Songs like Sleeping And Listening On The Beach by Chihei Hatakeyama
Based on a tempo of (+/- 10%) and a similar genre
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Jogging House
Plasma
72 bpm • A# Maj • 04:08 • -23.5db
25% Popularity • 6% Danceability • 3% Energy • 8% Liveness
81% Instrumentalness • 4% Positiveness
25% Popularity • 6% Danceability • 3% Energy • 8% Liveness
81% Instrumentalness • 4% Positiveness
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Kyle Bobby Dunn
Meadowfuck (Waltz of the Nobodies)
72 bpm • D# Maj • 08:28 • -21.29db
22% Popularity • 15% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
22% Popularity • 15% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Stars Of The Lid
Even If You're Never Awake
72 bpm • F# Maj • 09:20 • -24.08db
35% Popularity • 8% Danceability • 6% Energy • 8% Liveness
89% Instrumentalness • 3% Positiveness
35% Popularity • 8% Danceability • 6% Energy • 8% Liveness
89% Instrumentalness • 3% Positiveness
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kwajbasket
The Gentleman, Pt. 3
72 bpm • G# min • 03:48 • -37.18db
23% Popularity • 18% Danceability • 1% Energy • 14% Liveness
68% Instrumentalness • 14% Positiveness
23% Popularity • 18% Danceability • 1% Energy • 14% Liveness
68% Instrumentalness • 14% Positiveness
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Harold Budd
Olancha Farewell
72 bpm • G Maj • 02:18 • -34db
41% Popularity • 20% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 5% Positiveness
41% Popularity • 20% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 5% Positiveness
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Bing & Ruth
As Much as Possible
72 bpm • C# Maj • 05:40 • -30.57db
37% Popularity • 13% Danceability • 2% Energy • 12% Liveness
89% Instrumentalness • 3% Positiveness
37% Popularity • 13% Danceability • 2% Energy • 12% Liveness
89% Instrumentalness • 3% Positiveness
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Halftribe
Still
72 bpm • C# Maj • 03:27 • -20.36db
33% Popularity • 9% Danceability • 19% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
33% Popularity • 9% Danceability • 19% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Suso Saiz
Brushed Thoughts
72 bpm • C Maj • 03:39 • -29.08db
23% Popularity • 7% Danceability • 9% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
23% Popularity • 7% Danceability • 9% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Lawrence English
Watching It Unfold
72 bpm • E Maj • 05:49 • -26.51db
29% Popularity • 16% Danceability • 1% Energy • 9% Liveness
65% Instrumentalness • 3% Positiveness
29% Popularity • 16% Danceability • 1% Energy • 9% Liveness
65% Instrumentalness • 3% Positiveness
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Forest Management
Remote Rail Ex
72 bpm • C Maj • 06:45 • -27.04db
18% Popularity • 16% Danceability • 5% Energy • 9% Liveness
64% Instrumentalness • 3% Positiveness
18% Popularity • 16% Danceability • 5% Energy • 9% Liveness
64% Instrumentalness • 3% Positiveness
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Jonny Nash
Photo With Grey Sky, White Clouds
72 bpm • A min • 08:29 • -27db
47% Popularity • 18% Danceability • 0% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
47% Popularity • 18% Danceability • 0% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Michiru Aoyama
日本の空気 - Air of Japan
72 bpm • F# min • 03:58 • -26.04db
35% Popularity • 28% Danceability • 9% Energy • 13% Liveness
94% Instrumentalness • 14% Positiveness
35% Popularity • 28% Danceability • 9% Energy • 13% Liveness
94% Instrumentalness • 14% Positiveness
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Halftribe
Radiant
72 bpm • D Maj • 02:22 • -24.87db
36% Popularity • 22% Danceability • 4% Energy • 7% Liveness
89% Instrumentalness • 9% Positiveness
36% Popularity • 22% Danceability • 4% Energy • 7% Liveness
