Songs like Smh by David Charrier
Based on a tempo of (+/- 10%) and a similar genre
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Lemon And Soul
Memories
170 bpm • B min • 08:45 • -17.69db
29% Popularity • 28% Danceability • 42% Energy • 8% Liveness
52% Instrumentalness • 12% Positiveness
29% Popularity • 28% Danceability • 42% Energy • 8% Liveness
52% Instrumentalness • 12% Positiveness
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The Mirror
Orange Moon, Pt. 7
170 bpm • D# min • 01:30 • -16.33db
43% Popularity • 63% Danceability • 34% Energy • 12% Liveness
87% Instrumentalness • 43% Positiveness
43% Popularity • 63% Danceability • 34% Energy • 12% Liveness
87% Instrumentalness • 43% Positiveness
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Kabeção
Nánita
170 bpm • C# min • 05:09 • -19.02db
22% Popularity • 37% Danceability • 14% Energy • 10% Liveness
94% Instrumentalness • 26% Positiveness
22% Popularity • 37% Danceability • 14% Energy • 10% Liveness
94% Instrumentalness • 26% Positiveness
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Deya Dova
The Pacific Portal
170 bpm • G min • 05:45 • -13.93db
28% Popularity • 54% Danceability • 30% Energy • 36% Liveness
1% Instrumentalness • 31% Positiveness
28% Popularity • 54% Danceability • 30% Energy • 36% Liveness
1% Instrumentalness • 31% Positiveness
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Kevin Wrenn
Receiving Recalibration
170 bpm • D Maj • 07:59 • -16db
31% Popularity • 12% Danceability • 21% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
31% Popularity • 12% Danceability • 21% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
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Daniel Waples
Gozo
171 bpm • A min • 05:37 • -19.13db
34% Popularity • 28% Danceability • 16% Energy • 12% Liveness
94% Instrumentalness • 30% Positiveness
34% Popularity • 28% Danceability • 16% Energy • 12% Liveness
94% Instrumentalness • 30% Positiveness
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Bastien Deshayes
Tribal Journey
171 bpm • C# Maj • 02:01 • -17.61db
32% Popularity • 51% Danceability • 39% Energy • 18% Liveness
91% Instrumentalness • 9% Positiveness
32% Popularity • 51% Danceability • 39% Energy • 18% Liveness
91% Instrumentalness • 9% Positiveness
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David Kuckhermann
Khubananukh - Solo Version
171 bpm • C# Maj • 04:39 • -18.14db
22% Popularity • 37% Danceability • 22% Energy • 10% Liveness
94% Instrumentalness • 33% Positiveness
22% Popularity • 37% Danceability • 22% Energy • 10% Liveness
94% Instrumentalness • 33% Positiveness
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Jeremy Nattagh
Little Melancholy
168 bpm • E min • 03:24 • -17.85db
10% Popularity • 31% Danceability • 14% Energy • 11% Liveness
95% Instrumentalness • 37% Positiveness
10% Popularity • 31% Danceability • 14% Energy • 11% Liveness
95% Instrumentalness • 37% Positiveness
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Secretpath
Dharawi Nights
172 bpm • F min • 03:57 • -17.44db
46% Popularity • 39% Danceability • 40% Energy • 11% Liveness
88% Instrumentalness • 16% Positiveness
46% Popularity • 39% Danceability • 40% Energy • 11% Liveness
88% Instrumentalness • 16% Positiveness
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Sunniai
Breath of Fire
172 bpm • C min • 03:09 • -18.58db
33% Popularity • 77% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 12% Positiveness
33% Popularity • 77% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 12% Positiveness
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Kumea Sound
A Quantum of Joy
172 bpm • A min • 05:05 • -17.34db
40% Popularity • 32% Danceability • 32% Energy • 9% Liveness
94% Instrumentalness • 26% Positiveness
40% Popularity • 32% Danceability • 32% Energy • 9% Liveness
94% Instrumentalness • 26% Positiveness
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Brice Davoli
Steel water
