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Small Foreign Faction
Songs like
Small Foreign Faction
by
Haley Blais
Based on a tempo of (+/- 10%) and a similar genre
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Haley Blais
Small Foreign Faction
114 bpm • G Maj • 03:33 • -8.48db
37% Popularity • 71% Danceability • 46% Energy • 8% Liveness
57% Instrumentalness • 56% Positiveness
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Sorcha Richardson
First Prize Bravery
114 bpm • B min • 03:50 • -8.04db
28% Popularity • 72% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Rachel Bobbitt
More
114 bpm • G# Maj • 04:46 • -10.15db
31% Popularity • 51% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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The Harmaleighs
Anthem for the Weak
114 bpm • A# Maj • 04:42 • -11.52db
18% Popularity • 51% Danceability • 23% Energy • 11% Liveness
4% Instrumentalness • 12% Positiveness
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Sidney Gish
Presumably Dead Arm (617 Sessions)
114 bpm • A# Maj • 03:34 • -9.46db
48% Popularity • 48% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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Claud
Cuff Your Jeans
113 bpm • D Maj • 02:55 • -6db
36% Popularity • 66% Danceability • 76% Energy • 19% Liveness
8% Instrumentalness • 96% Positiveness
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Haley Blais
Asleep
114 bpm • D Maj • 03:37 • -8.34db
20% Popularity • 55% Danceability • 63% Energy • 15% Liveness
9% Instrumentalness • 25% Positiveness
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Queen of Jeans
Get Lost
115 bpm • E Maj • 04:15 • -9.61db
28% Popularity • 65% Danceability • 46% Energy • 11% Liveness
14% Instrumentalness • 34% Positiveness
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Snail Mail
Headlock
115 bpm • A Maj • 03:12 • -7.38db
37% Popularity • 58% Danceability • 69% Energy • 34% Liveness
0% Instrumentalness • 55% Positiveness
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Lala Lala
Fantasy Movie
115 bpm • C Maj • 03:52 • -6.57db
33% Popularity • 62% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Black Belt Eagle Scout
My Heart Dreams
113 bpm • B min • 03:40 • -6.13db
29% Popularity • 52% Danceability • 76% Energy • 34% Liveness
1% Instrumentalness • 28% Positiveness
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Petey
California - Prius Edition
115 bpm • D Maj • 03:58 • -14db
28% Popularity • 68% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Haley Blais
Soft spot for monarchs
115 bpm • D Maj • 02:39 • -11.12db
32% Popularity • 50% Danceability • 37% Energy • 15% Liveness
6% Instrumentalness • 6% Positiveness
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Japanese Breakfast
12 Steps
115 bpm • G Maj • 02:36 • -4.4db
37% Popularity • 42% Danceability • 71% Energy • 26% Liveness
0% Instrumentalness • 48% Positiveness
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Haley Heynderickx
Oom Sha La La
115 bpm • D Maj • 02:57 • -9.18db
53% Popularity • 54% Danceability • 42% Energy • 21% Liveness
0% Instrumentalness • 25% Positiveness
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Tommy Lefroy
The Cause
116 bpm • C Maj • 03:05 • -6.76db
44% Popularity • 67% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Sidney Gish
Presumably Dead Arm
116 bpm • G Maj • 03:33 • -16db
31% Popularity • 42% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Sjowgren
High Beam
116 bpm • G Maj • 04:14 • -6db
39% Popularity • 70% Danceability • 67% Energy • 22% Liveness
71% Instrumentalness • 26% Positiveness
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Haley Blais
Let Yourself Go
115 bpm • A# Maj • 02:03 • -9db
24% Popularity • 73% Danceability • 51% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
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Barrie
Jenny
112 bpm • A Maj • 03:40 • -7.56db
26% Popularity • 62% Danceability • 52% Energy • 12% Liveness
11% Instrumentalness • 39% Positiveness
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Oddnesse
Somewhere Somehow
116 bpm • E Maj • 02:44 • -6db
41% Popularity • 52% Danceability • 81% Energy • 17% Liveness
76% Instrumentalness • 60% Positiveness
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Black Belt Eagle Scout
Run It to Ya
112 bpm • D Maj • 03:39 • -5.49db