89% Instrumentalness • 9% Positiveness
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Suso Saiz
Healthy Digestion
72 bpm • D Maj • 03:05 • -29.69db
39% Popularity • 21% Danceability • 3% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
39% Popularity • 21% Danceability • 3% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
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Chihei Hatakeyama
Blue Reminder
72 bpm • A# Maj • 07:38 • -29.57db
19% Popularity • 14% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 6% Positiveness
19% Popularity • 14% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 6% Positiveness
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Celer
Magnified Pieces of Thermodynamics
72 bpm • F min • 06:26 • -33.69db
17% Popularity • 15% Danceability • 8% Energy • 10% Liveness
99% Instrumentalness • 4% Positiveness
17% Popularity • 15% Danceability • 8% Energy • 10% Liveness
99% Instrumentalness • 4% Positiveness
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Bibio
09:13
72 bpm • C# min • 07:03 • -26.22db
24% Popularity • 17% Danceability • 6% Energy • 10% Liveness
80% Instrumentalness • 4% Positiveness
24% Popularity • 17% Danceability • 6% Energy • 10% Liveness
80% Instrumentalness • 4% Positiveness
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Alaskan Tapes
And, We Disappear
72 bpm • C Maj • 04:37 • -28.08db
35% Popularity • 19% Danceability • 4% Energy • 9% Liveness
91% Instrumentalness • 3% Positiveness
35% Popularity • 19% Danceability • 4% Energy • 9% Liveness
91% Instrumentalness • 3% Positiveness
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Shuttle358
logical
72 bpm • D Maj • 03:02 • -29.7db
27% Popularity • 19% Danceability • 19% Energy • 9% Liveness
88% Instrumentalness • 15% Positiveness
27% Popularity • 19% Danceability • 19% Energy • 9% Liveness
88% Instrumentalness • 15% Positiveness
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Federico Durand
Rondel
73 bpm • D Maj • 03:45 • -28.68db
18% Popularity • 30% Danceability • 8% Energy • 5% Liveness
95% Instrumentalness • 3% Positiveness
18% Popularity • 30% Danceability • 8% Energy • 5% Liveness
95% Instrumentalness • 3% Positiveness
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Chihei Hatakeyama
Sleeping And Listening On The Beach
72 bpm • D Maj • 07:30 • -32.5db
37% Popularity • 14% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
37% Popularity • 14% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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William Basinski
Mono No Aware 1.1
72 bpm • F Maj • 05:39 • -30.15db
32% Popularity • 11% Danceability • 12% Energy • 34% Liveness
88% Instrumentalness • 4% Positiveness
32% Popularity • 11% Danceability • 12% Energy • 34% Liveness
88% Instrumentalness • 4% Positiveness
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kwajbasket
Don't Let Go
71 bpm • D# Maj • 03:21 • -29.54db
24% Popularity • 15% Danceability • 4% Energy • 9% Liveness
76% Instrumentalness • 5% Positiveness
24% Popularity • 15% Danceability • 4% Energy • 9% Liveness
76% Instrumentalness • 5% Positiveness
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Tim Hecker
Harmony in Blue III
73 bpm • F min • 02:41 • -24.55db
30% Popularity • 14% Danceability • 27% Energy • 20% Liveness
91% Instrumentalness • 5% Positiveness
30% Popularity • 14% Danceability • 27% Energy • 20% Liveness
91% Instrumentalness • 5% Positiveness
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Kyle Bobby Dunn
Variations on a Theme by St-Dipshit
71 bpm • A Maj • 09:22 • -22.42db
29% Popularity • 14% Danceability • 8% Energy • 9% Liveness
93% Instrumentalness • 3% Positiveness
29% Popularity • 14% Danceability • 8% Energy • 9% Liveness
93% Instrumentalness • 3% Positiveness
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Wouter Veldhuis
How to Get Dry Again?