168 bpm • C# min • 01:54 • -23.56db
48% Popularity • 47% Danceability • 32% Energy • 20% Liveness
96% Instrumentalness • 13% Positiveness
48% Popularity • 47% Danceability • 32% Energy • 20% Liveness
96% Instrumentalness • 13% Positiveness
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Qsa
Mañana
172 bpm • D min • 04:16 • -16.24db
28% Popularity • 75% Danceability • 30% Energy • 8% Liveness
38% Instrumentalness • 11% Positiveness
28% Popularity • 75% Danceability • 30% Energy • 8% Liveness
38% Instrumentalness • 11% Positiveness
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Dan Mulqueen
Red Rocks
172 bpm • F min • 04:49 • -13.47db
39% Popularity • 52% Danceability • 42% Energy • 9% Liveness
90% Instrumentalness • 7% Positiveness
39% Popularity • 52% Danceability • 42% Energy • 9% Liveness
90% Instrumentalness • 7% Positiveness
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David Charrier
Mad World
172 bpm • D Maj • 03:03 • -13.78db
8% Popularity • 41% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
8% Popularity • 41% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Sunniai
Alchemy
172 bpm • D min • 01:59 • -15.53db
49% Popularity • 71% Danceability • 38% Energy • 11% Liveness
92% Instrumentalness • 58% Positiveness
49% Popularity • 71% Danceability • 38% Energy • 11% Liveness
92% Instrumentalness • 58% Positiveness
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Davide Friello
Immersion
168 bpm • D min • 04:43 • -18.33db
22% Popularity • 27% Danceability • 6% Energy • 10% Liveness
94% Instrumentalness • 24% Positiveness
22% Popularity • 27% Danceability • 6% Energy • 10% Liveness
94% Instrumentalness • 24% Positiveness
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Michael Mandrell and Benjy Wertheimer
Santosa (Contentment)
173 bpm • F Maj • 08:36 • -21.3db
42% Popularity • 8% Danceability • 6% Energy • 9% Liveness
62% Instrumentalness • 4% Positiveness
42% Popularity • 8% Danceability • 6% Energy • 9% Liveness
62% Instrumentalness • 4% Positiveness
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Hang Massive
Moon's Reflection on Countless Ponds
166 bpm • F# min • 07:26 • -23.48db
33% Popularity • 34% Danceability • 13% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
33% Popularity • 34% Danceability • 13% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
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The Hang Drum Project
Endless
173 bpm • D min • 04:42 • -13.52db
32% Popularity • 30% Danceability • 27% Energy • 11% Liveness
84% Instrumentalness • 16% Positiveness
32% Popularity • 30% Danceability • 27% Energy • 11% Liveness
84% Instrumentalness • 16% Positiveness
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Morgentau
Ganges
166 bpm • F Maj • 04:28 • -11.52db
40% Popularity • 64% Danceability • 54% Energy • 10% Liveness
94% Instrumentalness • 44% Positiveness
40% Popularity • 64% Danceability • 54% Energy • 10% Liveness
94% Instrumentalness • 44% Positiveness
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Colin Foulke
Limoncé
174 bpm • C min • 03:48 • -37.9db
19% Popularity • 21% Danceability • 4% Energy • 8% Liveness
94% Instrumentalness • 14% Positiveness
19% Popularity • 21% Danceability • 4% Energy • 8% Liveness
94% Instrumentalness • 14% Positiveness
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Jeremy Arndt
September Kisses
175 bpm • G# Maj • 04:24 • -22.26db
13% Popularity • 52% Danceability • 18% Energy • 11% Liveness
97% Instrumentalness • 66% Positiveness
13% Popularity • 52% Danceability • 18% Energy • 11% Liveness
97% Instrumentalness • 66% Positiveness
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Drums On Earth
Emotions
165 bpm • F Maj • 06:15 • -12.39db
35% Popularity • 68% Danceability • 53% Energy • 10% Liveness
93% Instrumentalness • 20% Positiveness
35% Popularity • 68% Danceability • 53% Energy • 10% Liveness
93% Instrumentalness • 20% Positiveness
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Bird Tribe