24% Popularity • 42% Danceability • 70% Energy • 11% Liveness
29% Instrumentalness • 14% Positiveness
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Kississippi
Googly Eyes
116 bpm • C Maj • 03:59 • -10.08db
23% Popularity • 51% Danceability • 50% Energy • 12% Liveness
39% Instrumentalness • 27% Positiveness
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Long Beard
Sweetheart
112 bpm • D Maj • 05:34 • -5.43db
29% Popularity • 51% Danceability • 72% Energy • 34% Liveness
0% Instrumentalness • 32% Positiveness
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Katy Kirby
Juniper
116 bpm • G# Maj • 02:39 • -9db
45% Popularity • 70% Danceability • 54% Energy • 24% Liveness
0% Instrumentalness • 81% Positiveness
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Sjowgren
I Don't Know
112 bpm • C# Maj • 03:15 • -8db
50% Popularity • 67% Danceability • 74% Energy • 37% Liveness
2% Instrumentalness • 96% Positiveness
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Valley Queen
Hold on You
112 bpm • E Maj • 04:57 • -7.81db
35% Popularity • 59% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Better Oblivion Community Center
Dylan Thomas
116 bpm • D Maj • 03:36 • -8db
54% Popularity • 59% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Haley Blais
So Far Gone
116 bpm • E min • 02:08 • -13.5db
10% Popularity • 56% Danceability • 31% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
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Margaux
Palm
112 bpm • F# Maj • 04:34 • -7.62db
27% Popularity • 46% Danceability • 51% Energy • 14% Liveness
4% Instrumentalness • 8% Positiveness
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girlpuppy
Miniature Furniture
112 bpm • C Maj • 02:44 • -9.07db
26% Popularity • 68% Danceability • 62% Energy • 27% Liveness
2% Instrumentalness • 85% Positiveness
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wished bone
pollinate me
112 bpm • D Maj • 04:31 • -8.64db
28% Popularity • 59% Danceability • 55% Energy • 15% Liveness
81% Instrumentalness • 45% Positiveness
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Kississippi
Indigo
117 bpm • E min • 02:31 • -10.5db
35% Popularity • 61% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Snail Mail
Full Control
117 bpm • B Maj • 02:55 • -4.69db
42% Popularity • 55% Danceability • 75% Energy • 14% Liveness
6% Instrumentalness • 57% Positiveness
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Haley Blais
Be Your Own Muse
112 bpm • D Maj • 04:01 • -7.88db
37% Popularity • 44% Danceability • 48% Energy • 6% Liveness
11% Instrumentalness • 34% Positiveness
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Boyish
Superstar
111 bpm • D# Maj • 02:52 • -7.88db
33% Popularity • 66% Danceability • 63% Energy • 22% Liveness
3% Instrumentalness • 50% Positiveness
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Liza Anne
Desire
111 bpm • G Maj • 02:59 • -5db
20% Popularity • 65% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Annie DiRusso
Coming Soon
111 bpm • D Maj • 03:15 • -5.04db
48% Popularity • 64% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
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Kississippi
Cut Yr Teeth
117 bpm • D Maj • 03:06 • -6.43db
32% Popularity • 58% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
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The Ophelias
General Electric
117 bpm • C# Maj • 03:33 • -7db
33% Popularity • 50% Danceability • 68% Energy • 11% Liveness
3% Instrumentalness • 35% Positiveness
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Julien Baker
Tokyo
111 bpm • A Maj • 03:43 • -8.19db
38% Popularity • 51% Danceability • 49% Energy • 12% Liveness
1% Instrumentalness • 23% Positiveness
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Tomberlin
You Are Here
110 bpm • A# Maj • 03:44 • -13.93db
28% Popularity • 35% Danceability • 22% Energy • 15% Liveness
2% Instrumentalness • 29% Positiveness
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Indigo De Souza
Good Heart
110 bpm • B Maj • 02:40 • -10.13db
48% Popularity • 58% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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Snail Mail
Golden Dream
118 bpm • C# min • 03:27 • -6.91db
37% Popularity • 57% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Hannah Jadagu
What Is Going On?
