 18% Liveness
0% Instrumentalness • 47% Positiveness
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BIRDEE 王煒
Faded Friends
192 bpm • B min • 03:11 • -5.24db
30% Popularity • 55% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
30% Popularity • 55% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Laur Elle
Lost Cause
192 bpm • C Maj • 02:37 • -5.98db
27% Popularity • 55% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
27% Popularity • 55% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Jazmin Nikolé
The Art of Letting Go
157 bpm • F Maj • 02:12 • -4.4db
26% Popularity • 72% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
26% Popularity • 72% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Alyssa Reid
Sleep Without You
192 bpm • C Maj • 02:42 • -9.08db
31% Popularity • 66% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
31% Popularity • 66% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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bardz
cold showers
156 bpm • F# min • 02:48 • -4.7db
18% Popularity • 75% Danceability • 82% Energy • 28% Liveness
0% Instrumentalness • 78% Positiveness
18% Popularity • 75% Danceability • 82% Energy • 28% Liveness
0% Instrumentalness • 78% Positiveness
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Sophie Cates
SUPERNOVA
156 bpm • D Maj • 02:35 • -4.79db
30% Popularity • 62% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
30% Popularity • 62% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
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sad alex
smiling at ur text
156 bpm • C Maj • 03:09 • -6.04db
28% Popularity • 82% Danceability • 53% Energy • 42% Liveness
0% Instrumentalness • 92% Positiveness
28% Popularity • 82% Danceability • 53% Energy • 42% Liveness
0% Instrumentalness • 92% Positiveness
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Laur Elle
Burning Out
156 bpm • D Maj • 02:42 • -4.85db
29% Popularity • 51% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
29% Popularity • 51% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Sadie-Lee
Wayside
156 bpm • A# min • 02:23 • -6.78db
28% Popularity • 52% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
28% Popularity • 52% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Caleigh
lowercase EX
195 bpm • A min • 02:31 • -5.62db
27% Popularity • 50% Danceability • 74% Energy • 43% Liveness
0% Instrumentalness • 62% Positiveness
27% Popularity • 50% Danceability • 74% Energy • 43% Liveness
0% Instrumentalness • 62% Positiveness
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Alice L
Water Under The Bridge
155 bpm • A# min • 03:12 • -9.34db
9% Popularity • 60% Danceability • 68% Energy • 11% Liveness
1% Instrumentalness • 26% Positiveness
9% Popularity • 60% Danceability • 68% Energy • 11% Liveness
1% Instrumentalness • 26% Positiveness
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Olivia Knox
Go Blonde
155 bpm • C# min • 02:24 • -9.91db
34% Popularity • 77% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
34% Popularity • 77% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Anderson Rocio
What I'm Feeling
154 bpm • A# Maj • 03:32 • -7.8db
18% Popularity • 40% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
18% Popularity • 40% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Heather Russell
Playground
154 bpm • C Maj • 02:45 • -7.16db
37% Popularity • 76% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
37% Popularity • 76% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Giadora
One Last Thing
154 bpm • D Maj • 02:52 • -4.65db
16% Popularity • 54% Danceability • 60% Energy • 21% Liveness
0% Instrumentalness • 12% Positiveness
16% Popularity • 54% Danceability • 60% Energy • 21% Liveness
0% Instrumentalness • 12% Positiveness
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Hattie Oates
Terrified
154 bpm • B Maj • 03:01 • -4.84db
19% Popularity • 55% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
19% Popularity • 55% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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HEENEY
Drive Slow
154 bpm • C min • 03:11 • -9.58db
25% Popularity • 60% Danceability • 66% Energy • 10% Liveness
1% Instrumentalness • 23% Positiveness
25% Popularity • 60% Danceability • 66% Energy • 10% Liveness
1% Instrumentalness • 23% Positiveness
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Bailey Baum
Novo
154 bpm • A min • 02:31 • -6.99db
22% Popularity • 60% Danceability • 90% Energy • 6% Liveness
1% Instrumentalness • 27% Positiveness
22% Popularity • 60% Danceability • 90% Energy • 6% Liveness
1% Instrumentalness • 27% Positiveness
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Dutchess
Please Don't Forgive Me
154 bpm • D min • 02:27 • -6.62db
15% Popularity • 61% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
15% Popularity • 61% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Lili-Ann De Francesco
blame me
153 bpm • F Maj • 03:45 • -7.61db
9% Popularity • 72% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
9% Popularity • 72% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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C4lesse
Above My Head
152 bpm • B Maj • 02:24 • -7.27db
19% Popularity • 64% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
19% Popularity • 64% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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PrettyUgly
LALALA
152 bpm • F min • 02:26 • -7.59db
37% Popularity • 55% Danceability • 66% Energy • 44% Liveness
0% Instrumentalness • 33% Positiveness
37% Popularity • 55% Danceability • 66% Energy • 44% Liveness
0% Instrumentalness • 33% Positiveness
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Jayde
i'm sorry...
200 bpm • F# Maj • 02:36 • -6.77db
10% Popularity • 60% Danceability • 52% Energy • 27% Liveness
0% Instrumentalness • 50% Positiveness
10% Popularity • 60% Danceability • 52% Energy • 27% Liveness
0% Instrumentalness • 50% Positiveness
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Jessica Brett
I'll Come Back Better
200 bpm • C min • 02:04 • -9.29db
14% Popularity • 65% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
14% Popularity • 65% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
