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So Do the Neighbors
Songs like
So Do the Neighbors (feat. Snoop Dogg)
by
Trace Adkins
Based on a tempo of (+/- 10%) and a similar genre
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Randy Houser
My Kinda Country
81 bpm • A# min • 02:54 • -4.57db
40% Popularity • 68% Danceability • 79% Energy • 3% Liveness
1% Instrumentalness • 69% Positiveness
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Trace Adkins
So Do the Neighbors
81 bpm • D Maj • 03:44 • -5.59db
30% Popularity • 64% Danceability • 82% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
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Adam Warner
4 Square Miles
81 bpm • A# Maj • 03:40 • -5.87db
16% Popularity • 49% Danceability • 71% Energy • 12% Liveness
5% Instrumentalness • 45% Positiveness
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Chris Young
One of Them Nights
81 bpm • C# Maj • 02:42 • -4db
34% Popularity • 52% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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The Lacs
Shake It
81 bpm • B min • 03:21 • -5db
37% Popularity • 58% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
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Buddy Brown
Driving Through the Ghetto
82 bpm • E Maj • 03:29 • -5db
32% Popularity • 61% Danceability • 64% Energy • 29% Liveness
0% Instrumentalness • 43% Positiveness
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Brian Kelley
Boat Names
82 bpm • C# Maj • 03:28 • -5.57db
35% Popularity • 54% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Trace Adkins
Memory To Memphis
81 bpm • E min • 04:00 • -6.08db
16% Popularity • 55% Danceability • 90% Energy • 5% Liveness
0% Instrumentalness • 64% Positiveness
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DJ Premier
Can U Dig That?
82 bpm • F min • 03:14 • -6.56db
57% Popularity • 68% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Tyler Farr
Rednecks Like Me
80 bpm • C# Maj • 03:40 • -4.94db
37% Popularity • 51% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Chris Young
Hold My Beer Watch This
80 bpm • C# Maj • 02:46 • -2db
26% Popularity • 50% Danceability • 81% Energy • 4% Liveness
0% Instrumentalness • 70% Positiveness
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Brandon Davis
What Cowboys Are For
80 bpm • G Maj • 03:08 • -3.73db
34% Popularity • 46% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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Skip Ewing
Railroad
82 bpm • G min • 04:02 • -4.15db
11% Popularity • 58% Danceability • 79% Energy • 20% Liveness
0% Instrumentalness • 45% Positiveness
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Trace Adkins
I Should Let You Go
81 bpm • B Maj • 04:14 • -10.44db
18% Popularity • 52% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Hillside Outlaws
Beer Is Essential
80 bpm • C Maj • 02:55 • -4db
18% Popularity • 62% Danceability • 87% Energy • 39% Liveness
0% Instrumentalness • 89% Positiveness
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Tyler Booth
87 Octane
82 bpm • D Maj • 03:10 • -4.3db
38% Popularity • 52% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Craig Campbell
All My Friends Drink Beer
80 bpm • G Maj • 02:47 • -6.13db
26% Popularity • 55% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
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Rvshvd
Raised Up
80 bpm • C# Maj • 03:33 • -5db
47% Popularity • 59% Danceability • 79% Energy • 30% Liveness
0% Instrumentalness • 25% Positiveness
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Joe Nichols
Good Day for Living
82 bpm • B Maj • 03:10 • -5.28db
48% Popularity • 44% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Trace Adkins
Empty Chair
81 bpm • C# Maj • 03:54 • -7.98db
29% Popularity • 37% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Monarch Cast
Gates Of Hell
79 bpm • A# Maj • 03:45 • -8.57db
27% Popularity • 51% Danceability • 49% Energy • 9% Liveness
1% Instrumentalness • 50% Positiveness
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Gary Allan
Right Where I Need To Be
83 bpm • C# Maj • 03:02 • -4.79db
65% Popularity • 52% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Brian Kelley
American Spirit
83 bpm • D Maj • 02:59 • -6.21db
37% Popularity • 47% Danceability • 87% Energy • 22% Liveness
0% Instrumentalness • 57% Positiveness
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Neal McCoy
Rednecktified
79 bpm • A min • 03:14 • -5db