118 bpm • E Maj • 03:27 • -6.34db
37% Popularity • 67% Danceability • 75% Energy • 12% Liveness
3% Instrumentalness • 70% Positiveness
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Miya Folick
Ordinary
118 bpm • B min • 02:52 • -9.79db
29% Popularity • 65% Danceability • 44% Energy • 12% Liveness
19% Instrumentalness • 12% Positiveness
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Charlie Hickey
Ten Feet Tall
110 bpm • C Maj • 03:44 • -7db
21% Popularity • 69% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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TOLEDO
Crane Song
118 bpm • A Maj • 04:49 • -12db
39% Popularity • 46% Danceability • 36% Energy • 16% Liveness
3% Instrumentalness • 10% Positiveness
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Indigo De Souza
Kill Me
118 bpm • A Maj • 04:20 • -8.81db
46% Popularity • 63% Danceability • 35% Energy • 29% Liveness
0% Instrumentalness • 26% Positiveness
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Snail Mail
Glory
118 bpm • B min • 02:20 • -4.97db
46% Popularity • 61% Danceability • 81% Energy • 35% Liveness
0% Instrumentalness • 76% Positiveness
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Haley Blais
Best Thing
110 bpm • F Maj • 04:32 • -10db
22% Popularity • 78% Danceability • 40% Energy • 8% Liveness
10% Instrumentalness • 52% Positiveness
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Babe Corner
Cool
110 bpm • D Maj • 03:31 • -10.01db
9% Popularity • 66% Danceability • 50% Energy • 28% Liveness
0% Instrumentalness • 31% Positiveness
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French Cassettes
Sunday Soda
110 bpm • G Maj • 03:35 • -10db
40% Popularity • 75% Danceability • 38% Energy • 15% Liveness
2% Instrumentalness • 48% Positiveness
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Skullcrusher
Steps
110 bpm • G# Maj • 01:51 • -8db
33% Popularity • 62% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Ratboys
The Stanza
118 bpm • A# Maj • 03:28 • -10.18db
32% Popularity • 72% Danceability • 50% Energy • 15% Liveness
26% Instrumentalness • 34% Positiveness
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Lucy Dacus
Forever Half Mast
110 bpm • A Maj • 04:02 • -10.31db
34% Popularity • 62% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Haley Blais
Seventeen
110 bpm • G Maj • 03:28 • -5db
34% Popularity • 55% Danceability • 82% Energy • 31% Liveness
49% Instrumentalness • 60% Positiveness
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Japanese Breakfast
The Body Is a Blade
110 bpm • G Maj • 03:40 • -6db
44% Popularity • 52% Danceability • 72% Energy • 16% Liveness
15% Instrumentalness • 39% Positiveness
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Barrie
Tal Uno
110 bpm • B min • 04:27 • -9db
40% Popularity • 53% Danceability • 62% Energy • 30% Liveness
89% Instrumentalness • 42% Positiveness
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Babygirl
I Wish I Never Met You
110 bpm • C# Maj • 03:31 • -9.15db
54% Popularity • 82% Danceability • 49% Energy • 15% Liveness
4% Instrumentalness • 91% Positiveness
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Lala Lala
Destroyer
110 bpm • A# Maj • 03:12 • -6.71db
41% Popularity • 60% Danceability • 59% Energy • 15% Liveness
64% Instrumentalness • 33% Positiveness
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Jess Williamson
Wind on Tin
110 bpm • A min • 03:06 • -9.02db
29% Popularity • 58% Danceability • 45% Energy • 13% Liveness
14% Instrumentalness • 30% Positiveness
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Hannah Jadagu
All My Time Is Wasted
110 bpm • F# Maj • 03:20 • -8db
36% Popularity • 64% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Flyte
Cathy Come Home
109 bpm • C Maj • 03:44 • -7.72db
36% Popularity • 42% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Haley Heynderickx
Untitled God Song
119 bpm • F min • 03:44 • -7.13db
44% Popularity • 44% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Miya Folick
Premonitions
119 bpm • F Maj • 03:46 • -5.18db
27% Popularity • 72% Danceability • 71% Energy • 7% Liveness
1% Instrumentalness • 68% Positiveness
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FLEECE
Love Song For The Haters
119 bpm • D# Maj • 04:32 • -6.47db
31% Popularity • 38% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Wilma Laverne Miner
Used To
119 bpm • B Maj • 04:59 • -10db
28% Popularity • 65% Danceability • 68% Energy • 12% Liveness
50% Instrumentalness • 76% Positiveness
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Lucy Dacus
Nonbeliever
109 bpm • D Maj • 03:40 • -6.79db
47% Popularity • 36% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Billie Marten
Cartoon People
109 bpm • A# Maj • 03:33 • -14.15db
45% Popularity • 72% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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boygenius
Souvenir
109 bpm • F# min • 03:32 • -11.19db
63% Popularity • 60% Danceability • 30% Energy • 9% Liveness
47% Instrumentalness • 18% Positiveness
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Ratboys
I Go Out at Night
109 bpm • C Maj • 03:07 • -6.6db
39% Popularity • 52% Danceability • 53% Energy • 30% Liveness
60% Instrumentalness • 35% Positiveness
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Sorcha Richardson
Ruin Your Night
109 bpm • A Maj • 03:08 • -6.93db
40% Popularity • 72% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Annie DiRusso
