Songs like Smaller Than This by Sara Kays
Based on a tempo of (+/- 10%) and a similar genre
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Sara Kays
Smaller Than This
106 bpm • C# Maj • 03:28 • -9.18db
51% Popularity • 57% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
51% Popularity • 57% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Jenna Raine
2%
106 bpm • D Maj • 03:27 • -5.34db
47% Popularity • 65% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
47% Popularity • 65% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Cate
All Talk
106 bpm • C Maj • 02:21 • -7.4db
37% Popularity • 53% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
37% Popularity • 53% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Rachel Bochner
Be Happier
106 bpm • F# Maj • 03:40 • -10.15db
19% Popularity • 47% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
19% Popularity • 47% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
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Maddie Zahm
Fat Funny Friend (sadder)
106 bpm • C Maj • 03:22 • -9db
53% Popularity • 55% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
53% Popularity • 55% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Caleb Hearn
Always Be 2.0
106 bpm • C Maj • 02:45 • -10.95db
58% Popularity • 48% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
58% Popularity • 48% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Sara Kays
Rich Boy
107 bpm • G Maj • 02:57 • -8.71db
37% Popularity • 50% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
37% Popularity • 50% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Sody
The Bully
105 bpm • C min • 03:13 • -10.37db
30% Popularity • 71% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 45% Positiveness
30% Popularity • 71% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 45% Positiveness
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kenzie
anatomy
105 bpm • C Maj • 03:02 • -13.05db
65% Popularity • 51% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
65% Popularity • 51% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Jordan Suaste
Hookup Culture - Acoustic Version
105 bpm • F# min • 03:29 • -10.63db
34% Popularity • 61% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
34% Popularity • 61% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Haley Joelle
Two Places at Once
105 bpm • D Maj • 03:19 • -9.96db
53% Popularity • 50% Danceability • 28% Energy • 31% Liveness
0% Instrumentalness • 24% Positiveness
53% Popularity • 50% Danceability • 28% Energy • 31% Liveness
0% Instrumentalness • 24% Positiveness
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Maddie Zahm
Fat Funny Friend
108 bpm • C Maj • 03:19 • -7.89db
67% Popularity • 50% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
67% Popularity • 50% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Jenna Raine
us
105 bpm • A# Maj • 03:16 • -8db
30% Popularity • 48% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
30% Popularity • 48% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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We Three
Sara
108 bpm • C Maj • 03:36 • -10.5db
41% Popularity • 66% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
41% Popularity • 66% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Sara Kays
Backseat Rider
104 bpm • D Maj • 03:28 • -9db
45% Popularity • 57% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 55% Positiveness
45% Popularity • 57% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 55% Positiveness
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Andi
Made Up Story
108 bpm • G# Maj • 03:08 • -7.29db
51% Popularity • 77% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
51% Popularity • 77% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Jeremy Zucker
all the kids are depressed
104 bpm • A Maj • 02:49 • -8.28db
69% Popularity • 77% Danceability • 44% Energy • 54% Liveness
0% Instrumentalness • 71% Positiveness
69% Popularity • 77% Danceability • 44% Energy • 54% Liveness
0% Instrumentalness • 71% Positiveness
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Lexi Jayde
someday
104 bpm • C Maj • 03:22 • -7.26db
40% Popularity • 57% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
40% Popularity • 57% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Clinton Kane
hopeless
108 bpm • G Maj • 03:19 • -6.11db
47% Popularity • 46% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
47% Popularity • 46% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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NF
Trauma
104 bpm • F Maj • 04:07 • -15.33db
60% Popularity • 53% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
60% Popularity • 53% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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ROSIE
Something I Hate
103 bpm • A# Maj • 02:51 • -10db
41% Popularity • 50% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
41% Popularity • 50% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Andi
Devil's Work
108 bpm • D# Maj • 03:30 • -8db
40% Popularity • 71% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
40% Popularity • 71% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Jeremy Zucker
scared
108 bpm • F Maj • 03:27 • -15.84db
58% Popularity • 58% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
58% Popularity • 58% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Luz
i'm lonely
109 bpm • F Maj • 03:01 • -11db
41% Popularity • 50% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
41% Popularity • 50% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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BLÜ EYES
break up with a friend
103 bpm • D Maj • 02:51 • -11.56db
33% Popularity • 46% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
33% Popularity • 46% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Clinton Kane
forget about us
109 bpm • E Maj • 03:04 • -7.09db
48% Popularity • 53% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
48% Popularity • 53% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Maddie Zahm
You Might Not Like Her