21% Popularity • 57% Danceability • 83% Energy • 31% Liveness
0% Instrumentalness • 61% Positiveness
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Sam Grow
Me and Mine
79 bpm • F# Maj • 03:09 • -4.44db
42% Popularity • 49% Danceability • 84% Energy • 28% Liveness
0% Instrumentalness • 63% Positiveness
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Aaron Tippin
You've Got to Stand for Something
83 bpm • E Maj • 03:02 • -9.79db
59% Popularity • 53% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Randy Caudle
Cowboy's Paradise
84 bpm • D Maj • 03:18 • -9.3db
18% Popularity • 56% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Nate Kenyon
Tailgate
84 bpm • C# Maj • 02:53 • -6.18db
13% Popularity • 61% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Brandon Davis
Ice Cold
84 bpm • A# Maj • 02:54 • -4.59db
24% Popularity • 55% Danceability • 84% Energy • 35% Liveness
0% Instrumentalness • 75% Positiveness
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Laine Hardy
Tiny Town
84 bpm • F# Maj • 02:54 • -8db
28% Popularity • 60% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Trace Adkins
Low Note
78 bpm • D Maj • 02:41 • -5.22db
23% Popularity • 60% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Neal McCoy
Used Car
78 bpm • A Maj • 03:17 • -6.96db
20% Popularity • 52% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
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The Lacs
Get Back Home
78 bpm • F# Maj • 03:38 • -5.24db
23% Popularity • 65% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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Chris Janson
Bye Mom
78 bpm • B Maj • 03:59 • -6.6db
31% Popularity • 55% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Joe Nichols
The Impossible
78 bpm • A Maj • 04:05 • -6.7db
47% Popularity • 62% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Chris Cagle
I'll Grow My Own
78 bpm • G# Maj • 03:58 • -5db
32% Popularity • 59% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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Trace Adkins
The Way I Wanna Go
84 bpm • G Maj • 04:24 • -6.34db
24% Popularity • 45% Danceability • 83% Energy • 38% Liveness
0% Instrumentalness • 49% Positiveness
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HIXTAPE
Home
78 bpm • D Maj • 03:23 • -4.92db
51% Popularity • 49% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Clay Walker
Fore She Was Mama
85 bpm • D Maj • 03:40 • -4.69db
50% Popularity • 61% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
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Daniel Lee
Huckleberry
85 bpm • C Maj • 03:50 • -7.91db
32% Popularity • 44% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
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Joe Nichols
She Only Smokes When She Drinks
78 bpm • E Maj • 03:22 • -8db
45% Popularity • 64% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Randy Houser
Note to Self
85 bpm • C# Maj • 03:15 • -6.49db
68% Popularity • 61% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Jay Webb
American Pride
85 bpm • D Maj • 02:29 • -10.07db
41% Popularity • 73% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Upchurch
A Little While
85 bpm • F Maj • 03:08 • -4.31db
38% Popularity • 56% Danceability • 75% Energy • 28% Liveness
0% Instrumentalness • 56% Positiveness
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Bill Weaver
Two Hours Out
85 bpm • D Maj • 03:04 • -8.52db
25% Popularity • 56% Danceability • 61% Energy • 28% Liveness
0% Instrumentalness • 51% Positiveness
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Rodney Atkins
Tell A Country Boy
77 bpm • D Maj • 03:32 • -3db
32% Popularity • 55% Danceability • 80% Energy • 27% Liveness
0% Instrumentalness • 69% Positiveness
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Cooper Alan
Pink Umbrella Drinks
77 bpm • A# Maj • 03:28 • -7.93db
38% Popularity • 59% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Michael Austin
Deer Huntin Man
77 bpm • F min • 03:12 • -5.55db
22% Popularity • 48% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Monarch Cast
A Country Boy Can Survive
77 bpm • D Maj • 04:14 • -5.4db
26% Popularity • 59% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Craig Morgan
Almost Home
77 bpm • G# Maj • 04:40 • -7.36db
57% Popularity • 53% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Darryl Worley
Send Me
86 bpm • E Maj • 03:14 • -5.42db
13% Popularity • 66% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Blake Henderson