71 bpm • B min • 02:54 • -36.02db
38% Popularity • 24% Danceability • 3% Energy • 11% Liveness
85% Instrumentalness • 10% Positiveness
38% Popularity • 24% Danceability • 3% Energy • 11% Liveness
85% Instrumentalness • 10% Positiveness
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Chihei Hatakeyama
misty echo
71 bpm • G Maj • 03:33 • -18.82db
14% Popularity • 24% Danceability • 25% Energy • 7% Liveness
95% Instrumentalness • 8% Positiveness
14% Popularity • 24% Danceability • 25% Energy • 7% Liveness
95% Instrumentalness • 8% Positiveness
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William Basinski
Melancholia II
73 bpm • D# Maj • 06:49 • -31db
44% Popularity • 18% Danceability • 5% Energy • 6% Liveness
90% Instrumentalness • 7% Positiveness
44% Popularity • 18% Danceability • 5% Energy • 6% Liveness
90% Instrumentalness • 7% Positiveness
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Whatever The Weather
25°C
71 bpm • D Maj • 07:27 • -22db
38% Popularity • 9% Danceability • 17% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
38% Popularity • 9% Danceability • 17% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Kara-Lis Coverdale
Moments In Love
73 bpm • G# Maj • 10:17 • -27db
30% Popularity • 39% Danceability • 8% Energy • 8% Liveness
93% Instrumentalness • 16% Positiveness
30% Popularity • 39% Danceability • 8% Energy • 8% Liveness
93% Instrumentalness • 16% Positiveness
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Deaf Center
Movements / The Ascent
73 bpm • C Maj • 06:19 • -20db
31% Popularity • 8% Danceability • 41% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
31% Popularity • 8% Danceability • 41% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Gossamer
Iii: Encounter
71 bpm • C Maj • 04:14 • -20.08db
22% Popularity • 7% Danceability • 26% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
22% Popularity • 7% Danceability • 26% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Chihei Hatakeyama
Breaking Dawn
71 bpm • C# Maj • 02:43 • -22.09db
43% Popularity • 30% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 5% Positiveness
43% Popularity • 30% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 5% Positiveness
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William Basinski
dlp 1.3
71 bpm • F Maj • 11:57 • -27.01db
39% Popularity • 18% Danceability • 10% Energy • 7% Liveness
97% Instrumentalness • 4% Positiveness
39% Popularity • 18% Danceability • 10% Energy • 7% Liveness
97% Instrumentalness • 4% Positiveness
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Halftribe
Picidae
71 bpm • A# min • 01:59 • -21.62db
28% Popularity • 30% Danceability • 12% Energy • 12% Liveness
65% Instrumentalness • 4% Positiveness
28% Popularity • 30% Danceability • 12% Energy • 12% Liveness
65% Instrumentalness • 4% Positiveness
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Kara-Lis Coverdale
Moments In Love
73 bpm • C min • 09:23 • -28.43db
38% Popularity • 41% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 17% Positiveness
38% Popularity • 41% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 17% Positiveness
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Jefre Cantu-Ledesma
Womb Night
71 bpm • A min • 01:05 • -27.51db
40% Popularity • 24% Danceability • 12% Energy • 7% Liveness
84% Instrumentalness • 4% Positiveness
40% Popularity • 24% Danceability • 12% Energy • 7% Liveness
84% Instrumentalness • 4% Positiveness
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Haruhisa Tanaka
Ice Cave
71 bpm • G Maj • 02:38 • -26.92db
37% Popularity • 13% Danceability • 0% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
37% Popularity • 13% Danceability • 0% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
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Chihei Hatakeyama
Black Swallow III
71 bpm • E min • 07:31 • -27.64db
14% Popularity • 6% Danceability • 11% Energy • 8% Liveness
86% Instrumentalness • 6% Positiveness
14% Popularity • 6% Danceability • 11% Energy • 8% Liveness
86% Instrumentalness • 6% Positiveness
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Federico Durand
Mirador en la montaña (Viewpoint in the...