109 bpm • G Maj • 03:22 • -7.96db
56% Popularity • 70% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
56% Popularity • 70% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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FINNEAS
Die Alone
103 bpm • C Maj • 04:21 • -11.83db
52% Popularity • 44% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
52% Popularity • 44% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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carobae
rock bottom
109 bpm • C Maj • 02:50 • -11db
31% Popularity • 49% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
31% Popularity • 49% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
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Alec Benjamin
The Book of You & I
103 bpm • A# Maj • 03:27 • -6.24db
57% Popularity • 51% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
57% Popularity • 51% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Sasha Alex Sloan
Until It Happens To You
103 bpm • C min • 03:41 • -10.11db
44% Popularity • 41% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
44% Popularity • 41% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Avery Lynch
The Closest to That
109 bpm • B Maj • 03:37 • -12db
27% Popularity • 58% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
27% Popularity • 58% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Andi
Get Your Attention
110 bpm • F min • 03:17 • -7db
36% Popularity • 55% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
36% Popularity • 55% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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AJ Mitchell
I Don't Want You Back
110 bpm • F Maj • 03:44 • -6.49db
53% Popularity • 61% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
53% Popularity • 61% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Haley Joelle
idk
102 bpm • E Maj • 03:30 • -7.83db
39% Popularity • 53% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
39% Popularity • 53% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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ROSIE
Social Stamina
110 bpm • D# Maj • 02:34 • -9db
41% Popularity • 70% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
41% Popularity • 70% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Michael Schulte
Falling Apart
110 bpm • G min • 03:18 • -9.36db
73% Popularity • 54% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 26% Positiveness
73% Popularity • 54% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 26% Positiveness
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Munn
Come Home
110 bpm • A# Maj • 02:48 • -12.1db
35% Popularity • 57% Danceability • 35% Energy • 35% Liveness
0% Instrumentalness • 29% Positiveness
35% Popularity • 57% Danceability • 35% Energy • 35% Liveness
0% Instrumentalness • 29% Positiveness
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Gracie Abrams
I miss you, I’m sorry
110 bpm • G Maj • 02:47 • -6.41db
83% Popularity • 44% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
83% Popularity • 44% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Zevia
toxicity
110 bpm • C Maj • 03:13 • -11db
34% Popularity • 65% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
34% Popularity • 65% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Sara Kays
High School
110 bpm • A Maj • 03:40 • -8.45db
30% Popularity • 50% Danceability • 64% Energy • 38% Liveness
0% Instrumentalness • 26% Positiveness
30% Popularity • 50% Danceability • 64% Energy • 38% Liveness
0% Instrumentalness • 26% Positiveness
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Sody
Reason To Stay
110 bpm • C Maj • 03:08 • -7.31db
40% Popularity • 49% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
40% Popularity • 49% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Taylor Bickett
Just My Type
110 bpm • D Maj • 03:08 • -7.82db
43% Popularity • 70% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
43% Popularity • 70% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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ElysianSoul
Dysmorphia
110 bpm • F# min • 04:54 • -16.37db
27% Popularity • 62% Danceability • 32% Energy • 13% Liveness
81% Instrumentalness • 21% Positiveness
27% Popularity • 62% Danceability • 32% Energy • 13% Liveness
81% Instrumentalness • 21% Positiveness
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Etham
I Wish It Was Me
110 bpm • F# min • 03:31 • -8.4db
45% Popularity • 57% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
45% Popularity • 57% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Harry Styles
Falling
110 bpm • E Maj • 04:00 • -6.5db
83% Popularity • 57% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
83% Popularity • 57% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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We Three
Sara
110 bpm • C Maj • 03:31 • -9.81db
60% Popularity • 71% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
60% Popularity • 71% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
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Jeremy Zucker
you were good to me
102 bpm • D Maj • 03:39 • -15.1db
72% Popularity • 56% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
72% Popularity • 56% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Conan Gray
Heather
102 bpm • F Maj • 03:18 • -7.3db
87% Popularity • 36% Danceability • 42% Energy • 32% Liveness
0% Instrumentalness • 27% Positiveness
87% Popularity • 36% Danceability • 42% Energy • 32% Liveness
0% Instrumentalness • 27% Positiveness
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Maisie Peters
Worst of You
102 bpm • E Maj • 03:17 • -7.26db
58% Popularity • 74% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
58% Popularity • 74% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
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Ethan Jewell
Dreams
110 bpm • G# Maj • 05:08 • -13.86db
32% Popularity • 56% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
32% Popularity • 56% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Sasha Alex Sloan
High School Me