Tomorrow's Problem
77 bpm • D Maj • 02:41 • -6db
31% Popularity • 59% Danceability • 74% Energy • 78% Liveness
0% Instrumentalness • 64% Positiveness
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Trace Adkins
Ain't That Kind of Cowboy
76 bpm • G# Maj • 03:21 • -5.15db
29% Popularity • 57% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Jimmie Allen
Get Country
76 bpm • G Maj • 03:53 • -2.67db
21% Popularity • 58% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Jade Eagleson
All Night To Figure It Out
76 bpm • A Maj • 02:50 • -3.36db
38% Popularity • 54% Danceability • 90% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
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Craig Morgan
Almost Home
76 bpm • G# Maj • 04:46 • -4.12db
33% Popularity • 57% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Chris Young
At the End of a Bar
76 bpm • D# Maj • 03:06 • -4.23db
56% Popularity • 49% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Thomas Rhett
Put It On Ice
75 bpm • C Maj • 03:04 • -4.3db
47% Popularity • 55% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
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Tyler Booth
Hey Dad
76 bpm • A# Maj • 03:25 • -6.47db
27% Popularity • 58% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Walker Montgomery
Bad Day To Be A Beer
75 bpm • C Maj • 03:02 • -4.08db
36% Popularity • 50% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Brantley Gilbert
Gone But Not Forgotten
87 bpm • F min • 02:53 • -5.83db
42% Popularity • 45% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Florida Georgia Line
Life Looks Good
88 bpm • C Maj • 02:47 • -3.54db
33% Popularity • 60% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 50% Positiveness
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Neon Union
Beer Up
88 bpm • G Maj • 03:04 • -5.11db
35% Popularity • 63% Danceability • 89% Energy • 18% Liveness
0% Instrumentalness • 90% Positiveness
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Moonshine Bandits
Outlaws Never Die
88 bpm • B min • 04:04 • -5.49db
23% Popularity • 66% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
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Easton Corbin
Marry That Girl
88 bpm • E Maj • 03:10 • -7.41db
57% Popularity • 70% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Trace Adkins
You’re Mine
74 bpm • D Maj • 03:58 • -7.63db
18% Popularity • 34% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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Buddy Brown
Redneck in the White House
89 bpm • E Maj • 03:06 • -5.84db
26% Popularity • 62% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Alexander Ludwig
Summer Crazy
89 bpm • A Maj • 03:15 • -4.63db
26% Popularity • 56% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Lady A
Friends Don't Let Friends
89 bpm • E Maj • 03:32 • -5db
40% Popularity • 54% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Noah West
Curves
90 bpm • E min • 02:35 • -4.7db
28% Popularity • 62% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
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Travis Tritt
Modern Day Bonnie and Clyde
90 bpm • A min • 04:44 • -5db
56% Popularity • 65% Danceability • 87% Energy • 28% Liveness
0% Instrumentalness • 92% Positiveness
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Chayce Beckham
Devil I’ve Been
90 bpm • D Maj • 03:28 • -4.43db
44% Popularity • 54% Danceability • 88% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
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Buddy Brown
Delivery Time
90 bpm • G Maj • 04:02 • -5.1db
17% Popularity • 67% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 41% Positiveness
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Trace Adkins
Got It Down
90 bpm • E Maj • 03:26 • -5.41db
19% Popularity • 59% Danceability • 89% Energy • 39% Liveness
0% Instrumentalness • 79% Positiveness
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Craig Morgan
International Harvester
90 bpm • D Maj • 04:09 • -5.12db
44% Popularity • 53% Danceability • 85% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
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Upchurch
Said Fuck It
90 bpm • G Maj • 03:05 • -4.82db
42% Popularity • 60% Danceability • 88% Energy • 38% Liveness
0% Instrumentalness • 51% Positiveness
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Chris Janson
Keys To The Country
90 bpm • C Maj • 02:55 • -4.47db
