Songs like S.M.K. by The Proles
Based on a tempo of (+/- 10%) and a similar genre
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Spiritual Cramp
I Feel Bad Bein' Me
158 bpm • C Maj • 02:44 • -7db
25% Popularity • 38% Danceability • 84% Energy • 22% Liveness
78% Instrumentalness • 83% Positiveness
25% Popularity • 38% Danceability • 84% Energy • 22% Liveness
78% Instrumentalness • 83% Positiveness
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The Strokes
Reptilia
158 bpm • A Maj • 03:39 • -5.11db
79% Popularity • 49% Danceability • 65% Energy • 10% Liveness
71% Instrumentalness • 77% Positiveness
79% Popularity • 49% Danceability • 65% Energy • 10% Liveness
71% Instrumentalness • 77% Positiveness
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Royal Podencos
Milky Way
158 bpm • E Maj • 03:56 • -11.8db
22% Popularity • 37% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
22% Popularity • 37% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Sloan
The Marquee and the Moon
158 bpm • D Maj • 03:09 • -5db
13% Popularity • 26% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
13% Popularity • 26% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Eels
Old Shit / New Shit
157 bpm • A min • 03:15 • -4.47db
20% Popularity • 46% Danceability • 86% Energy • 16% Liveness
74% Instrumentalness • 51% Positiveness
20% Popularity • 46% Danceability • 86% Energy • 16% Liveness
74% Instrumentalness • 51% Positiveness
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Wax Fang
Dawn of the Dead of the Night of the Hun...
157 bpm • F# Maj • 04:31 • -3.94db
10% Popularity • 37% Danceability • 86% Energy • 12% Liveness
51% Instrumentalness • 54% Positiveness
10% Popularity • 37% Danceability • 86% Energy • 12% Liveness
51% Instrumentalness • 54% Positiveness
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Hungry Kids of Hungary
Twin Cities
157 bpm • A# Maj • 02:44 • -3.5db
10% Popularity • 52% Danceability • 91% Energy • 20% Liveness
0% Instrumentalness • 87% Positiveness
10% Popularity • 52% Danceability • 91% Energy • 20% Liveness
0% Instrumentalness • 87% Positiveness
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The Strokes
Barely Legal
158 bpm • C Maj • 03:54 • -6.3db
56% Popularity • 43% Danceability • 89% Energy • 9% Liveness
5% Instrumentalness • 86% Positiveness
56% Popularity • 43% Danceability • 89% Energy • 9% Liveness
5% Instrumentalness • 86% Positiveness
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Hvitmalt gjerde
Våken nå
159 bpm • A Maj • 03:11 • -5db
16% Popularity • 34% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
16% Popularity • 34% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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Army Navy
Running Wild
157 bpm • C Maj • 03:21 • -3.88db
2% Popularity • 38% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
2% Popularity • 38% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Fo Daniels
Scrape
160 bpm • A Maj • 02:38 • -3.99db
21% Popularity • 42% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
21% Popularity • 42% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Silkworm
Treat the New Guy Right
160 bpm • C Maj • 02:43 • -11.44db
16% Popularity • 55% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
16% Popularity • 55% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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Superchunk
Slow Drip
160 bpm • B Maj • 02:50 • -4.68db
16% Popularity • 24% Danceability • 89% Energy • 33% Liveness
0% Instrumentalness • 42% Positiveness
16% Popularity • 24% Danceability • 89% Energy • 33% Liveness
0% Instrumentalness • 42% Positiveness
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Tokyo Police Club
Frankenstein
160 bpm • F Maj • 03:29 • -5.56db
25% Popularity • 36% Danceability • 84% Energy • 31% Liveness
5% Instrumentalness • 33% Positiveness
25% Popularity • 36% Danceability • 84% Energy • 31% Liveness
5% Instrumentalness • 33% Positiveness
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The Hives
My Time Is Coming
160 bpm • B min • 02:34 • -3.48db
4% Popularity • 24% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
4% Popularity • 24% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Ted Leo and the Pharmacists
Bridges, Squares