101 bpm • F# Maj • 03:23 • -8.82db
37% Popularity • 71% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
37% Popularity • 71% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
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Christian Leave
Please Notice
111 bpm • D Maj • 01:56 • -8.45db
65% Popularity • 55% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
65% Popularity • 55% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Aria Rayes
The Girl You Call Best Friend
111 bpm • D# Maj • 02:42 • -13db
35% Popularity • 63% Danceability • 30% Energy • 35% Liveness
0% Instrumentalness • 36% Positiveness
35% Popularity • 63% Danceability • 30% Energy • 35% Liveness
0% Instrumentalness • 36% Positiveness
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Alec Benjamin
Six Feet Apart
111 bpm • F Maj • 02:53 • -7.12db
52% Popularity • 49% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
52% Popularity • 49% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Olivia Rodrigo
traitor
101 bpm • D# Maj • 03:49 • -7.89db
86% Popularity • 38% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
86% Popularity • 38% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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gnash
the broken hearts club
100 bpm • E Maj • 03:04 • -9.43db
52% Popularity • 62% Danceability • 29% Energy • 37% Liveness
0% Instrumentalness • 69% Positiveness
52% Popularity • 62% Danceability • 29% Energy • 37% Liveness
0% Instrumentalness • 69% Positiveness
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Marina Lin
a letter to my crush
112 bpm • F# Maj • 02:25 • -12.12db
21% Popularity • 69% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
21% Popularity • 69% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Acacia
mommy
112 bpm • E min • 03:58 • -10.43db
28% Popularity • 67% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
28% Popularity • 67% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Jade LeMac
Same Place
112 bpm • C# Maj • 03:42 • -6db
38% Popularity • 60% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
38% Popularity • 60% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Charlotte Lawrence
Everybody Loves You
112 bpm • D Maj • 03:24 • -10.28db
44% Popularity • 48% Danceability • 23% Energy • 37% Liveness
0% Instrumentalness • 33% Positiveness
44% Popularity • 48% Danceability • 23% Energy • 37% Liveness
0% Instrumentalness • 33% Positiveness
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Clinton Kane
CHICKEN TENDIES
100 bpm • G Maj • 03:16 • -6db
60% Popularity • 57% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
60% Popularity • 57% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Sophie Pecora
Overthinking
100 bpm • C min • 03:36 • -9.61db
39% Popularity • 74% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
39% Popularity • 74% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Alec Benjamin
I Built A Friend (2020)
100 bpm • A Maj • 02:56 • -8.28db
56% Popularity • 60% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
56% Popularity • 60% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Ashe
Till Forever Falls Apart
100 bpm • D Maj • 03:42 • -6.94db
74% Popularity • 35% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
74% Popularity • 35% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Zach Hood
Flashbacks
100 bpm • B Maj • 03:03 • -7.38db
59% Popularity • 55% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
59% Popularity • 55% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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Jaymes Young
Happiest Year
113 bpm • C# Maj • 03:48 • -14.06db
74% Popularity • 50% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
74% Popularity • 50% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Ewan J Phillips
I Wish I Was the Moon
99 bpm • C# min • 03:38 • -12db
41% Popularity • 40% Danceability • 32% Energy • 10% Liveness
6% Instrumentalness • 8% Positiveness
41% Popularity • 40% Danceability • 32% Energy • 10% Liveness
6% Instrumentalness • 8% Positiveness
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Nessa Barrett
lovebomb
113 bpm • G Maj • 03:09 • -16db
56% Popularity • 60% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
56% Popularity • 60% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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yaeow
The Way I Love You
113 bpm • F# Maj • 02:42 • -18.04db
51% Popularity • 54% Danceability • 21% Energy • 38% Liveness
45% Instrumentalness • 13% Positiveness
51% Popularity • 54% Danceability • 21% Energy • 38% Liveness
45% Instrumentalness • 13% Positiveness
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Marco Tamimi
Different Eyes
113 bpm • D Maj • 03:54 • -11.78db
44% Popularity • 44% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
44% Popularity • 44% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Dylan Conrique
birthday cake
113 bpm • D# Maj • 03:25 • -8.62db
70% Popularity • 44% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
70% Popularity • 44% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Sara Kays
Chosen Last
99 bpm • B Maj • 03:46 • -6.5db
49% Popularity • 65% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
49% Popularity • 65% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Hailee Steinfeld
Your Name Hurts
99 bpm • F Maj • 03:42 • -6.8db
44% Popularity • 72% Danceability • 47% Energy • 24% Liveness
0% Instrumentalness • 24% Positiveness
44% Popularity • 72% Danceability • 47% Energy • 24% Liveness
0% Instrumentalness • 24% Positiveness
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Anson Seabra
Broken
99 bpm • F# Maj • 05:05 • -14.2db
55% Popularity • 48% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
55% Popularity • 48% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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Cate
Funny Story
114 bpm • F# Maj • 02:55 • -5.76db
39% Popularity • 67% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
39% Popularity • 67% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Mckenna Grace
do all my friends hate me?