Ye Yemanja
165 bpm • C min • 07:38 • -13db
37% Popularity • 48% Danceability • 45% Energy • 11% Liveness
77% Instrumentalness • 8% Positiveness
37% Popularity • 48% Danceability • 45% Energy • 11% Liveness
77% Instrumentalness • 8% Positiveness
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The Hang Drum Project
First Rain
175 bpm • C Maj • 03:32 • -12.41db
32% Popularity • 57% Danceability • 36% Energy • 9% Liveness
91% Instrumentalness • 36% Positiveness
32% Popularity • 57% Danceability • 36% Energy • 9% Liveness
91% Instrumentalness • 36% Positiveness
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Garth Stevenson
Journey
176 bpm • C# Maj • 04:59 • -20.13db
39% Popularity • 55% Danceability • 30% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
39% Popularity • 55% Danceability • 30% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
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Parra for Cuva
Mood in A
176 bpm • D Maj • 02:12 • -36db
47% Popularity • 17% Danceability • 1% Energy • 7% Liveness
43% Instrumentalness • 4% Positiveness
47% Popularity • 17% Danceability • 1% Energy • 7% Liveness
43% Instrumentalness • 4% Positiveness
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Jeremy Arndt
Monarch
175 bpm • G# Maj • 04:15 • -22.6db
12% Popularity • 43% Danceability • 20% Energy • 11% Liveness
97% Instrumentalness • 67% Positiveness
12% Popularity • 43% Danceability • 20% Energy • 11% Liveness
97% Instrumentalness • 67% Positiveness
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Drums On Earth
Emotions Reprise
165 bpm • C Maj • 03:02 • -14.39db
23% Popularity • 70% Danceability • 59% Energy • 10% Liveness
93% Instrumentalness • 12% Positiveness
23% Popularity • 70% Danceability • 59% Energy • 10% Liveness
93% Instrumentalness • 12% Positiveness
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Wolfgang Ohmer
Selfie with Handpan
164 bpm • F Maj • 02:37 • -15.37db
36% Popularity • 52% Danceability • 30% Energy • 11% Liveness
97% Instrumentalness • 76% Positiveness
36% Popularity • 52% Danceability • 30% Energy • 11% Liveness
97% Instrumentalness • 76% Positiveness
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Yeahman
Pismo Ceniza
164 bpm • D# min • 04:05 • -12.65db
46% Popularity • 65% Danceability • 53% Energy • 12% Liveness
89% Instrumentalness • 74% Positiveness
46% Popularity • 65% Danceability • 53% Energy • 12% Liveness
89% Instrumentalness • 74% Positiveness
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David Kuckhermann
Asymetric Refraction
177 bpm • C# Maj • 02:28 • -20.1db
21% Popularity • 42% Danceability • 19% Energy • 11% Liveness
96% Instrumentalness • 43% Positiveness
21% Popularity • 42% Danceability • 19% Energy • 11% Liveness
96% Instrumentalness • 43% Positiveness
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Al Gromer Khan
Moon Retros
164 bpm • A# Maj • 02:47 • -24.06db
45% Popularity • 79% Danceability • 40% Energy • 13% Liveness
36% Instrumentalness • 40% Positiveness
45% Popularity • 79% Danceability • 40% Energy • 13% Liveness
36% Instrumentalness • 40% Positiveness
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Hang in Balance
Einsof
177 bpm • D min • 04:42 • -16.13db
35% Popularity • 29% Danceability • 21% Energy • 12% Liveness
79% Instrumentalness • 26% Positiveness
35% Popularity • 29% Danceability • 21% Energy • 12% Liveness
79% Instrumentalness • 26% Positiveness
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Hang Massive
Here Comes The Badger
178 bpm • C# min • 04:56 • -15.94db
28% Popularity • 63% Danceability • 27% Energy • 11% Liveness
92% Instrumentalness • 9% Positiveness
28% Popularity • 63% Danceability • 27% Energy • 11% Liveness
92% Instrumentalness • 9% Positiveness
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Jeremy Arndt
Final Day
178 bpm • C min • 03:38 • -18.33db
14% Popularity • 48% Danceability • 22% Energy • 10% Liveness
96% Instrumentalness • 78% Positiveness