156 bpm • C Maj • 04:46 • -4.86db
12% Popularity • 33% Danceability • 92% Energy • 36% Liveness
0% Instrumentalness • 73% Positiveness
12% Popularity • 33% Danceability • 92% Energy • 36% Liveness
0% Instrumentalness • 73% Positiveness
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Okkervil River
Where The Spirit Left Us
156 bpm • B min • 03:47 • -5.52db
9% Popularity • 40% Danceability • 86% Energy • 4% Liveness
1% Instrumentalness • 37% Positiveness
9% Popularity • 40% Danceability • 86% Energy • 4% Liveness
1% Instrumentalness • 37% Positiveness
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Raw Cuts
Call It Quits
160 bpm • G Maj • 03:47 • -6.83db
11% Popularity • 33% Danceability • 45% Energy • 11% Liveness
2% Instrumentalness • 39% Positiveness
11% Popularity • 33% Danceability • 45% Energy • 11% Liveness
2% Instrumentalness • 39% Positiveness
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SHOE.
The Speed of Life
160 bpm • C Maj • 03:18 • -6db
10% Popularity • 39% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
10% Popularity • 39% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
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Caesars
Soulchaser
160 bpm • C Maj • 04:11 • -4.03db
3% Popularity • 48% Danceability • 96% Energy • 10% Liveness
1% Instrumentalness • 80% Positiveness
3% Popularity • 48% Danceability • 96% Energy • 10% Liveness
1% Instrumentalness • 80% Positiveness
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Air Traffic
I Like That
156 bpm • F Maj • 02:26 • -3.41db
15% Popularity • 25% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
15% Popularity • 25% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Shout Out Louds
100°
156 bpm • G Maj • 03:48 • -2.79db
25% Popularity • 36% Danceability • 95% Energy • 29% Liveness
0% Instrumentalness • 57% Positiveness
25% Popularity • 36% Danceability • 95% Energy • 29% Liveness
0% Instrumentalness • 57% Positiveness
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Miles Kane
Start of Something Big
156 bpm • G Maj • 02:17 • -2.68db
17% Popularity • 21% Danceability • 92% Energy • 21% Liveness
0% Instrumentalness • 56% Positiveness
17% Popularity • 21% Danceability • 92% Energy • 21% Liveness
0% Instrumentalness • 56% Positiveness
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Sleeping in the Aviary
Love Police
155 bpm • C Maj • 02:20 • -2.33db
9% Popularity • 37% Danceability • 98% Energy • 35% Liveness
0% Instrumentalness • 87% Positiveness
9% Popularity • 37% Danceability • 98% Energy • 35% Liveness
0% Instrumentalness • 87% Positiveness
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Jeff Rosenstock
Bonus Oceans
155 bpm • D Maj • 03:18 • -3.05db
25% Popularity • 46% Danceability • 93% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
25% Popularity • 46% Danceability • 93% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Lominic Ferraroni
The Sad Helen
155 bpm • D Maj • 03:13 • -4.76db
26% Popularity • 38% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 29% Positiveness
26% Popularity • 38% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 29% Positiveness
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Figurines
Hey, Girl
161 bpm • G Maj • 02:34 • -5db
10% Popularity • 34% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
10% Popularity • 34% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Shout Out Louds
Never Ever
155 bpm • A Maj • 03:52 • -4.12db
7% Popularity • 37% Danceability • 95% Energy • 27% Liveness
2% Instrumentalness • 24% Positiveness
7% Popularity • 37% Danceability • 95% Energy • 27% Liveness
2% Instrumentalness • 24% Positiveness
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Black Country, New Road
Chaos Space Marine
161 bpm • A Maj • 03:36 • -8.94db
53% Popularity • 36% Danceability • 55% Energy • 26% Liveness
0% Instrumentalness • 44% Positiveness
53% Popularity • 36% Danceability • 55% Energy • 26% Liveness
0% Instrumentalness • 44% Positiveness
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Desert Sessions
Crucifire
155 bpm • F# min • 01:44 • -6.3db
49% Popularity • 33% Danceability • 90% Energy • 41% Liveness
28% Instrumentalness • 92% Positiveness
49% Popularity • 33% Danceability • 90% Energy • 41% Liveness
28% Instrumentalness • 92% Positiveness