114 bpm • D# Maj • 03:24 • -6.93db
50% Popularity • 42% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
50% Popularity • 42% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Noah Cyrus
Liar
114 bpm • G# Maj • 02:52 • -10.83db
46% Popularity • 48% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
46% Popularity • 48% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Alexander Stewart
House of Cards
99 bpm • G# Maj • 03:34 • -6db
56% Popularity • 46% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
56% Popularity • 46% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Lexi Jayde
Oldest Teenager
114 bpm • C# Maj • 03:16 • -12.6db
40% Popularity • 65% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
40% Popularity • 65% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
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Gracie Abrams
Long Sleeves
114 bpm • A# Maj • 03:38 • -9.16db
58% Popularity • 45% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
58% Popularity • 45% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Michael Schulte
You Said You'd Grow Old With Me
114 bpm • C Maj • 03:44 • -7.04db
59% Popularity • 53% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
59% Popularity • 53% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Jordan Suaste
Body
98 bpm • E min • 03:25 • -8.69db
58% Popularity • 45% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
58% Popularity • 45% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
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Avery Lynch
When It Ends
115 bpm • C Maj • 03:49 • -8.68db
38% Popularity • 55% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
38% Popularity • 55% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Egg
putting a spin on hey there delilah
115 bpm • F min • 03:35 • -21.11db
51% Popularity • 60% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
51% Popularity • 60% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Lexi Jayde
hate to be you
98 bpm • E Maj • 03:02 • -4.22db
48% Popularity • 64% Danceability • 75% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
48% Popularity • 64% Danceability • 75% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
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Marina Lin
this is what rejection feels like
115 bpm • E Maj • 02:59 • -10.78db
17% Popularity • 74% Danceability • 42% Energy • 43% Liveness
0% Instrumentalness • 48% Positiveness
17% Popularity • 74% Danceability • 42% Energy • 43% Liveness
0% Instrumentalness • 48% Positiveness
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Gracie Abrams
Stay
114 bpm • A# Maj • 02:57 • -10.5db
69% Popularity • 62% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
69% Popularity • 62% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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We Three
Nightlight
115 bpm • C Maj • 03:18 • -8db
41% Popularity • 75% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
41% Popularity • 75% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
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Andi
Reasons to Stay
98 bpm • A Maj • 02:55 • -5.23db
37% Popularity • 68% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
37% Popularity • 68% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Sophie Pecora
Misfits
115 bpm • C# Maj • 03:13 • -8.38db
23% Popularity • 78% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
23% Popularity • 78% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Avery Lynch
all i need (the distance song)
97 bpm • G# Maj • 04:04 • -16.58db
47% Popularity • 65% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
47% Popularity • 65% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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Devon Gabriella
a little hope never hurt
97 bpm • D min • 02:30 • -9.53db
42% Popularity • 63% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
42% Popularity • 63% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Isaac Dunbar
suicide
97 bpm • D Maj • 04:17 • -9.31db
45% Popularity • 59% Danceability • 48% Energy • 14% Liveness
61% Instrumentalness • 26% Positiveness
45% Popularity • 59% Danceability • 48% Energy • 14% Liveness
61% Instrumentalness • 26% Positiveness
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Elina
Blue
116 bpm • C# Maj • 03:11 • -14.86db
43% Popularity • 62% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
43% Popularity • 62% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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We Three
Heaven's Not Too Far
117 bpm • A Maj • 04:02 • -6.58db
53% Popularity • 47% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
53% Popularity • 47% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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mxmtoon
feelings are fatal
96 bpm • C Maj • 02:04 • -16.25db
57% Popularity • 55% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
57% Popularity • 55% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Taylor Bickett
Break My Own
97 bpm • A Maj • 03:23 • -5.32db
39% Popularity • 66% Danceability • 60% Energy • 53% Liveness
0% Instrumentalness • 49% Positiveness
39% Popularity • 66% Danceability • 60% Energy • 53% Liveness
0% Instrumentalness • 49% Positiveness