14% Popularity • 48% Danceability • 22% Energy • 10% Liveness
96% Instrumentalness • 78% Positiveness
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David Charrier
Merry-Go-Round
179 bpm • F# min • 03:13 • -12.51db
14% Popularity • 26% Danceability • 23% Energy • 10% Liveness
89% Instrumentalness • 21% Positiveness
14% Popularity • 26% Danceability • 23% Energy • 10% Liveness
89% Instrumentalness • 21% Positiveness
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Animara
Little Buddha
178 bpm • G# min • 01:25 • -15db
30% Popularity • 48% Danceability • 18% Energy • 11% Liveness
95% Instrumentalness • 67% Positiveness
30% Popularity • 48% Danceability • 18% Energy • 11% Liveness
95% Instrumentalness • 67% Positiveness
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Daniel Waples
Midnite
179 bpm • D min • 07:18 • -19.47db
14% Popularity • 24% Danceability • 9% Energy • 36% Liveness
56% Instrumentalness • 23% Positiveness
14% Popularity • 24% Danceability • 9% Energy • 36% Liveness
56% Instrumentalness • 23% Positiveness
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Hang in Balance
Bello Revive
178 bpm • F min • 05:25 • -13.01db
19% Popularity • 38% Danceability • 47% Energy • 7% Liveness
78% Instrumentalness • 50% Positiveness
19% Popularity • 38% Danceability • 47% Energy • 7% Liveness
78% Instrumentalness • 50% Positiveness
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Max Oro
Tibidabu Hang
180 bpm • D min • 01:59 • -14.85db
16% Popularity • 30% Danceability • 29% Energy • 20% Liveness
92% Instrumentalness • 40% Positiveness
16% Popularity • 30% Danceability • 29% Energy • 20% Liveness
92% Instrumentalness • 40% Positiveness
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Lemon And Soul
Adva
180 bpm • D# Maj • 04:48 • -28.04db
30% Popularity • 12% Danceability • 2% Energy • 11% Liveness
97% Instrumentalness • 3% Positiveness
30% Popularity • 12% Danceability • 2% Energy • 11% Liveness
97% Instrumentalness • 3% Positiveness
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Evenfall
Luminous Depths
180 bpm • F min • 05:06 • -14.31db
31% Popularity • 62% Danceability • 26% Energy • 11% Liveness
88% Instrumentalness • 53% Positiveness
31% Popularity • 62% Danceability • 26% Energy • 11% Liveness
88% Instrumentalness • 53% Positiveness
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Masood Ali Khan
Gaia Nector
180 bpm • D Maj • 05:07 • -12.01db
30% Popularity • 49% Danceability • 42% Energy • 9% Liveness
93% Instrumentalness • 33% Positiveness
30% Popularity • 49% Danceability • 42% Energy • 9% Liveness
93% Instrumentalness • 33% Positiveness
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Zen That Beat
The Come Down - Radio Edit
180 bpm • G min • 03:25 • -16.92db
40% Popularity • 61% Danceability • 47% Energy • 10% Liveness
96% Instrumentalness • 49% Positiveness
40% Popularity • 61% Danceability • 47% Energy • 10% Liveness
96% Instrumentalness • 49% Positiveness
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Hang Drum Social Club
Are We Dreaming
180 bpm • E min • 02:12 • -18.51db
31% Popularity • 38% Danceability • 18% Energy • 11% Liveness
85% Instrumentalness • 18% Positiveness
31% Popularity • 38% Danceability • 18% Energy • 11% Liveness
85% Instrumentalness • 18% Positiveness
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Apuna
Cajamarca
180 bpm • A# min • 03:22 • -16db
30% Popularity • 62% Danceability • 31% Energy • 34% Liveness
93% Instrumentalness • 18% Positiveness
30% Popularity • 62% Danceability • 31% Energy • 34% Liveness
93% Instrumentalness • 18% Positiveness
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Aukai
Cloudline
180 bpm • A# Maj • 03:41 • -12db
32% Popularity • 44% Danceability • 57% Energy • 10% Liveness
87% Instrumentalness • 39% Positiveness
32% Popularity • 44% Danceability • 57% Energy • 10% Liveness
87% Instrumentalness • 39% Positiveness
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Nada Sadhana
Let It Go