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The Good Life
Rest Your Head
155 bpm • C Maj • 10:44 • -9.95db
8% Popularity • 20% Danceability • 42% Energy • 10% Liveness
6% Instrumentalness • 11% Positiveness
8% Popularity • 20% Danceability • 42% Energy • 10% Liveness
6% Instrumentalness • 11% Positiveness
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Built To Spill
Strange
155 bpm • E Maj • 03:59 • -4.7db
36% Popularity • 39% Danceability • 85% Energy • 4% Liveness
0% Instrumentalness • 70% Positiveness
36% Popularity • 39% Danceability • 85% Energy • 4% Liveness
0% Instrumentalness • 70% Positiveness
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Phillip Andrew
Julianna
162 bpm • G Maj • 03:10 • -5.64db
11% Popularity • 30% Danceability • 83% Energy • 23% Liveness
2% Instrumentalness • 17% Positiveness
11% Popularity • 30% Danceability • 83% Energy • 23% Liveness
2% Instrumentalness • 17% Positiveness
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Popium
Beautiful Thing
162 bpm • C Maj • 02:44 • -4.43db
8% Popularity • 29% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
8% Popularity • 29% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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The Gutter Twins
I Was In Love With You
154 bpm • C Maj • 04:25 • -7.16db
18% Popularity • 63% Danceability • 57% Energy • 7% Liveness
77% Instrumentalness • 21% Positiveness
18% Popularity • 63% Danceability • 57% Energy • 7% Liveness
77% Instrumentalness • 21% Positiveness
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Mrs. Magician
Don't Flatter Yourself
154 bpm • A min • 02:41 • -3.15db
18% Popularity • 49% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
18% Popularity • 49% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Stereophonics
Catacomb
154 bpm • D Maj • 03:14 • -4.93db
24% Popularity • 41% Danceability • 97% Energy • 20% Liveness
19% Instrumentalness • 41% Positiveness
24% Popularity • 41% Danceability • 97% Energy • 20% Liveness
19% Instrumentalness • 41% Positiveness
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Sanguine
Superficially Smiling - 2023 Remaster
154 bpm • C min • 02:33 • -6.21db
23% Popularity • 43% Danceability • 74% Energy • 32% Liveness
0% Instrumentalness • 88% Positiveness
23% Popularity • 43% Danceability • 74% Energy • 32% Liveness
0% Instrumentalness • 88% Positiveness
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Jared Mees & The Grown Children
Shake
154 bpm • D Maj • 05:37 • -6.64db
12% Popularity • 34% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
12% Popularity • 34% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Glockenwise
Heat
163 bpm • C# min • 03:16 • -8.56db
20% Popularity • 36% Danceability • 87% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
20% Popularity • 36% Danceability • 87% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
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The Rosebuds
Kicks in the Schoolyard
153 bpm • E Maj • 02:27 • -3.79db
10% Popularity • 49% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
10% Popularity • 49% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
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Pete And The Pirates
Bears
163 bpm • C Maj • 02:55 • -5.6db
12% Popularity • 45% Danceability • 83% Energy • 24% Liveness
5% Instrumentalness • 46% Positiveness
12% Popularity • 45% Danceability • 83% Energy • 24% Liveness
5% Instrumentalness • 46% Positiveness
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Withered Hand
Heart Heart
153 bpm • C# Maj • 03:17 • -5.04db
8% Popularity • 25% Danceability • 96% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
8% Popularity • 25% Danceability • 96% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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The Whiffs
Hey Little Anne
153 bpm • C Maj • 01:30 • -4.28db
13% Popularity • 37% Danceability • 94% Energy • 17% Liveness
2% Instrumentalness • 72% Positiveness
13% Popularity • 37% Danceability • 94% Energy • 17% Liveness
2% Instrumentalness • 72% Positiveness
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Jet
She's a Genius
152 bpm • A Maj • 02:58 • -2.41db
54% Popularity • 50% Danceability • 95% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