71 bpm • A# Maj • 01:48 • -19.44db
30% Popularity • 40% Danceability • 11% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
30% Popularity • 40% Danceability • 11% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Alaskan Tapes
Then
73 bpm • C# Maj • 03:27 • -22.33db
32% Popularity • 8% Danceability • 7% Energy • 14% Liveness
91% Instrumentalness • 3% Positiveness
32% Popularity • 8% Danceability • 7% Energy • 14% Liveness
91% Instrumentalness • 3% Positiveness
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Laurie Spiegel
The Unquestioned Answer
71 bpm • G# Maj • 06:30 • -26.15db
34% Popularity • 11% Danceability • 0% Energy • 10% Liveness
88% Instrumentalness • 17% Positiveness
34% Popularity • 11% Danceability • 0% Energy • 10% Liveness
88% Instrumentalness • 17% Positiveness
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KMRU
Well
73 bpm • C Maj • 05:30 • -25db
27% Popularity • 13% Danceability • 17% Energy • 7% Liveness
94% Instrumentalness • 5% Positiveness
27% Popularity • 13% Danceability • 17% Energy • 7% Liveness
94% Instrumentalness • 5% Positiveness
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Haruhisa Tanaka
In The Forest
73 bpm • C Maj • 02:11 • -26db
41% Popularity • 21% Danceability • 6% Energy • 9% Liveness
81% Instrumentalness • 6% Positiveness
41% Popularity • 21% Danceability • 6% Energy • 9% Liveness
81% Instrumentalness • 6% Positiveness
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Chihei Hatakeyama
Guitar Trio Dream II
71 bpm • C# Maj • 06:58 • -22.87db
25% Popularity • 11% Danceability • 11% Energy • 9% Liveness
88% Instrumentalness • 8% Positiveness
25% Popularity • 11% Danceability • 11% Energy • 9% Liveness
88% Instrumentalness • 8% Positiveness
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Federico Durand
Los alerces del patio
71 bpm • C min • 04:10 • -22.94db
17% Popularity • 32% Danceability • 2% Energy • 6% Liveness
97% Instrumentalness • 10% Positiveness
17% Popularity • 32% Danceability • 2% Energy • 6% Liveness
97% Instrumentalness • 10% Positiveness
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Christopher Willits
Ama
73 bpm • C Maj • 03:52 • -29.09db
28% Popularity • 8% Danceability • 6% Energy • 9% Liveness
87% Instrumentalness • 3% Positiveness
28% Popularity • 8% Danceability • 6% Energy • 9% Liveness
87% Instrumentalness • 3% Positiveness
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kwajbasket
Where Is Everyone
71 bpm • C min • 04:32 • -25.71db
21% Popularity • 18% Danceability • 8% Energy • 8% Liveness
74% Instrumentalness • 4% Positiveness
21% Popularity • 18% Danceability • 8% Energy • 8% Liveness
74% Instrumentalness • 4% Positiveness
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Kyle Bobby Dunn
Diamond Cove (And Its Children Were Watc...
71 bpm • C min • 03:52 • -35.65db
28% Popularity • 21% Danceability • 0% Energy • 11% Liveness
98% Instrumentalness • 3% Positiveness
28% Popularity • 21% Danceability • 0% Energy • 11% Liveness
98% Instrumentalness • 3% Positiveness
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Tim Hecker
Harmony in Blue I
73 bpm • G# min • 01:31 • -27.04db
40% Popularity • 18% Danceability • 5% Energy • 9% Liveness
81% Instrumentalness • 9% Positiveness
40% Popularity • 18% Danceability • 5% Energy • 9% Liveness
81% Instrumentalness • 9% Positiveness
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Chihei Hatakeyama
Images Of Broken Light
73 bpm • C Maj • 08:29 • -20.86db
34% Popularity • 16% Danceability • 9% Energy • 6% Liveness
91% Instrumentalness • 3% Positiveness
34% Popularity • 16% Danceability • 9% Energy • 6% Liveness
91% Instrumentalness • 3% Positiveness
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Christina Vantzou
11: 11
73 bpm • C Maj • 04:05 • -22.15db
20% Popularity • 16% Danceability • 10% Energy • 22% Liveness
90% Instrumentalness • 3% Positiveness
20% Popularity • 16% Danceability • 10% Energy • 22% Liveness
90% Instrumentalness • 3% Positiveness
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Brian Eno
Signals - Remastered 2005
71 bpm • F# Maj • 02:46 • -41.81db
49% Popularity • 7% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 7% Positiveness
49% Popularity • 7% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 7% Positiveness
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kwajbasket
The Only Thing Left
71 bpm • E Maj • 03:27 • -33.49db
35% Popularity • 19% Danceability • 2% Energy • 9% Liveness
73% Instrumentalness • 3% Positiveness
35% Popularity • 19% Danceability • 2% Energy • 9% Liveness
73% Instrumentalness • 3% Positiveness
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Kyle Bobby Dunn
Lake Wapta Rise
71 bpm • F# min • 06:22 • -32.79db
21% Popularity • 6% Danceability • 0% Energy • 9% Liveness