160 bpm • F Maj • 08:34 • -9.86db
38% Popularity • 76% Danceability • 42% Energy • 5% Liveness
93% Instrumentalness • 18% Positiveness
38% Popularity • 76% Danceability • 42% Energy • 5% Liveness
93% Instrumentalness • 18% Positiveness
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Masood Ali Khan
Indu
180 bpm • C min • 05:54 • -17db
32% Popularity • 38% Danceability • 6% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
32% Popularity • 38% Danceability • 6% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
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Benjy Wertheimer
Nine
160 bpm • D Maj • 10:41 • -24.58db
30% Popularity • 63% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 24% Positiveness
30% Popularity • 63% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 24% Positiveness
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TJ Rehmi
A Khoob Experience
160 bpm • C# min • 04:26 • -11.74db
37% Popularity • 66% Danceability • 30% Energy • 6% Liveness
87% Instrumentalness • 20% Positiveness
37% Popularity • 66% Danceability • 30% Energy • 6% Liveness
87% Instrumentalness • 20% Positiveness
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Byron Metcalf
Opening to Freedom
160 bpm • G Maj • 06:35 • -12.47db
34% Popularity • 70% Danceability • 56% Energy • 4% Liveness
87% Instrumentalness • 52% Positiveness
34% Popularity • 70% Danceability • 56% Energy • 4% Liveness
87% Instrumentalness • 52% Positiveness
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Hang Massive
Luminous Emptiness
160 bpm • C# min • 10:03 • -21.59db
41% Popularity • 61% Danceability • 2% Energy • 13% Liveness
89% Instrumentalness • 15% Positiveness
41% Popularity • 61% Danceability • 2% Energy • 13% Liveness
89% Instrumentalness • 15% Positiveness
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Robyn Goodall
Sun Salutations
160 bpm • F Maj • 03:35 • -16.49db
28% Popularity • 55% Danceability • 30% Energy • 12% Liveness
42% Instrumentalness • 19% Positiveness
28% Popularity • 55% Danceability • 30% Energy • 12% Liveness
42% Instrumentalness • 19% Positiveness
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Galtritandos
Hollow Sphere
160 bpm • F Maj • 02:36 • -29.02db
44% Popularity • 55% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 11% Positiveness
44% Popularity • 55% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 11% Positiveness
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Masood Ali Khan
Flowing Ganga
182 bpm • D min • 06:50 • -14db
34% Popularity • 43% Danceability • 32% Energy • 11% Liveness
97% Instrumentalness • 74% Positiveness
34% Popularity • 43% Danceability • 32% Energy • 11% Liveness
97% Instrumentalness • 74% Positiveness
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David Charrier
Lafa
182 bpm • A min • 04:55 • -13db
36% Popularity • 38% Danceability • 32% Energy • 11% Liveness
93% Instrumentalness • 37% Positiveness
36% Popularity • 38% Danceability • 32% Energy • 11% Liveness
93% Instrumentalness • 37% Positiveness
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Rainer Scheurenbrand
Fuego
158 bpm • A min • 02:48 • -17.71db
31% Popularity • 67% Danceability • 33% Energy • 11% Liveness
92% Instrumentalness • 50% Positiveness
31% Popularity • 67% Danceability • 33% Energy • 11% Liveness
92% Instrumentalness • 50% Positiveness
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Daniel Waples
Einsof - Endless Origin
183 bpm • D min • 08:10 • -21.45db
17% Popularity • 28% Danceability • 7% Energy • 20% Liveness
16% Instrumentalness • 17% Positiveness
17% Popularity • 28% Danceability • 7% Energy • 20% Liveness
16% Instrumentalness • 17% Positiveness
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Tanpura Express
Mystery Location Chillgroove
158 bpm • G Maj • 01:58 • -17.01db
28% Popularity • 73% Danceability • 37% Energy • 10% Liveness
76% Instrumentalness • 70% Positiveness
28% Popularity • 73% Danceability • 37% Energy • 10% Liveness