54% Popularity • 50% Danceability • 95% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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The Magic Numbers
Love Me Like You
152 bpm • B Maj • 04:17 • -8db
41% Popularity • 49% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
41% Popularity • 49% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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Peter Bjorn and John
Lies
165 bpm • E Maj • 03:10 • -2.69db
14% Popularity • 23% Danceability • 88% Energy • 23% Liveness
0% Instrumentalness • 58% Positiveness
14% Popularity • 23% Danceability • 88% Energy • 23% Liveness
0% Instrumentalness • 58% Positiveness
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Pete And The Pirates
Ill Love
153 bpm • D Maj • 02:43 • -5.06db
15% Popularity • 30% Danceability • 86% Energy • 12% Liveness
86% Instrumentalness • 32% Positiveness
15% Popularity • 30% Danceability • 86% Energy • 12% Liveness
86% Instrumentalness • 32% Positiveness
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The Thermals
I Hold The Sound
151 bpm • C Maj • 04:38 • -4.97db
20% Popularity • 42% Danceability • 91% Energy • 13% Liveness
2% Instrumentalness • 20% Positiveness
20% Popularity • 42% Danceability • 91% Energy • 13% Liveness
2% Instrumentalness • 20% Positiveness
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Car Seat Headrest
Unforgiving Girl (She's Not An)
165 bpm • C Maj • 05:26 • -7.19db
45% Popularity • 39% Danceability • 59% Energy • 76% Liveness
0% Instrumentalness • 68% Positiveness
45% Popularity • 39% Danceability • 59% Energy • 76% Liveness
0% Instrumentalness • 68% Positiveness
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Bishop Allen
Middle Management
165 bpm • D Maj • 02:43 • -5.52db
27% Popularity • 49% Danceability • 84% Energy • 9% Liveness
1% Instrumentalness • 44% Positiveness
27% Popularity • 49% Danceability • 84% Energy • 9% Liveness
1% Instrumentalness • 44% Positiveness
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Barreracudas
Backup Plan
151 bpm • F# min • 02:44 • -4.44db
9% Popularity • 40% Danceability • 96% Energy • 33% Liveness
0% Instrumentalness • 71% Positiveness
9% Popularity • 40% Danceability • 96% Energy • 33% Liveness
0% Instrumentalness • 71% Positiveness
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The Kosmics
My Life in Your Way
165 bpm • D Maj • 04:04 • -7.03db
26% Popularity • 43% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
26% Popularity • 43% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Billie Joe Armstrong
A New England
165 bpm • F Maj • 02:09 • -7db
35% Popularity • 52% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 97% Positiveness
35% Popularity • 52% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 97% Positiveness
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ANTS
Confusion (2024 Remaster)
151 bpm • F min • 04:50 • -7.27db
11% Popularity • 46% Danceability • 98% Energy • 30% Liveness
3% Instrumentalness • 28% Positiveness
11% Popularity • 46% Danceability • 98% Energy • 30% Liveness
3% Instrumentalness • 28% Positiveness
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Cloud Nothings
Another Man
166 bpm • E Maj • 02:31 • -3.25db
15% Popularity • 9% Danceability • 91% Energy • 29% Liveness
0% Instrumentalness • 51% Positiveness
15% Popularity • 9% Danceability • 91% Energy • 29% Liveness
0% Instrumentalness • 51% Positiveness
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Voxtrot
Raised By Wolves
151 bpm • A Maj • 04:39 • -5db
40% Popularity • 43% Danceability • 86% Energy • 23% Liveness
0% Instrumentalness • 71% Positiveness
40% Popularity • 43% Danceability • 86% Energy • 23% Liveness
0% Instrumentalness • 71% Positiveness
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The Animen
At War
166 bpm • F# min • 02:28 • -4.21db
12% Popularity • 34% Danceability • 94% Energy • 36% Liveness
0% Instrumentalness • 66% Positiveness
12% Popularity • 34% Danceability • 94% Energy • 36% Liveness
0% Instrumentalness • 66% Positiveness
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Angel Stanich
Metralleta Joe
151 bpm • F# Maj • 04:50 • -5db
25% Popularity • 50% Danceability • 90% Energy • 5% Liveness
0% Instrumentalness • 81% Positiveness
25% Popularity • 50% Danceability • 90% Energy • 5% Liveness