35% Popularity • 57% Danceability • 85% Energy • 36% Liveness
0% Instrumentalness • 65% Positiveness
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Jason Aldean
My Weakness
90 bpm • B Maj • 03:55 • -4.96db
42% Popularity • 56% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Jimmie Allen
Home Sweet Hometown
90 bpm • A Maj • 03:49 • -3.69db
23% Popularity • 50% Danceability • 87% Energy • 20% Liveness
0% Instrumentalness • 29% Positiveness
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Trace Adkins
Chrome
90 bpm • A Maj • 03:22 • -7.17db
35% Popularity • 57% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
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Rodney Atkins
These Are My People
90 bpm • C Maj • 03:33 • -4db
62% Popularity • 56% Danceability • 90% Energy • 53% Liveness
0% Instrumentalness • 63% Positiveness
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Easton Corbin
Hey Merle
91 bpm • G Maj • 02:57 • -4.65db
30% Popularity • 61% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 50% Positiveness
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HIXTAPE
Texas Size Heartache
92 bpm • E Maj • 02:41 • -5.23db
50% Popularity • 62% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Rod + Rose
Fine By Me
92 bpm • A Maj • 02:47 • -5.34db
18% Popularity • 57% Danceability • 90% Energy • 35% Liveness
0% Instrumentalness • 85% Positiveness
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Chris Janson
Good Vibes
92 bpm • C Maj • 02:45 • -2.77db
61% Popularity • 58% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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Buddy Brown
I Am 911
92 bpm • G Maj • 03:02 • -4.19db
30% Popularity • 59% Danceability • 81% Energy • 46% Liveness
0% Instrumentalness • 53% Positiveness
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Rodney Atkins
He's Mine
73 bpm • F# Maj • 03:11 • -3.81db
49% Popularity • 38% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Dee Jay Silver
Dixieland Delight (Dee Jay Silver Mix)
93 bpm • G Maj • 03:38 • -4.53db
51% Popularity • 48% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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Cory Marks
Keep Doing What I Do
93 bpm • D Maj • 03:33 • -3.1db
35% Popularity • 56% Danceability • 95% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Drew Baldridge
Beach Ain't One
93 bpm • B Maj • 02:50 • -3.71db
39% Popularity • 60% Danceability • 82% Energy • 28% Liveness
0% Instrumentalness • 62% Positiveness
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Trace Adkins
Where I Am Today
94 bpm • C# Maj • 03:29 • -5.55db
30% Popularity • 52% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Justin Champagne
If She Ain't Country - Remix
94 bpm • D Maj • 02:56 • -5.1db
37% Popularity • 66% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
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Kentucky Music Mafia
Hank and the Drinkin'
95 bpm • F Maj • 03:10 • -5.39db
42% Popularity • 60% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
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Catfish Cooley
Mudhole Mermaid
95 bpm • G# Maj • 02:21 • -5.15db
18% Popularity • 62% Danceability • 82% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
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Blake Wood
Know You by Your Truck
95 bpm • G# Maj • 03:07 • -5db
37% Popularity • 67% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Styles Haury
Country This Up
95 bpm • C Maj • 03:02 • -5.11db
13% Popularity • 66% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Trace Adkins
Running into You
96 bpm • C Maj • 04:51 • -7db
16% Popularity • 63% Danceability • 46% Energy • 12% Liveness
1% Instrumentalness • 25% Positiveness
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Craig Morgan
International Harvester
95 bpm • D Maj • 03:48 • -5.17db
60% Popularity • 70% Danceability • 84% Energy • 23% Liveness
0% Instrumentalness • 35% Positiveness
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Walker Hayes
Country Stuff
96 bpm • G Maj • 02:34 • -6.74db
45% Popularity • 68% Danceability • 79% Energy • 34% Liveness
0% Instrumentalness • 61% Positiveness
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Avila Brothers
A Hard Working Man
96 bpm • B min • 02:47 • -6.41db
31% Popularity • 61% Danceability • 81% Energy • 73% Liveness
0% Instrumentalness • 68% Positiveness
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So Do the Neighbors