76% Instrumentalness • 70% Positiveness
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Kumea Sound
The Best Day of Your Life
158 bpm • A min • 03:43 • -13.8db
23% Popularity • 50% Danceability • 48% Energy • 8% Liveness
92% Instrumentalness • 8% Positiveness
23% Popularity • 50% Danceability • 48% Energy • 8% Liveness
92% Instrumentalness • 8% Positiveness
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Pasha Aeon
Banyan Om Space
158 bpm • D Maj • 02:38 • -19.4db
19% Popularity • 39% Danceability • 20% Energy • 11% Liveness
96% Instrumentalness • 68% Positiveness
19% Popularity • 39% Danceability • 20% Energy • 11% Liveness
96% Instrumentalness • 68% Positiveness
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Tommy Brunjes
Tenfold
157 bpm • F Maj • 07:28 • -16.57db
31% Popularity • 75% Danceability • 28% Energy • 10% Liveness
80% Instrumentalness • 84% Positiveness
31% Popularity • 75% Danceability • 28% Energy • 10% Liveness
80% Instrumentalness • 84% Positiveness
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Sergio Huerta
The Serenity of the Valley
184 bpm • A# Maj • 03:11 • -20.03db
23% Popularity • 25% Danceability • 16% Energy • 11% Liveness
94% Instrumentalness • 50% Positiveness
23% Popularity • 25% Danceability • 16% Energy • 11% Liveness
94% Instrumentalness • 50% Positiveness
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Colin Foulke
Emergence
184 bpm • G# Maj • 03:36 • -28.37db
17% Popularity • 13% Danceability • 3% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
17% Popularity • 13% Danceability • 3% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
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Pao Pamaki
Travel Inside
156 bpm • G# min • 06:01 • -10db
32% Popularity • 45% Danceability • 45% Energy • 11% Liveness
8% Instrumentalness • 30% Positiveness
32% Popularity • 45% Danceability • 45% Energy • 11% Liveness
8% Instrumentalness • 30% Positiveness
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Kumea Sound
The Mass of the Sun Caused a Tear in Tim...
158 bpm • C Maj • 03:58 • -17.74db
38% Popularity • 26% Danceability • 25% Energy • 8% Liveness
90% Instrumentalness • 11% Positiveness
38% Popularity • 26% Danceability • 25% Energy • 8% Liveness
90% Instrumentalness • 11% Positiveness
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Suzanne Sterling
Tap Root
156 bpm • C min • 06:19 • -14db
23% Popularity • 66% Danceability • 30% Energy • 11% Liveness
84% Instrumentalness • 22% Positiveness
23% Popularity • 66% Danceability • 30% Energy • 11% Liveness
84% Instrumentalness • 22% Positiveness
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Benjy Wertheimer
One RIver
155 bpm • D Maj • 07:04 • -18.38db
50% Popularity • 69% Danceability • 26% Energy • 8% Liveness
93% Instrumentalness • 44% Positiveness
50% Popularity • 69% Danceability • 26% Energy • 8% Liveness
93% Instrumentalness • 44% Positiveness
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Jacob Cole
Celtic Voyage
154 bpm • B min • 04:32 • -17.32db
17% Popularity • 44% Danceability • 31% Energy • 10% Liveness
90% Instrumentalness • 66% Positiveness
17% Popularity • 44% Danceability • 31% Energy • 10% Liveness
90% Instrumentalness • 66% Positiveness
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Kate Stone
Morning Rain
153 bpm • C# min • 07:26 • -27.7db
21% Popularity • 28% Danceability • 13% Energy • 11% Liveness
97% Instrumentalness • 92% Positiveness
21% Popularity • 28% Danceability • 13% Energy • 11% Liveness
97% Instrumentalness • 92% Positiveness
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Janapriyan Levine
Yoga Pants Alice
152 bpm • E Maj • 02:34 • -11.53db
30% Popularity • 68% Danceability • 52% Energy • 14% Liveness
75% Instrumentalness • 52% Positiveness
30% Popularity • 68% Danceability • 52% Energy • 14% Liveness
75% Instrumentalness • 52% Positiveness
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Kumea Sound
A Sparrow Speaks (and for a Millisecond ...