0% Instrumentalness • 81% Positiveness
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Dr. Dog
These Days
166 bpm • G Maj • 02:47 • -3.48db
39% Popularity • 42% Danceability • 92% Energy • 27% Liveness
0% Instrumentalness • 65% Positiveness
39% Popularity • 42% Danceability • 92% Energy • 27% Liveness
0% Instrumentalness • 65% Positiveness
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Built To Spill
Conventional Wisdom
150 bpm • G Maj • 06:21 • -5.49db
7% Popularity • 25% Danceability • 86% Energy • 41% Liveness
42% Instrumentalness • 56% Positiveness
7% Popularity • 25% Danceability • 86% Energy • 41% Liveness
42% Instrumentalness • 56% Positiveness
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A Toys Orchestra
Pinocchio
166 bpm • A min • 02:47 • -2.71db
9% Popularity • 48% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
9% Popularity • 48% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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The Airborne Toxic Event
Strange Girl
166 bpm • A# Maj • 03:24 • -4.06db
23% Popularity • 39% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
23% Popularity • 39% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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The Killing Floors
Too Far Gone
150 bpm • D Maj • 02:15 • -4.3db
9% Popularity • 26% Danceability • 91% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
9% Popularity • 26% Danceability • 91% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
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Circa Waves
Never Going Under - Acoustic
150 bpm • E Maj • 01:44 • -4.59db
13% Popularity • 69% Danceability • 66% Energy • 10% Liveness
1% Instrumentalness • 87% Positiveness
13% Popularity • 69% Danceability • 66% Energy • 10% Liveness
1% Instrumentalness • 87% Positiveness
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Glup!
Wish You Were Here
166 bpm • G Maj • 02:20 • -5.89db
36% Popularity • 38% Danceability • 90% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
36% Popularity • 38% Danceability • 90% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
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Cali
1000 coeurs debout
150 bpm • A Maj • 04:05 • -5db
30% Popularity • 49% Danceability • 90% Energy • 28% Liveness
0% Instrumentalness • 77% Positiveness
30% Popularity • 49% Danceability • 90% Energy • 28% Liveness
0% Instrumentalness • 77% Positiveness
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Heartless Bastards
Got to Have Rock and Roll
150 bpm • D Maj • 03:55 • -4.91db
31% Popularity • 54% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
31% Popularity • 54% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Wolf Parade
Cave-o-sapien
167 bpm • G# Maj • 06:18 • -4.32db
15% Popularity • 14% Danceability • 99% Energy • 20% Liveness
0% Instrumentalness • 17% Positiveness
15% Popularity • 14% Danceability • 99% Energy • 20% Liveness
0% Instrumentalness • 17% Positiveness
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Jake Bugg
Seen It All
167 bpm • D Maj • 02:51 • -5.86db
58% Popularity • 38% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
58% Popularity • 38% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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Voxtrot
Missing Pieces
167 bpm • D Maj • 05:17 • -4.85db
29% Popularity • 31% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
29% Popularity • 31% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Envelopes
Sister in Love
149 bpm • G# Maj • 02:42 • -3db
13% Popularity • 31% Danceability • 93% Energy • 31% Liveness
2% Instrumentalness • 87% Positiveness
13% Popularity • 31% Danceability • 93% Energy • 31% Liveness
2% Instrumentalness • 87% Positiveness
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OGRE YOU ASSHOLE
おまじない
167 bpm • G Maj • 02:26 • -5.08db
11% Popularity • 44% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
11% Popularity • 44% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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Queen's Pleasure
Keep Falling
167 bpm • C# min • 02:00 • -4.1db
10% Popularity • 37% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
10% Popularity • 37% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Harvey Danger
Loyalty Bldg.