97% Instrumentalness • 3% Positiveness
21% Popularity • 6% Danceability • 0% Energy • 9% Liveness
97% Instrumentalness • 3% Positiveness
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Alaskan Tapes
Who Tends a Garden
70 bpm • A Maj • 04:40 • -24.88db
25% Popularity • 9% Danceability • 22% Energy • 7% Liveness
90% Instrumentalness • 8% Positiveness
25% Popularity • 9% Danceability • 22% Energy • 7% Liveness
90% Instrumentalness • 8% Positiveness
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Chihei Hatakeyama
Waves from the North
73 bpm • F Maj • 09:43 • -22.08db
15% Popularity • 7% Danceability • 15% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
15% Popularity • 7% Danceability • 15% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
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William Basinski
Melancholia VI
71 bpm • A min • 02:15 • -38.26db
36% Popularity • 19% Danceability • 1% Energy • 29% Liveness
95% Instrumentalness • 9% Positiveness
36% Popularity • 19% Danceability • 1% Energy • 29% Liveness
95% Instrumentalness • 9% Positiveness
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Hakobune
Lighthouse
74 bpm • A# Maj • 03:51 • -30.73db
29% Popularity • 22% Danceability • 5% Energy • 14% Liveness
69% Instrumentalness • 4% Positiveness
29% Popularity • 22% Danceability • 5% Energy • 14% Liveness
69% Instrumentalness • 4% Positiveness
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Weatherson
Look At My Snowman
74 bpm • D Maj • 04:24 • -35.09db
32% Popularity • 16% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
32% Popularity • 16% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Suso Saiz
On Plateau
74 bpm • D Maj • 03:55 • -26.34db
32% Popularity • 10% Danceability • 5% Energy • 10% Liveness
82% Instrumentalness • 6% Positiveness
32% Popularity • 10% Danceability • 5% Energy • 10% Liveness
82% Instrumentalness • 6% Positiveness
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Eluvium
We Say Goodbye To Ourselves
74 bpm • D Maj • 02:09 • -21.13db
27% Popularity • 18% Danceability • 25% Energy • 11% Liveness
97% Instrumentalness • 24% Positiveness
27% Popularity • 18% Danceability • 25% Energy • 11% Liveness
97% Instrumentalness • 24% Positiveness
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Chihei Hatakeyama
Daydream II
73 bpm • G Maj • 02:57 • -25.92db
18% Popularity • 7% Danceability • 19% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
18% Popularity • 7% Danceability • 19% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
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Bing & Ruth
Starwood Choker
74 bpm • B Maj • 06:16 • -19db
39% Popularity • 7% Danceability • 21% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
39% Popularity • 7% Danceability • 21% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Alaskan Tapes
光の塵
74 bpm • C# Maj • 05:03 • -24.13db
34% Popularity • 6% Danceability • 4% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
34% Popularity • 6% Danceability • 4% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
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Tim Hecker
Analog Paralysis, 1978
70 bpm • G Maj • 03:51 • -18.71db
30% Popularity • 9% Danceability • 18% Energy • 11% Liveness
93% Instrumentalness • 8% Positiveness
30% Popularity • 9% Danceability • 18% Energy • 11% Liveness
93% Instrumentalness • 8% Positiveness
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Sarah Davachi
Rushes Recede
70 bpm • F Maj • 06:34 • -29db
23% Popularity • 6% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
23% Popularity • 6% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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Celer
Indistinguishable from Magic
74 bpm • C min • 05:48 • -38.44db
30% Popularity • 7% Danceability • 4% Energy • 13% Liveness
92% Instrumentalness • 22% Positiveness
30% Popularity • 7% Danceability • 4% Energy • 13% Liveness
92% Instrumentalness • 22% Positiveness
► Preview
Chihei Hatakeyama
Chase The Waves
73 bpm • C Maj • 03:46 • -19.12db
17% Popularity • 22% Danceability • 29% Energy • 16% Liveness
90% Instrumentalness • 6% Positiveness
17% Popularity • 22% Danceability • 29% Energy • 16% Liveness
90% Instrumentalness • 6% Positiveness
► Preview
Suso Saiz
Objective Void
70 bpm • D Maj • 03:27 • -26.89db
28% Popularity • 20% Danceability • 12% Energy • 11% Liveness
84% Instrumentalness • 6% Positiveness
28% Popularity • 20% Danceability • 12% Energy • 11% Liveness
84% Instrumentalness • 6% Positiveness
► Preview
William Basinski
92982.3
74 bpm • D# min • 07:03 • -20.8db
36% Popularity • 17% Danceability • 17% Energy • 11% Liveness
89% Instrumentalness • 6% Positiveness
36% Popularity • 17% Danceability • 17% Energy • 11% Liveness