186 bpm • A min • 02:19 • -14.71db
49% Popularity • 51% Danceability • 25% Energy • 7% Liveness
93% Instrumentalness • 31% Positiveness
49% Popularity • 51% Danceability • 25% Energy • 7% Liveness
93% Instrumentalness • 31% Positiveness
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Wolfgang Ohmer
Gentle Flow
188 bpm • D Maj • 03:51 • -18db
40% Popularity • 40% Danceability • 32% Energy • 80% Liveness
92% Instrumentalness • 49% Positiveness
40% Popularity • 40% Danceability • 32% Energy • 80% Liveness
92% Instrumentalness • 49% Positiveness
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Lis Addison
Sensory Skin
152 bpm • D Maj • 07:40 • -15db
34% Popularity • 66% Danceability • 28% Energy • 8% Liveness
88% Instrumentalness • 34% Positiveness
34% Popularity • 66% Danceability • 28% Energy • 8% Liveness
88% Instrumentalness • 34% Positiveness
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Govind Das
Jai Ma (Down to the Sea Mix)
152 bpm • C Maj • 07:26 • -18db
39% Popularity • 53% Danceability • 18% Energy • 12% Liveness
28% Instrumentalness • 9% Positiveness
39% Popularity • 53% Danceability • 18% Energy • 12% Liveness
28% Instrumentalness • 9% Positiveness
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Klik & Frik
Boavista
152 bpm • B min • 03:49 • -21.54db
32% Popularity • 54% Danceability • 23% Energy • 7% Liveness
94% Instrumentalness • 63% Positiveness
32% Popularity • 54% Danceability • 23% Energy • 7% Liveness
94% Instrumentalness • 63% Positiveness
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Manose
Call Within (Instrumental Meditation Wit...
152 bpm • C Maj • 06:23 • -21.95db
42% Popularity • 29% Danceability • 19% Energy • 24% Liveness
82% Instrumentalness • 11% Positiveness
42% Popularity • 29% Danceability • 19% Energy • 24% Liveness
82% Instrumentalness • 11% Positiveness
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David Charrier
Laura
152 bpm • E min • 04:22 • -17.69db
6% Popularity • 32% Danceability • 18% Energy • 11% Liveness
83% Instrumentalness • 37% Positiveness
6% Popularity • 32% Danceability • 18% Energy • 11% Liveness
83% Instrumentalness • 37% Positiveness
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Kumea Sound
Kutoja
151 bpm • D min • 04:07 • -19.53db
22% Popularity • 40% Danceability • 20% Energy • 10% Liveness
95% Instrumentalness • 57% Positiveness
22% Popularity • 40% Danceability • 20% Energy • 10% Liveness
95% Instrumentalness • 57% Positiveness
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Healing the soul
Kundalini Activation
150 bpm • G Maj • 02:17 • -21.71db
47% Popularity • 61% Danceability • 28% Energy • 39% Liveness
90% Instrumentalness • 63% Positiveness
47% Popularity • 61% Danceability • 28% Energy • 39% Liveness
90% Instrumentalness • 63% Positiveness
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Ancestral Elephants
Infinitum
150 bpm • D Maj • 03:59 • -9db
45% Popularity • 76% Danceability • 75% Energy • 10% Liveness
72% Instrumentalness • 62% Positiveness
45% Popularity • 76% Danceability • 75% Energy • 10% Liveness
72% Instrumentalness • 62% Positiveness
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Aeromancias
Piedras Encantadas
150 bpm • G min • 02:58 • -16.16db
36% Popularity • 76% Danceability • 28% Energy • 8% Liveness
52% Instrumentalness • 64% Positiveness
36% Popularity • 76% Danceability • 28% Energy • 8% Liveness
52% Instrumentalness • 64% Positiveness
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Jeremy Nattagh
Skystruck
195 bpm • F min • 03:42 • -17.2db
32% Popularity • 35% Danceability • 45% Energy • 10% Liveness