168 bpm • A Maj • 06:07 • -2.64db
11% Popularity • 27% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
11% Popularity • 27% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Spoon
My Mathematical Mind
149 bpm • C Maj • 05:02 • -4.48db
33% Popularity • 48% Danceability • 86% Energy • 11% Liveness
55% Instrumentalness • 47% Positiveness
33% Popularity • 48% Danceability • 86% Energy • 11% Liveness
55% Instrumentalness • 47% Positiveness
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Voxtrot
Missing Pieces
167 bpm • D Maj • 04:48 • -5.56db
19% Popularity • 34% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
19% Popularity • 34% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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The Gaslight Anthem
Old White Lincoln
168 bpm • C Maj • 03:23 • -4.67db
48% Popularity • 47% Danceability • 88% Energy • 75% Liveness
0% Instrumentalness • 81% Positiveness
48% Popularity • 47% Danceability • 88% Energy • 75% Liveness
0% Instrumentalness • 81% Positiveness
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Sweden
Hey C'mon
168 bpm • D min • 03:30 • -4.91db
10% Popularity • 36% Danceability • 85% Energy • 35% Liveness
1% Instrumentalness • 25% Positiveness
10% Popularity • 36% Danceability • 85% Energy • 35% Liveness
1% Instrumentalness • 25% Positiveness
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The Shins
So Says I - 2023 Remaster
148 bpm • G Maj • 02:48 • -3.61db
51% Popularity • 49% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
51% Popularity • 49% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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The Walkmen
The Rat
168 bpm • F# min • 04:22 • -4.88db
55% Popularity • 17% Danceability • 92% Energy • 24% Liveness
7% Instrumentalness • 32% Positiveness
55% Popularity • 17% Danceability • 92% Energy • 24% Liveness
7% Instrumentalness • 32% Positiveness
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Hiawata!
Valley Boys
148 bpm • F# min • 02:59 • -5.68db
8% Popularity • 41% Danceability • 80% Energy • 22% Liveness
0% Instrumentalness • 58% Positiveness
8% Popularity • 41% Danceability • 80% Energy • 22% Liveness
0% Instrumentalness • 58% Positiveness
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The Kooks
I Want You
168 bpm • F Maj • 03:26 • -6.14db
39% Popularity • 24% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
39% Popularity • 24% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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The Cardboard Swords
I Don't Wanna
148 bpm • E Maj • 02:58 • -5.14db
27% Popularity • 56% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
27% Popularity • 56% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Car Seat Headrest
Vincent
148 bpm • A Maj • 07:45 • -7.84db
44% Popularity • 40% Danceability • 61% Energy • 11% Liveness
3% Instrumentalness • 5% Positiveness
44% Popularity • 40% Danceability • 61% Energy • 11% Liveness
3% Instrumentalness • 5% Positiveness
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Clash Valian
Warplane
148 bpm • G# Maj • 03:27 • -6.16db
40% Popularity • 48% Danceability • 86% Energy • 68% Liveness
0% Instrumentalness • 54% Positiveness
40% Popularity • 48% Danceability • 86% Energy • 68% Liveness
0% Instrumentalness • 54% Positiveness
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Jasmine Jituboh
What the World Needs
148 bpm • G Maj • 04:23 • -6.14db
26% Popularity • 42% Danceability • 82% Energy • 73% Liveness