89% Instrumentalness • 6% Positiveness
► Preview
Haruhisa Tanaka
Small Hours
74 bpm • G# Maj • 03:27 • -26.16db
31% Popularity • 8% Danceability • 20% Energy • 15% Liveness
88% Instrumentalness • 11% Positiveness
31% Popularity • 8% Danceability • 20% Energy • 15% Liveness
88% Instrumentalness • 11% Positiveness
► Preview
The Dead Texan
La Ballade D'alain Georges
74 bpm • E Maj • 06:23 • -24.02db
25% Popularity • 9% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
25% Popularity • 9% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Ex Confusion
One of Us
70 bpm • A Maj • 04:56 • -29.24db
24% Popularity • 7% Danceability • 2% Energy • 9% Liveness
98% Instrumentalness • 3% Positiveness
24% Popularity • 7% Danceability • 2% Energy • 9% Liveness
98% Instrumentalness • 3% Positiveness
► Preview
Chihei Hatakeyama
Phantom Cats in Cathedral
71 bpm • C# Maj • 03:48 • -23.84db
11% Popularity • 17% Danceability • 7% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
11% Popularity • 17% Danceability • 7% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Terekke
unother
70 bpm • E Maj • 01:02 • -30.3db
55% Popularity • 24% Danceability • 9% Energy • 9% Liveness
78% Instrumentalness • 4% Positiveness
55% Popularity • 24% Danceability • 9% Energy • 9% Liveness
78% Instrumentalness • 4% Positiveness
► Preview
Rest You Sleeping Giant
Fever Dreams at 3 A.M.
74 bpm • F Maj • 04:13 • -24.7db
29% Popularity • 7% Danceability • 19% Energy • 7% Liveness
75% Instrumentalness • 4% Positiveness
29% Popularity • 7% Danceability • 19% Energy • 7% Liveness
75% Instrumentalness • 4% Positiveness
► Preview
Bengalfuel
October (Remastered)
70 bpm • C# Maj • 07:15 • -33db
32% Popularity • 19% Danceability • 1% Energy • 13% Liveness
94% Instrumentalness • 3% Positiveness
32% Popularity • 19% Danceability • 1% Energy • 13% Liveness
94% Instrumentalness • 3% Positiveness
► Preview
Imaginary Softwoods
Chalked Outlines Of A Polybius Square
70 bpm • F Maj • 01:58 • -15.19db
32% Popularity • 28% Danceability • 33% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
32% Popularity • 28% Danceability • 33% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
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Stars Of The Lid
Dungtitled (In a Major)
74 bpm • A Maj • 05:54 • -22.62db
41% Popularity • 11% Danceability • 21% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
41% Popularity • 11% Danceability • 21% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
► Preview
Chihei Hatakeyama
Flowers Blooming In The Swamp
74 bpm • G min • 03:55 • -26.62db
19% Popularity • 12% Danceability • 12% Energy • 6% Liveness
90% Instrumentalness • 11% Positiveness
19% Popularity • 12% Danceability • 12% Energy • 6% Liveness
90% Instrumentalness • 11% Positiveness
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Ex Confusion
Forgiven
74 bpm • A Maj • 01:02 • -16.23db
34% Popularity • 39% Danceability • 30% Energy • 11% Liveness
82% Instrumentalness • 6% Positiveness
34% Popularity • 39% Danceability • 30% Energy • 11% Liveness
82% Instrumentalness • 6% Positiveness
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Brian McBride
Theguilt of Uncomplicated Thoughts
70 bpm • D# Maj • 07:51 • -18.89db
19% Popularity • 18% Danceability • 11% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
19% Popularity • 18% Danceability • 11% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Suso Saiz
Tortoise And Hare
74 bpm • G min • 03:41 • -31db
35% Popularity • 24% Danceability • 1% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
35% Popularity • 24% Danceability • 1% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Jefre Cantu-Ledesma
Joy
70 bpm • F Maj • 05:00 • -20.28db
17% Popularity • 17% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
17% Popularity • 17% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Harold Budd
Against The Sky - 2005 Digital Remaster
70 bpm • A# min • 04:52 • -37db
46% Popularity • 12% Danceability • 0% Energy • 11% Liveness
82% Instrumentalness • 3% Positiveness
46% Popularity • 12% Danceability • 0% Energy • 11% Liveness
82% Instrumentalness • 3% Positiveness
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A Winged Victory for the Sullen
The Rhythm Of A Dividing Pair
70 bpm • D Maj • 04:52 • -18.69db
35% Popularity • 11% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
35% Popularity • 11% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Emily A. Sprague
Your Pond
70 bpm • C Maj • 06:03 • -25db
28% Popularity • 18% Danceability • 7% Energy • 6% Liveness
79% Instrumentalness • 6% Positiveness
28% Popularity • 18% Danceability • 7% Energy • 6% Liveness
79% Instrumentalness • 6% Positiveness
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zakè
To Those Who Dwelt in a Land of Deep Dar...