Don't Swerve
109 bpm • G Maj • 02:56 • -8.93db
39% Popularity • 63% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Better Oblivion Community Center
Sleepwalkin'
119 bpm • C# min • 03:12 • -7.51db
46% Popularity • 40% Danceability • 83% Energy • 30% Liveness
0% Instrumentalness • 53% Positiveness
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Ethan Gruska
On the Outside
109 bpm • G Maj • 03:09 • -10.96db
32% Popularity • 75% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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girlpuppy
Cheerleader
120 bpm • C Maj • 03:21 • -9.52db
19% Popularity • 64% Danceability • 54% Energy • 12% Liveness
3% Instrumentalness • 43% Positiveness
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Boyish
anxious butterball
120 bpm • D# Maj • 03:38 • -12.37db
25% Popularity • 60% Danceability • 35% Energy • 33% Liveness
0% Instrumentalness • 20% Positiveness
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The Regrettes
Pumpkin
120 bpm • A# Maj • 03:27 • -4.17db
48% Popularity • 57% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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Babygirl
Soft
120 bpm • D Maj • 03:52 • -8db
39% Popularity • 76% Danceability • 59% Energy • 12% Liveness
56% Instrumentalness • 54% Positiveness
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Indigo De Souza
Darker Than Death
120 bpm • D Maj • 03:12 • -12.13db
40% Popularity • 80% Danceability • 39% Energy • 11% Liveness
1% Instrumentalness • 25% Positiveness
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Wallice
Hey Michael
120 bpm • E Maj • 02:59 • -6.39db
35% Popularity • 76% Danceability • 63% Energy • 64% Liveness
0% Instrumentalness • 92% Positiveness
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Tomberlin
Hours
120 bpm • D Maj • 04:07 • -13db
32% Popularity • 58% Danceability • 45% Energy • 20% Liveness
5% Instrumentalness • 37% Positiveness
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Land of Talk
Footnotes
120 bpm • A# Maj • 03:33 • -10.49db
28% Popularity • 61% Danceability • 63% Energy • 20% Liveness
64% Instrumentalness • 56% Positiveness
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Graveyard Club
Witchcraft
120 bpm • C Maj • 03:57 • -6.29db
32% Popularity • 46% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
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Haley Blais
Severance Pay
120 bpm • A Maj • 04:17 • -18.08db
12% Popularity • 63% Danceability • 22% Energy • 7% Liveness
90% Instrumentalness • 31% Positiveness
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Miel
Must Be Fine
120 bpm • G# Maj • 02:30 • -9.86db
26% Popularity • 76% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Another Michael
About
120 bpm • D# Maj • 02:47 • -8db
33% Popularity • 55% Danceability • 68% Energy • 38% Liveness
0% Instrumentalness • 19% Positiveness
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Free Cake For Every Creature
All You Gotta Be When You're 23 Is Yours...
108 bpm • A Maj • 02:26 • -12.57db
40% Popularity • 69% Danceability • 60% Energy • 12% Liveness
10% Instrumentalness • 31% Positiveness
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Sidney Gish
Rat of the City
120 bpm • F# Maj • 03:52 • -17db
33% Popularity • 55% Danceability • 19% Energy • 10% Liveness
6% Instrumentalness • 10% Positiveness
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Graveyard Club
Witchcraft
120 bpm • C Maj • 04:28 • -7.98db
34% Popularity • 48% Danceability • 62% Energy • 11% Liveness
1% Instrumentalness • 11% Positiveness
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Kate Bollinger
Yards / Gardens
108 bpm • A# Maj • 02:21 • -7.52db
59% Popularity • 80% Danceability • 54% Energy • 11% Liveness
62% Instrumentalness • 74% Positiveness
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Haley Blais
Mine
120 bpm • A# Maj • 02:43 • -10.6db
11% Popularity • 38% Danceability • 26% Energy • 67% Liveness
80% Instrumentalness • 7% Positiveness
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Lala Lala
Siren 042
108 bpm • B Maj • 02:41 • -7.37db
47% Popularity • 60% Danceability • 60% Energy • 11% Liveness
1% Instrumentalness • 45% Positiveness
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Madi Diaz
Nervous
108 bpm • A Maj • 02:46 • -6.07db
29% Popularity • 72% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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Haley Heynderickx
Drinking Song
120 bpm • C Maj • 03:15 • -11.31db
49% Popularity • 62% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Christian Lee Hutson
Rubberneckers
121 bpm • C# Maj • 03:28 • -10db
34% Popularity • 67% Danceability • 56% Energy • 11% Liveness
51% Instrumentalness • 73% Positiveness
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Florist
Vacation
108 bpm • C Maj • 03:47 • -13.94db
48% Popularity • 62% Danceability • 27% Energy • 8% Liveness
14% Instrumentalness • 11% Positiveness
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Indigo De Souza
Sick in the Head
121 bpm • G Maj • 03:29 • -9db
41% Popularity • 41% Danceability • 48% Energy • 33% Liveness
0% Instrumentalness • 38% Positiveness
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Billie Marten
Blue Sea, Red Sea
121 bpm • D Maj • 03:53 • -12db
41% Popularity • 70% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Small Foreign Faction