0% Instrumentalness • 88% Positiveness
26% Popularity • 42% Danceability • 82% Energy • 73% Liveness
0% Instrumentalness • 88% Positiveness
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Ted Leo and the Pharmacists
Hearts of Oak
147 bpm • B Maj • 05:38 • -5.41db
23% Popularity • 46% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
23% Popularity • 46% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Rogue Wave
Own Your Own Home
147 bpm • G Maj • 05:04 • -6.06db
2% Popularity • 35% Danceability • 70% Energy • 48% Liveness
1% Instrumentalness • 27% Positiveness
2% Popularity • 35% Danceability • 70% Energy • 48% Liveness
1% Instrumentalness • 27% Positiveness
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The Sewergrooves
Free to Fly, Pt. 1
170 bpm • C# Maj • 03:42 • -3.96db
9% Popularity • 17% Danceability • 87% Energy • 24% Liveness
0% Instrumentalness • 58% Positiveness
9% Popularity • 17% Danceability • 87% Energy • 24% Liveness
0% Instrumentalness • 58% Positiveness
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Mister Heavenly
Mister Heavenly
147 bpm • C min • 03:06 • -7.94db
14% Popularity • 50% Danceability • 76% Energy • 23% Liveness
2% Instrumentalness • 62% Positiveness
14% Popularity • 50% Danceability • 76% Energy • 23% Liveness
2% Instrumentalness • 62% Positiveness
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Shout Out Louds
Hurry Up Let's Go
170 bpm • C Maj • 02:18 • -4.18db
22% Popularity • 34% Danceability • 90% Energy • 10% Liveness
2% Instrumentalness • 80% Positiveness
22% Popularity • 34% Danceability • 90% Energy • 10% Liveness
2% Instrumentalness • 80% Positiveness
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JOHAN
Fly On The Wall
147 bpm • E Maj • 02:51 • -6.76db
28% Popularity • 46% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
28% Popularity • 46% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
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Ted Leo and the Pharmacists
Tell Balgeary, Balgury Is Dead
170 bpm • B min • 04:09 • -4.78db
13% Popularity • 24% Danceability • 92% Energy • 39% Liveness
0% Instrumentalness • 49% Positiveness
13% Popularity • 24% Danceability • 92% Energy • 39% Liveness
0% Instrumentalness • 49% Positiveness
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Sweet Spirit
Let Me Be on Top
170 bpm • D Maj • 02:45 • -2.66db
16% Popularity • 14% Danceability • 91% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
16% Popularity • 14% Danceability • 91% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Supergrass
Sofa (Of My Lethargy)
170 bpm • D Maj • 06:18 • -8.14db
26% Popularity • 18% Danceability • 66% Energy • 31% Liveness
18% Instrumentalness • 33% Positiveness
26% Popularity • 18% Danceability • 66% Energy • 31% Liveness
18% Instrumentalness • 33% Positiveness
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The Skinner Brothers
Your Only You
170 bpm • C Maj • 02:58 • -5.18db
15% Popularity • 34% Danceability • 77% Energy • 78% Liveness
0% Instrumentalness • 60% Positiveness
15% Popularity • 34% Danceability • 77% Energy • 78% Liveness
0% Instrumentalness • 60% Positiveness
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toyGuitar
Until I Find You
170 bpm • A Maj • 02:13 • -4.55db
8% Popularity • 38% Danceability • 94% Energy • 31% Liveness
39% Instrumentalness • 86% Positiveness
8% Popularity • 38% Danceability • 94% Energy • 31% Liveness
39% Instrumentalness • 86% Positiveness