70 bpm • C Maj • 05:00 • -30.66db
45% Popularity • 21% Danceability • 0% Energy • 10% Liveness
55% Instrumentalness • 3% Positiveness
45% Popularity • 21% Danceability • 0% Energy • 10% Liveness
55% Instrumentalness • 3% Positiveness
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Chihei Hatakeyama
Narrow Road To The Mountain
75 bpm • A Maj • 09:07 • -29.96db
25% Popularity • 13% Danceability • 4% Energy • 12% Liveness
98% Instrumentalness • 4% Positiveness
25% Popularity • 13% Danceability • 4% Energy • 12% Liveness
98% Instrumentalness • 4% Positiveness
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Tomasz Bednarczyk
On Your Way
75 bpm • D# min • 01:36 • -30.91db
42% Popularity • 8% Danceability • 3% Energy • 11% Liveness
82% Instrumentalness • 14% Positiveness
42% Popularity • 8% Danceability • 3% Energy • 11% Liveness
82% Instrumentalness • 14% Positiveness
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Haruhisa Tanaka
Origami Rework
70 bpm • A# Maj • 03:05 • -25.66db
34% Popularity • 6% Danceability • 8% Energy • 10% Liveness
78% Instrumentalness • 4% Positiveness
34% Popularity • 6% Danceability • 8% Energy • 10% Liveness
78% Instrumentalness • 4% Positiveness
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Biosphere
Dissolving Clouds
75 bpm • D# Maj • 04:28 • -30db
40% Popularity • 6% Danceability • 5% Energy • 11% Liveness
78% Instrumentalness • 3% Positiveness
40% Popularity • 6% Danceability • 5% Energy • 11% Liveness
78% Instrumentalness • 3% Positiveness
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Harold Budd
An Arc Of Doves - Remastered 2004
69 bpm • C Maj • 06:29 • -35db
45% Popularity • 9% Danceability • 1% Energy • 11% Liveness
91% Instrumentalness • 9% Positiveness
45% Popularity • 9% Danceability • 1% Energy • 11% Liveness
91% Instrumentalness • 9% Positiveness
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Ex Confusion
Grass Harp
69 bpm • D Maj • 05:57 • -32.41db
27% Popularity • 7% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
27% Popularity • 7% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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Chihei Hatakeyama
The Circle
75 bpm • E Maj • 06:37 • -15.37db
12% Popularity • 13% Danceability • 34% Energy • 29% Liveness
93% Instrumentalness • 7% Positiveness
12% Popularity • 13% Danceability • 34% Energy • 29% Liveness
93% Instrumentalness • 7% Positiveness
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Hirotaka Shirotsubaki
Yanagiwara
75 bpm • F# Maj • 07:27 • -25db
31% Popularity • 13% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
31% Popularity • 13% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
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anthéne
amber
69 bpm • C Maj • 07:02 • -22.52db
24% Popularity • 7% Danceability • 23% Energy • 6% Liveness
94% Instrumentalness • 8% Positiveness
24% Popularity • 7% Danceability • 23% Energy • 6% Liveness
94% Instrumentalness • 8% Positiveness