94% Instrumentalness • 66% Positiveness
32% Popularity • 35% Danceability • 45% Energy • 10% Liveness
94% Instrumentalness • 66% Positiveness
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David Charrier
Once Upon a Time
194 bpm • D min • 04:27 • -14.2db
19% Popularity • 38% Danceability • 36% Energy • 8% Liveness
90% Instrumentalness • 71% Positiveness
19% Popularity • 38% Danceability • 36% Energy • 8% Liveness
90% Instrumentalness • 71% Positiveness
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Aukai
Lumi
195 bpm • F# min • 02:44 • -19.91db
44% Popularity • 46% Danceability • 26% Energy • 11% Liveness
79% Instrumentalness • 20% Positiveness
44% Popularity • 46% Danceability • 26% Energy • 11% Liveness
79% Instrumentalness • 20% Positiveness
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Dante Bucci
Evolution
148 bpm • G min • 04:03 • -19.5db
20% Popularity • 43% Danceability • 18% Energy • 9% Liveness
97% Instrumentalness • 66% Positiveness
20% Popularity • 43% Danceability • 18% Energy • 9% Liveness
97% Instrumentalness • 66% Positiveness
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Ancestral Elephants
Sacrisol
150 bpm • E min • 05:07 • -16.81db
29% Popularity • 39% Danceability • 35% Energy • 7% Liveness
95% Instrumentalness • 4% Positiveness
29% Popularity • 39% Danceability • 35% Energy • 7% Liveness
95% Instrumentalness • 4% Positiveness
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Benjy Wertheimer
Maya
148 bpm • C# Maj • 04:57 • -14.98db
35% Popularity • 83% Danceability • 45% Energy • 4% Liveness
76% Instrumentalness • 32% Positiveness
35% Popularity • 83% Danceability • 45% Energy • 4% Liveness
76% Instrumentalness • 32% Positiveness
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Kumea Sound
Stringer Bell
148 bpm • D min • 01:53 • -24.09db
45% Popularity • 41% Danceability • 16% Energy • 11% Liveness
93% Instrumentalness • 8% Positiveness
45% Popularity • 41% Danceability • 16% Energy • 11% Liveness
93% Instrumentalness • 8% Positiveness
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David Charrier
Oré
195 bpm • G min • 04:10 • -12.91db
20% Popularity • 42% Danceability • 34% Energy • 16% Liveness
89% Instrumentalness • 66% Positiveness
20% Popularity • 42% Danceability • 34% Energy • 16% Liveness
89% Instrumentalness • 66% Positiveness
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Luccas Martins
Mirlo
148 bpm • D min • 02:56 • -12.49db
41% Popularity • 57% Danceability • 25% Energy • 24% Liveness
95% Instrumentalness • 37% Positiveness
41% Popularity • 57% Danceability • 25% Energy • 24% Liveness
95% Instrumentalness • 37% Positiveness
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Filippo Pigaiani
Entrust
147 bpm • E min • 10:33 • -14.62db
33% Popularity • 34% Danceability • 12% Energy • 9% Liveness
89% Instrumentalness • 14% Positiveness
33% Popularity • 34% Danceability • 12% Energy • 9% Liveness
89% Instrumentalness • 14% Positiveness
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Alexandre Lora
Aegean Angel
147 bpm • E min • 05:54 • -17.54db
12% Popularity • 33% Danceability • 25% Energy • 9% Liveness
93% Instrumentalness • 22% Positiveness
12% Popularity • 33% Danceability • 25% Energy • 9% Liveness
93% Instrumentalness • 22% Positiveness
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Davide Swarup
Moods-Bottom
196 bpm • D min • 07:10 • -31.94db
23% Popularity • 29% Danceability • 9% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
23% Popularity • 29% Danceability • 9% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness